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Sennelier aqua 1/2 Pfannen Set 12 Stück + ARM la petite Aquarelle HANDS FREE

Sennelier aqua 1/2 Pfannen Set 12 Stück + ARM la petite Aquarelle HANDS FREE

Der Aquarellkasten lässt sich an allen Ständern und Gelenkarmen befestigen, so dass sie in jeder Position ausgerichtet werden können. Mit diesem intelligenten neuen "La Petite Aquarelle"-Kasten haben Sie die Möglichkeit, beide Hände zu benutzen. Dieses Aquarellset ohne Hände ist mit einer Universalschraube an der Unterseite ausgestattet, so dass das Set an jedem Ständer oder Stütze befestigt werden kann. Sie können sie an einem Stuhl, einer Staffelei, einem Tisch, einer Parkbank oder einem nahen Ast befestigen. Diese Kollektion entstand aus der Erkenntnis heraus, dass es für Aquarellmaler oft schwierig ist, beim Malen im Freien bequem zu sitzen. Sehr oft wird der Aquarellkasten auf die Knie oder direkt auf den Boden gestellt. Das innovative Design dieser Kits ermöglicht es den Künstlern, beide Hände zu benutzen und vergrößert den Platz auf der Arbeitsfläche, was das Malen erleichtert. Wenn Sie Ihren Aquarellkasten an Ihrem Klappsitz oder Ihrer Staffelei befestigen, können Sie ganz einfach malen, während Sie Ihren Kaffee trinken. Das Hands Free Set besteht aus 12½ Töpfen und einem Gelenkarm. Die ½ Fächer sind austauschbar und können durch andere Farben ersetzt werden.

EUR 45.95
1

Sennelier aqua 1/2 Pfannen Set 12 Stück la petite Aquarelle HANDS FREE

Sennelier aqua 1/2 Pfannen Set 12 Stück la petite Aquarelle HANDS FREE

Der Aquarellkasten lässt sich an allen Ständern und Gelenkarmen befestigen, so dass sie in jeder Position ausgerichtet werden können. Mit diesem intelligenten neuen "La Petite Aquarelle"-Kasten haben Sie die Möglichkeit, beide Hände zu benutzen. Dieses Aquarellset ohne Hände ist mit einer Universalschraube an der Unterseite ausgestattet, so dass das Set an jedem Ständer oder Stütze befestigt werden kann. Sie können sie an einem Stuhl, einer Staffelei, einem Tisch, einer Parkbank oder einem nahen Ast befestigen. Diese Kollektion entstand aus der Erkenntnis heraus, dass es für Aquarellmaler oft schwierig ist, beim Malen im Freien bequem zu sitzen. Sehr oft wird der Aquarellkasten auf die Knie oder direkt auf den Boden gestellt. Das innovative Design dieser Kits ermöglicht es den Künstlern, beide Hände zu benutzen und vergrößert den Platz auf der Arbeitsfläche, was das Malen erleichtert. Wenn Sie Ihren Aquarellkasten an Ihrem Klappsitz oder Ihrer Staffelei befestigen, können Sie ganz einfach malen, während Sie Ihren Kaffee trinken. Das Hands Free Set besteht aus 12½ Pfannen. Die ½ Fächer sind austauschbar und können durch andere Farben ersetzt werden.

EUR 23.95
1

110g

110g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 24.95
1

50g

50g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 64.95
1

140g

140g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

100g

100g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 24.95
1

90g

90g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 35.95
1

120g

120g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 11.95
1

140g

140g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 35.95
1

150g

150g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 24.95
1

35g

35g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 11.95
1

80g

80g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

120g

120g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 35.95
1

90g

90g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

80g

80g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 76.95
1

100g

100g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 35.95
1

80g

80g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

180g

180g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

1kg

1kg

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 12.95
1

60g

60g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

120g

120g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 35.95
1

180g

180g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 11.95
1

100g

100g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 35.95
1

Gold

Gold

Sennelier Oil Stick is oil paint in solid form. Some of the oil paint has been replaced with a neutral mineral wax, which allows it to be shaped like a "stick".The oil paints are of high quality and have a high concentration of pigments, which means that they do not fade under the influence of daylight, and on binders that yellow minimally over time. The paints can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers, specially manufactured for oil painting, can also be used. Oil paints like this should preferably be applied in thin layers of about 1mm. The layers can be built up gradually in the same way as oil paints from a tube, and can be thinned with oil paint if necessary. Before using Sennelier Oil Sticks, remove the surface film. This "film" will restore itself after a few days of unuse. The applied paint dries in 2-5 days depending on the thickness of the layers, the temperature of the room and the humidity. The range also includes a transparent medium used to create transparency and a shiny effect. Artist quality oil paints are available in opaque(opaque) or transparent colours, depending on the pigment in each colour. Oil Sticks can be stored for an unlimited time, without special considerations, however they should not be stored too warm as this can damage the product. Once the paint is dry, the image can be treated with varnish to oil. Drying time is at least 6 months.

EUR 9.95
1

Cobalt Blue

Cobalt Blue

Sennelier Oil Stick is oil paint in solid form. Some of the oil paint has been replaced with a neutral mineral wax, which allows it to be shaped like a "stick".The oil paints are of high quality and have a high concentration of pigments, which means that they do not fade under the influence of daylight, and on binders that yellow minimally over time. The paints can be applied directly to surfaces that support oil paint, i.e. oil or universal primed canvas. Certain papers, specially manufactured for oil painting, can also be used. Oil paints like this should preferably be applied in thin layers of about 1mm. The layers can be built up gradually in the same way as oil paints from a tube, and can be thinned with oil paint if necessary. Before using Sennelier Oil Sticks, remove the surface film. This "film" will restore itself after a few days of unuse. The applied paint dries in 2-5 days depending on the thickness of the layers, the temperature of the room and the humidity. The range also includes a transparent medium used to create transparency and a shiny effect. Artist quality oil paints are available in opaque(opaque) or transparent colours, depending on the pigment in each colour. Oil Sticks can be stored for an unlimited time, without special considerations, however they should not be stored too warm as this can damage the product. Once the paint is dry, the image can be treated with varnish to oil. Drying time is at least 6 months.

EUR 10.95
1