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Rhodia ORANGE head stapled pad N°13 - Ruled

Rhodia ORANGE head stapled pad N°13 - Ruled

The classic pocket-sized Rhodia Head Stapled Pad is the perfect notepad for sketches and notes on the go. 80 sheets of Rhodia super smooth paper, micro-perforated at the top for easy handling. Size: A6 (105 mm × 148 mm) Lined (8 mm spacing) 80 g acid-free, pH-neutral extra white, super smooth paper 80 sheets Microperforated on top for easy and clean removal Cut cover folds back neatly Stiff backing makes it easy to write or sketch Reinforced staples for extra strength Made in France The perfect pad for sketches and notes. 80 sheets of Rhodia super smooth paper, micro-perforated at the top for easy and clean removal.

EUR 3.95
1

Rhodia WHITE head stapled pad N°13 - Ruled

Rhodia WHITE head stapled pad N°13 - Ruled

The classic pocket-sized Rhodia Head Stapled Pad is the perfect notepad for sketches and notes on the go. 80 sheets of Rhodia super smooth paper, micro-perforated at the top for easy handling. Available in orange, white and black Size: A6 (105 mm × 148 mm) Lined (8 mm spacing) 80 g acid-free, pH-neutral extra white, super smooth paper 80 sheets Microperforated on top for easy and clean removal Cut cover folds back neatly Stiff backing makes it easy to write or sketch Reinforced staples for extra strength Made in France The perfect pad for sketches and notes. 80 sheets of Rhodia super smooth paper, micro-perforated at the top for easy and clean removal.

EUR 4.95
1

Promarker China Blue (B736)

Promarker China Blue (B736)

Promarker byder på 149 forskellige gennemsigtige, alkoholbaserede blækfarver – fra intenst levende til blide pasteller – der giver dig muligheden for at arbejde med fine nuancer og præcise toneforløb, og skabe dybde gennem lag-på-lag. Dobbeltspidset med bred skrå spids og fin kuglespids. Højkvalitets spidser sikrer jævn dækning uden striber. Ekspert, alsidig og med et uovertruffent farvespektrum – Winsor & Newton Promarker er et professionelt kvalitetsprodukt, der er et must-have i enhver marker-samling.

EUR 4.95
1

MOLO ONE4ALL 127 HS 252 GLOSSY Schwarz

MOLO ONE4ALL 127 HS 252 GLOSSY Schwarz

Ikke gennemsigtig og UV-bestandig på næsten alle overflader: Det bæredygtige ONE4ALL marker system blev bygget til genopfyldning og er pålideligt i alle funktioner. Uanset om du maler surfbrætter, sneakers, lærreder, køleskabe, graffitis, pyntegenstande eller elektriske guitarer: intet er umuligt. Med de fantastiske 74 farvenuancer giver Molotow ONE4ALL markers et fantastisk farveområde. Takket være tilsvarende tomme markører kan individuelle farvenuancer let blandes. Seje effektfarver skaber spændende maleroplevelser: Udover metalliske og neonfarve nuancer er der også blanke farver tilgængelige. Kunstnere, der foretrækker at male med akrylmaling eller akryltuscher, sætter pris på Molotow ONE4ALL-sortimentet af høj kvalitet.

EUR 3.95
1

MOLO ONE4ALL 227 HS 261 Steingrau mittel

MOLO ONE4ALL 227 HS 261 Steingrau mittel

Ikke gennemsigtig og UV-bestandig på næsten alle overflader: Det bæredygtige ONE4ALL marker system blev bygget til genopfyldning og er pålideligt i alle funktioner. Uanset om du maler surfbrætter, sneakers, lærreder, køleskabe, graffitis, pyntegenstande eller elektriske guitarer: intet er umuligt. Med de fantastiske 74 farvenuancer giver Molotow ONE4ALL markers et fantastisk farveområde. Takket være tilsvarende tomme markører kan individuelle farvenuancer let blandes. Seje effektfarver skaber spændende maleroplevelser: Udover metalliske og neonfarve nuancer er der også blanke farver tilgængelige. Kunstnere, der foretrækker at male med akrylmaling eller akryltuscher, sætter pris på Molotow ONE4ALL-sortimentet af høj kvalitet.

EUR 4.95
1

500ml

500ml

Color: Phthalo Blue Permanence: AAOpacity: OpaquePigment: PB15:3Pigment description: Copper Phthalocyanine ßASTM Rating Ligthfastness: IPigment classification: OrganometallicColor Index Number: 74160bViscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

125ml

125ml

Color: Cadmium Lemon Yellow (Hue) Permanence: AAOpacity: Semi-transparentPigment: PY3Pigment description: Arylide YellowASTM Rating Ligthfastness: IIPigment classification: Synthetic OrganicColor Index Number: 11710Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent lightfastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, anthraquinones and quinacridones.

EUR 4.95
1

200ml

200ml

Color: Primary Blue Permanence: AAOpacity: OpaquePigment: PW6, PB15:3Pigment description: Titanium Dioxide Rutile, Copper PhthalocyanineASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

500ml

500ml

Color: Permanent Violet Permanence: AOpacity: OpaquePigment: PV23Pigment description: Carbazole DioxazineASTM Rating Ligthfastness: IIPigment classification: Synthetic OrganicColor Index Number: 51319Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

200ml

200ml

Color: Sap Green Permanence: AOpacity: OpaquePigment: PY83, MixturePigment description: Nitrous Iron Complex, Diarylide YellowASTM Rating Ligthfastness: -Pigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

500ml

500ml

Colour: Titanium White RutilePermanence: AAOpacity: OpaquePigment: PW6Pigmentdescription: Titanium Dioxide RutileASTMRating Ligthfastness: IPigment classification: Synthetic InorganicColorIndex Number: 77891Viscosityrange (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

125ml

125ml

Color: Magenta Permanence: AAOpacity: OpaquePigment: PR122, PW6Pigment description: Quinacridone, Titanium Dioxide RutileASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

200ml

200ml

Colour: Azo Yellow OrangePermanence: AOpacity: TransparentPigment: PY83Pigment description: Diarylide YellowASTM Rating Ligthfastness: IPigment classification: Synthetic OrganicColor Index Number: 21108Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

500ml

500ml

Color: Burnt Sienna Permanence: AAOpacity: OpaquePigment: PY42, PR101, PBk7Pigment description: Synthetic Iron Oxide, Synthetic Red Iron Oxide, Nearly Pure Amorphous CarbonASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

500ml

500ml

Color: Orange Iron Oxide Permanence: AAOpacity: OpaquePigment: PY42, PR101Pigment description: Hydrated Synthetic Iron Oxide, Synthetic Red Iron OxideASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

125ml

125ml

Colour: Payne's GreyPermanence: AAOpacity: OpaquePigment: PB29, PBk11, PY42Pigmentdescription: Polysulphide of Sodium Alumino Silicate, Synthetic Black Iron Oxide, Synthetic Iron OxideASTMRating Ligthfastness: IPigment classification: MixtureColorIndex Number: -Viscosityrange (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

500ml

500ml

Color: Carnation Pink Permanence: AAOpacity: OpaquePigment: PW6, PR112, PY3Pigment description: Titanium Dioxide Rutile, Naphthol As-D, Arylide YellowASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

125ml

125ml

Color: Phthalo Turquoise Permanence: AAOpacity: OpaquePigment: PB15:3, PG7, PW6Pigment description: Copper Phthalocyanine, Chlorinated Copper Phthalocyanine, Titanium Dioxide RutileASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

200ml

200ml

Colour: Olive GreenPermanence: AAOpacity: OpaquePigment: PG7, PY42, PR101Pigmentdescription: Chlorinated Copper Phthalocyanine, Synthetic Yellow Iron Oxide, Synthetic Red Iron OxideASTMRating Ligthfastness: IPigment classification: MixtureColorIndex Number: -Viscosityrange (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1