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15ml

15ml

A necessary watercolor for painters who embrace color - a brilliant, slightly violet, red. Never bashful, Quinacridone Fuchsia remains strong even when mixed with water. Your light washes will be bold and, at full strength, few paints can compare to the uncompromising richness of Quinacridone Fuchsia. Completely transparent and satiny smooth, this radiant watercolor is sure to become a staple on your palette. Highly durable and extremely transparent, all the DANIEL SMITH Quinacridone colours excel in vivid clarity and intensity.

EUR 17.95
1

15ml

15ml

Made from pure Fuchsite, a mineral with mica-like characteristics, this color creates a luminous pearly green shimmer. Soft, subtle with a pearly green shimmer, Fuchsite PrimaTek watercolor is luminous and elegant. Made from pure Fuchsite, a Russian mineral, this transparent mineral color is great for layering delicate green to add luster and dimension to your paintings. Try glazing this over a stronger green to soften and enhance foliage or add it one subtle layer at a time to cool your study with a unique glow and non-traditional hue.

EUR 17.95
1

Daniel Smith Watercolor Ground - Transparent

Daniel Smith Watercolor Ground - Transparent

Create beautiful watercolours that look like they're painted directly onto wood, metal or glass with this watercolour primer from Daniel Smith in Transparency. You might wonder if there's any point in using it when you can't see it, but different surfaces ooze differently. This watercolor ground seals surfaces, preparing them to give that beautiful watercolor effect you know from paper medium. At the same time, you can take advantage of the look of your assault in your painting, as it can be seen through the most transparent watercolours. Contains 118 ml

EUR 11.95
1

140g

140g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

120g

120g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 11.95
1

32x41 40 sheets

32x41 40 sheets

Canson Montval Watercolour Block is very easy to use and easy to correct mistakes on as the paper can be washed with a brush. All in all a good and popular standard paper. The Montval paper was designed by the artist Gaspard Maillol, nephew of the sculptor Aristide Maillol, and produced by Canson at his request in the early 20th century. Since then, watercolour paper has been improved: it is acid-free, long-lasting, treated against moulding and all this without the use of optical bleaches. Canson Montval watercolour paper contains acid-free, 200 or 300 gram creamy white paper with a medium rough texture, glued in one direction only. The block is available in many sizes.

EUR 10.95
1

35g

35g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 11.95
1

80g

80g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

90g

90g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

80g

80g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

180g

180g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

1kg

1kg

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 12.95
1

60g

60g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 16.95
1

180g

180g

At the end of the 19th century, when Sennelier was developing oil paints for his customers, who included great artists such as Cézanne, Gauguin and Picasso, Gustave Sennelier realised that there was a need to produce some paint that contained the highest quality pigments. In trying to produce the best colours, Gustave noted that the original pigments came from selected traditional sources, while identifying the specific chemical composition of each pigment. All this, his great respect for the materials, not only ensured the durability of work done with his paints, but also ensured a small production of unique colours with unmatched beauty and quality. The pigments are available in 25g -180g cans.

EUR 11.95
1

Faber-Castell Goldfaber Aqua Dual marker Fantasy 6 ass

Faber-Castell Goldfaber Aqua Dual marker Fantasy 6 ass

The multifunctional Goldfaber Aqua Dual Marker is the perfect companion for your creative journey and supports you to create more DIY projects. Equipped with two different nibs - brush and fineliner - it offers thousands of possibilities to create stylish lettering, delicate watercolors, preliminary sketches, coloring smaller areas and shading or drawing precise outlines. The water-based ink is ready at any time and can also be washed out completely with water. The marker is a pioneer in its category: caps and barrel are made from 100% recycled plastic to protect the environment. Paper we recommend: Fabriano Bristol Water-based color marker with two tips Soft, flexible brush tip for artistic work and metal-encapsulated fineliner tip for outlines and details Line width of fineliner tip 0.6 mm Fully water soluble Does not bleed through paper Odorless, acid-free, pH neutral Colors: 104, 119, 164, 171, 196, 281 Caps and barrel are made from 100% recycled material and may show color variations due to production.

EUR 12.95
1

200ml

200ml

Color: Ivory BlackPermanence: AAOpacity: OpaquePigment: PBk9Pigment description: Carbonized Material (Amorphous Carbon)ASTM Rating Ligthfastness: IPigment classification: Natural inorganicColor Index Number: 77267Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 19.95
1

Faber-Castell Goldfaber Aqua Dual marker Portrait 6 ass

Faber-Castell Goldfaber Aqua Dual marker Portrait 6 ass

The multifunctional Goldfaber Aqua Dual Marker is the perfect companion for your creative journey and supports you to achieve more DIY projects. Equipped with two different nibs - brush and fineliner - it offers thousands of possibilities to create stylish lettering, delicate watercolors, preliminary sketches, coloring smaller areas and shading or drawing precise outlines. The water-based ink is ready at any time and can also be washed out completely with water. The marker is a pioneer in its category: caps and barrel are made from 100% recycled plastic to protect the environment. Paper we recommend: Fabriano Bristol Water-based color marker with two tips Soft, flexible brush tip for artistic work and metal-encapsulated fineliner tip for outlines and details Line width of fineliner tip 0.6 mm Fully water soluble Does not bleed through paper Odorless, acid-free, pH neutral Box of 6 pcs. Colors: 114, 116, 186, 195, 281, 283 Caps and barrel are made from 100% recycled material and may show color variations due to production.

EUR 18.95
1

60ml

60ml

Colour: Burnt SiennaPermanence: AAOpacity: OpaquePigment: PBr7, PY42, PR101Pigment description: Calcined Natural and Synthetic Iron OxidesASTM Rating Ligthfastness: IPigment classification: MixtureColour Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 19.95
1