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18x26cm

18x26cm

Sennelier Watercolour Block Rough comes printed on delicious watercolour paper from Sennelier in 100% pure cotton. The paper has a thickness of 300 grams and is acid-free! Sennelier Watercolour Block Rough's paper has a rough surface and the block includes 20 sheets. The watercolour paper, and its quality, is one of the most important elements of a beautiful watercolour painting. Discover the joy of cotton paper when painting watercolours and see the beautiful effects the paper helps to create!

EUR 38.95
1

59ml

59ml

Cadmium Red Medium became the most widely used red shortly after it was synthesized in 1907 because it offered greater permanence and intensity than the mostly plant-based reds used up to that time. Pigment Classification: Synthetic InorganicColor Index Name: PR108Color Index Number: 77202Chemical Description: Concentrated Cadmium SulfoselenideOpacity/Transparency: Semi-OpaqueLightfastness Rating: 1Permanency: Not for Exterior UseMunsell Notation Listing: Hue 7.0 Value 4.2 Chroma 16Gloss Average: 71Viscosity Range: 4000-15000 CPSCIE L*a*b* Values: L*42.85 a*50.1 b*27.7Tint Strength: 77.19

EUR 41.95
1

CANSON Figueras 38 x 46 cm

CANSON Figueras 38 x 46 cm

Surface treated paper for oil and acrylic painting on 290g. Dedicated to oil painting, Figueras paper offers a canvas-like texture. Figueras paper has a special barrier capable of absorbing oil, binders and solvents while keeping the paint on the surface, achieving true-to-life colors without leaving oil marks on the back of the sheet. The paper is ready to use for oil and acrylic painting without priming or preparation. Figueras paper is acid-free and has excellent preservation properties, guaranteeing that the artwork will stand the test of time.

EUR 24.95
1

Faber-Castell Color Grip set 48 pcs Metal box

Faber-Castell Color Grip set 48 pcs Metal box

Ideal for older children, the Color Grip crayons have an ergonomic triangular barrel and patented Soft-Grip zone. This ensures fatigue-free and comfortable drawing. The high pigmentation in lead makes the colors very vivid. The water-soluble pigments give great results: simply draw your image and then apply water to a brush to create beautiful watercolor images. Colored pencil with patented grip zone for a secure, non-slip grip Content: 48 Color Grip colored pencils, 1 brush, 1 Grip graphite pencil, 1 sharpener Ergonomic triangular shape Water-soluble Highest break resistance due to bonding Washes out of most fabrics Wood from sustainable forestry Eco-friendly water-based varnish Suitable for right and left-handed users Space for nameplate Tin box with 48 pcs.

EUR 40.95
1

200ml

200ml

Color: Cerulean Cobalt BluePermanence: AAOpacity: Semi-transparentPigment: PB35Pigment description: Cobalt, Tin and Magnesium OxideASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77368Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 43.95
1

200ml

200ml

Colour: Chromium Oxide GreenPermanence: AAOpacity: OpaquePigment: PG17Pigment description: Chrome OxideASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77288Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 27.95
1

15ml

15ml

A unique and vibrant blue, the gemstone comes from Sleeping Beauty Mountain in Arizona where we found a deposit that lives up to our high expectations. It is lightfast and permanent, with none of the transient color fade that plagues most turquiose. Turquoise has a unique porous nature that produces granular washes. Juicy washes flow from the brush and drybrush work has the intense texture found only in a mineral pigment. Traditional mineral pigments often have a muted feel and our unique Turquoise Genuine has a true brilliance. We use the highest grade mineral that is found closest to the earth's surface, where environmental factors have enhanced the structure to gemstone quality and deepened the tonal richness to a remarkable blue. Historic references of Turquoise date back as far as Egypt's first dynasty. Turquoise from the American Southwest has been unearthed in Aztec ruins and Persian turquoise was used as trading currency.

EUR 25.95
1

60ml

60ml

Colour: Cyan BluePermanence: AAOpacity: OpaquePigment: PW6, PB15:3Pigment description: Rutile Titanium Dioxide, Copper Phthalocyanine ßASTM Rating Ligthfastness: IPigment classification: MixtureColour Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 22.95
1

60

60

Color: Cobalt Blue ChromePermanence: AAOpacity: OpaquePigment: PB36Pigment description: Aluminum, Chrome and Cobalt OxideASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 20.95
1

200ml

200ml

Color: Naphthol CrimsonPermanence: BOpacity: Semi-transparentPigment: PR5Pigment description: Naphthol ITRASTM Rating Ligthfastness: IIPigment classification: Synthetic organicColor Index Number: 12490Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 20.95
1

60ml

60ml

Colour: Ultramarine VioletPermanence: AAOpacity: Semi-transparentPigment: PV15Pigmentdescription: Silicate of Sodium and AluminumASTMRating Ligthfastness: IPigment classification: Synthetic inorganicColorIndex Number: 77007Viscosityrange (mPa.s): 800 - 1.500 Colour IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 20.95
1

500ml

500ml

Colour: Phthalo BluePermanence: AAOpacity: Semi-transparentPigment: PB15:3Pigment description: Copper Phthalocyanine ßASTM Rating Ligthfastness: IPigment classification: OrganometallicColor Index Number: 74160 bViscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 22.95
1

28ml

28ml

36 brilliant colours including aromatic colours and 12 very opaque colours called TOTAL COVER. - 24 exceptional effect colours with unique colour effects (AERO SHINE, AERO PEARL AERO METALLIC and AERO VISION) - Airbrush colours as well as liquid acrylic ink suitable for many mixed media techniques, brushes and calligraphy. - Unique opaque white - SUPRA-white - 3 primary colours for a perfect mixing result; primary yellow, primary magenta and primary cyan - Highest possible light fastness (4-5 stars) - Impressive adhesion on many surfaces - Dries up with a satin matt gloss and are waterproof when dry. - 28 ml bottles with pipette in the lid AERO COLOR professional stands for ideal working properties. AERO COLOR Professional colours have a pleasant smell, are easy to use, and can be used on most grease-free surfaces. All colours are ready to use. Due to their fine pigmentation, the colours can be used both pure, or diluted with AERO MEDIUM or water. All colours come in 28 ml bottles. AERO COLOR Professional adheres particularly well to all types of paper and cardboard, as well as the usual non-absorbent surfaces such as film, hard plastics, and - after the right pre-treatment - metal. The colours are easy to mask and suitable for graphic design and special airbrush techniques. AERO COLOR Professional dries to a semi-matte sheen and is water-resistant.

EUR 20.95
1