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A5

A5

Clairefontaine Paint On Multi-Techniques Pig contains grey pages and can be used for a multitude of different materials and techniques. In fact, it lends itself to everything from fine liners to watercolour and acrylic paints. The paper in this block from Clairefontaine is strong, thick and has good absorbency. The paper has a smooth texture and is acid-free, and its grey mid-tone lends itself to highlighting the dramatic contrast between light and shade. Clairefontaine Paint On Multi-Techniques Gris is printed on 250 gram paper and comes with 30 sheets. Available in A3, A4 and A5 sizes.

EUR 7.95
1

A3

A3

Clairefontaine Paint On Multi-Techniques Noir contains black pages and can be used for a variety of materials and techniques. In fact, it is suitable for everything from fine liners to watercolour and acrylic paints. The paper in this pad from Clairefontaine is strong, thick and has good absorbency. The paper has a smooth texture and is acid-free and its deep black colour lends itself to creating huge contrast. Clairefontaine Paint On Multi-Techniques Noir is printed on 250 gram paper and comes with 30 sheets. Available in A3, A4 and A5 sizes.

EUR 6.95
1

500ml

500ml

Color: Burnt Rose DarkPermanence: AAOpacity: OpaquePigment: PBk11, PBr7Pigment description: Calcined Natural and Synthetic Iron OxidesASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 8.95
1

Mars Violet

Mars Violet

Colour: Mars VioletPermanence: AAOpacity: OpaquePigment: PR101, PBk11Pigment description: Synthetic Iron OxideASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 8.95
1

Transoxide Red

Transoxide Red

Colour: Transoxide RedPermanence: AAOpacity: TransparentPigment: PR101Pigmentdescription: Synthetic Red Iron OxideASTMRating Ligthfastness: IPigment classification: Synthetic inorganicColorIndex Number: 77491Viscosityrange (mPa.s): 800 - 1.500 Colour IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 9.95
1

500ml

500ml

Color: Rose Red Azo Permanence: AAOpacity: OpaquePigment: PR112Pigment description: Naphthol AS-DASTM Rating Ligthfastness: IIPigment classification: Synthetic OrganicColor Index Number: 12370 Viscosity range (mPa.s): 15.000 - 20.000 Color Index The pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent lightfastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 5.95
1

500ml

500ml

Colour: Quinacridone RosePermanence: AAOpacity: OpaquePigment: PV19, PW6Pigment description: Quinacridone, Titanium Dioxide RutileASTM Rating Ligthfastness: IPigment classification: MixtureColour Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 5.95
1

200ml

200ml

Color: Mars Black Permanence: AAOpacity: OpaquePigment: PBk11Pigment description: Synthetic Black Iron OxideASTM Rating Ligthfastness: IPigment classification: Synthetic InorganicColor Index Number: 77499Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 5.95
1

125ml

125ml

Color: Ultramarine Blue Permanence: AAOpacity: Semi-transparentPigment: PB29Pigment description: Polysulphide of Sodium Alumino SilicateASTM Rating Ligthfastness: IPigment classification: Synthetic InorganicColor Index Number: 77007Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 5.95
1

500ml

500ml

Color: Fluorescent Magenta Permanence: BOpacity: Semi-transparentPigment: FluoPigment description: Fluorescent MagentaASTM Rating Ligthfastness: -Pigment classification: -Color Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 5.95
1

Naphthol Red Light

Naphthol Red Light

Colour: Naphthol Red LightPermanence: AOpacity: OpaquePigment: PR112Pigment description: Naphthol ASASTM Rating Ligthfastness: IIPigment classification: Synthetic organicColor Index Number: 12370Viscosity range (mPa.s): 800 - 1.500 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 9.95
1

200ml

200ml

Colour: Fluorescent Gold YellowPermanence: BOpacity: Semi-transparentPigment: FluoPigment description: Fluo, Naphthol AS-DASTM Rating Ligthfastness: IIPigment classification: -Color Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 5.95
1

Permanent Green

Permanent Green

Colour: Permanent GreenPermanence: AAOpacity: OpaquePigment: PY3, PG7Pigmentdescription: Arylide, Chlorinated Copper PhthalocyanineASTMRating Ligthfastness: IPigment classification: MixtureColorIndex Number: -Viscosityrange (mPa.s): 800 - 1.500 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 9.95
1

125ml

125ml

Colour: Fluorescent YellowPermanence: BOpacity: TransparentPigment: FluoPigment description: FluoASTM Rating Ligthfastness: -Pigment classification: -Color Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 5.95
1

200ml

200ml

Color: Fluorescent Flame Red Permanence: BOpacity: Semi-transparentPigment: Fluo, PR112Pigment description: Fluo, Naphthol AS-DASTM Rating Ligthfastness: IIPigment classification: -Color Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 8.95
1

500ml

500ml

Colour: Fluorescent GreenPermanence: BOpacity: Semi-transparentPigment: Fluo, PG7Pigment description: Fluo, Chlorinated Copper PhthalocyanineASTM Rating Ligthfastness: IIPigment classification: -Color Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 8.95
1

60ml

60ml

Colour: Mars RedPermanence: AAOpacity: OpaquePigment: PR101Pigment description: Synthetic Iron OxideASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77491Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridon

EUR 8.95
1

200ml

200ml

Color: Yellow Iron Oxide Permanence: AAOpacity: OpaquePigment: PY42Pigment description: Hydrated Synthetic Iron OxideASTM Rating Ligthfastness: IPigment classification: Synthetic InorganicColor Index Number: 77492Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 5.95
1

200ml

200ml

Color: Ultramarine BluePermanence: AAOpacity: Semi-transparentPigment: PB29Pigment description: Silicate of Sodium and Aluminum with SulfurASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77007Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 9.95
1

60ml

60ml

Finest artist acrylic paint (series 23).52 standard colours and 8 special colours = balanced, wide colour spectrum.High gloss and covering power (2/3 of the colours) or transparent (1/3 of the colours) Schminckes AKADEMIE Acrylic colours are suitable not only for the ambitious beginner, but also for the demanding professional artist.The 60 brilliant, intense and extremely light colours are a sophisticated range that includes three shades of white, and special effect colours (including gold, silver and neon colours). All colours are created without cadmium pigments. Additional advantages of this range are the completely waterproof drying, the long opening time of the colours and a pleasant smell. As with all acrylic paints, AKADEMIE Acrylic paint can be mixed and combined with other Schmincke paints (PRIMAcryl , College Acrylic and AERO COLOR Professional) and all acrylic media. Stretched canvases, acrylic paper, wood and other clean grease-free surfaces are suitable as painting base.

EUR 6.95
1