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A5

A5

Clairefontaine Paint On Multi-Techniques Pig contains grey pages and can be used for a multitude of different materials and techniques. In fact, it lends itself to everything from fine liners to watercolour and acrylic paints. The paper in this block from Clairefontaine is strong, thick and has good absorbency. The paper has a smooth texture and is acid-free, and its grey mid-tone lends itself to highlighting the dramatic contrast between light and shade. Clairefontaine Paint On Multi-Techniques Gris is printed on 250 gram paper and comes with 30 sheets. Available in A3, A4 and A5 sizes.

EUR 7.95
1

HIMI Gouache Set 18 pcs. 30ml (yellow)

HIMI Gouache Set 18 pcs. 30ml (yellow)

Incredibly beautiful and upgraded design look from HIMI Gouache. Portable box in green with sealed lid that will keep your 24 gouache colors wet and creamy for a better painting experience every time. The set contains 24 colors in 30ml. HIMI Gouache is especially known for its delicious color intensity and strong pigmentation. All colors are thick and creamy, can be diluted with water and do not crack when the paint dries out. SAFE AND FUN - They are chemical-free, odorless, environmentally friendly and can be easily washed off with water and are definitely suitable for artists and beginners alike. REMEMBER : Add HIMI Gouache spray in the basket. It helps keep the colors nice and fresh.

EUR 23.95
1

HIMI Gouache set 24 pcs. 30ml (green)

HIMI Gouache set 24 pcs. 30ml (green)

Incredibly beautiful and upgraded design look from HIMI Gouache. Portable box in green with sealed lid that will keep your 24 gouache colors wet and creamy for a better painting experience every time. The set contains 24 colors in 30ml. HIMI Gouache is especially known for its delicious color intensity and strong pigmentation. All colors are thick and creamy, can be diluted with water and do not crack when the paint dries out. SAFE AND FUN - They are chemical-free, odorless, environmentally friendly and can be easily washed off with water and are definitely suitable for artists and beginners alike. REMEMBER : Add HIMI Gouache spray in the basket. It helps keep the colors nice and fresh.

EUR 30.95
1

A3

A3

Clairefontaine Paint On Multi-Techniques Noir contains black pages and can be used for a variety of materials and techniques. In fact, it is suitable for everything from fine liners to watercolour and acrylic paints. The paper in this pad from Clairefontaine is strong, thick and has good absorbency. The paper has a smooth texture and is acid-free and its deep black colour lends itself to creating huge contrast. Clairefontaine Paint On Multi-Techniques Noir is printed on 250 gram paper and comes with 30 sheets. Available in A3, A4 and A5 sizes.

EUR 30.95
1

Faber-Castell Goldfaber set 48 pcs Watercolors incl. water brush

Faber-Castell Goldfaber set 48 pcs Watercolors incl. water brush

Faber-Castell offers beginners and hobby artists three sets with watercolors in pans, a water brush and a removable mixing palette. All conventional watercolor techniques can be implemented with the highly pigmented watercolors. The included water brush, which can produce numerous stunning effects, is the perfect companion for painting outdoors or on trips. The brilliant and bright colors, including metallic and neon colors, impress users and support them as they bring joy and expression to their own creativity. With water brush and detachable palette Brilliant and bright colors that are completely water-soluble Perfect blendability of light and dark shades High-quality pigments Removable palette, easy to clean

EUR 36.95
1

60ml

60ml

Colour: Burnt SiennaPermanence: AAOpacity: OpaquePigment: PBr7, PY42, PR101Pigment description: Calcined Natural and Synthetic Iron OxidesASTM Rating Ligthfastness: IPigment classification: MixtureColour Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 19.95
1

60

60

Color: Cobalt Blue ChromePermanence: AAOpacity: OpaquePigment: PB36Pigment description: Aluminum, Chrome and Cobalt OxideASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 20.95
1

500ml

500ml

Color: Burnt Rose DarkPermanence: AAOpacity: OpaquePigment: PBk11, PBr7Pigment description: Calcined Natural and Synthetic Iron OxidesASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 19.95
1

200ml

200ml

Color: Cerulean Cobalt BluePermanence: AAOpacity: Semi-transparentPigment: PB35Pigment description: Cobalt, Tin and Magnesium OxideASTM Rating Ligthfastness: IPigment classification: Synthetic inorganicColor Index Number: 77368Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 43.95
1

Mars Violet

Mars Violet

Colour: Mars VioletPermanence: AAOpacity: OpaquePigment: PR101, PBk11Pigment description: Synthetic Iron OxideASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 8.95
1

200ml

200ml

Color: Ivory BlackPermanence: AAOpacity: OpaquePigment: PBk9Pigment description: Carbonized Material (Amorphous Carbon)ASTM Rating Ligthfastness: IPigment classification: Natural inorganicColor Index Number: 77267Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 18.95
1

200ml

200ml

Color: Sap Green Permanence: AOpacity: OpaquePigment: PY83, MixturePigment description: Nitrous Iron Complex, Diarylide YellowASTM Rating Ligthfastness: -Pigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 9.95
1

Transoxide Red

Transoxide Red

Colour: Transoxide RedPermanence: AAOpacity: TransparentPigment: PR101Pigmentdescription: Synthetic Red Iron OxideASTMRating Ligthfastness: IPigment classification: Synthetic inorganicColorIndex Number: 77491Viscosityrange (mPa.s): 800 - 1.500 Colour IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 9.95
1

500ml

500ml

Color: Rose Red Azo Permanence: AAOpacity: OpaquePigment: PR112Pigment description: Naphthol AS-DASTM Rating Ligthfastness: IIPigment classification: Synthetic OrganicColor Index Number: 12370 Viscosity range (mPa.s): 15.000 - 20.000 Color Index The pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent lightfastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 5.95
1

60ml

60ml

Colour: Sap Green (Hue)Permanence: AOpacity: OpaquePigment: PY83, PG7Pigment description: Diarylide, Chlorinated Copper PhthalocyanineASTM Rating Ligthfastness: IPigment classification: MixtureColour Index Number: -Viscosity range (mPa.s): 20.000 - 25.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 20.95
1