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Play on Your Harp

A choral fantasy based on two tunes, Little David Play on Your Harp and Swing Low, Sweet Chariot, this piece exercises the essential even eighth-note rhythms of Little David and the swing 8ths of Swing Low. Let your choir have fun with the contrast between Little David's active, straight-ahead energy, and Swing Low's down-home, low-in-the-body bluesy feel.

DKK 56.00

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Indian Summer

This setting of an Emily Dickinson text explores the bittersweet quality of those few summer-like days in what should be fall, comparing them to the bread and wine of the communion service. The music explores the full palette of choral expression, with dramatic contrasts in dynamic range and vocal textures.

DKK 56.00

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Orkney Saga V : Westerly Gale in Biscay, Salt in the Bread Broken

Part of the Hawkes Pocket Scores Series

DKK 230.00

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Ships of Arcada in B

Michael Head's The Ships Of Acardy is a beautiful setting of the text by Francis Ledwidge, available here in B-flat for Low Voice with Piano accompaniment.

DKK 141.00

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Collected Songs : 60 Songs

60 songs, with extensive historical introductory notes. Includes all art songs originally composed for voice and piano published by Boosey & Hawkes. Available for for High Voice as well as for Medium/Low Voice, with newly published transpositions as necessary.

DKK 332.00

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Art Song in English : 50 Songs by 21 American and British Composers

This unique compilation is a wonderful, substantial sampling of art song in the English language, with composers from both sides of the Atlantic. The publication includes many first-time transpositions, as the song list is the same for the High Voice and Medium/Low Voice editions.

DKK 332.00

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Jazz Tonight : 7. Swing Low, Sweet Chariot

Tim Garland is one of the UK's most talented expert jazz composers and saxophonists.'Jazz Tonight' is a selection of his best tunes, played by his Dean Street Underground Orchestra. The arrangements of popular standards and original compositions by Garland offer a lot of opportunities for improvisation and are ideal for jazz bands from the advanced level onward.

DKK 311.00

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The Boosey Voice Coach : Singing in German

German language – difficult pronunciationHow do I say that in German?• Practical instructions by the singing teacher Mary King• Wide selection of German lieder and art songs• Editions for high and medium/low voiceGerman is often considered to be a difficult language for singing. Consonants, umlauts and regional accents make it quite difficult, especially for non-native speakers, to pronounce words correctly when singing. This edition solves those problems.This practical guide for all vocal students explains the peculiarities of the German language and its correct pronunciation through the use of repertoire. In doing this, it also offers a fantastic selection of the mostbeautiful lieder and art songs in German.

DKK 235.00

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Piano Concerto No.2 : Hawkes Pocket Scores HPS 1468

Originally a ballet score this 30' work is scored with strings and consists of three movements:cumnock fair: A 12-minute fantasy based on dance melodies by the 18th-century Cumnock composer John French. The moods range widely from playful, rustic, archaic, ungainly, dreamy, boisterous, stately, brutal and grotesque to mysterious and unnerving.shambards': Memories of Burnsian folksong are interrupted by new dance tunes built on fragments from the Mad Scene from Act 3 of Donizetti’s Lucia di Lammermoor, based on the novel by Walter Scott. shamnation. Low throbbing in the piano becomes a drumbeat to accompany a fast violin reel using three tunes and following a traditional 8-barstructure. The solo piano part emerges as a counterpoint to the Scottish themes after which the music winds its way through many different keys.

DKK 349.00

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Piano Concerto No. 2

Originally a ballet score this 30' work is scored with strings and consists of three movements:cumnock fair, a 12-minute fantasy based on dance melodies by the 18th-century Cumnock composer John French. The moods range widely from playful, rustic, archaic, ungainly, dreamy, boisterous, stately, brutal and grotesque to mysterious and unnerving.'shambards' Memories of Burnsian folksong are interrupted by new dance tunes built on fragments from the Mad Scene from Act 3 of Donizetti’s Lucia di Lammermoor, based on the novel by Walter Scott. 'shamnation'. Low throbbing in the piano becomes a drumbeat to accompany a fast violin reel using three tunes and following a traditional 8-barstructure. The solo piano part emerges as a counterpoint to the Scottish themes after which the music winds its way through many different keys.

DKK 281.00

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I (A Meditation on Iona) : Hawkes Pocket Scores HPS 1444

This work came about through a collaborative experiment with the sculptress Sue Jane Taylor. It is a pensive and reflective work for strings and percussion lasting about fifteen minutes, and is mostly slow and static. It is built around a few recurrent melodic motives which revolve n a cyclic and episodic structure. Sometimes the material is very simple, like a single tolling metallic sound accompanied by slowly shifting chords, or a fragmented and hesitant solo violin or viola accompanied by patiently evolving clusters and chords. Sometimes, the material is more assertive involving trills, tremolandi and glissandi and low heavy chords with primally simple percussive ideas.The whole is intended to give an impression of the island of Iona where St. Columba lived, and died in 597. It is a place of stark and desolate beauty, a focus of deep spiritual resonance and historical significance. (James MacMillan)