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As Is - James Galvin - Bog - Copper Canyon Press,U.S. - Plusbog.dk

As Is - James Galvin - Bog - Copper Canyon Press,U.S. - Plusbog.dk

“James Galvin has a voice and a world, perhaps the two most difficult things to achieve in poetry.”— The Nation "Galvin''s poems seem straightforward enough—but they''re not....Galvin writes here like a force of nature. VERDICT: Excellent reading for contemporary poetry enthusiasts not looking for the overblown."—Barbara Hoffert, Library Journal James Galvin’s poems have zero percent body fat. His tightly controlled and detailed poems evoke measured optimism in a spare existential world where certain characters—“The Mastermind” and the “Members of the Board”—are recurring shadows. Like fables suggesting new truths, personal narratives and love poems intertwine to confront the various paradoxes of domestic life, art, and politics, and the line “All poems are love poems” leans hard against “Some poems are better off dead.” In As Is , both claim their hard-won place. I think black holes are just plastic Garbage bags blowing down the midnight highway That is the Universe. There aren’t as many dimensions as we thought. A black hole can disappear anything that nears it. We all know that. The farthest away I’ve ever been is in my own home, Finally cleaning out my daughter’s room So another little girl can live here. The black plastic bag I held in my hand Was infinitely capacious. I mean I could throw anything in there. James Galvin is a Wyoming rancher and on the permanent faculty at the Iowa Writers’ Workshop. He is the author of six books of poetry, a novel, and the acclaimed memoir The Meadow. He lives in Tie Siding, Wyoming, and Iowa City, Iowa.

DKK 190.00
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Slant Six - Erin Belieu - Bog - Copper Canyon Press,U.S. - Plusbog.dk

Slant Six - Erin Belieu - Bog - Copper Canyon Press,U.S. - Plusbog.dk

Honored as one of "10 Favorite Books of 2014" —Dwight Garner, The New York Times Honored as a "Standout Book of 2014" — American Poet magazine “Belieu oscillates between dark humor, self-consciousness, and pointed satire in a fourth collection that’s equal-opportunity in its critique. In the world of these poems, no one is innocent; everyone is confined to the complexity, absurdity, and, above all, fallibility of their human condition…. Anchoring the work is a conversational, lyrical speaker willing to implicate herself as part of the political and social constructs she criticizes, as when she depicts a Southern American culture still reeling from its history of social injustice, and even the Civil War: “Don’t tell us/ history. Nobody hearts a cemetery/ like we do.” It’s a fantastic collection; Belieu desires not to dress issues up but confront them.”— Publishers Weekly, starred review “A smart and nettling book of poems — about love, sex, social class and our free-floating anxieties — from a writer who is a comedian of the human spirit. Her crisp free verse has as many subcurrents as a magnetic field.”—Dwight Garner, The New York Times "Politics, pop culture, and parenthood appear here along with reflections on our collective moments of hypocrisy and hope. ''12-Step,'' one of the most resonant entries, begins innocuously with a meditation about lighthouses, then the speaker gathers speed and confidence and reaches a risky but profound one-word stanza—''myself''—before ending with a haunting inversion of the Serenity Prayer used by Alcoholics Anonymous. Amid the quips and the elegant observations about immortality, Belieu''s speakers never forget their responsibilities, or their possibilities." — Booklist "From poem to poem in the smart, savvy Slant Six, Belieu channels an updated American idiom, one of stubborn in-betweenhood. Like the plain-spoken poetry that plumbed the depths of American consciousness in the 20th century, Belieu trawls the shallows of today’s America and finds just as much caught in its oily reflections as in its murkier subcurrents. It’s ''[b]etter,'' she suggests, ''to forget perfection.''" — The Boston Globe “I’ve never read a poem by Erin Belieu that I didn’t want to immediately rip from its bindings so I could fold it up and carry around in my pockets and read so many times that the paper turned back into pulp. She’s just that good. That honest and brave and beautiful and wise and funny. She writes poems we need. Poems that say who I am and who you are and how and why we got to be this way. Poems that wonder if we can ever change. Poems that know us and show us and grace us. Poems that remember us and forget us and leave us dazzled in their dust. In Slant Six, she’s outdone herself. It’s a spellbinding, heart-opening beauty of a book.” —Cheryl Strayed "Erin Belieu . . . is always ready to surprise, to astonish, and, ultimately, to defy comparison."— Boston Book Review "[One] of America''s finest poets."—Robert Olen Butler Erin Belieu''s fourth collection, Slant Six , is an inundation of the humor and horror in contemporary American life—from the last saltine cracked in the sleeve, to the kitty-cat calendar in an office cubicle. With its prophecies of impending destruction, and a simultaneous flood of respect for Americans, Erin Belieu''s poems close like Ziploc bags around a human heart. From "12-Step": I am consideringlighthouses in a completely new light— their butch neutrality, their grandbut modest surfaces. A lighthouse could appearhere at any moment. I have been making this effort,placing myself in uncomfortable positions, only for the documented health benefits . . .

DKK 144.00
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