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Royal Poetrie - Peter C. Herman - Bog - Cornell University Press - Plusbog.dk

Royal Poetrie - Peter C. Herman - Bog - Cornell University Press - Plusbog.dk

Royal Poetrie is the first book to address the significance of a distinctive body of verse from the English Renaissance—poems produced by the Tudor-Stuart monarchs Henry VIII, Mary, Queen of Scots, Elizabeth I, and James VI/I. Not surprisingly, Henry VIII is no John Donne, but the unique political and poetic complications raised by royal endeavors at authorship imbue this literature with special interest. Peter C. Herman is particularly intrigued by how the monarchs'' poems express and extend their power and control. Monarchs turned to verse especially at moments when they considered their positions insecure or when they were seeking to aggregate more power to themselves. Far from reflecting absolute authority, monarchic verse often reveals the need for authority to defend itself against considerable, effective opposition that was often close at hand. In monarchic verse, Herman argues, one can see monarchs asserting their significance and appropriating images of royalty to enhance their power and their position. Sometimes, as in the cases of Henry and Elizabeth, they are successful; sometimes, as for James, they are not. For Mary Stuart, the results were disastrous. Herman devotes a chapter each to the poetic endeavors of Henry VIII, Mary Stuart, Elizabeth I, and James VI/I. His introduction addresses the tradition of monarchic verse in England and on the continent as well as the textual issues presented by these texts. A brief postscript examines the verses that circulated under Charles I''s name after his execution. In an argument enhanced by carefully chosen illustrations, Herman places monarchic verse within the visual and other cultural traditions of the day.

DKK 438.00
1

Laughing Matters - Sara Beam - Bog - Cornell University Press - Plusbog.dk

Laughing Matters - Sara Beam - Bog - Cornell University Press - Plusbog.dk

Bawdy satirical plays—many starring law clerks and seminarians—savaged corrupt officials and royal policies in fifteenth- and sixteenth-century France. The Church and the royal court tolerated—and even commissioned—such performances, the audiences for which included men and women from every social class. From the mid-sixteenth century, however, local authorities began to temper and in some cases ban such performances. Sara Beam, in revealing how theater and politics were intimately intertwined, shows how the topics we joke about in public reflect and shape larger religious and political developments. For Beam, the eclipse of the vital tradition of satirical farce in late medieval and early modern France is a key aspect of the complex political and cultural factors that prepared the way for the emergence of the absolutist state. In her view, the Wars of Religion were the major reason attitudes toward the farceurs changed; local officials feared that satirical theater would stir up violence, and Counter-Reformation Catholicism proved hostile to the bawdiness that the clergy had earlier tolerated. In demonstrating that the efforts of provincial urban officials prepared the way for the taming of popular culture throughout France, Laughing Matters provides a compelling alternative to Norbert Elias''s influential notion of the "civilizing process," which assigns to the royal court at Versailles the decisive role in the shift toward absolutism.

DKK 648.00
1

The Politics of Emotion - Nuria Silleras Fernandez - Bog - Cornell University Press - Plusbog.dk

The Politics of Emotion - Nuria Silleras Fernandez - Bog - Cornell University Press - Plusbog.dk

The Politics of Emotion explores the intersection of powerful emotional states—love, melancholy, grief, and madness—with gender and political power on the Iberian Peninsula from the Middle Ages to the early modern period. Using an array of sources—literary texts, medical treatises, and archival documents—Nuria Silleras-Fernandez focuses on three royal women: Isabel of Portugal (1428–1496), queen-consort of Castile; Isabel of Aragon (1470–1498), queen-consort of Portugal; and Juana of Castile (1479–1555), queen of Castile and its empire. Each of these women was perceived by their contemporaries as having gone "mad" as a result of excessive grief, and all three were related to Isabel the Catholic (1451–1504), queen of Castile and a woman lauded in her time as a paragon of reason. Through the lives and experiences of these royal women and the observations, judgments, and machinations of their families, entourages, and circles of writers, chronicles, courtiers, moralists, and physicians in their orbits, Silleras-Fernandez addresses critical questions about how royal women in Iberia were expected to behave, the affective standards to which they were held, and how perceptions about their emotional states influenced the way they were able to exercise power. More broadly, The Politics of Emotion details how the court cultures in medieval and early modern Castile and Portugal contributed to the development of new notions of emotional excess and mental illness.

DKK 554.00
1

A Malay Frontier - Jane Drakard - Bog - Cornell University Press - Plusbog.dk

Her Father’s Daughter - Lucy K. Pick - Bog - Cornell University Press - Plusbog.dk

The Palace Law of Ayutthaya and the Thammasat - - Bog - Cornell University Press - Plusbog.dk

The Tsar's Happy Occasion - Russell E. Martin - Bog - Cornell University Press - Plusbog.dk

The Sephardic Frontier - Jonathan Ray - Bog - Cornell University Press - Plusbog.dk

The Sephardic Frontier - Jonathan Ray - Bog - Cornell University Press - Plusbog.dk

No subject looms larger over the historical landscape of medieval Spain than that of the reconquista, the rapid expansion of the power of the Christian kingdoms into the Muslim-populated lands of southern Iberia, which created a broad frontier zone that for two centuries remained a region of warfare and peril. Drawing on a large fund of unpublished material in royal, ecclesiastical, and municipal archives as well as rabbinic literature, Jonathan Ray reveals a fluid, often volatile society that transcended religious boundaries and attracted Jewish colonists from throughout the peninsula and beyond. The result was a wave of Jewish settlements marked by a high degree of openness, mobility, and interaction with both Christians and Muslims. Ray''s view challenges the traditional historiography, which holds that Sephardic communities, already fully developed, were simply reestablished on the frontier. In the early years of settlement, Iberia''s crusader kings actively supported Jewish economic and political activity, and Jewish interaction with their Christian neighbors was extensive. Only as the frontier was firmly incorporated into the political life of the peninsular states did these frontier Sephardic populations begin to forge the communal structures that resembled the older Jewish communities of the North and the interior. By the end of the thirteenth century, royal intervention had begun to restrict the amount of contact between Jewish and Christian communities, signaling the end of the open society that had marked the frontier for most of the century.

DKK 220.00
1

The Sephardic Frontier - Jonathan Ray - Bog - Cornell University Press - Plusbog.dk

The Sephardic Frontier - Jonathan Ray - Bog - Cornell University Press - Plusbog.dk

No subject looms larger over the historical landscape of medieval Spain than that of the reconquista, the rapid expansion of the power of the Christian kingdoms into the Muslim-populated lands of southern Iberia, which created a broad frontier zone that for two centuries remained a region of warfare and peril. Drawing on a large fund of unpublished material in royal, ecclesiastical, and municipal archives as well as rabbinic literature, Jonathan Ray reveals a fluid, often volatile society that transcended religious boundaries and attracted Jewish colonists from throughout the peninsula and beyond. The result was a wave of Jewish settlements marked by a high degree of openness, mobility, and interaction with both Christians and Muslims. Ray''s view challenges the traditional historiography, which holds that Sephardic communities, already fully developed, were simply reestablished on the frontier. In the early years of settlement, Iberia''s crusader kings actively supported Jewish economic and political activity, and Jewish interaction with their Christian neighbors was extensive. Only as the frontier was firmly incorporated into the political life of the peninsular states did these frontier Sephardic populations begin to forge the communal structures that resembled the older Jewish communities of the North and the interior. By the end of the thirteenth century, royal intervention had begun to restrict the amount of contact between Jewish and Christian communities, signaling the end of the open society that had marked the frontier for most of the century.

DKK 593.00
1

Colbert, Mercantilism, and the French Quest for Asian Trade - Glenn Ames - Bog - Cornell University Press - Plusbog.dk

Colbert, Mercantilism, and the French Quest for Asian Trade - Glenn Ames - Bog - Cornell University Press - Plusbog.dk

Stagestruck - Lauren R. Clay - Bog - Cornell University Press - Plusbog.dk

Stagestruck - Lauren R. Clay - Bog - Cornell University Press - Plusbog.dk

Stagestruck traces the making of a vibrant French theater industry between the reign of Louis XIV and the French Revolution. During this era more than eighty provincial and colonial cities celebrated the inauguration of their first public playhouses. These theaters emerged as the most prominent urban cultural institutions in prerevolutionary France, becoming key sites for the articulation and contestation of social, political, and racial relationships. Combining rich description with nuanced analysis based on extensive archival evidence, Lauren R. Clay illuminates the wide-ranging consequences of theater’s spectacular growth for performers, spectators, and authorities in cities throughout France as well as in the empire’s most important Atlantic colony, Saint-Domingue. Clay argues that outside Paris the expansion of theater came about through local initiative, civic engagement, and entrepreneurial investment, rather than through actions or policies undertaken by the royal government and its agents. Reconstructing the business of theatrical production, she brings to light the efforts of a wide array of investors, entrepreneurs, directors, and actors—including women and people of color—who seized the opportunities offered by commercial theater to become important agents of cultural change. Portraying a vital and increasingly consumer-oriented public sphere beyond the capital, Stagestruck overturns the long-held notion that cultural change flowed from Paris and the royal court to the provinces and colonies. This deeply researched book will appeal to historians of Europe and the Atlantic world, particularly those interested in the social and political impact of the consumer revolution and the forging of national and imperial cultural networks. In addition to theater and literary scholars, it will attract the attention of historians and sociologists who study business, labor history, and the emergence of the modern French state.

DKK 438.00
1

Being Local Worldwide - - Bog - Cornell University Press - Plusbog.dk

A Colonial Affair - Danna Agmon - Bog - Cornell University Press - Plusbog.dk

Being Local Worldwide - - Bog - Cornell University Press - Plusbog.dk

The Deeds of Philip Augustus - Rigord - Bog - Cornell University Press - Plusbog.dk

Bishops and the Politics of Patronage in Merovingian Gaul - Gregory I. Halfond - Bog - Cornell University Press - Plusbog.dk

The Consumption of Justice - Daniel Lord Smail - Bog - Cornell University Press - Plusbog.dk

The Consumption of Justice - Daniel Lord Smail - Bog - Cornell University Press - Plusbog.dk

The Deeds of Philip Augustus - Rigord - Bog - Cornell University Press - Plusbog.dk