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6 Sonatas for violoncello & piano/two violoncellos

6 Sonatas for violoncello & piano/two violoncellos

English organist and composer James Hook (1746-1827) composed sonatas for cello in an elegant style which were first printed in 1783. Up until that time - to our knowledge - modern printing was not so easily accessible. These easy to intermediate-level sonatas can serve as suitable preparation for Boccherini pieces, and their elegant style and musical value make them appealing both for pupils and music lovers alike. The simple accompaniment was originally intended by the composer to be for another cello as an alternative, Árpád Pejtsik also created a piano accompaniment allowing these pieces to be used for concert performance.

DKK 261.00
1

Chamber Music for Violoncellos 17 : for 4 violoncellos

Chamber Music for Violoncellos 17 : for 4 violoncellos

The latest volume in this popular series expands the repertoire of intermediate violoncello pupils with some unusual transcriptions. This time the editor, Árpád Pejtsik, has arranged Ave Maria settings (one song and three choral works) for four cellos. The first is a classical music hit, Schubert’s Ave Maria. Next is the transcription of a little-known piece from Liszt’s vast output, an item from his 1879 choral work Rosario, followed by an arrangement of the first of Verdi’s Quattro pezzi sacri, famous for being based on an ''enigmatic scale'' (scala enigmatica). The volume concludes with another evergreen, the Ave Maria from Rachmaninoff’s All-Night Vigil. Rather than testing the players’ virtuosity, these slow-moving, contemplative pieces serve more to improve intonation skills as well as a sense of form and proportion. The editor has added suggested fingerings and bowings in order to help with the music's appropriate interpretation.

DKK 181.00
1

Ungaresca

Ungaresca

Hungarian-style dance music which flourished in the 16th and 17th centuries - generally referred to as ungaresca - represents a valuable part of European musical tradition. István Gy rffy's work (2007-2010) is a late successor of this tradition. It was written with the intention of embodying the eastern-central European tradition in order to present an alternative to the current fashions of music for wind instruments. The composer's approach to this style utilizes traditional forms of music. Both the first and third movements effectively optimize a concert band's tonal possibilities by using solos and small chamber groups in a varied manner. The slow and melodic second movementtransfers a characteristic playing technique of Hungarian instrumental folk music to the concert band.

DKK 173.00
1

Ungaresca

Ungaresca

Hungarian-style dance music which flourished in the 16th and 17th centuries - generally referred to as ungaresca - represents a valuable part of European musical tradition. István Gy rffy's work (2007-2010) is a late successor of this tradition. It was written with the intention of embodying the eastern-central European tradition in order to present an alternative to the current fashions of music for wind instruments. The composer's approach to this style utilizes traditional forms of music. Both the first and third movements effectively optimize a concert band's tonal possibilities by using solos and small chamber groups in a varied manner. The slow and melodic second movementtransfers a characteristic playing technique of Hungarian instrumental folk music to the concert band.

DKK 1739.00
1

Gedenkblätter - Miniaturen

Gedenkblätter - Miniaturen

This selection is intended to reveal a less-known aspect of the genius of Franz Liszt, the greatest pianist of the 19th century: as a master of piano miniatures. While his large-scale works written over many years show Liszt as a striving composer for whom the creative process was difficult, at the same time, hidden in the shadow of the monumental peaks, the 'moments musicaux' tend to capture him in the process of improvisation, at the moment when a compositional idea flashed into his mind and was first noted down. The miniatures that feature in our selection trace his creative path through six decades (1827-1885), from his youthful testing of his wings right up to his finalfarewell. The manuscript of any piece that did not later become part of a cycle or the starting-point for a larger-scale composition generally remained in the mists of obscurity as a treasured memento preserved by one of his pupils or admirers.

DKK 181.00
1

Choral Works : Clothbound in Slipcase

Choral Works : Clothbound in Slipcase

Based on the Béla Bartók Complete Critical Edition (Z. 15009), these three cloth-bound volumes in slipcase include Bartók's complete choral works. The lyrics in this Urtext edition are in the original languages and in the translations authorized by the composer. Literal English translations are provided in the appendix, which also includes early and alternative versions of the works.The edition is complete with informative prefaces (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performance practice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper.The three volumes are also available in paperback (Z. 20035, 20036, 20037). Separate editions of each work included in these volumes are also available.

DKK 905.00
1

6 Trios Fur 2 Floten Und Basso Continuo 1

6 Trios Fur 2 Floten Und Basso Continuo 1

The present edition of the trio sonatas by Johann Ludwig Krebs (1713-1780) is based on pp. 113-158 of a contemporary copy of the trio sonata collection which is held in the Sächsische Landesbibliothek, Dresden, shelf-mark Mus. 1-Q-1. The common title at the beginning of the first trio reads: Sechs Trio a 2 Flauti e Basso. In spite of the consistent indication of instrument in the source the music material of the second flute part suggests an alternative use of instruments. Apart from the characteristic string turns occurring in some places mention should be made of the range of voice up to g of the first trio sonata if the/in first place and particulary of theconsistently applied double stops of the second melodic instrument in the first movement of piece No. 6. Territorial restrictions may apply. Please ask before ordering.

DKK 118.00
1

6 Trios Fur 2 Floten Und Basso Continuo 2

6 Trios Fur 2 Floten Und Basso Continuo 2

The present edition of the trio sonatas by Johann Ludwig Krebs (1713-1780) is based on pp. 113-158 of a contemporary copy of the trio sonata collection which is held in the Sächsische Landesbibliothek, Dresden, shelf-mark Mus. 1-Q-1. The common title at the beginning of the first trio reads: Sechs Trio a 2 Flauti e Basso. In spite of the consistent indication of instrument in the source the music material of the second flute part suggests an alternative use of instruments. Apart from the characteristic string turns occurring in some places mention should be made of the range of voice up to g of the first trio sonata if the/in first place and particulary of theconsistently applied double stops of the second melodic instrument in the first movement of piece No. 6. Territorial restrictions may apply. Please ask before ordering.

DKK 118.00
1