With Tongues of Angels

With Tongues of Angels by Daniel Elder, arranged for SATB and piano.

Comfort Me With Apples

Commissioned by the Dunedin Consort in 2006, Errollyn Wallen's Comfort Me with Apples is for soloists and instrumental ensemble and sets words from The Song of Songs. First performed by Susan Hamilton (soprano), Matthew Brook (bass) and the Dunedin Consort conducted by John Butt at the Queen's Hall, Edinburgh on 22 September 2006.

The Day After : Opera in One Act (Version with SATB Chorus)

Opera in One Act (Version with SATB Chorus).

Flute Concerto No. 2 In D With Cadenzas K.314

Wolfgang Amadeus Mozart's Flute Concerto No. 2 In D With Cadenzas K.314. Piano score and part(s) - Flute, Orchestra.

True Light : Double Choir and Organ (or Chamber Orchestra) with opt. Tam-tam

The first kiss for double mixed voice choir and organ (or chamber orchestra) with optional Tam-tam, by Alexander Campkin.

I lift up mine eyes unto the hills : Psalm 121, (with optional parts for a second SATB Choir and Organ)

I lift up mine eyes unto the hills for mixed voice choir and piano with optional parts for a second SATB Choir and Organ. Arranged by Judith Bingham.

Praise Him with the Sound of the Trumpet : for SSAATTBB and Organ

Praise Him with the Sound of the Trumpet was commissioned by Alan and Victoria Young to celebrate the eighteenth birthday of their daughter, Kate, to whom the anthem is dedicated. The first performance was given by the Choir of Guildford Cathedral, in which Kate had been a chorister for some time. Kateʼs great love of music guided the composerʼs choice of text: Psalm 150 is one of the shortest of all the psalms, but has the longest list of musical instruments  trumpet, timbrel and dance, stringed instruments and organs, the psaltery and harp, loud and high-sounding cymbals  all inviting jubilant musical illustration.

Basics (Violin) : 300 excercises and practice routines for the violin

Basics is a collection of 300 practice methods and exercises for the Violin. It can be used by players of all standards, from concert Violinists to students. Much of the material is also suitable for teaching elementaryplayers.Each exercise is designed to achieve the maximum possible result in the least possible time. Some are very short and need to be done only once or twice to explore a particular aspect of technique. Others arepractice routines or warm-up exercises that can be returned to regularly.

Air with Variations The Harmonious Blacksmith

Impromptus

The sixth volume to appear in the new Chopin edition is the Impromptus, edited by John Irvine. The most famous of these pieces is, of course, the so-called 'Fantaisie-Impromptu'. Because Chopin suppressed its publication duringhis lifetime for some reason, this work has suffered more than most from the editorial 'free-for-all' that disfigured most Chopin publishing for at least a century after his death. In the last fifty or so years, propelled byArthur Rubinstein's discovery of an autograph score, the situation has improved markedly, and the new Peters volume is able to reflect the very latest source scholarship, both for this and the other Impromptus.

Double Music (in collaboration with John Cage

Double Music (in collaboration with John Cage

24 Caprices with Piano accompaniment, Vol.1

The Virtuoso Pianist : New edition with supplementary exercises

The Virtuoso Pianist (Le Pianiste virtuose) by Charles-Louis Hanon, is a compilation of sixty exercises meant to train the pianist in speed, precision, agility, and strength of all of the fingers andflexibility in the wrists. First published in Boulogne, in 1873, The Virtuoso Pianist is Hanon's most well-known work, and is still widely used by piano instructors and pupils.

Anniversary Songbook (High Voice)

Clara Schumann (née Wieck) was undoubtedly the most important female pianist of the 19th century. As a young child she toured Europe as a prodigy: her entire career as a celebrated piano virtuoso spanned more than 60 years. Equally important, but less well known, is the composer Clara Schumann, who published her Opus 1 at the age of eleven. Despite the domestic duties expected of a woman at that time, she created numerous outstanding piano works and songs that are at least the equal of those of her male contemporaries. However, society at that time did not allow women to be regarded as fully-fledged composers or for their works to be appreciated adequately. To help give thisimportant composer the recognition she deserves, Edition Peters, in collaboration with the Schumann-Haus Leipzig, is now, on the occasion of her 200th birthday, publishing this Anniversary Songbook. The 14 songs, representing the pinnacle of Clara’s art, were composed mainly in the period after her marriage in Leipzig to Robert Schumann – who was her greatest champion. This volume includes: - new practical editions of 14 of Clara Schumann’s greatest songs - introductions to each song, written by Frances Falling, Schumann-Haus Leipzig - new English translations of the song lyrics - a CD containing recordings of the piano accompaniments

Anniversary Songbook (Medium-Low Voice)

Clara Schumann (née Wieck) was undoubtedly the most important female pianist of the 19th century. As a young child she toured Europe as a prodigy: her entire career as a celebrated piano virtuoso spanned more than 60 years. Equally important, but less well known, is the composer Clara Schumann, who published her Opus 1 at the age of eleven. Despite the domestic duties expected of a woman at that time, she created numerous outstanding piano works and songs that are at least the equal of those of her male contemporaries. However, society at that time did not allow women to be regarded as fully-fledged composers or for their works to be appreciated adequately. To help give thisimportant composer the recognition she deserves, Edition Peters, in collaboration with the Schumann-Haus Leipzig, is now, on the occasion of her 200th birthday, publishing this Anniversary Songbook. The 14 songs, representing the pinnacle of Clara’s art, were composed mainly in the period after her marriage in Leipzig to Robert Schumann – who was her greatest champion. This volume includes: - new practical editions of 14 of Clara Schumann’s greatest songs - introductions to each song, written by Frances Falling, Schumann-Haus Leipzig - new English translations of the song lyrics - a CD containing recordings of the piano accompaniments

Let all the world : for SSAATTBB (with optional organ)

Four Songs With Tekst by Janis Baltvilks : In Latvian

Sometime I Sing : for SATB Choir with optional accompaniment

Songs Vol. 3

Robert Schumann's Songs, Vol.3 comes complete with 82 Songs arranged for High voice with Piano accompaniment. Also includes 3 Byron Songs, Op.94, with Harp Accompaniment

My love is like a red, red rose

An SATB arrangement with no divisi of the famous Scottish folksong, My love is like a red, red rose, with text by Robert Burns, arranged for VOCES8 by Jim Clements. An SATB arrangement with no divisi of the famous Scottish folksong, My love is like a red, red rose, with text by Robert Burns, arranged for VOCES8 by Jim Clements.

Double Concerto In D Minor BWV 1043

Bach's Double Concerto In D Minor BWV 1043 for 2 Violins with Strings and Continuo is arranged here for Violins with Piano.

Love bade me welcome

A setting for unaccompanied SATB choir with divisi of George Herbert’s poem. The richly textured homophonic piece ends with a beautiful ostinato. Duration 4’30"

Konzert Für Viola und Orchester : D-Dur (without CD)

For Viola with Piano accompaniment.

34 Vocal Duets

Robert Schumann's 34 Vocal Duets for two Voices and Piano, edited by Friedlander.Duets with Piano: SS (5), SA (13), ST (12), SBar (1), AB (1),TB (2); with Piano (German).