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Wedding Day at Troldhaugen op. 65 no. 6 : Single Edition from HN 1136

Wedding Day at Troldhaugen op. 65 no. 6 : Single Edition from HN 1136

With his 66 Lyric Pieces Edvard Grieg created a multifaceted treasury of piano miniatures and character pieces. Many have become piano classics, none more so than The Wedding at Troldhaugen, which Henle publishers offers here in a separate edition. In this boisterous piece Grieg recalls a glittering celebration at the Villa Troldhaugen on the occasion of his silver wedding, something which attracted hundreds of guests and well-wishers. The fingerings by Norwegian Grieg specialist Einar Steen-Nøkleberg will be of help in mastering the fairly high-level technical challenges of this piece.

DKK 86.00
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At The Piano - Liszt 11 Well-Known Original Pieces

At The Piano - Liszt 11 Well-Known Original Pieces

Franz Liszt is still regarded as one of the greatest pianists of all time: a superb virtuoso whose own piano works also bristle with extreme technical difficulties. But no one needs to be afraid of big names. Our carefully chosen selection from Liszt’s immense oeuvre ranges here from the easy to the moderately difficult. These pieces are truly charming, and well-suited for “ordinary mortals”. And for those who reach the end of the volume, there’s a worthwhile reward: perhaps Liszt’s best-known piano piece, the third “Liebestraum” ...

DKK 188.00
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Six Duos (op. 48) for two Violins : Six Duos (op. 48) for two Violins

Six Duos (op. 48) for two Violins : Six Duos (op. 48) for two Violins

These easy duets were published around 1796/97 by Pleyel’s own publishing house both as Six Duos faciles et progressives for two violins and as Six nouvelles Sonatines progressives for piano and violin, though we do not know today which version came first. To this day, the violin duets are favorites for use in violin lessons, but also for making music at home. Though lesser known today, around 1800 Ignaz Pleyel numbered among the most popular composers in Western Europe - which may at first come as a surprise, but which to judge from these very appealing pieces, manageable for advanced beginners, is easily understandable. With an unmarked score and two marked solo parts, the Urtextedition provides optimal material for use in teaching.

DKK 184.00
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Marche écossaise : Marché écossaise

Marche écossaise : Marché écossaise

The Scottish General Meredith Read called on Debussy in 1890 with a rather unusual request: Read acquainted the composer with a traditional bagpipe melody from his home country and asked him to write a march based on it. Debussy was indeed inspired by the original Scottish tune. He quickly wrote a colourful piece for piano four hands, which he even arranged for orchestra two years later. After the composer’s death further arrangements of the work were made by subsequent editors. Our Urtext edition gives the original musical text from 1891 - a joy for all piano duos looking for new repertoire.?

DKK 196.00
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Trois Études de concert

Trois Études de concert

Trois Études de Concert – Franz Liszt Trois Études de Concert er en af Franz Liszts mest berømte samlinger af koncertetuder, skrevet for at udvikle teknisk virtuositet og musikalsk udtryk hos pianister. Disse tre etuder – Il Lamento, La Leggierezza og Un Sospiro – er fyldt med smukke melodiske linjer, avancerede teknikker og imponerende harmonier, der gør dem til både en udfordring og en fornøjelse at spille. Specifikationer: Komponist: Franz Liszt Indhold: 3 koncertetuder – Il Lamento, La Leggierezza og Un Sospiro Sværhedsgrad: Avanceret Format: Nodebog med præcise notationer og fingermærkninger Genre: Romantisk klavermusik Denne samling er et must-have for seriøse pianister, der ønsker at forfine deres teknik og musikalske udtryk. Ideel til koncertbrug, konkurrencer og avancerede studier.

DKK 158.00
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W.A. Mozart: Adagio In B Minor KV 540 (Henle Urtext Edition)

W.A. Mozart: Adagio In B Minor KV 540 (Henle Urtext Edition)

W.A. Mozart: Adagio i H-mol KV 540 – Henle Urtext Edition Oplev et af Mozarts mest følsomme og introspektive værker med Adagio i H-mol KV 540, udgivet i den anerkendte Henle Urtext Edition. Dette unikke stykke giver pianister mulighed for at fordybe sig i Mozarts dybe musikalske udtryk og tekniske raffinement. Perfekt til både studie og koncertbrug, er dette værk en uundgåelig tilføjelse til enhver pianists repertoire. Specifikationer: Komponist: Wolfgang Amadeus Mozart Tonart: H-mol (B minor) Sværhedsgrad: Avanceret Format: Urtext-udgave med kritisk redigerede noder Indhold: Omfattende noter om tekstkritik og fortolkning Forlag: Henle Verlag Denne urtekstudgave sikrer, at du spiller musikken præcis som Mozart skrev den, med nøjagtige og autentiske notationer. Det langsomme tempo og den melankolske stemning gør stykket ideelt til pianister, der ønsker at udforske Mozarts dybere musikalske univers og forbedre deres udtryksfulde spil.

DKK 120.00
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Wind Serenade d minor op. 44 : With Additional Horn 3 Part In F

Wind Serenade d minor op. 44 : With Additional Horn 3 Part In F

When Dvo ák wrote his Serenade for 10 winds and 2 lower strings in January 1878, the heyday of the great wind serenades and “Harmoniemusik” wind ensembles was already long gone. He was probably inspired by hearing Mozart’s Gran Partita shortly beforehand in Vienna. The home key of d minor here is striking, as is the often serious, even tragic atmosphere that repeatedly darkens the otherwise cheerful mood that is typical of the serenade genre. Perhaps this was a reaction to the death of two of his children just a few months earlier. Despite the work’s dramatic character or perhaps because of it Dvo ák’s Serenade was taken up in many European cities soon after its first performance in Prague, and fêted as a significant contribution to the chamber music repertoire for wind instruments. The autograph sources in Prague have been consulted for this Urtext edition. The parts are printed with player-friendly page divisions, perfect page-turning opportunities, and practical alternative parts in F for the three horns.

DKK 464.00
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Wind Serenade d minor op. 44

Wind Serenade d minor op. 44

When Dvo ák wrote his Serenade for 10 winds and 2 lower strings in January 1878, the heyday of the great wind serenades and “Harmoniemusik” wind ensembles was already long gone. He was probably inspired by hearing Mozart’s Gran Partita shortly beforehand in Vienna. The home key of d minor here is striking, as is the often serious, even tragic atmosphere that repeatedly darkens the otherwise cheerful mood that is typical of the serenade genre. Perhaps this was a reaction to the death of two of his children just a few months earlier. Despite the work’s dramatic character or perhaps because of it Dvo ák’s Serenade was taken up in many European cities soon after its first performance in Prague, and fêted as a significant contribution to the chamber music repertoire for wind instruments. The autograph sources in Prague have been consulted for this Urtext edition. The parts are printed with player-friendly page divisions, perfect page-turning opportunities, and practical alternative parts in F for the three horns.

DKK 209.00
1

Klavierquintett A-dur Opus 81 : Piano Quintet in A major op. 81

Klavierquintett A-dur Opus 81 : Piano Quintet in A major op. 81

Very few really important works have been written for piano quintet alongside the famous works by Schubert, Schumann und Brahms, the quintet that Anton n Dvorák composed in 1887 certainly numbers amongst them. It shows the mature master at work, who knew how to combine formal unity with melodic ingenuity and sweeping rhythms. With its ethnic-inspired themes the piano quintet has become one of Dvorák’s best-loved chamber music works, indeed even of Romantic literature in music. So it was high time for a Henle Urtext edition 60 years after the Czech Complete Edition was published, it was time for a fresh look at the sources, including the autograph in the National Museum in Prague.

DKK 328.00
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Symphony No. 7 A major Op. 92

Symphony No. 7 A major Op. 92

The premiere of this work in December 1813 ranks among the greatest successes Beethoven ever celebrated in public as a composer. One reviewer wrote at the time that in its themes the new symphony was “so favourable and easily comprehensible that every music lover falls for the powerful allure of its beauty”. The incisiveness of the themes is fundamentally related to the basic ostinato rhythms, which help shape each movement’s distinctive character. Richard Wagner even called the composition, with its ecstatic finale, an “apotheosis of the dance”. Based on the musical text of the Beethoven Complete Edition and furnished with a new preface, this recently prepared editionreflects the latest in Beethoven scholarship. Now, in this study edition, it is available to everyone at a reasonable price and in a handy format. The premiere of this work in December 1813 ranks among the greatest successes Beethoven ever celebrated in public as a composer. One reviewer wrote at the time that in its themes the new symphony was “so favourable and easily comprehensible that every music lover falls for the powerful allure of its beauty”. The incisiveness of the themes is fundamentally related to the basic ostinato rhythms, which help shape each movement’s distinctive character. Richard Wagner even called the composition, with its ecstatic finale, an “apotheosis of the dance”. Based on the musical text of the Beethoven Complete Edition and furnished with a new preface, this recently prepared editionreflects the latest in Beethoven scholarship. Now, in this study edition, it is available to everyone at a reasonable price and in a handy format.

DKK 141.00
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String Quartets Volume 1 : Italian Quartets, Salzburg Divertimenti

String Quartets Volume 1 : Italian Quartets, Salzburg Divertimenti

This volume brings together Mozart’s youthful attempts at this later so central genre of the string quartet: the astonishing “Lodi Quartet” K. 80 by the only fourteen-year-old composer, the three “Quartet-Divertimenti” K. 136 138 which are also readily played by chamber orchestras, and Mozart’s first true string-quartet cycle K. 155 160 which was composed during his third (north-)Italian journey in 1772/73. Mozart’s cleanly written scores of all the compositions have been preserved so that the edition stands on a secure foundation. In his informative commentary, Wolf-Dieter Seiffert, the experienced Mozart editor at G. Henle Publishers, devotes a separate, comprehensive explanatory section to the well-known articulation problem “dot or wedge”. The Armida Quartet provided artistic input for this edition.

DKK 218.00
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String Quartets Volume 1 : Italian Quartets, Salzburg Divertimenti

String Quartets Volume 1 : Italian Quartets, Salzburg Divertimenti

This volume brings together Mozart’s youthful attempts at this later so central genre of the string quartet: the astonishing “Lodi Quartet” K. 80 by the only fourteen-year-old composer, the three “Quartet-Divertimenti” K. 136 138 which are also readily played by chamber orchestras, and Mozart’s first true string-quartet cycle K. 155 160 which was composed during his third (north-)Italian journey in 1772/73. Mozart’s cleanly written scores of all the compositions have been preserved so that the edition stands on a secure foundation. In his informative commentary, Wolf-Dieter Seiffert, the experienced Mozart editor at G. Henle Publishers, devotes a separate, comprehensive explanatory section to the well-known articulation problem “dot or wedge”. The Armida Quartet provided artistic input for this edition.

DKK 311.00
1

Sergei Rachmaninow: Prélude C Sharp Minor Op.3 No.2

Sergei Rachmaninow: Prélude C Sharp Minor Op.3 No.2

Prélude C Sharp Minor Op.3 No.2 is possibly Sergei Rachmaninow 's most famous late romantic Piano work and is now finally available as a Henle Urtext edition. First published in 1892, as part of the Piano cycle 'Morceaux de Fantaisie' Op. 3, the work soon became well known abroad, in particular due to the concert tours given by the pianist Alexander Siloti, Rachmaninow ’s cousin. Even Rachmaninow himself was soon no longer able to perform any concerts in America without someone in the audience crying out 'C sharp minor!' at the end. The thundering chords of the final part of this work are legendary and at the same time not as unplayable as one might have been led to believe.

DKK 86.00
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Camille Saint-Saëns: Havanaise Op.83

Camille Saint-Saëns: Havanaise Op.83

Camille Saint-Saëns ' Havanaise Op.83 for Violin and Piano. Urtext edition. It is said that Camille Saint-Saëns ' was inspired to write Havanaise Op.83 after observing a crackling open fire at one of the hotels where he stayed whilst on tour with the violinist Rafael Diaz Albertini in 1885. We do not know whether, when writing the composition two years later, the Habanera (French Havanaise) with its typical two beat dance rhythms was an allusion to the Cuban origin of his friend Albertini , to whom this work is dedicated. At any rate, the composition was extremely well received from the very beginning, both in its original form and in the Orchestral version. Ingolf Turban kindly provided the bowings for the virtuoso Violin part.

DKK 171.00
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Symphony No. 8 in F major Op. 93

Symphony No. 8 in F major Op. 93

Sandwiched between the popular Symphonies Nos. 7 and 9, the relatively short Eighth Symphony finds itself in a difficult position even now. Right after the premiere in February 1814, one critic opined that it had made “no splash”. At first glance it makes recourse to already outmoded forms and genres, even reviving a minuet for the third movement (in lieu of a slow movement) after an Allegretto scherzoso. But Beethoven engages intensively with music history, breaking apart traditional procedures and patterns and finding new, surprising solutions that make his Eighth a milestone in symphonic history. Based on the musical text of the Beethoven Complete Edition and furnishedwith a new preface, this recently prepared edition reflects the latest in Beethoven scholarship. Now, in this study edition, it is available to everyone at a reasonable price and in a handy format. Sandwiched between the popular Symphonies Nos. 7 and 9, the relatively short Eighth Symphony finds itself in a difficult position even now. Right after the premiere in February 1814, one critic opined that it had made “no splash”. At first glance it makes recourse to already outmoded forms and genres, even reviving a minuet for the third movement (in lieu of a slow movement) after an Allegretto scherzoso. But Beethoven engages intensively with music history, breaking apart traditional procedures and patterns and finding new, surprising solutions that make his Eighth a milestone in symphonic history. Based on the musical text of the Beethoven Complete Edition and furnishedwith a new preface, this recently prepared edition reflects the latest in Beethoven scholarship. Now, in this study edition, it is available to everyone at a reasonable price and in a handy format.

DKK 133.00
1

Sonata in E Flat Major Op. 18 : Violin and Piano

Sonata in E Flat Major Op. 18 : Violin and Piano

Composed at the end of a longer series of works between summer and autumn 1887, the violin sonata numbers among Strauss’ most popular chamber music compositions to this day. In the outer movements, its piano setting and modulations break the intimate mould of chamber music, alluding to the sensational first symphonic poems written at the same time. Between the first and last movements, both of which are also technically very demanding, the slow middle movement, “Improvisation”, offers a respite. A kind of song without words, it was also published as a single movement and enjoyed great popularity in the years around 1900 in household and salon concerts. Ulrich Krämer isresponsible for editing this Urtext edition, Arabella Steinbacher kindly provided the markings for the violin part and Michael Korstick those for the piano part. Composed at the end of a longer series of works between summer and autumn 1887, the violin sonata numbers among Strauss’ most popular chamber music compositions to this day. In the outer movements, its piano setting and modulations break the intimate mould of chamber music, alluding to the sensational first symphonic poems written at the same time. Between the first and last movements, both of which are also technically very demanding, the slow middle movement, “Improvisation”, offers a respite. A kind of song without words, it was also published as a single movement and enjoyed great popularity in the years around 1900 in household and salon concerts. Ulrich Krämer isresponsible for editing this Urtext edition, Arabella Steinbacher kindly provided the markings for the violin part and Michael Korstick those for the piano part.

DKK 311.00
1

Franz Joseph Haydn: String Quartets Op.77 And Op.103 (Urtext Edition)

Franz Joseph Haydn: String Quartets Op.77 And Op.103 (Urtext Edition)

These are the last of the nearly seventy quartets in Haydn ’s oeuvre. Originally he intended to write a set of six quartets, as so often in the past, but at the time they were written, in 1803, Haydn ’s health was so poor that he could not fully satisfy the commission from Prince Lobkowitz. Instead he published only two complete quartets as op. 77. Later he allowed an incomplete work consisting of two middle movements to appear as op. 103, adding to the print the portentous words: “Gone is all my strength, old and weak am I”. Musically, however, these quartets are anything but weak: they represent the aged composer virtually at the zenith of his powers. Haydn even went so far as to call op. 77, no. 2, his “most beautiful string quartet”.

DKK 304.00
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Joseph Haydn: Streichquartette Op.42/50 (String Quartet)

Joseph Haydn: Streichquartette Op.42/50 (String Quartet)

Joseph Haydn: Strygekvartetter Op. 42 & Op. 50 – Klassiske Mesterværker til Strygekvartet Dyk ned i den klassiske musiks rige arv med Joseph Haydns Strygekvartetter Op. 42 & Op. 50. Disse værker repræsenterer noget af det bedste inden for strygekvartetgenren og demonstrerer Haydns exceptionelle evne til at skabe balancerede og harmonisk rige kompositioner. Perfekt til både optræden og studiebrug. Specifikationer: Komponist: Joseph Haydn Indhold: Strygekvartetter Op. 42 og Op. 50 (Hele samlingen eller udvalgte satser) Instrumentation: 2 violiner, bratsch og cello Sværhedsgrad: Øvede til avancerede Format: Nodebog med partitur og stemmer Forlag: [Indsæt forlag] Haydns kvartetter er kendt for deres melodiske skønhed, harmoniske kompleksitet og subtile humor. Denne samling er ideel til ensembler, der ønsker at udfordre sig selv og samtidig nyde musikken fra en af den klassiske periodes mest indflydelsesrige komponister.

DKK 315.00
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Piano Concerto in E flat major K. 482

Piano Concerto in E flat major K. 482

Composed at the end of 1785, Mozart’s Piano Concerto in E-flat major forms a group of three with the two famous concerti in A major K. 488 and in C minor K. 491, which he completed in March of the following year. What they all have in common is Mozart’s inclusion of Clarinets in the Orchestra for the first time. In this he succeeded to particularly impressive effect with the lyrical passages in the slow sections of the E-flat-major concerto, which was well received by the audience at the first performance. Indeed, his father, Leopold, reports in a letter that Mozart “had to repeat” the Andante immediately. G.Henle Publishers is issuing this concerto, undeservedly overshadowed by its famous siblings, in a handy study edition in full score; a Piano reduction is in preparation.

DKK 158.00
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Violoncello Sonata F Major Op. 5 No. 1

Violoncello Sonata F Major Op. 5 No. 1

The two Sonatas op. 5 were written in 1796 expressly for the young Beethoven's performance with the cello virtuoso Jean Louis Duport at the Berlin court. That he wasn't eclipsed by the latter was ensured by the extremelyscintillating piano part, with which Beethoven the pianist was able to present himself in the best light. Opening with a slow introduction, the Allegro of the F-major sonata dazzles with its abundance of melodies. The followingRondo weds musical wit with playfulness, guaranteeing the sonata's special popularity to this day. The Urtext edition by Jens Dufner is based on his research for the Critical Report of the Beethoven Complete Edition and thusfeatures a musical text at the highest scholarly level. In the preface and Critical Report, he outlines the genesis and source situation of the sonata. Ian Fountain and David Geringas provide the fingerings.

DKK 133.00
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Violoncello Sonata C Major Op. 102 No. 1

Violoncello Sonata C Major Op. 102 No. 1

Written in 1815, the two Sonatas op. 102 mark the transition to the often austere sonorities of Beethoven's late style. One reviewer of the original edition noted in 1818 that they doubtless number among the most unusual andpeculiar things written in a long while. Proceeding from the established Classical schema, here Beethoven explores possibilities for changing and expanding sonata form, which make Opus 102 the capstone of his cello oeuvre. In theSonata in C-major, unusual elements emerge in the very structure: two fast movements, each preceded by short introductions at a slow tempo - an idiosyncratic, unique formal construction. The Urtext edition by Jens Dufner is basedon his research for the Critical Report of the Beethoven Complete Edition and thus features a musical text at the highest scholarly level. In the preface and Critical Report, he outlines the genesis and source situation of thesonata. Ian Fountain and David Geringas provide the fingerings.

DKK 111.00
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Song Cycle op. 24 on Poems by Heine

Song Cycle op. 24 on Poems by Heine

At long last, singers with a lower vocal range can also rely on Henle’s Urtext editions of Schumann: the wonderful Song Cycle op. 24 on poems by Heine now appears in a transposed version, edited by Schumann expert Kazuko Ozawa. With the support of celebrated Lieder accompanist Gerold Huber, Henle now offers altos carefully arranged transpositions for medium voice. This Urtext edition includes an extensive preface on the origin of the work and a detailed Critical Report on the edition. The original edition for high voice is available in HN 548.

DKK 196.00
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Song Cycle op. 24 on Poems by Heine

Song Cycle op. 24 on Poems by Heine

At long last, singers with a lower vocal range can also rely on Henle’s Urtext editions of Schumann: the wonderful Song Cycle op. 24 on poems by Heine now appears in a transposed version, edited by Schumann expert Kazuko Ozawa. With the support of celebrated Lieder accompanist Gerold Huber, Henle now offers baritones carefully arranged transpositions for low voice. This Urtext edition includes an extensive preface on the origin of the work and a detailed Critical Report on the edition. The original edition for high voice is available in HN 548.

DKK 196.00
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Claude Debussy: Pour Le Piano

Claude Debussy: Pour Le Piano

The first of Debussy ’s larger Piano works was published in 1901. The slow middle movement had already been written in 1894. This grave Sarabande in the old style was published in a newspaper supplement in 1896 in its first version (regarding this early version see HN 846, Images 1894) and was slightly revised for Pour le Piano. The Sarabande soon became popular and was later orchestrated by Ravel. The first movement, Prélude, evokes Javan music with ringing gongs; and the virtuoso Ricardo Viñes even had to repeat the motoric Toccata at the première.

DKK 64.00
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Concerto in B Minor Op. 35 for Violin and Piano

Concerto in B Minor Op. 35 for Violin and Piano

The name Oskar Rieding may seldom appear in concert programmes, but for students of the violin it is all the more familiar. To this day, his short concert pieces for violin and piano, written at the start of the twentieth century especially for beginners on the instrument, have maintained their place in lessons and class recitals. Restricted to the first position, the b-minor Concerto, op. 35, is ideal for beginners. For this Urtext edition, based on the first printing, editor Annette Oppermann received talented support the Slovenian Rieding specialist Maruša Zupan i contributes an interesting preface on the little-known composer.The name Oskar Rieding may seldom appear in concert programmes, but for students of the violin it is all the more familiar. To this day, his short concert pieces for violin and piano, written at the start of the twentieth century especially for beginners on the instrument, have maintained their place in lessons and class recitals. Restricted to the first position, the b-minor Concerto, op. 35, is ideal for beginners. For this Urtext edition, based on the first printing, editor Annette Oppermann received talented support the Slovenian Rieding specialist Maruša Zupan i contributes an interesting preface on the little-known composer.

DKK 124.00
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