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Claude Debussy: Première Rhapsodie Und Petite Pièce

Claude Debussy: Première Rhapsodie Und Petite Pièce

Originally written for the final year Clarinet examination at the Paris Conservatoire, Debussy ’s “ Première Rhapsodie ” has quickly become a bestseller of the Clarinet repertoire, being a highly impressionistic work that plays marvellously with the timbral possibilities of the Clarinet. Its success was so pervasive that Debussy later arranged the Piano accompaniment for Orchestra, and in this form the rhapsody is today to be heard all around the world. Our edition also contains as a “lollipop” the popular “ Petite pièce ”, an original work of under forty bars that was in fact devised as a sight-reading test.

DKK 218.00
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Karl Ditters von Dittersdorf: Double Bass Concerto in "E major" Krebs 172

Karl Ditters von Dittersdorf: Double Bass Concerto in "E major" Krebs 172

With this cornerstone of the Double Bass repertoire we continue a still young but important part of our catalogue. This musically-charming work, full of technical trickery, is with justification demanded time and again as a test piece or set piece for competitions. In order to accommodate the “Viennese tuning” used at the time, we also provide a solo part in fret notation. The Piano part in D major and E major (!) can be used to accompany the Double Bass part either in its solo or orchestral version. As an alternative to the familiar cadenzas by Sperger, editor Tobias Glöckler has added two further tuneful and stylistically-appropriate cadenzas of his own.

DKK 298.00
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Maurice Ravel: Tzigane For Violin And Piano (Henle Urtext Edition)

Maurice Ravel: Tzigane For Violin And Piano (Henle Urtext Edition)

**Not for sale outside of the UK and Commonwealth** Maurice Ravel 's Tzigane for Violin and Piano. Urtext edition full score. Composed in 1924, there are three versions of this work: with Piano, with Orchestra and with Luthéal, a device for Keyboard instruments to extend the timbre. “Virtuoso piece in the style of a Hungarian rhapsody” – thus reads Ravel ’s entry on Tzigane in the so-called 'Autobiographical Sketch'. Tzigane was inspired by the Hungarian-English violinist Jelly d’Aranyi, to whom Ravel had already promised a virtuoso piece in 1922 following Franz Liszt’s “Hungarian Rhapsodies”. Work progressed slowly and d’Aranyi only received the music four days before the première – but she still gave a brilliant performance.

DKK 247.00
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Carl Nielsen: Canto Serioso For Horn And Piano (Henle Urtext Edition)

Carl Nielsen: Canto Serioso For Horn And Piano (Henle Urtext Edition)

**Not for sale outside of the UK and Commonwealth** Carl Nielsen 's Canto Serioso for Horn in F and Piano. Urtext edition score. The Danish composer Carl Nielsen was one of the most original composers at the turn of the 20th century. Based on the German Romantic tradition he developed his own musical language, especially in his symphonies that are still played very frequently. He also, however, often turned to chamber music settings. Canto Serioso was originally written as an audition piece for the Copenhagen Opera Orchestra, where the position of low Horn player was to be filled. This fairly short work makes the most of the low register and the instrument’s sonorous mid-range, making it a welcome addition to the late Romantic repertoire for Horn.

DKK 133.00
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Camille Saint-Saëns: Allegro Appassionato Op. 43 For Violoncello And Piano (Henle Urtext Edition)

Camille Saint-Saëns: Allegro Appassionato Op. 43 For Violoncello And Piano (Henle Urtext Edition)

**Not for sale outside of the UK and Commonwealth** Camille Saint-Saëns Allegro Appassionato Op. 43 for Cello and Piano. Urtext edition score. At the beginning of the 1870s, Saint-Saëns displayed a particular partiality for the Violoncello. He composed his first Cello sonata in December 1872, immediately after having completed the first Cello concerto. It was presumably directly after this that he wrote the Allegro Appassionato for Cello and Piano op. 43 that also appeared in a version for Orchestra three years later. We do not know why he wrote the work, but it is likely that after having written two weighty works for Cello, Saint-Saëns wanted to write something “easier” that was also suitable as an encore. In this Henle Urtext edition, David Geringas has kindly provided the fingering and bowing for the brilliant Cello part.

DKK 128.00
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Georg Philipp Telemann: Viola Concerto In G Major (Henle Urtext Edition)

Georg Philipp Telemann: Viola Concerto In G Major (Henle Urtext Edition)

**Not for sale outside of the UK and Commonwealth** Georg Philipp Telemann 's Viola Concerto In G Major . Piano reduction. The Viola is often not credited with being able to take over a soloistic role – but this is completely unjust. In 1738 Johann Philipp Eisel already wrote of the Viola as being the “very bowels of music” and stressed that it was not only needed to “flesh out” the Orchestral sound but also as a "concert voice, which is fully proven by the concertos and concert overtures by the famous Capell-Meister Telemann ". Telemann ’s Concerto In G Major is considered to be one of the earliest works for solo Viola and Orchestra and forms part of the core repertoire for pupils and students. In this Urtext Piano reduction the specialist Kai Köpp has provided information regarding historical performance practice.

DKK 218.00
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Johannes Brahms: Piano Pieces Op. 118, Nos. 1- 6 (Henle Urtext Edition)

Johannes Brahms: Piano Pieces Op. 118, Nos. 1- 6 (Henle Urtext Edition)

**Not for sale outside of the UK and Commonwealth** Johannes Brahms ' Piano Pieces Op. 118 Nos. 1- 6. Henle Urtext edition. When his contemporaries heard the works that Johannes Brahms had composed during his summer holiday in Ischl in 1893 – the Piano Pieces Op. 118 –, they were delighted. Clara Schumann was one of the first to be allowed to get to know the new pieces, and she attested that they contained “a wealth of sentiment in the smallest of dimensions”. Philipp Spitta fittingly said that the works were “perfect for slowly absorbing in solitude and tranquillity”. Opus 118 contains two of the composer’s best-known miniatures – the Intermezzo in A major and the Romanze in F major. This volume, based on the musical text in the New Brahms Complete Edition, is highly recommended to all those who wish to immerse themselves in the world of Brahms ' late works.

DKK 141.00
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Carl Nielsen: Fantasy Piece In G Minor (Henle Urtext Edition)

Carl Nielsen: Fantasy Piece In G Minor (Henle Urtext Edition)

**Not for sale outside of the UK and Commonwealth** Carl Nielsen 's Fantasy Piece In G Minor for Clarinet in Bb and Piano. Henle Urtext edition score. One of Nielsen 's early works, Fantasy Piece In G Minor was written between the ages of 16 and 18, while he was a member of the military band in the Danish town of Odense. With this miniature, he gave proof of his mature compositional talent on the one hand, and of the socialisation through the music of the classic and early romantic eras on the other. With its skilful interconnection of Italianate cantabilità and brilliant suppleness, the two-part Fantasy Piece offers a welcome change in the Clarinet repertoire. This edition is based on the sole surviving source, long considered a copy, in Copenhagen’s Royal Library, which has since been ascertainably identified as an autograph manuscript.

DKK 111.00
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Ferruccio Busoni/Johann Sebastian Bach: Chorale Preludes

Ferruccio Busoni/Johann Sebastian Bach: Chorale Preludes

**Please note: This title is not available for sale outside of the UK and Commonwealth.** Alongside his Chaconne for Violin, the ten Chorale Preludes for Organ are Busoni ’s best-known Piano transcriptions of works by J. S. Bach. Whilst Busoni envisaged the Chaconne for concert performance, the Chorale Preludes are transcribed in a 'chamber-music style'. The Preludes in this book are of varying levels of difficulty, some are suitable for intermediate level players and others for the more advanced pianist. This Henle Urtext Edition is Busoni 's definitive version with valuable fingering suggestions by Marc-André Hamelin. The appendix contains an eleventh chorale prelude, Busoni ’s transcription of “ Aus tiefer Not ”, which is published here for the very first time. With regard to performing its six-part setting, the composer himself spoke of an “extreme performance limit” – but why not judge for yourself?

DKK 294.00
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Ernest Chausson: Piano Trio In G Minor Op. 3

Ernest Chausson: Piano Trio In G Minor Op. 3

**Please note: This title is not available for sale outside of the UK and Commonwealth.** Ernest Chausson 's Piano Trio In G Minor Op. 3 . Score and parts. Following his early elimination from the Paris Conservatoire's sought-after award for students of composition, the “Prix de Rome”, Ernest Chausson withdrew to the country in summer 1881 and began composing this ambitious work – out of defiance, so to speak. During his lifetime the trio remained an insider’s tip amongst those close to his teacher César Franck. It was only after its posthumous publication that it was performed more frequently and was gradually recognized as being one of the best chamber music works of its time. The Piano Trio In G Minor Op. 3 is closely based on Franck’s principle of the cyclic interleaving of all motives, yet still has dark and melancholy inflections all of its own. The Henle Urtext edition is the first critical edition and is a welcome addition to their collection of French music.

DKK 388.00
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Béla Bartók: Sonatina

Béla Bartók: Sonatina

**Please note: This title is not available for sale outside of the UK and Commonwealth.** Béla Bartók 's Sonatina for solo Piano. Suitable for pianists at an intermediate level. In his Sonatina, Bartók used different melodies taken from Romanian instrumental folk. From examining the sources, it is clear to see how, in 1915, the piece slowly evolved out of a series of Piano transcriptions of Romanian folk melodies into its three-movement form. This Henle Urtext Edition has been released prior to its publication as part of the Complete Edition. In this edition, Bartók specialist László Somfai outlines the work’s exciting genesis and expounds on Bartók ’s later revision, during which he not only changed the tempi but also the fingerings. The insightful notes on the work's background are complemented by indications on how to play the very complex Piano notation by Bartók himself and from his recordings. This edition provides an invitation to pianists to rediscover this Sonatina .

DKK 128.00
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Franz Schubert: Octet In F major D 803 - Ensemble Parts (Henle Urtext Edition)

Franz Schubert: Octet In F major D 803 - Ensemble Parts (Henle Urtext Edition)

**Not for sale outside of the UK and Commonwealth** Franz Schubert 's Octet In F major D 803 for Clarinet (B flat/C), Bassoon, Horn (F/C), 2 Violins, Viola, Violoncello and Double Bass. This composition was modelled on Beethoven’s Septet op. 20, whose Divertimento character and six-part layout were adopted by Schubert , although he merely expanded the instrumentation by adding a second Violin. In a letter he numbered his octet amongst the chamber music works with which he desired to blaze a “path to the great symphony”. It can no longer be ascertained whether the composition was commissioned by Count Ferdinand Troyer, who had a musical salon in Vienna and played the Clarinet. We only know that Schubert composed the work at the beginning of 1824, taking only a few weeks to do so and that it was performed at Troyer’s shortly afterwards. Today it is one of the most popular larger chamber music works.

DKK 422.00
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Camille Saint-Saëns: Sonata For Violoncello And Piano No. 2 In F Op. 123

Camille Saint-Saëns: Sonata For Violoncello And Piano No. 2 In F Op. 123

**Please note: This title is not available for sale outside of the UK and Commonwealth.** Camille Saint-Saëns ' Sonata For Violoncello And Piano No. 2 In F Op. 123 . Henle urtext edition with marked and unmarked string part. After  Camille Saint-Saëns ' first Cello sonata of 1872 (HN1057) gained fast popularity, the publisher requested a second sonata for this scoring. It was only in March 1905, in the mild climate of Algeria, that Saint-Saëns finally relented and composed a large sonata with four movements.  Saint-Saëns personally believed his Sonata For Violoncello And Piano No. 2 In F Op. 123 to be superior to his first and even thought its third movement, the “Romanza”, was an equivalent to the famous “Swan” in the “Carnival of the Animals” (HN943). Despite this, the work is still overshadowed by the first sonata, not least because the second places greater technical and artistic demands on cellists. This Henle Urtext edition is the first ever text-critical edition of the work and offers cellists a chance to rediscover this composition.

DKK 345.00
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