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The Jewish Eighteenth Century - Shmuel Feiner - Bog - Indiana University Press - Plusbog.dk

The Jewish Eighteenth Century - Shmuel Feiner - Bog - Indiana University Press - Plusbog.dk

The eighteenth century was the Jews' first modern century. The deep changes that took place during its course shaped the following generations, and its most prominent voices still reverberate today. In this first volume of his magisterial work, Shmuel Feiner charts the twisting and fascinating world of the first half of the 18th century from the viewpoint of the Jews of Europe. Paying careful attention to life stories, to bright and dark experiences, to voices of protest, to aspirations of reform, and to strivings for personal and general happiness, Feiner identifies the tectonic changes that were taking place in Europe and their unprecedented effects on and among Jews. From the religious and cultural revolution of the Haskalah (Jewish Enlightenment) to the question of whether Jews could be citizens of any nation, Feiner presents a broad view of how this century of upheaval altered the map of Europe and the Jews who called it home.

DKK 716.00
1

The Jewish Eighteenth Century - Shmuel Feiner - Bog - Indiana University Press - Plusbog.dk

The Jewish Eighteenth Century - Shmuel Feiner - Bog - Indiana University Press - Plusbog.dk

The eighteenth century was the Jews' first modern century. The deep changes that took place during its course shaped the following generations, and its most prominent voices still reverberate today. In this first volume of his magisterial work, Shmuel Feiner charts the twisting and fascinating world of the first half of the 18th century from the viewpoint of the Jews of Europe. Paying careful attention to life stories, to bright and dark experiences, to voices of protest, to aspirations of reform, and to strivings for personal and general happiness, Feiner identifies the tectonic changes that were taking place in Europe and their unprecedented effects on and among Jews. From the religious and cultural revolution of the Haskalah (Jewish Enlightenment) to the question of whether Jews could be citizens of any nation, Feiner presents a broad view of how this century of upheaval altered the map of Europe and the Jews who called it home.

DKK 316.00
1

The Hurdy-Gurdy in Eighteenth-Century France, Second Edition - Robert A. Green - Bog - Indiana University Press - Plusbog.dk

The Hurdy-Gurdy in Eighteenth-Century France, Second Edition - Robert A. Green - Bog - Indiana University Press - Plusbog.dk

The hurdy-gurdy, or vielle, has been part of European musical life since the eleventh century. In eighteenth-century France, improvements in its sound and appearance led to its use in chamber ensembles. This new and expanded edition of The Hurdy-Gurdy in Eighteenth-Century France offers the definitive introduction to the classic stringed instrument. Robert A. Green discusses the techniques of playing the hurdy-gurdy and the interpretation of its music, based on existing methods and on his own experience as a performer. The list of extant music includes new pieces discovered within the last decade and provides new historical context for the instrument and its role in eighteenth-century French culture.

DKK 209.00
1

The Jewish Eighteenth Century, Volume 2 - Shmuel Feiner - Bog - Indiana University Press - Plusbog.dk

The Jewish Eighteenth Century, Volume 2 - Shmuel Feiner - Bog - Indiana University Press - Plusbog.dk

The second volume of Shmuel Feiner's The Jewish Eighteenth Century covers the period from 1750 to 1800, a time of even greater upheavals, tensions, and challenges. The changes that began to emerge at the beginning of the eighteenth century matured in the second half. Feiner explores how political considerations of the Jewish minority throughout Europe began to expand. From the "Jew Bill" of 1753 in Britain, to the surprising series of decrees issued by Joseph II of Austria that expanded tolerance in Austria, to the debate over emancipation in revolutionary France, the lives of the Jews of Europe became ever more intertwined with the political, social, economic, and cultural fabric of the continent. The Jewish Eighteenth Century, Volume 2: A European Biography, 1750–1800 concludes Feiner's landmark study of the history of Jewish populations in the period. By combining an examination of the broad and profound processes that changed the familiar world from the ground up with personal experiences of those who lived through them, it allows for a unique explanation of these momentous events.

DKK 674.00
1

The Jewish Eighteenth Century, Volume 2 - Shmuel Feiner - Bog - Indiana University Press - Plusbog.dk

The Jewish Eighteenth Century, Volume 2 - Shmuel Feiner - Bog - Indiana University Press - Plusbog.dk

The second volume of Shmuel Feiner's The Jewish Eighteenth Century covers the period from 1750 to 1800, a time of even greater upheavals, tensions, and challenges. The changes that began to emerge at the beginning of the eighteenth century matured in the second half. Feiner explores how political considerations of the Jewish minority throughout Europe began to expand. From the "Jew Bill" of 1753 in Britain, to the surprising series of decrees issued by Joseph II of Austria that expanded tolerance in Austria, to the debate over emancipation in revolutionary France, the lives of the Jews of Europe became ever more intertwined with the political, social, economic, and cultural fabric of the continent. The Jewish Eighteenth Century, Volume 2: A European Biography, 1750–1800 concludes Feiner's landmark study of the history of Jewish populations in the period. By combining an examination of the broad and profound processes that changed the familiar world from the ground up with personal experiences of those who lived through them, it allows for a unique explanation of these momentous events.

DKK 343.00
1

William S. Burroughs Cutting Up the Century - - Bog - Indiana University Press - Plusbog.dk

William S. Burroughs Cutting Up the Century - - Bog - Indiana University Press - Plusbog.dk

William S. Burroughs Cutting Up the Century is the definitive book on Burroughs' overarching cut-up project and its relevance to the American twentieth century. Burroughs's Nova Trilogy (The Soft Machine, Nova Express, and The Ticket That Exploded) remains the best-known of his textual cut-up creations, but he committed more than a decade of his life to searching out multimedia for use in works of collage. By cutting up, folding in, and splicing together newspapers, magazines, letters, book reviews, classical literature, audio recordings, photographs, and films, Burroughs created an eclectic and wide-ranging countercultural archive. This collection includes previously unpublished work by Burroughs such as cut-ups of work written by his son, cut-ups of critical responses to his own work, collages on the Vietnam War and the Watergate scandal, excerpts from his dream journals, and some of the few diary entries that Burroughs wrote about his wife, Joan. William S. Burroughs Cutting Up the Century also features original essays, interviews, and discussions by established Burroughs scholars, respected artists, and people who encountered Burroughs. The essays consider Burroughs from a range of starting points—literary studies, media studies, popular culture, gender studies, post-colonialism, history, and geography. Ultimately, the collection situates Burroughs as a central artist and thinker of his time and considers his insights on political and social problems that have become even more dire in ours.

DKK 335.00
1

The Voice of the Century - Ingeborg Solbrekken - Bog - Indiana University Press - Plusbog.dk

The Voice of the Century - Ingeborg Solbrekken - Bog - Indiana University Press - Plusbog.dk

In 1935, the Norwegian soprano Kirsten Flagstad made her United States debut in a live radio broadcast that went across the country and made her an overnight success. Flagstad went on to enjoy an astounding career at the Metropolitan Opera, becoming one of the most well-known singers of the twentieth century. The Voice of the Century tells Flagstad's story–one of triumph and tragedy. The shy and stubborn Norwegian singer rescued the New York Metropolitan from bankruptcy in the 1930s, revitalizing interest in Richard Wagner's operas in the United States. She was also a sensation in Europe, performing at Covent Garden in London, at festivals in Zurich, and at La Scala in Milan. In music history, she is considered one of the foremost Wagner interpreters ever. Yet during and after the Second World War, a campaign to discredit her was launched by leading officials in the Norwegian Foreign Ministry, and she was unjustly accused of harboring Nazi sympathies, of singing to Hitler, and of profiting greatly from the war. This smear campaign resulted in major demonstrations at her performances in the United States. Her fortune was seized, and she had to live under police protection. Finally translated into English, this biography looks into the darkest corners of Norwegian intelligence history, scandals that jeopardized both the police and the prosecution's credibility. As creepy and riveting as any thriller, The Voice of the Century is a thoroughly documented account of how a foreign ministry organized a years-long persecution of a world-renowned female artist.

DKK 940.00
1

The Voice of the Century - Ingeborg Solbrekken - Bog - Indiana University Press - Plusbog.dk

The Voice of the Century - Ingeborg Solbrekken - Bog - Indiana University Press - Plusbog.dk

In 1935, the Norwegian soprano Kirsten Flagstad made her United States debut in a live radio broadcast that went across the country and made her an overnight success. Flagstad went on to enjoy an astounding career at the Metropolitan Opera, becoming one of the most well-known singers of the twentieth century. The Voice of the Century tells Flagstad's story–one of triumph and tragedy. The shy and stubborn Norwegian singer rescued the New York Metropolitan from bankruptcy in the 1930s, revitalizing interest in Richard Wagner's operas in the United States. She was also a sensation in Europe, performing at Covent Garden in London, at festivals in Zurich, and at La Scala in Milan. In music history, she is considered one of the foremost Wagner interpreters ever. Yet during and after the Second World War, a campaign to discredit her was launched by leading officials in the Norwegian Foreign Ministry, and she was unjustly accused of harboring Nazi sympathies, of singing to Hitler, and of profiting greatly from the war. This smear campaign resulted in major demonstrations at her performances in the United States. Her fortune was seized, and she had to live under police protection. Finally translated into English, this biography looks into the darkest corners of Norwegian intelligence history, scandals that jeopardized both the police and the prosecution's credibility. As creepy and riveting as any thriller, The Voice of the Century is a thoroughly documented account of how a foreign ministry organized a years-long persecution of a world-renowned female artist.

DKK 356.00
1

The Eighteenth-Century Fortepiano Grand and Its Patrons - Eva Badura Skoda - Bog - Indiana University Press - Plusbog.dk

The Eighteenth-Century Fortepiano Grand and Its Patrons - Eva Badura Skoda - Bog - Indiana University Press - Plusbog.dk

In the late 17th century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument—his cembalo che fa il piano e forte, which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J. S. Bach, Clementi, Haydn, Mozart, and Beethoven. Presenting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of 18th-century Europe, providing a valuable resource for music historians, organologists, and performers.

DKK 917.00
1

Intimacy, Performance, and the Lied in the Early Nineteenth Century - Jennifer Ronyak - Bog - Indiana University Press - Plusbog.dk

Intimacy, Performance, and the Lied in the Early Nineteenth Century - Jennifer Ronyak - Bog - Indiana University Press - Plusbog.dk

The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.

DKK 606.00
1

Intimacy, Performance, and the Lied in the Early Nineteenth Century - Jennifer Ronyak - Bog - Indiana University Press - Plusbog.dk

Intimacy, Performance, and the Lied in the Early Nineteenth Century - Jennifer Ronyak - Bog - Indiana University Press - Plusbog.dk

The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.

DKK 271.00
1

Mary Ann Shadd Cary – The Black Press and Protest in the Nineteenth Century, New Edition - Jane Rhodes - Bog - Indiana University Press - Plusbog.dk

Mary Ann Shadd Cary – The Black Press and Protest in the Nineteenth Century, New Edition - Jane Rhodes - Bog - Indiana University Press - Plusbog.dk

Mary Ann Shadd Cary was a courageous and outspoken nineteenth-century African American who used the press and public speaking to fight slavery and oppression in the United States and Canada. Part of the small free black elite who used their education and limited freedoms to fight for the end of slavery and racial oppression, Shadd Cary is best known as the first African American woman to publish and edit a newspaper in North America. But her importance does not stop there. She was an active participant in many of the social and political movements that influenced nineteenth century abolition, black emigration and nationalism, women's rights, and temperance. Mary Ann Shadd Cary: The Black Press and Protest in the Nineteenth Century explores her remarkable life and offers a window on the free black experience, emergent black nationalisms, African American gender ideologies, and the formation of a black public sphere. This new edition contains a new epilogue and new photographs.

DKK 271.00
1

Maritime Culture and Everyday Life in Nineteenth– and Twentieth–Century Coastal Ghana - K Nti - Bog - Indiana University Press - Plusbog.dk

Maritime Culture and Everyday Life in Nineteenth– and Twentieth–Century Coastal Ghana - K Nti - Bog - Indiana University Press - Plusbog.dk

The communities along the coastline of Ghana boast a long and vibrant maritime culture. In the nineteenth and early twentieth centuries, the region experienced creeping British imperialism and incorporation into the British Gold Coast colony. Drawing on a wealth of Ghanian archival sources, historian Kwaku Nti shows how many aspects of traditional maritime daily life—customary ritual performances, fishing, and concepts of ownership, and land—served as a means of resistance and allowed residents to contest and influence the socio-political transformations of the era. Nti explored how the Ebusua (female) and Asafo (male) local social groups, especially in Cape Coast, became bastions of indigenous identity and traditions during British colonial rule, while at the same time functioning as focal points for demanding a share of emerging economic opportunities. A convincing demonstration of the power of the indigenous everyday life to complicate the reach of empire, Maritime Culture and Everyday Life in Nineteenth- and Twentieth-Century Coastal Ghana reveals a fuller history of West African coastal communities.

DKK 606.00
1

Maritime Culture and Everyday Life in Nineteenth- and Twentieth-Century Coastal Ghana - K Nti - Bog - Indiana University Press - Plusbog.dk

Maritime Culture and Everyday Life in Nineteenth- and Twentieth-Century Coastal Ghana - K Nti - Bog - Indiana University Press - Plusbog.dk

The communities along the coastline of Ghana boast a long and vibrant maritime culture. In the nineteenth and early twentieth centuries, the region experienced creeping British imperialism and incorporation into the British Gold Coast colony. Drawing on a wealth of Ghanian archival sources, historian Kwaku Nti shows how many aspects of traditional maritime daily life—customary ritual performances, fishing, and concepts of ownership, and land—served as a means of resistance and allowed residents to contest and influence the socio-political transformations of the era. Nti explored how the Ebusua (female) and Asafo (male) local social groups, especially in Cape Coast, became bastions of indigenous identity and traditions during British colonial rule, while at the same time functioning as focal points for demanding a share of emerging economic opportunities. A convincing demonstration of the power of the indigenous everyday life to complicate the reach of empire, Maritime Culture and Everyday Life in Nineteenth- and Twentieth-Century Coastal Ghana reveals a fuller history of West African coastal communities.

DKK 278.00
1