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Gwynn Williams: Suo-gan

Gwynn Williams: Suo-gan

Williams’s arrangement sets a gently rocking accompaniment alongside the soothing Vocal lines. This sheet music includes Welsh and English lyrics and tonic sol-fa notation.Suo-Gân – meaning, approximately, Lullaby, in Welsh – is a perennially popular tune that has been arranged for every possible combination of instruments and has been performed and recorded over the years by many artists, including Bryn Terfel and Kathleen Battle. It was featured prominently in the movie Empire of the Sun.W S Gwynn Williams was a 20th century Welsh composer, teacher, conductor and was, among many other things, the first music director of the International Eisteddfodd at Llangollen.

DKK 58.00
1

Cecil Armstrong Gibbs: Hypochondriacus (Voice/Piano)

Cecil Armstrong Gibbs: Hypochondriacus (Voice/Piano)

Hypochonriacus was written around 1949. It is scored for solo Voice with Piano accompaniment, and sets a poem by Charles Lamb . It was a test piece for the National Competitive Music Festival, held as part of the 1951 Festival of Britain. Cecil Armstrong Gibbs was a prolific and versatile English composer of the 20th century. Gibbs is best known for his output of songs, but he also wrote a considerable amount of music for the amateur choirs that he conducted. His reputation as a song-writer largely lies in his natural gift for text setting – he insisted on giving priority to the words over the music and had very clear musical ideas on what a song should be.

DKK 142.00
1

Charles Villiers Stanford: Windy Nights

Charles Villiers Stanford: Windy Nights

Windy Nights, from the song trio A Child’s Garland of Songs, published in 1982, displays both Stanford’s gift for melody and his sensitivity to text as well as his ability to compose music that creates a mood. Windy Nights echoes Schubert’s Erlkönig in its evocation of horse’s hooves, wind and menace.Charles Villiers Stanford was an Irish composer, music teacher and conductor who was a founder of the Royal Academy of Music, teaching composition to some of the greatest British composers of the twentieth century, among them Gustav Holst and Ralph Vaughan Williams. His own composition always displayed technical mastery, and for a while he was a great figure in the world of British musical theatre.

DKK 66.00
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Holst, G I Love My Love Ttbb/Piano

Holst, G I Love My Love Ttbb/Piano

In his use of authentic Englsh folksongs, Gnostic texts and Vedic hymns, one can discern Holst’s search for a compositional Voice beyond the constraints of the European canon in the early 1900’s. In 1916 he published Six Choral Folk Songs, of which Cornish folk tune I Love My Love is the fifth number.The song is a tale of a girl ‘in Bedlam’ who awaits her love’s return from the sea. It moves into Dorian mode and out again with a particularly effective sighing motif in the middle section. Gustav Holst has earned a place among the most revered of late 19th and early 20th century composers and is best known for his enduring Orchestral suite The Planets.

DKK 82.00
1

Cecil Armstrong Gibbs: The Ballad Of Semmerwater (Voice/Piano)

Cecil Armstrong Gibbs: The Ballad Of Semmerwater (Voice/Piano)

Cecil Armstrong Gibbs was a prolific and versatile English composer of the 20th century. Gibbs is best known for his output of songs, but he also wrote a considerable amount of music for the amateur choirs that he conducted. His reputation as a song-writer largely lies in his natural gift for text setting – he insisted on giving priority to the words over the music and had very clear musical ideas on what a song should be. These principles prevailed when he set William Watson’s poem about a splendid city which stood by a lake and which vanished without trace to music. The Ballad Of Semmerwater is arranged here for Voice with Piano accompaniment.

DKK 142.00
1

Cecil Armstrong Gibbs: Cherry Tree (Voice/Piano)

Cecil Armstrong Gibbs: Cherry Tree (Voice/Piano)

Cecil Armstrong Gibbs was a prolific and versatile English composer of the 20th century. Gibbs is best known for his output of songs, but he also wrote a considerable amount of music for the amateur choirs that he conducted. His reputation as a song-writer largely lies in his natural gift for text setting – he insisted on giving priority to the words over the music and had very clear musical ideas on what a song should be. These principles prevailed when writing The Cherry Tree in 1949 – the Voice is clearly put to the foreground, with the Piano only supporting the singer in the background, so a confident and capable performance is needed from the soloist. Words by Margaret Rose. Performance time approximately 3 minutes.

DKK 142.00
1

Holst, G The Song Of The Blacksmith Satb

Holst, G The Song Of The Blacksmith Satb

In his use of authentic Englsh folksongs, Gnostic texts and Vedic hymns, one can discern Holst’s search for a compositional Voice beyond the constraints of the European canon in the early 1900’s. In 1916 he published Six Choral Folk Songs, of which Hampshire folk tune The Song of the Blacksmith is the fourth.Holst uses the power of his mixed Voice Chorale to set the song among onomatopaeic syllables to evoke the smithy. The song is one verse long which Holst repeats not quite completely three times, like the endlessly spinning thoughts of a rejected lover. There are many time signature changes between 4/4 and ¾.Gustav Holst has earned a place among the most revered of late 19th and early 20th century composers and is best known for his enduring Orchestral suite The Planets.

DKK 70.00
1

V Williams, R Ca' The Yowes Tenor Solo/Satb/Piano

V Williams, R Ca' The Yowes Tenor Solo/Satb/Piano

Vaughan Williams created this setting of Burns’ later version of Ca’ The Yowes with its original tune in 1922. This is a particularly atmospheric setting, profiling lyrical solo male voices against very rich harmonies and varying this between the verses of the song. The Scottish folk song is arranged for Tenor solo and chorus of mixed voices with Piano accompaniment. Ralph Vaughan Williams was an English composer of symphonies, chamber music, opera, choral music, and film scores; as well as a collector of English folk music and song. He was one of the leading figures of the 20th century revival of English music, and believed that restoring English music could only happen by studying and employing native resources, rather than looking at foreign models. Today Williams is largely remembered for his ‘musical nationalism’, although a greater complexity is attributed to it than in former times.

DKK 70.00
1

Thomson Rule Britannia

Thomson Rule Britannia

When 18th century British composer Thomas Arne included his song Rule, Britannia! in a masque based on the life of Alfred the Great that was presented at Cliveden, the country home of Frederick, Prince of Wales, he could not have imagined that more than two hundred seventy years later his ditty would be known throughout the British Isles and beyond. Rule, Britannia! is widely used in the Royal Navy and British Army and is featured each year at the Last Night of the Proms in the Royal Albert Hall as a national sing-along.At the time of writing, the Dutch actually ‘ruled the waves,’ so this song was more an exhortation than a status report. The lyrics were also a statement of civil liberty. Since Cromwell’s time, Britain had had a standing army which could be turned against the native population. A standing navy, however, existed solely to protect the nation from invaders, protecting a free populace.Rule, Britannia! has been quoted extensively by other composers, among them Beethoven, Wagner, Strauss, and Arthur Sullivan. Thomas Arne also penned a version of God Save The King which came to be the British national anthem.This version is arranged by contemporary composer and friend Eaton Fanning, who made changes to the famous semiquaver flourishes.

DKK 58.00
1