Carols from Around the World : Nine Carols from the UK, USA, Germany, France and Spain

Easiest Mandolin Tunes for Children

Angeline Baker ÿÿÿÿÿBlack Eyed Suzie ÿÿÿÿÿBoil the Cabbage Down ÿÿÿÿÿBrigg's Jig ÿÿÿÿÿColinda ÿÿÿÿÿCripple Creek ÿÿÿÿÿFire on the Mountain ÿÿÿÿÿGroundhog ÿÿÿÿÿJack of Diamonds ÿÿÿÿÿJohn Hardy ÿÿÿÿÿMolly Put the Kettle On ÿÿÿÿÿNew River Train ÿÿÿÿÿRed Haired Boy ÿÿÿÿÿReuben and Rachel ÿÿÿÿÿSally Goodin ÿÿÿÿÿSalty Dog Blues ÿÿÿÿÿShortnin' Bread ÿÿÿÿÿSteamboat Waltz ÿÿÿÿÿSweet Betsy from Pike ÿÿÿÿÿThe Eighth of January ÿÿÿÿÿThe Sweet Sunny South ÿÿÿÿÿThe White Cockade ÿÿÿÿÿWatermelon on the Vine ÿÿÿÿÿ

Paul Beuscher: The Didgeridoo (Book/Online Audio)

The Didgeridoo is an ancient instrument of the Aborigines of Australia, but the discovery of its rhythmic and harmonic richness has only been in the West for a few years. This work gives all the essential advice needed to test, appreciate and buy a Didgeridoo. The many exercises and sound samples given in the audio lets you appreciate the acoustic qualities and playing potential of the Didgeridoo. Audio download available online.

Top Fiddle Solos

If you are looking for exciting and challenging fiddle solos by one of America's hottest fiddlers, this book is for you. Contains Craig's outstanding fiddle arrangements on: Dueling Fiddles; Rocky Top; Black Mountain Rag; Tennessee Waltz; Faded Love; Cajun Fiddle; Jole Blon; Gardenia Waltz; Draggin' the Bow; Granny Does Your Dog Bite?; Black-Eyed Suzie; Wabash Cannonball; and many more. Presents 60 great fiddling tunes! The CD is sparkling stereo listening recording featuring Craig Duncan backed up by a top Nashville country rhythm section!

Learn to Play Bluegrass Bass

At last, here is a method book for the upright string bass or "dog house bass" as it is affectionately known in bluegrass circles. Although bluegrass bass has a style of its own, the knowledge gained through this method is applicable to virtually any musical genre. This book addresses the elements of tuning, hand positions, essential chord theory, slap bass technique, and playing in positions 1-10. A handy chart is provided for transposing chord progressions from one key to another. Written in standard notation only.

Craig Duncan: Top Fiddle Solos

If you are looking for exciting and challenging fiddle solos by one of America's hottest fiddlers, this book is for you. Contains Craig's outstanding fiddle arrangements on: Dueling Fiddles; Rocky Top; Black Mountain Rag; Tennessee Waltz; Faded Love; Cajun Fiddle; Jole Blon; Gardenia Waltz; Draggin' the Bow; Granny Does Your Dog Bite?; Black-Eyed Suzie; Wabash Cannonball; and many more. Presents 60 great fiddling tunes. The audio is a sparkling stereo listening recording featuring Craig Duncan backed up by a top Nashville country rhythm section. Includes access to online audio.

Backup Trax/Old Time & Fiddle Tunes for Fdl & Mandolin

14 Fiddle tunes carefully chosen to represent a variety of keys and types of tunes. All are standards played whenever bluegrass, country, and old time musicians gather. The melodies and chord progressions to all the tunes are on the recording at both regular and slow speeds. Learn this repertoire and you'll have a great introduction to fiddle tunes. Tunes include: Temperance Reel; Sally Goodin; Blackberry Blossom; Over the Waves; Beaumont Rag; Red Haired Boy; June Apple; Salty Dog; Old Joe Clark; Billy in the Lowground, and more! Notation and tablature.

Classic Chicago Blues #2 - Level 3 (Book/Online Audio)

Classic Chicago Blues Harp #2 follows book/CD #1 and is a progressive lesson book that walks you step-by-step from the intermediate stages of playing the Harmonica to the very advanced. This lesson book is the main backbone to the Harmonica Masterclass Lesson Series. Classic Chicago Blues Harp takes the major techniques used by professional artists and teaches it to you. Each chapter finishes in a chapter review test to help you in understanding the main points covered in each chapter. The D major diatonic Harmonica is primarily used in this book, the other keys are A and C. Includes access to online audio.

Martin Schroeder/Liselotte Schell: Ukulele Bass Manual (Book/Online Video)

The Ukulele Bass Manual offers a theoretical introduction to the development of the instrument and its maintenance, stringing and care. Discover the secret of the "UBass": how can such a small instrument make a sound that deep? Co-author Martin "Bassmati" Schroeder put the Kala UBass to the acid test and lets us take part in his experiences in studio and live recordings. The theoretical part is followed by tunes, bass lines, songs and catchy grooves to help you to learn. Cajon and UBass fit together really well, so we have included simple band scores for Guitar, Cajon and UBass to show you how a true rhythm section grooves. This book includes access to online video.

Mel Bay's Modern Guitar Method: Grade 1 (Book/Online Media)

Mel Bay's Modern Guitar Method is the world's premier method for learning modern plectrum/flatpick style Guitar. This method has stood the test of time and has been proven successful in building the theoretic and technical foundation needed to play in any style. All seven grades of this method are written in standard notation to encourage better sight reading. In Grade 1, the student guitarist will learn to play solos, duets, scales and chords in the keys of C, A minor, G and E minor. Even in Grade 1, the student is already exposed to the chord melody concept of Guitar performance. In addition an audio recording of the solos and studies and also a video recording are available with this books as downloads.

Studies For Cajon

Don't want to lug an entire drum kit on stage? Want to play unplugged without drowning out your band mates? The Cajon, the smallest drum kit in the world, is the perfect powerful accompaniment instrument to any kind of band, be it blues, hip hop, boogie or rock - providing a full snare and rich bass sound, amplified or acoustic. This book provides beginners with a step-by-step introduction to this little box, called Cajon. You'll not only find all important back-up information (history, instrument-building), you'll also learn how to play rock, pop and Latin grooves. Enclosed you'll find a CD containing sound examples to the respective exercises to help you practice and control the sound you make. The CD also includes play along-tracks, allowing you to test your skills under realistic conditions.

Folk Harp For The Young Beginner

Folk Harp for the Young Beginner is designed for beginning harpists with no prior musical experience. The book presents two new methods for reading notation built around recognizing common musical patterns over traditional single note reading. Each group of songs has fun, engaging exercises that will build the student's coordination and confidence. The material draws from timeless melodies from classical, Renaissance, Celtic, English, old-time and traditional folk repertoire.Topics covered in this method include: - How to tune the harp - Reading music notation and counting rhythm, including two methods for reading ledger lines - Recognizing basic fingering and bass patterns - Changing keys with sharping levers - Using brackets to help see note patterns - Chord inversions Additional resources include rhythm practice and workout pages to test your musical knowledge. Helpful reference photos can also be found inside. Includes access to online audio.

Fingerstyle Ragtime : Guitar Ragtime Blues to the Classic Rags

This collection covers ragtime guitar styles and techniques from the “stumblin’ bass” of Blind Blake to the evergreen piano sounds of Scott Joplin. Playing the Guitar like a Piano: Shake That Thing , 99 Year Blues, The Bald-Headed End of a Broom, Buck Dancer’s Choice, A Salty Dog Rag, See That Girl Sitting on a Fence. Raggin’ The Blues: Blake’s Breakdown, Ton of Blues, That Won’t Do, Cincinnati Flow Rag/Slow Drag. Ragtime Songs, Marches & Cakewalks: Hot Time In The Old Town Tonight, Save Up Your Money, John D. Rockefeller Put the Panic On, (Won’t You Come Home) Bill Bailey, Sister Kate’s Syncopated Dance, Smokey Mokes, Haag City Dance, Atlanta Rag, Dallas Rag, High Society. TheClassic Rags: Original Rags, The Buffalo Rag, Pineapple Rag, The Grizzly Bear Rag, Florida Rag, Heliotrope Bouquet, The Entertainer, Coconut Dance. Includes access to online audio.

Bluegrass On Hammered Dulcimer

Bluegrass on Hammered Dulcimer is a collection of tunes commonly found in the standard bluegrass repertoire. Favorite vocal pieces such as  "A Man of Constant Sorrow," "Angel Band," "Keep on the Sunny Side," and "Will the Circle be Unbroken," are included along side hot instrumentals such as "Jerusalem Ridge," "Rawhide," "Big Mon," and "Blue Grass Stomp." Even traditional tunes that you think you know already such as "Bill Cheatham," "Farewell to Whiskey," "Forked Deer," and "Salty Dog" are given a new twist when presented as a typical bluegrass 'break.' Intermediate players and above will enjoy the challenge of learning more complicated versions of common tunes and performing them at the high-speed tempo that is expected in bluegrass music. Players are encouraged to use these examples of bluegrass breaks merely as a starting point. Improvisation is a key component in playing bluegrass style and players will enjoy experimenting with their own creations. Each tune has guitar chords notated above the music staff. Standard notation only.

Traditional Music of the British Isles : for Electric Guitar

Ideal for the intermediate-level guitarist, these 17 traditional tunes from the UK plus one from France are arranged to be played with your electric guitar plugged-in. The transformation that occurs in switching from acoustic to electric instruments adds an unmistakable Celtic rock element to the author’s companion recording. The tunes are all played twice through on the recording and transcribed note-for-note in the book. The recording features backup from both electric bass and a second electric guitar, often played with a slide and a little “dirt” thrown into the mix. Skillful bodhrán and djembe playing on many of the tracks adds to the dynamic nature of the recording. Many of these tunes can be played in lower positions but a few venture as high as the 14th fret. Playing one note at a time within a narrow range, if you don’t read particularly well now, working through these tunes will help you improve and gain confidence as a sight reader. Written in standard notation and guitar tablature. Includes access to online audio.Ideal for the intermediate-level guitarist, these 17 traditional tunes from the UK plus one from France are arranged to be played with your electric guitar plugged-in. The transformation that occurs in switching from acoustic to electric instruments adds an unmistakable Celtic rock element to the author’s companion recording. The tunes are all played twice through on the recording and transcribed note-for-note in the book. The recording features backup from both electric bass and a second electric guitar, often played with a slide and a little “dirt” thrown into the mix. Skillful bodhrán and djembe playing on many of the tracks adds to the dynamic nature of the recording. Many of these tunes can be played in lower positions but a few venture as high as the 14th fret. Playing one note at a time within a narrow range, if you don’t read particularly well now, working through these tunes will help you improve and gain confidence as a sight reader. Written in standard notation and guitar tablature. Includes access to online audio.Ideal for the intermediate-level guitarist, these 17 traditional tunes from the UK plus one from France are arranged to be played with your electric guitar plugged-in. The transformation that occurs in switching from acoustic to electric instruments adds an unmistakable Celtic rock element to the author’s companion recording. The tunes are all played twice through on the recording and transcribed note-for-note in the book. The recording features backup from both electric bass and a second electric guitar, often played with a slide and a little “dirt” thrown into the mix. Skillful bodhrán and djembe playing on many of the tracks adds to the dynamic nature of the recording. Many of these tunes can be played in lower positions but a few venture as high as the 14th fret. Playing one note at a time within a narrow range, if you don’t read particularly well now, working through these tunes will help you improve and gain confidence as a sight reader. Written in standard notation and guitar tablature. Includes access to online audio.

7 Studies for Guitar

Hailed by David Tanenbaum, Guitar Department Chair at the San Francisco Conservatory of Music, as ?a fun and varied set that is pleasing to the ear while being a healthy workout?, theÿ7 Studies for Guitarÿby virtuoso guitarist Andrew Hull is a set of concert etudes in the tradition of the twelve etudes of Heitor Villa-Lobos. Andrew is a Guitar Foundation of America International Competition finalist, former student of famed guitar composer Dusan Bogdanovic, and Fulbright Scholar to Uruguay. While in Uruguay, he studied the original manuscripts of the Villa-Lobos etudes with the late Abel Carlevaro. Theÿ7 Studies for Guitarÿwere inspired by that experience: seeingVilla-Lobos? original pages, sitting at the foot of the technical master Carlevaro, and realizing the great need for a new set of concert studies. The studies are the sum total of his experiences learning from these technical and compositional masters and feature challenging and fiery pieces that test the limits of modern technique with arpeggios, tremolos, scales, and specialized left-hand techniques. Includes access to online audio.

Koko Kanyinda: The Secret Of Congolese Drums

In The Secret Of Congolese Drums you will learn how to play in the Rumba and Soukous percussion styles. These styles are taught by Congoloses drum legend Koko Kanyinda in an easy to follow method. Koko teaches 14 essential exercises to get players up and going in the Rumba and Soukous traditions. DVD run time is 66 minutes.Koko Kanyinda is an outstanding drummer and vocalist from the Congo. He is the last surviving conga player from the first generation of Congolese musicians like Tabu Ley le Rochereau and Franco whose Rumba style took Africa by storm in the 1960s. Kanyinda was a pupil of the great master drummer Kadima and early in his career he performed with a number of Congolese greats including Dr. Nico Mbarga, Papa Noel and Sam Mangwana. Kanyinda moved to the UK in 1990 and settled in Bristol to teach drumming. Four years later he moved to London and formed Soukous Koumbele. Since then he has given drumming workshops throughout Europe, USA and Australia with the WOMAD organization and toured with Mose Fan Fan and the Master Drummers of Africa.

Bruce Bollerud: International Accordion Favorites (Book/Online Audio)

This collection by Bruce Bollerud welcomes you to the international world of Accordion music. The book contains samples of ethnic folk music from Europe and the Americas and forms the foundation of a basic folk Accordion repertoire. Access to online audio is also included. These songs are from many nations. They are crowd pleasers and they are fun to play. I have played most of these songs in the various bands I have played with over the years. These melodies have stood the test of time, so what are you waiting for? Open the book, get your accordion out and let's play some music! One word about these songs: I generally learn a song and then play it by heart-by memory as opposed to playing it by reading from a sheet of music. I believe this allows for more personal expression and interpretation which can be affected by audience response or the way I feel at the time. You'll notice that on most of the performances on the audio download available online I didn't play repeats. Because of the limited time available on a disc we found we couldn't fit all the tunes if we played them as written. - Bruce Bollerud

Dossan of Heather

This is not just another book of Irish session tunes. It represents the relatively unknown repertoire of a single Irish traditional musician, Packie Manus Byrne of Donegal. There has been considerable interest in the music of Donegal over the past 10 years or so, especially with the rise of groups such as Altan. Packie Manus Byrne is a familiar name to traditional-music lovers in Ireland and the UK, where he enjoyed a successful career as a folk performer for more than 20 years. Almost all these tunes were being played in Packie's home area between 1925 and 1935; the collection is thus something of a "time capsule" with a unity of origin and style that sets it apart from other collections. The 85 genuine old traditional tunes are being made public for the first time. This unique collection, with all the background information and stories, gives the reader a real sense of the community out of which the music came and the characters who played it. Suitable for fiddle, tin whistle, flute and other traditional instruments. The CD includes 33 of the tunes performed by Jean Duval, Stephen Jones, Johanne St. Laurent, Lynda Dowker, and Reinhard Görner on a variety of instruments.

Classical Masterpieces for Banjo

If you've ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you!Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was 'a virtuoso instrument capable of enriching any musical genre.â€In the author's words, 'I chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the player's musical sensibility… Some pieces, like Flight of the Bumblebee will challenge yourability to play rapidly, while others like Beethoven's Moonlight Sonata, are much slower, but will test your musical abilities in other ways.†The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three-finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo. If you’ve ever felt compelled to play Flight of the Bumblebee on the 5-string banjo, this is the book for you! Challenging banjo transcriptions of classical masterpieces may seem like a humorous anachronism to some, but not for Italian master Claudio Parravicini, a conservatory graduate who, while majoring in French horn, always believed that the banjo was “a virtuoso instrument capable of enriching any musical genre.” In the author’s words, “I chose the classical pieces in this book on the basis of how they might advance right and left-hand banjo technique and even refine the player’s musical sensibility… Some pieces, like Flight of the Bumblebee will challenge your ability to play rapidly, while others like Beethoven’s Moonlight Sonata, are much slower, but will test your musical abilities in other ways.” The other pieces in the book are: Prelude No. 2 in C minor and Inventions No. 4 and No. 6 by J. S. Bach, Flight of the Bumblebee by Korsakov, Perpetual Motion and Carnival of Venice by Paganini, and Toccata for Piano or Harpsichord by Paradisi. Classical Masterpieces for Banjo is written in tablature only in standard G tuning [gDGBD] using three-finger banjo technique in the traditional, melodic and single-string style. Each selection is guaranteed to further your technique and delight your audience, or simply expand your vision of what is possible on the 5-string banjo.

Legends Of Bottleneck Slide Blues Guitar

For more than a century, blues guitarists have been pressing bottlenecks, bones, and metal to strings to create exhilarating melodies, propulsive chords and, in their best moments, feelings too deep for words. This collection gathers transcriptions of 27 groundbreaking bottleneck guitar gems from the 1920s through the 1960s. From the beginning, bottleneck guitar and the blues have traveled side by side. In the earliest known description of a blues performer, W.C. Handy recounted seeing someone play this way in 1903. The event occurred late one night in the Tutwiler, Mississippi, train station. “A lean, loose-jointed Negro had commenced plunking a guitar beside me while I slept,” Handy wrote in his autobiographical Father of the Blues. “His clothes were rags; his feet peeped out of his shoes. His face had on it some of the sadness of the ages. As he played, he pressed a knife on the strings of the guitar in a manner popularized by the Hawaiian guitarists who used steel bars. The effect was unforgettable. His song, too, struck me instantly: ‘Goin’ where the Southern cross the Dog.’ The singer repeated the line three times, ac-companying himself on the guitar with the weirdest music I had ever heard.” This “weird” music Handy described would soon become known as the blues. The artist featured in this collection: Bo Weavil Jackson, Sam Collins, Furry Lewis, Peg Leg Howell, Blind Willie Johnson, Charley Patton. Barbecue Bob, Blind Willie McTell, Kokomo Arnold, Son House, Tampa Red, Lead Belly, Robert Johnson, Black Ace, Bukka White, Muddy Waters and Fred McDowell. Includes access to online audio.