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Was the Cat in the Hat Black? - Philip (university Distinguished Professor Of English Nel - Bog - Oxford University Press Inc - Plusbog.dk

Was the Cat in the Hat Black? - Philip (university Distinguished Professor Of English Nel - Bog - Oxford University Press Inc - Plusbog.dk

Racism is resilient, duplicitous, and endlessly adaptable, so it is no surprise that America is again in a period of civil rights activism. A significant reason racism endures is because it is structural: it''s embedded in culture and in institutions. One of the places that racism hides-and thus perhaps the best place to oppose it-is books for young people.Was the Cat in the Hat Black? presents five serious critiques of the history and current state of children''s literature tempestuous relationship with both implicit and explicit forms of racism. The book fearlessly examines topics both vivid-such as The Cat in the Hat''s roots in blackface minstrelsy-and more opaque, like how the children''s book industry can perpetuate structural racism via whitewashed covers even while making efforts to increase diversity. Rooted in research yet written with a lively, crackling touch, Nel delves into years of literary criticism and recent sociological data in order to show a better way forward. Though much of what is proposed here could be endlessly argued, the knowledge that what we learn in childhood imparts both subtle and explicit lessons about whose lives matter is not debatable. The text concludes with a short and stark proposal of actions everyone-reader, author, publisher, scholar, citizen- can take to fight the biases and prejudices that infect children''s literature. While Was the Cat in the Hat Black? does not assume it has all the answers to such a deeply systemic problem, its audacity should stimulate discussion and activism.

DKK 209.00
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Time and the World - M. Oreste Fiocco - Bog - Oxford University Press Inc - Plusbog.dk

Time and the World - M. Oreste Fiocco - Bog - Oxford University Press Inc - Plusbog.dk

This is a book about everything. Literally. It is also a book about how anything whatsoever happens. By answering the question what is a thing?, philosopher M. Oreste Fiocco reveals what it is to exist, what a being, any being at all, is. In this way, he illuminates reality as a whole and what it is to be real. Such profound matters require a special method of inquiry, which Fiocco introduces and elaborates. Any assumption about the world or anything in it might distort the correct answer to a question as general as what it is to exist. Thus, the method employed herein -- original inquiry -- begins with no assumptions about reality. It is, then, a method independent of any figure, trend, or tradition in the history of philosophy. Via this method, one simply confronts all this, the world, an all-encompassing diverse array of whatnot, and on this basis can come to a secure account of what it is to be. In simply confronting the world, however, one''s experience shifts, is transient: all this goes from one way--with, say, a cat here--to some other way--the cat being over there. This manifest inconstancy must be accounted for in any comprehensive account of the world. Yet so must a manifest constancy. If the cat is now, at this moment, over there, that the cat is now, at this moment, over there is forever true.These seemingly contradictory phenomena, inconstancy and constancy, demonstrate the importance of time to understanding the world. Since any legitimate inquiry is directed at something or other and since many objects of inquiry (including inquiry itself) occur over time, correct accounts of temporal reality and of being - of time and the world - provide insight into all inquiry. These accounts provide constraints on and, hence, guidelines for investigating any subject matter in any field. Therefore, this is a book for anyone curious about such grand, abstruse matters as the nature of reality or of time itself, as well as a book for someone curious about any thing at all.

DKK 946.00
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Philosophy of Science Matters - - Bog - Oxford University Press Inc - Plusbog.dk

Ignorance - Stuart (professor And Chair Firestein - Bog - Oxford University Press Inc - Plusbog.dk

Ignorance - Stuart (professor And Chair Firestein - Bog - Oxford University Press Inc - Plusbog.dk

Knowledge is a big subject, says Stuart Firestein, but ignorance is a bigger one. And it is ignorance--not knowledge--that is the true engine of science. Most of us have a false impression of science as a surefire, deliberate, step-by-step method for finding things out and getting things done. In fact, says Firestein, more often than not, science is like looking for a black cat in a dark room, and there may not be a cat in the room. The process is more hit-or-miss than you might imagine, with much stumbling and groping after phantoms. But it is exactly this "not knowing," this puzzling over thorny questions or inexplicable data, that gets researchers into the lab early and keeps them there late, the thing that propels them, the very driving force of science. Firestein shows how scientists use ignorance to program their work, to identify what should be done, what the next steps are, and where they should concentrate their energies. And he includes a catalog of how scientists use ignorance, consciously or unconsciously--a remarkable range of approaches that includes looking for connections to other research, revisiting apparently settled questions, using small questions to get at big ones, and tackling a problem simply out of curiosity. The book concludes with four case histories--in cognitive psychology, theoretical physics, astronomy, and neuroscience--that provide a feel for the nuts and bolts of ignorance, the day-to-day battle that goes on in scientific laboratories and in scientific minds with questions that range from the quotidian to the profound. Turning the conventional idea about science on its head, Ignorance opens a new window on the true nature of research. It is a must-read for anyone curious about science.

DKK 216.00
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Spreading Patterns - Hendrik De Smet - Bog - Oxford University Press Inc - Plusbog.dk

Flora of North America: Volume 22: Magnoliophyta: Alismatidae, Arecidae, Commelinidae(in part), and Zingiberidae - - Bog - Oxford University Press Inc

Word Myths - David Wilton - Bog - Oxford University Press Inc - Plusbog.dk

Word Myths - David Wilton - Bog - Oxford University Press Inc - Plusbog.dk

Do you believe that Ring Around the Rosie refers to the Black Death? Or that Eskimos have 50 (or 500) words for "snow"? Or that "Posh" is an acronym for "Port Out, Starboard Home"? If so, you badly need this book. In Word Myths, David Wilton debunks some of the most spectacularly wrong word histories in common usage, giving us the real stories behind many linguistic urban legends. Readers will discover the true history behind such popular words and expressions such as "rule of thumb," "the whole nine yards," "hot dog," "raining cats and dogs," "chew the fat," "AWOL," "under the weather," "in like Flynn," "Dixie," "son of a gun," "tinker''s damn," and many more. We learn that SOS was not originally an acronym for "Save Our Ship" or "Save Our Souls," but was chosen because the morse code signal (3 dots, 3 dashes, 3 dots) was easy to send and recognize. Also, "let the cat out of the bag" does not refer to the whip (the "cat") used to punish sailors aboard ship. The term "upset" (to defeat unexpectedly) does not date from the horse race when the heavily favored Man O'' War was beaten by a nag named Upset (Upset was the only horse ever to defeat Man O'' War, but the word predates the race by half a century). And Thomas Crapper did not invent the flush toilet, nor do the words "crap" or "crapper" derive from his name. As Wilton quashes these word myths, he offers us the best of both worlds: not only do we learn the many wrong stories behind these words, we also learn why and how they were created--and what the real story is. "Think ''hot dog'' was coined by a New York baseball vendor, or that a certain vulgarity originated as an acronym? Then you need to read this book, which shows that some of the best etymological stories are just tall tales." --Chicago Tribune (10 Best Books About Language, 2004) "Most everything you know about word and phrase origins is likely to be wrong, and David Wilton proves it with a light touch and a wealth of fascinating case histories. Absolutely everyone with an interest in language will love this book." --J.E. Lighter, Editor, Historical Dictionary of American Slang

DKK 170.00
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Theodor Geisel - Donald E. Pease - Bog - Oxford University Press Inc - Plusbog.dk

Tales of the Quantum - Art (professor Emeritus Of Physics Hobson - Bog - Oxford University Press Inc - Plusbog.dk

Tales of the Quantum - Art (professor Emeritus Of Physics Hobson - Bog - Oxford University Press Inc - Plusbog.dk

Everybody has heard that we live in a world made of atoms. But far more fundamentally, we live in a universe made of quanta. Many things are not made of atoms: light, radio waves, electric current, magnetic fields, Earth''s gravitational field, not to mention exotica such a neutron stars, black holes, dark energy, and dark matter. But everything, including atoms, is made of highly unified or "coherent" bundles of energy called "quanta" that (like everything else) obey certain rules. In the case of the quantum, these rules are called "quantum physics." This is a book about quanta and their unexpected, some would say peculiar, behavior--tales, if you will, of the quantum.The quantum has developed the reputation of being capricious, bewildering, even impossible to understand. The peculiar habits of quanta are certainly not what we would have expected to find at the foundation of physical reality, but these habits are not necessarily bewildering and not at all impossible or paradoxical. This book explains those habits--the quantum rules--in everyday language, without mathematics or unnecessary technicalities. While most popular books about quantum physics follow the topic''s scientific history from 1900 to today, this book follows the phenomena: wave-particle duality, fundamental randomness, quantum states, superpositions (being in two places at once), entanglement, non-locality, Schrodinger''s cat, and quantum jumps, and presents the history and the scientists only to the extent that they illuminate the phenomena.

DKK 389.00
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Saving Cinema - Caroline Frick - Bog - Oxford University Press Inc - Plusbog.dk

Saving Cinema - Caroline Frick - Bog - Oxford University Press Inc - Plusbog.dk

With the inception of cinema, discussions relating to the preservation of film emerged in countries around the globe. Early motion picture collectors, critics, and producers justified film preservation by appealing to cinema''s role as art or artifact or through the medium''s capacity to document historical events. In the mid to late twentieth century, however, film preservation advocates shifted to validating their work through re-defining and celebrating cinema as cultural heritage. Saving Cinema investigates the evolution of the film preservation movement--from Hollywood studios and U.S. federal institutions, to influential international associations and small cinema collections in developing nations. Western preservation advocates have succeeded in solidifying a material, artifact-driven approach to how society approaches managing historical relics. But the digital era offers an unprecedented opportunity for change in which widespread access to historical media can, itself, be seen as moving image preservation. Saving Cinema examines the significant influence of the film preservation movement upon what has been defined as ''American'' film heritage for the scholar, practitioner, and audience. Although most movie enthusiasts around the globe think Hollywood films equate the nation''s cinematic output, the popularity of all types of moving images on the internet evidence what film archives have known for years--that industrial and training films, and even videos of the family cat prove just as popular as the latest blockbuster. Saving Cinema illustrates that moving image archives have not merely preserved movie history, but have, instead, actively produced cinematic heritage.

DKK 1170.00
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Saving Cinema - Caroline Frick - Bog - Oxford University Press Inc - Plusbog.dk

Saving Cinema - Caroline Frick - Bog - Oxford University Press Inc - Plusbog.dk

With the inception of cinema, discussions relating to the preservation of film emerged in countries around the globe. Early motion picture collectors, critics, and producers justified film preservation by appealing to cinema''s role as art or artifact or through the medium''s capacity to document historical events. In the mid to late twentieth century, however, film preservation advocates shifted to validating their work through re-defining and celebrating cinema as cultural heritage. Saving Cinema investigates the evolution of the film preservation movement--from Hollywood studios and U.S. federal institutions, to influential international associations and small cinema collections in developing nations. Western preservation advocates have succeeded in solidifying a material, artifact-driven approach to how society approaches managing historical relics. But the digital era offers an unprecedented opportunity for change in which widespread access to historical media can, itself, be seen as moving image preservation. Saving Cinema examines the significant influence of the film preservation movement upon what has been defined as ''American'' film heritage for the scholar, practitioner, and audience. Although most movie enthusiasts around the globe think Hollywood films equate the nation''s cinematic output, the popularity of all types of moving images on the internet evidence what film archives have known for years--that industrial and training films, and even videos of the family cat prove just as popular as the latest blockbuster. Saving Cinema illustrates that moving image archives have not merely preserved movie history, but have, instead, actively produced cinematic heritage.

DKK 417.00
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The Oxford Handbook of Children's Literature - - Bog - Oxford University Press Inc - Plusbog.dk

The Oxford Handbook of Children's Literature - - Bog - Oxford University Press Inc - Plusbog.dk

The Oxford Handbook of Children''s Literature is at once a literary history, an introduction to various theoretical perspectives and methodological approaches, a review of genres, and a selection of original and interdisciplinary essays on canonical and popular works for children in the Anglo-American tradition. It is geared toward graduate students, advanced undergraduates, and scholars new to the study of children''s literature, as well as teachers and anyone wishing to keep up with new research and innovative approaches to children''s literature. Twenty-six essays by top scholars from varied disciplines address theoretical, historical, sociological, and critical issues through analyses of classic novels such as Alice''s Adventures in Wonderland, Anne of Green Gables, The Swiss Family Robinson, Tom Sawyer, Kidnapped, and Five Little Peppers and How They Grew; early educational and religious works such as The New England Primer and Froggy''s Little Brother; picture books, comics and graphic novels such as Millions of Cats, Where the Wild Things Are, the Peanuts series and American Born Chinese; early readers such as The Cat in the Hat and the Frog and Toad books; newer children''s classics including Are You There, God? It''s Me, Margaret, Jade, Roll of Thunder, Hear My Cry, The Circuit, the Harry Potter series and His Dark Materials trilogy; works of poetry such as The Bat Poety and The Dreamkeeper; a play, Peter Pan; and media classics such as Free to Be You and Me and Dumbo. An editors'' introduction surveys key trends in criticism, the field''s history, and foundational scholarship.

DKK 573.00
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The Oxford Dictionary of Difficult Words - - Bog - Oxford University Press Inc - Plusbog.dk

The Oxford Dictionary of Difficult Words - - Bog - Oxford University Press Inc - Plusbog.dk

We all know what the words cat and dog and mother and tree mean. What we really need is a dictionary that helps us with the tough words, like elucubrate, or demesne, or cynosure. True, a standard dictionary can bail us out when we run across a tough word at home or in a library. But we often read elsewhere--in a doctor''s waiting room or on a plane, or while on vacation. What do we do then? The Oxford Dictionary of Difficult Words is designed to meet this need. A portable, pocket-sized reference, it features more than 10,000 entries that focus exclusively on words that, while outside most people''s working vocabulary, are often encountered in literature, in technical writings (such as computing or medical terminology), and in such diverse subject areas as law, philosophy, and art. Entries contain pronunciations, parts of speech, concise definitions, example sentences showing the word used in context, and etymologies when a word''s history may shed light on its meaning. Special attention is given to easily confused or closely related words (such as efficacious, effective, effectual, and efficient, or cynical, sarcastic, sardonic, and ironic). Usage notes are provided to ensure that readers know how to integrate these words into their vocabularies for more precision and power in speech and writing. Produced by a team of experienced lexicographers, drawing on Oxford''s exclusive 200-million-word database of contemporary English, this handy volume helps us with the words that lie just outside our vocabulary, words we just won''t find in other pocket dictionaries.

DKK 217.00
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Minds Behind the Brain - Stanley Finger - Bog - Oxford University Press Inc - Plusbog.dk

Minds Behind the Brain - Stanley Finger - Bog - Oxford University Press Inc - Plusbog.dk

Attractively illustrated with over a hundred halftones and drawings, this volume presents a series of vibrant profiles that trace the evolution of our knowledge about the brain.Beginning almost 5000 years ago, with the ancient Egyptian study of "the marrow of the skull," Stanley Finger takes us on a fascinating journey from the classical world of Hippocrates, to the time of Descartes and the era of Broca and Ramon y Cajal, to modern researchers such as Sperry. Here is a truly remarkable cast of characters. We meet Galen, a man of titanic ego and abrasive disposition, whose teachings dominated medicine for a thousand years; Vesalius, a contemporary of Copernicus, who pushed our understanding of human anatomy to new heights; Otto Loewi, pioneer in neurotransmitters, who gave the Nazis his Nobel prize money and fled Austria for England; and Rita Levi-Montalcini, discoverer of nerve growth factor, who in war-torn Italy was forced to do her research in her bedroom. For each individual, Finger examines the philosophy, the tools, the books, and the ideas that brought new insights. Finger also looks at broader topics--how dependent are researchers on the work of others? What makes the time ripe for discovery? And what role does chance or serendipity play? And he includes many fascinating background figures as well, from Leonardo da Vinci and Emanuel Swedenborg to Karl August Weinhold, who claimed to have reanimated a dead cat by filling its skull with silver and zinc, and Mary Shelley, who''s Frankenstein was inspired by such experiments.Wide ranging in scope, imbued with an infectious spirit of adventure, here are vivid portraits of giants in the field of neuroscience - remarkable individuals who found new ways to think about the machinery of the mind.

DKK 442.00
1

When a Gene Makes You Smell Like a Fish - Lisa Seachrist Chiu - Bog - Oxford University Press Inc - Plusbog.dk

When a Gene Makes You Smell Like a Fish - Lisa Seachrist Chiu - Bog - Oxford University Press Inc - Plusbog.dk

From the gene that causes people to age prematurely to the "bitter gene" that may spawn broccoli haters, this book explores a few of the more exotic locales on the human genome, highlighting some of the tragic and bizarre ways our bodies go wrong when genes fall prey to mutation and the curious ways in which genes have evolved for our survival. Lisa Seachrist Chiu offers here a smorgasbord of stories about rare and not so rare genetic quirks--the gene that makes some people smell like a fish, the Black Urine Gene, the Werewolf Gene, the Calico Cat Gene. We read about the Dracula Gene, a mutation in zebra fish that causes blood cells to explode on contact with light, and suites of genes that also influence behavior and physical characteristics. The Tangier Island Gene, first discovered after physicians discovered a boy with orange tonsils (scientists now realize that the child''s odd condition comes from an inability to process cholesterol). And Wilson''s Disease, a gene defect that fails to clear copper from the body, which can trigger schizophrenia and other neurological symptoms, and can be fatal if left untreated. On the plus side, we read about the Myostatin gene, a mutation which allows muscles to become much larger than usual and enhances strength--indeed, the mutations have produced beefier cows and at least one stronger human. And there is also the much-envied Cheeseburger Gene, which allows a lucky few to eat virtually anything they want and remain razor thin. While fascinating us with stories of genetic peculiarities, Chiu also manages to explain much cutting-edge research in modern genetics, resulting in a book that is both informative and entertaining. It is a must read for everyone who loves popular science or is curious about the human body.

DKK 634.00
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The ABCs of Classic Hollywood - Robert B. Ray - Bog - Oxford University Press Inc - Plusbog.dk

The ABCs of Classic Hollywood - Robert B. Ray - Bog - Oxford University Press Inc - Plusbog.dk

Speaking about the kind of filmmaking now known as Classic Hollywood, the most popular and influential cinema ever invented, Vincente Minnelli once gave away its secret: "I feel that a picture that stays with you is made up of a hundred or more hidden things. They''re things that the audience is not conscious of, but that accumulate." How would we go about finding those things? What method would enable us to retrieve them, and by doing so, to understand better how Hollywood films got made? The ABCs of Classic Hollywood attempts to answer those questions by looking closely at four movies from the 1930-1945 period when the American Studio System reached the peak of its economic and cultural power: Grand Hotel, The Philadelphia Story, The Maltese Falcon, and Meet Me in St. Louis. To avoid the predictable generalizations that have plagued Film Studies, Ray works with the movies'' details, treated as initially mysterious, but promising, clues: e.g., Grand Hotel''s coffin and room assignments; The Philadelphia Story''s diving board and license plate PA55; The Maltese Falcon''s clocks and missing bed; Meet Me in St. Louis''s violinist and ribboned cat. By producing at least 26 entries for each of these films (one for every letter of the alphabet), Ray demonstrates that a movie''s details contain the record of the work and ideas that produced them, the endless negotiation between commercial efficiency and seductive enchantment. In our unconscious memories, we recognize something in the movies, something tantalizing and just out of reach. This book unlocks those memories, making them conscious and explicit, so that they will help us understand the most powerful and important storytelling system ever designed.

DKK 358.00
1

Icarus in the Boardroom - David Skeel - Bog - Oxford University Press Inc - Plusbog.dk

Icarus in the Boardroom - David Skeel - Bog - Oxford University Press Inc - Plusbog.dk

Americans have always loved risktakers. Like the Icarus of ancient Greek lore, however, even the most talented entrepreneurs can overstep their bounds. All too often, the very qualities that make Icaran executives special-- self-confidence, visionary insight, and extreme competitiveness--spur them to take misguided and even illegal chances. The Icaran failure of an ordinary entrepreneur isn''t headline news. But put Icarus in the corporate boardroom and, as David Skeel vividly demonstrates, the ripple effects can be profound. Ever since the first large-scale corporations emerged in the nineteenth century, their ability to tap huge amounts of capital and the sheer number of lives they affect has meant that their executives play for far greater stakes. Excessive and sometimes fraudulent risks, competition, and the increasing size and complexity of organizations: these three factors have been at the heart of every corporate breakdown from 1873, when financial genius Jay Cooke collapsed, to the corporate scandals of the early 21st century. Compounding the scandals is an ongoing cat-and-mouse game between regulators'' efforts to police the three factors that lead to Icarus Effect failures and efforts by corporate America to evade this regulation in the name of efficiency and flexibility. These efforts to side-step oversight can rapidly spiral out of control, setting the stage for the devastating corporate failures that punctuate American business history. But there is also a silver lining to the stunning failures: the outrage they provoke galvanizes public opinion in favor of corporate reform. The most important American business regulation has always been enacted in response to a major breakdown in corporate America. Today''s business environment poses unprecedented perils for the average American as for the first time ever, more than half of Americans now own stock. Identifying the problems of the past, Skeel offers a strikingly new diagnosis of the fundamental flaws in corporate America today, and of what can be done to fix them.

DKK 231.00
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God and the Philosophers - - Bog - Oxford University Press Inc - Plusbog.dk

God and the Philosophers - - Bog - Oxford University Press Inc - Plusbog.dk

"I am a philosopher because I am a Christian," writes Brian Leftow. "To many intellectuals, this probably sounds like saying that I am a dog because I am a cat." Indeed, prejudice against religious belief runs deep in the academy; in particular, many philosophers hold that faith is incompatible with their profession. But Thomas Morris has met that view head-on by asking a distinguished group of philosophers to write about the union of faith and reason in their lives. God and the Philosphers offers a series of highly personal, thoughtful essays by traditionally religious philosophers, revealing the power of belief in their intellectually rigorous lives and work. Figures such as William P. Alston, William J. Wainwright, Marilyn McCord Adams, Peter van Inwagen, and Morris himself, to name a few, speak of their own spiritual journeys, sharing their experiences as philosphically reflective individuals seeking to center themselves on God. We read of conversions from unbelief, struggles with doubts raised by the presence of evil in the world, and changing convictions shaped by constant questioning and communing with God. For example, Brian Leftow describes his acceptance of Christianity, after being raised in a secular Jewish home, and Laura Garcia writes about her conversion to Catholicism from her earlier Protestant stance. Along the way, the writers reveal religious philosophy at work--demonstrating, as Arthur F. Holmes writes, "the motivation to intellectual inquiry that Christian faith brings." Here we see how individuals with extraordinary intellectual training, discipline, and knowledge grapple with personal and existential problems, drawing on their faith as well as their finely honed reason to achieve new understanding. Profoundly honest and deeply thoughtful, these essays reveal how highly educated philosophers--working in the halls of dispassionate analysis--come to grips with their faith in a skeptical world. Together, they make a profound statement on contemporary spirituality, and the quandaries facing today''s religious individual.

DKK 214.00
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Brain and Visual Perception - David H. Hubel - Bog - Oxford University Press Inc - Plusbog.dk

Brain and Visual Perception - David H. Hubel - Bog - Oxford University Press Inc - Plusbog.dk

Scientists'' understanding of two central problems in neuroscience, psychology, and philosophy has been greatly influenced by the work of David Hubel and Torsten Wiesel: What is it to see? This relates to the machinery that underlies visual perception, How do we acquire the brain''s mechanisms for vision? This is the nature-nurture question as to whether the nerve connections responsible for vision are innate or whether they develop through experience in the early life of an animal or human.This is a book about the collaboration between Hubel and Wiesel, which began in 1958, lasted until about 1982, and led to a Nobel Prize in 1981. It opens with short autobiographies of both men, describes the state of the field when they started, and tells about the beginnings of their collaboration. It emphasizes the importance of various mentors in their lives, especially Stephen W. Kuffler, who opened up the field by studying the cat retina in 1950, and founded the department of neurobiology at Harvard Medical School, where most of their work was done. The main part of the book consists of Hubel and Wiesel''s most important publications. Each reprinted paper is preceded by a foreword that tells how they went about the research, what the difficulties and the pleasures were, and whether they felt a paper was important and why. Each is also followed by an afterword describing how the paper was received and what developments have occurred since its publication. The reader learns things that are often absent from typical scientific publications, including whether the work was difficult, fun, personally rewarding, exhilarating, or just plain tedious. The book ends with a summing-up of the authors'' view of the present state of the field.This is much more than a collection of reprinted papers. Above all it tells the story of an unusual scientific collaboration that was hugely enjoyable and served to transform an entire branch of neurobiology. It will appeal to neuroscientists, vision scientists, biologists, psychologists, physicists, historians of science, and to their students and trainees, at all levels from high school on, as well as anyone else who is interested in the scientific process.

DKK 957.00
1