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The Haunted History of Pelham, New York - Blake A. Bell - Bog - State University of New York Press - Plusbog.dk

Apparitions, Daemons, and Emanations - Charles Freeland - Bog - State University of New York Press - Plusbog.dk

Apparitions, Daemons, and Emanations - Charles Freeland - Bog - State University of New York Press - Plusbog.dk

The Awakening of Modern Japanese Fiction - Michihiro Ama - Bog - State University of New York Press - Plusbog.dk

The Awakening of Modern Japanese Fiction - Michihiro Ama - Bog - State University of New York Press - Plusbog.dk

Argues that the role of Buddhism in modern Japanese prose literature has been significantly overlooked. The Awakening of Modern Japanese Fiction is the first book to treat the literary practices of certain major modern Japanese writers as Buddhist practices, and to read their work as Buddhist literature. Its distinctive contribution is its focus on modern literature and, importantly, modern Buddhism, which Michihiro Ama presents both as existing in continuity with the historical Buddhist tradition and as having unique features of its own. Ama corrects the dominant perception in which the Christian practice of confession has been accepted as the primary informing source of modern Japanese prose literature, arguing instead that the practice has always been a part of Shin Buddhist culture. Focusing on personal fiction, this volume explores the works of literary figures and Buddhist priests who, challenged by the modern development of Japan, turned to Buddhism in a variety of ways and used literature as a vehicle for transforming their sense of selfhood. Writers discussed include Natsume Soseki, Tayama Katai, Shiga Naoya, Kiyozawa Manshi, and Akegarasu Haya. By bringing Buddhism out of the shadows of early twentieth-century Japanese literature and elucidating its presence in both individual authors'' lives and the genre of autobiographical fiction, The Awakening of Modern Japanese Fiction demonstrates a more nuanced understanding of the role of Buddhism in the development of Japanese modernity.

DKK 286.00
1

The Pen Confronts the Sword - Avihu Zakai - Bog - State University of New York Press - Plusbog.dk

The Creation of Wing Chun - Jon Nielson - Bog - State University of New York Press - Plusbog.dk

The Political Logics of Anticorruption Efforts in Asia - - Bog - State University of New York Press - Plusbog.dk

The Pen Confronts the Sword - Avihu Zakai - Bog - State University of New York Press - Plusbog.dk

A Pedagogy of Anticapitalist Antiracism - Zachary A. Casey - Bog - State University of New York Press - Plusbog.dk

Postpolitics and the Limits of Nature - Andy Scerri - Bog - State University of New York Press - Plusbog.dk

Political Theology after Metaphysics - Derek Brown - Bog - State University of New York Press - Plusbog.dk

DKK 817.00
1

The Celluloid Atlantic - Saverio Giovacchini - Bog - State University of New York Press - Plusbog.dk

Philosopher and Prophet - Yochanan Silman - Bog - State University of New York Press - Plusbog.dk

The Great War in Hollywood Memory, 1918-1939 - Michael Hammond - Bog - State University of New York Press - Plusbog.dk

The Great War in Hollywood Memory, 1918-1939 - Michael Hammond - Bog - State University of New York Press - Plusbog.dk

Assesses how America''s film industry remembered World War I during the interwar period. This is the definitive account of how America''s film industry remembered and reimagined World War I from the Armistice in 1918 to the outbreak of World War II in 1939. Based on detailed archival research, Michael Hammond shows how the war and the sociocultural changes it brought made their way into cinematic stories and images. He traces the development of the war''s memory in films dealing with combat on the ground and in the air, the role of women behind the lines, returning veterans, and through the social problem and horror genres. Hammond first examines movies that dealt directly with the war and the men and women who experienced it. He then turns to the consequences of the war as they played out across a range of films, some only tangentially related to the conflict itself. Hammond finds that the Great War acted as a storehouse of motifs and tropes drawn upon in the service of an industry actively seeking to deliver clearly told, entertaining stories to paying audiences. Films analyzed include The Big Parade , Grand Hotel , Hell''s Angels , The Black Cat , and Wings . Drawing on production records, set designs, personal accounts, and the advertising and reception of key films, the book offers unique insight into a cinematic remembering that was a product of the studio system as it emerged as a global entertainment industry.

DKK 286.00
1