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Conversations with Edward Albee - - Bog - University Press of Mississippi - Plusbog.dk

Conversations with Edward Albee - - Bog - University Press of Mississippi - Plusbog.dk

Edward Albee has reigned over the American theater since 1959. By transporting the techniques of European absurdism to American soil, he ushered in a new era in the American theater. He has said he won two and one-half Pulitzers---one for Delicate Balance , one for Seascape , and the one-half supposedly for Virginia Woolf , which the Pulitzer committee denied to Albee in 1962 because they objected to the language of the play. Albee’s numerous roles and achievements are reflected in the lively interviews in this collection. These reveal the many sides and responses of one of the most significant dramatists of our age. In them we see the poised and guardedly amiable Albee; the angry Albee; the speculative and philosophical Albee; the historical-critical Albee; and the witty Albee. Albee talks knowledgeably and frankly about every phase of staging his plays---the many personalities involved in the process and the playwright’s prerogatives, which he jealously guards.

DKK 276.00
1

Dis-Orienting Planets - - Bog - University Press of Mississippi - Plusbog.dk

Dis-Orienting Planets - - Bog - University Press of Mississippi - Plusbog.dk

Contributions by Suparno Banerjee, Cait Coker, Jeshua Enriquez, Joan Gordon, Veronica Hollinger, Malisa Kurtz, Stephanie Li, Bradford Lyau, Uppinder Mehan, Graham J. Murphy, Baryon Tensor Posadas, Amy J. Ransom, Robin Anne Reid, Haerin Shin, Stephen Hong Sohn, Takayuki Tatsumi, and Timothy J. Yamamura Isiah Lavender III''s Dis-Orienting Planets amplifies critical issues surrounding the racial and ethnic dimensions of science fiction. This edited volume explores depictions of Asia and Asians in science fiction literature, film, and fandom with particular regard to China, Japan, India, and Korea. Dis-Orienting Planets highlights so-called yellow and brown peoples from the constellation of a historically white genre. The collection launches into political representations of Asian identity in science fiction''s imagination, from fear of the Yellow Peril and its racist stereotypes to techno-Orientalism and the remains of a postcolonial heritage. Thus the essays, by contributors such as Takayuki Tatsumi, Veronica Hollinger, Uppinder Mehan, and Stephen Hong Sohn, reconfigure the very study of race in science fiction. A follow-up to Lavender''s Black and Brown Planets , this collection expands the racial politics governing the renewed visibility of Asia in science fiction. One of the few on this subject, the volume probes Gary Shteyngart''s novel Super Sad True Love Story , the acclaimed film Cloud Atlas , and Guillermo del Toro''s monster film Pacific Rim , among others. Dis-Orienting Planets embarks on a wide-ranging assessment of Asian representations in science fiction, upon the determination that our visions of the future must include all people of color.

DKK 312.00
1

Dis-Orienting Planets - - Bog - University Press of Mississippi - Plusbog.dk

Dis-Orienting Planets - - Bog - University Press of Mississippi - Plusbog.dk

With contributions by: Suparno Banerjee, Cait Coker, Jeshua Enriquez, Joan Gordon, Veronica Hollinger, Malisa Kurtz, Stephanie Li, Bradford Lyau, Uppinder Mehan, Graham J. Murphy, Baryon Tensor Posadas, Amy J. Ransom, Robin Anne Reid, Haerin Shin, Stephen Hong Sohn, Takayuki Tatsumi, and Timothy J. Yamamura Isiah Lavender III''s Dis-Orienting Planets amplifies critical issues surrounding the racial and ethnic dimensions of science fiction. This edited volume explores depictions of Asia and Asians in science fiction literature, film, and fandom with particular regard to China, Japan, India, and Korea. Dis-Orienting Planets highlights so-called yellow and brown peoples from the constellation of a historically white genre. The collection launches into political representations of Asian identity in science fiction''s imagination, from fear of the Yellow Peril and its racist stereotypes to techno-Orientalism and the remains of a postcolonial heritage. Thus the essays, by contributors such as Takayuki Tatsumi, Veronica Hollinger, Uppinder Mehan, and Stephen Hong Sohn, reconfigure the very study of race in science fiction. A follow-up to Lavender''s Black and Brown Planets , this new collection expands the racial politics governing the renewed visibility of Asia in science fiction. One of the few on this subject, the volume probes Gary Shteyngart''s novel Super Sad True Love Story , the acclaimed film Cloud Atlas , and Guillermo del Toro''s monster film Pacific Rim , among others. Dis-Orienting Planets embarks on a wide-ranging assessment of Asian representations in science fiction, upon the determination that our visions of the future must include all people of color.

DKK 858.00
1

Haunted Property - Sarah Gilbreath Ford - Bog - University Press of Mississippi - Plusbog.dk

Haunted Property - Sarah Gilbreath Ford - Bog - University Press of Mississippi - Plusbog.dk

At the heart of America's slave system was the legal definition of people as property. While property ownership is a cornerstone of the American dream, the status of enslaved people supplies a contrasting American nightmare. Sarah Gilbreath Ford considers how writers in works from nineteenth-century slave narratives to twenty-first-century poetry employ gothic tools, such as ghosts and haunted houses, to portray the horrors of this nightmare. Haunted Property: Slavery and the Gothic thus reimagines the southern gothic, which has too often been simply equated with the macabre or grotesque and then dismissed as regional. Although literary critics have argued that the American gothic is driven by the nation's history of racial injustice, what is missing in this critical conversation is the key role of property. Ford argues that out of all of slavery's perils, the definition of people as property is the central impetus for haunting because it allows the perpetration of all other terrors. Property becomes the engine for the white accumulation of wealth and power fueled by the destruction of black personhood. Specters often linger, however, to claim title, and Ford argues that haunting can be a bid for property ownership. Through examining works by Harriet Jacobs, Hannah Crafts, Mark Twain, Herman Melville, Sherley Anne Williams, William Faulkner, Eudora Welty, Toni Morrison, Octavia Butler, and Natasha Trethewey, Ford reveals how writers can use the gothic to combat legal possession with spectral possession.

DKK 876.00
1

Haunted Property - Sarah Gilbreath Ford - Bog - University Press of Mississippi - Plusbog.dk

Haunted Property - Sarah Gilbreath Ford - Bog - University Press of Mississippi - Plusbog.dk

At the heart of America's slave system was the legal definition of people as property. While property ownership is a cornerstone of the American dream, the status of enslaved people supplies a contrasting American nightmare. Sarah Gilbreath Ford considers how writers in works from nineteenth-century slave narratives to twenty-first-century poetry employ gothic tools, such as ghosts and haunted houses, to portray the horrors of this nightmare. Haunted Property: Slavery and the Gothic thus reimagines the southern gothic, which has too often been simply equated with the macabre or grotesque and then dismissed as regional. Although literary critics have argued that the American gothic is driven by the nation's history of racial injustice, what is missing in this critical conversation is the key role of property. Ford argues that out of all of slavery's perils, the definition of people as property is the central impetus for haunting because it allows the perpetration of all other terrors. Property becomes the engine for the white accumulation of wealth and power fueled by the destruction of black personhood. Specters often linger, however, to claim title, and Ford argues that haunting can be a bid for property ownership. Through examining works by Harriet Jacobs, Hannah Crafts, Mark Twain, Herman Melville, Sherley Anne Williams, William Faulkner, Eudora Welty, Toni Morrison, Octavia Butler, and Natasha Trethewey, Ford reveals how writers can use the gothic to combat legal possession with spectral possession.

DKK 312.00
1

World War I and Southern Modernism - David A. Davis - Bog - University Press of Mississippi - Plusbog.dk

World War I and Southern Modernism - David A. Davis - Bog - University Press of Mississippi - Plusbog.dk

Winner of the 2018 Eudora Welty Prize When the United States entered World War I, parts of the country had developed industries, urban cultures, and democratic political systems, but the South lagged behind, remaining an impoverished, agriculture region. Despite New South boosterism, the culture of the early twentieth-century South was comparatively artistically arid. Yet, southern writers dominated the literary marketplace by the 1920s and 1930s. World War I brought southerners into contact with modernity before the South fully modernized. This shortfall created an inherent tension between the region's existing agricultural social structure and the processes of modernization, leading to distal modernism, a form of writing that combines elements of modernism to depict non-modern social structures. Critics have struggled to formulate explanations for the eruption of modern southern literature, sometimes called the Southern Renaissance. Pinpointing World War I as the catalyst, David A. Davis argues southern modernism was not a self-generating outburst of writing, but a response to the disruptions modernity generated in the region. In World War I and Southern Modernism, Davis examines dozens of works of literature by writers, including William Faulkner, Ellen Glasgow, and Claude McKay, that depict the South during the war. Topics explored in the book include contact between the North and the South, southerners who served in combat, and the developing southern economy. Davis also provides a new lens for this argument, taking a closer look at African Americans in the military and changing gender roles.

DKK 312.00
1

War Noir - Sarah Trott - Bog - University Press of Mississippi - Plusbog.dk

War Noir - Sarah Trott - Bog - University Press of Mississippi - Plusbog.dk

The conflation of the hard-boiled style and war experience has influenced many contemporary crime writers, particularly in the traumatic aftermath of the Vietnam War. Yet, earlier writers in the genre, such as Raymond Chandler, remain overlooked when it comes to examining how their war experience affected their writing. Sarah Trott corrects this oversight by examining Chandler alongside the World War I writers of the Lost Generation as well as highlighting a melding of very different styles in Chandler's work. Based on Chandler's experience in combat, Trott explains that the writer created detective Philip Marlowe not as the idealization of heroic individualism, as is commonly perceived, but instead as an authentic individual subjected to very real psychological frailties from trauma during the First World War. Inspecting Chandler's work and correspondence indicates that the characterization of the fictional Marlowe goes beyond the traditional chivalric readings and can instead be interpreted as a genuine representation of a traumatized veteran in American society. Substituting the horror of the trenches for the corruption of the city, Chandler formed a disillusioned protagonist in an uncaring America. Chandler did so with the sophistication necessary to straddle genre fiction and canonical literature. The sum of this work offers a new understanding of how Chandler uses his war trauma, how that experience established the traditional archetype of detective fiction, and how this reading of his fiction enables Chandler to transcend generic limitations and be recognized as a key twentieth-century literary figure.

DKK 509.00
1

Our Portion of Hell - Robert Hamburger - Bog - University Press of Mississippi - Plusbog.dk

Our Portion of Hell - Robert Hamburger - Bog - University Press of Mississippi - Plusbog.dk

Our Portion of Hell: Fayette County, Tennessee: An Oral History of the Struggle for Civil Rights offers an unrivalled account of how a rural Black community drew together to combat the immense forces aligned against them. Author Robert Hamburger first visited Fayette County as part of a student civil rights project in 1965 and, in 1971, set out to document the history of the grassroots movement there. Beginning in 1959, Black residents in Fayette County attempting to register to vote were met with brutal resistance from the white community. Sharecropping families whose names appeared on voter registration rolls were evicted from their homes and their possessions tossed by the roadside. These dispossessed families lived for months in tents on muddy fields, as Fayette County became a "tent city" that attracted national attention. The white community created a blacklist culled from voter registration rolls, and those whose names appeared on the list were denied food, gas, and every imaginable service at shops, businesses, and gas stations throughout the county. Hamburger conducted months of interviews with residents of the county, inviting speakers to recall childhood experiences in the "Old South" and to explain what inspired them to take a stand against the oppressive system that dominated life in Fayette County. Their stories, told in their own words, make up the narrative of Our Portion of Hell . This reprint edition includes twenty-nine documentary photographs and an insightful new afterword by the author. There, he discusses the making of the book and reflects upon the difficult truth that although the civil rights struggle, once so immediate, has become history, many of the core issues that inspired the struggle remain as urgent as ever.

DKK 276.00
1

For No Reason at All - Jeffrey A. Hinkelman - Bog - University Press of Mississippi - Plusbog.dk

For No Reason at All - Jeffrey A. Hinkelman - Bog - University Press of Mississippi - Plusbog.dk

The years following the signing of the Armistice saw a transformation of traditional attitudes regarding military conflict as America attempted to digest the enormity and futility of the First World War. During these years popular film culture in the United States created new ways of addressing the impact of the war on both individuals and society. Filmmakers with direct experience of combat created works that promoted their own ideas about the depiction of wartime service--ideas that frequently conflicted with established, heroic tropes for the portrayal of warfare on film. Those filmmakers spent years modifying existing standards and working through a variety of storytelling options before achieving a consensus regarding the fitting method for rendering war on screen. That consensus incorporated facets of the experience of Great War veterans, and these countered and undermined previously accepted narrative strategies. This process reached its peak during the Pre-Code Era of the early 1930s when the initially prevailing narrative would be briefly supplanted by an entirely new approach that questioned the very premises of wartime service. Even more significantly, the rhetoric of these films argued strongly for an antiwar stance that questioned every aspect of the wartime experience. For No Reason at All: The Changing Narrative of the First World War in American Film discusses a variety of Great War-themed films made from 1915 to the present, tracing the changing approaches to the conflict over time. Individual chapters focus on movie antecedents, animated films and comedies, the influence of literary precursors, the African American film industry, women-centered films, and the effect of the Second World War on depictions of the First. Films discussed include Hearts of the World , The Cradle of Courage , Birthright , The Big Parade , She Goes to War , Doughboys , Young Eagles , The Last Flight , Broken Lullaby , Lafayette Escadrille , and Wonder Woman , among many others.

DKK 303.00
1

Our Portion of Hell - Robert Hamburger - Bog - University Press of Mississippi - Plusbog.dk

Our Portion of Hell - Robert Hamburger - Bog - University Press of Mississippi - Plusbog.dk

Our Portion of Hell: Fayette County, Tennessee: An Oral History of the Struggle for Civil Rights offers an unrivalled account of how a rural Black community drew together to combat the immense forces aligned against them. Author Robert Hamburger first visited Fayette County as part of a student civil rights project in 1965 and, in 1971, set out to document the history of the grassroots movement there. Beginning in 1959, Black residents in Fayette County attempting to register to vote were met with brutal resistance from the white community. Sharecropping families whose names appeared on voter registration rolls were evicted from their homes and their possessions tossed by the roadside. These dispossessed families lived for months in tents on muddy fields, as Fayette County became a "tent city" that attracted national attention. The white community created a blacklist culled from voter registration rolls, and those whose names appeared on the list were denied food, gas, and every imaginable service at shops, businesses, and gas stations throughout the county. Hamburger conducted months of interviews with residents of the county, inviting speakers to recall childhood experiences in the "Old South" and to explain what inspired them to take a stand against the oppressive system that dominated life in Fayette County. Their stories, told in their own words, make up the narrative of Our Portion of Hell . This reprint edition includes twenty-nine documentary photographs and an insightful new afterword by the author. There, he discusses the making of the book and reflects upon the difficult truth that although the civil rights struggle, once so immediate, has become history, many of the core issues that inspired the struggle remain as urgent as ever.

DKK 939.00
1

Social TV - Cory Barker - Bog - University Press of Mississippi - Plusbog.dk

Social TV - Cory Barker - Bog - University Press of Mississippi - Plusbog.dk

On March 15, 2011, Donald Trump changed television forever. The Comedy Central Roast of Trump was the first major live broadcast to place a hashtag in the corner of the screen to encourage real-time reactions on Twitter, generating more than 25,000 tweets and making the broadcast the most-watched Roast in Comedy Central history. The #trumproast initiative personified the media and tech industries'' utopian vision for a multiscreen and communal live TV experience. In Social TV: Multiscreen Content and Ephemeral Culture , author Cory Barker reveals how the US television industry promised--but failed to deliver--a social media revolution in the 2010s to combat the imminent threat of on-demand streaming video. Barker examines the rise and fall of Social TV across press coverage, corporate documents, and an array of digital ephemera. He demonstrates that, despite the talk of disruption, the movement merely aimed to exploit social media to reinforce the value of live TV in the modern attention economy. Case studies from broadcast networks to tech start-ups uncover a persistent focus on community that aimed to monetize consumer behavior in a transitionary industry period. To trace these unfulfilled promises and flopped ideas, Barker draws upon a unique mix of personal Social TV experiences and curated archives of material that were intentionally marginalized amid pivots to the next big thing. Yet in placing this now-forgotten material in recent historical context, Social TV shows how the era altered how the industry pursues audiences. Multiscreen campaigns have shifted away from a focus on live TV and toward all-day "content" streams. The legacy of Social TV, then, is the further embedding of media and promotional material onto every screen and into every moment of life.

DKK 823.00
1

Without Regard to Race - Tunde Adeleke - Bog - University Press of Mississippi - Plusbog.dk

Without Regard to Race - Tunde Adeleke - Bog - University Press of Mississippi - Plusbog.dk

Without Regard to Race: The Other Martin Robison Delanyby Tunde Adeleke.Before Marcus Garvey and W. E. B. Du Bois lifted the banner for black liberation and independence, Martin Robison Delany (1812-1885) was at the forefront. He was the first black appointed as a combat major in the Union army during the Civil War. He was a Pan-Africanist and a crusader for black freedom and equality in the nineteenth century. For the past three decades, however, this precursor has been regarded only as a militant Black Nationalist and "racial essentialist." To his discredit, his ideas, programs, and accomplishments have been maintained as models of uncompromising militancy. Classifying Delany solely for his militant nationalist rhetoric crystalizes him into a one-dimensional figure.This study of his life and thought, the first critical biography of the pivotal African American thinker written by a historian, challenges the distorting portrait and, arguing that Delany reflects the spectrum of the nineteenth-century black independence movement, makes a strong case for bringing him closer to the center position of the political mainstream.He displayed a far greater degree of optimism about the future of blacks in America than has been acknowledged, and he faced pragmatic socio-economic realities that made it possible for him to be flexible for compromise. Focusing on neglected phases in his intellectual life, this book reveals Delany as a personality who was neither uncompromisingly militant nor dogmatically conservative. It argues that his complex strategies for racial integration were much more focused on America than on separateness and nationalism. The extreme characterization of him that has been prominent in the contemporary mind reflects ideologies of scholars who came of age during the civil rights era, the period that initially inspired great interest in his life.This new look at him paints a portrait of the "other Delany," a thinker able to reach across racial boundaries to offer compromise and dialogue.Tunde Adeleke, professor of history, is the director of the African and African American Studies department at Iowa State University.

DKK 312.00
1

Russ Meyer - - Bog - University Press of Mississippi - Plusbog.dk

Russ Meyer - - Bog - University Press of Mississippi - Plusbog.dk

Russ Meyer: Interviews offers a detailed look into the mind, life, and successful career of the maverick filmmaker Russ Meyer. Known for his audacious visual style and boundary-pushing content, Meyer (1922–2004) carved out a unique niche in the film industry with his provocative and often controversial works, including Faster, Pussycat! Kill! Kill!; Beyond the Valley of the Dolls; and Vixen! In this volume, Meyer talks over the course of eighteen newspaper and magazine interviews—conducted between the late 1960s and early 1990s—about assignments in still- and motion-picture combat photography during World War II, learning all aspects of the filmmaking craft when he was shooting industrial films after the war, later stumbling into the business of photographing pin-up girls for magazines, and how that segued into his first forays in what would become the sexploitation movie market. Working with small budgets and small crews, Meyer became a skilled director and pitchman for his own work, hitting the road with reels of film in his car, going from town to town, getting them shown in small moviehouses, building an audience, making big profits, then using them to make his next film. The films were expertly photographed, inventively edited, and featured intriguing (and violent, carnal, and funny) storylines, and ticket sales numbers eventually caught the eyes of the Hollywood studio system, for which Meyer briefly worked, before once again striking out on his own with ever-more violent, sexual, and cartoonish features. Meyer made fortunes, he lost fortunes, then he made them again, and he was always game for getting involved in controversy, which was easy due to the content of his films. After his final theatrical feature—Beneath the Valley of the Ultra-Vixens—in 1979, Meyer reinvented himself as an entrepreneur by making his films available on the burgeoning home video market, leaving him a celebrated and very wealthy man.

DKK 970.00
1

Russ Meyer - - Bog - University Press of Mississippi - Plusbog.dk

Russ Meyer - - Bog - University Press of Mississippi - Plusbog.dk

Russ Meyer: Interviews offers a detailed look into the mind, life, and successful career of the maverick filmmaker Russ Meyer. Known for his audacious visual style and boundary-pushing content, Meyer (1922–2004) carved out a unique niche in the film industry with his provocative and often controversial works, including Faster, Pussycat! Kill! Kill!; Beyond the Valley of the Dolls; and Vixen! In this volume, Meyer talks over the course of eighteen newspaper and magazine interviews—conducted between the late 1960s and early 1990s—about assignments in still- and motion-picture combat photography during World War II, learning all aspects of the filmmaking craft when he was shooting industrial films after the war, later stumbling into the business of photographing pin-up girls for magazines, and how that segued into his first forays in what would become the sexploitation movie market. Working with small budgets and small crews, Meyer became a skilled director and pitchman for his own work, hitting the road with reels of film in his car, going from town to town, getting them shown in small moviehouses, building an audience, making big profits, then using them to make his next film. The films were expertly photographed, inventively edited, and featured intriguing (and violent, carnal, and funny) storylines, and ticket sales numbers eventually caught the eyes of the Hollywood studio system, for which Meyer briefly worked, before once again striking out on his own with ever-more violent, sexual, and cartoonish features. Meyer made fortunes, he lost fortunes, then he made them again, and he was always game for getting involved in controversy, which was easy due to the content of his films. After his final theatrical feature—Beneath the Valley of the Ultra-Vixens—in 1979, Meyer reinvented himself as an entrepreneur by making his films available on the burgeoning home video market, leaving him a celebrated and very wealthy man.

DKK 237.00
1

The P-38 Lightning and the Men Who Flew It - Colonel Wolfgang W E Samuel - Bog - University Press of Mississippi - Plusbog.dk

The P-38 Lightning and the Men Who Flew It - Colonel Wolfgang W E Samuel - Bog - University Press of Mississippi - Plusbog.dk

The P-38 Lightning was one of the fastest operational fighters of World War II, famous for its successes in North Africa and the Pacific. In The P-38 Lightning and the Men Who Flew It, Wolfgang W. E. Samuel shares the stories of the young men who climbed into the cockpits of the P-38 to fight for freedom, and of those who created, tested, and deployed these fearsome machines. The P-38 was the product of the Lockheed Corporation, the first fighter they ever built, principally conceptualized by Kelly Johnson, whose design was to meet Air Corps specifications. To do that he came up with a twin-engine aircraft with a tricycle landing gear unlike any other military aircraft of the time. But it was no easy plane to fly. Many pilots died in training and routine flying before ever meeting an opponent in combat. P-38 units were formed quickly once the United States entered World War II in December 1941. Training was rushed to get pilots and planes to Europe as quickly as possible to serve as bomber escorts. Although the P-38 could fly at the high altitudes the bombers flew, it was not the right aircraft for the mission. At high altitudes without an engine in front of the cockpit to keep the pilot warm, the plane was frigid. Pilots suffered and were sometimes so weakened by the brutal cold that they had to be lifted out of the cockpit upon landing, and the bombers suffered severe losses. In North Africa’s warmer air, however, the P-38 came into its own. With four 50-caliber machine guns and a 20mm cannon in its nose, the P-38 was a formidable adversary. With proven success in the Mediterranean, P-38 squadrons were transferred to the Pacific Theater, where they flourished. This book focuses on the men who flew this challenging aircraft and the men who designed and decided how to deploy it. Samuel shares stories of bravery and ingenuity alongside an aviation history long neglected. The P-38’s Pacific deployment is covered in some detail, including the actions of Richard Bong, who became the US forces’ ace of aces while flying a P-38. In the Pacific skies, the P-38, its pilots, and designers made the heroic history captured here.

DKK 283.00
1