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Cutting Edge - Joan Hawkins - Bog - University of Minnesota Press - Plusbog.dk

Cutting Edge - Joan Hawkins - Bog - University of Minnesota Press - Plusbog.dk

Explores what horror movies tell us about issues of taste. Even before Jean-Luc Godard and other members of the French New Wave championed Hollywood B movies, aesthetes and cineasts relished the raw emotions of genre films. This contradiction has been particularly true of horror cinema, in which the same images and themes found in exploitation and splatter movies are also found in avant-garde and experimental films, blurring boundaries of taste and calling into question traditional distinctions between high and low culture. In Cutting Edge, Joan Hawkins offers an original and provocative discussion of taste, trash aesthetics, and avant-garde culture of the 1960s and 1970s to reveal horror’s subversiveness as a genre. In her treatment of what she terms "art-horror" films, Hawkins examines home viewing, video collection catalogs, and fanzines for insights into what draws audiences to transgressive films. Cutting Edge provides the first extended political critique of Yoko Ono’s rarely seen Rape and shows how a film such as Franju’s Eyes without a Face can work simultaneously as an art, political, and splatter film. The rediscovery of Tod Browning’s Freaks as an art film, the "eurotrash" cinema of Jess Franco, camp cults like the one around Maria Montez, and the "cross-over" reception of Andy Warhol’s Frankenstein are all studied for what they reveal about cultural hierarchies. Looking at the low aspects of high culture and the high aspects of low culture, Hawkins scrutinizes the privilege habitually accorded "high" art-a tendency, she argues, that lets highbrow culture off the hook and removes it from the kinds of ethical and critical social discussions that have plagued horror and porn. Full of unexpected insights, Cutting Edge calls for a rethinking of high/low distinctions-and a reassigning of labels at the video store.

DKK 539.00
1

Cutting Edge - Joan Hawkins - Bog - University of Minnesota Press - Plusbog.dk

Cutting Edge - Joan Hawkins - Bog - University of Minnesota Press - Plusbog.dk

Explores what horror movies tell us about issues of taste. Even before Jean-Luc Godard and other members of the French New Wave championed Hollywood B movies, aesthetes and cineasts relished the raw emotions of genre films. This contradiction has been particularly true of horror cinema, in which the same images and themes found in exploitation and splatter movies are also found in avant-garde and experimental films, blurring boundaries of taste and calling into question traditional distinctions between high and low culture. In Cutting Edge, Joan Hawkins offers an original and provocative discussion of taste, trash aesthetics, and avant-garde culture of the 1960s and 1970s to reveal horror’s subversiveness as a genre. In her treatment of what she terms "art-horror" films, Hawkins examines home viewing, video collection catalogs, and fanzines for insights into what draws audiences to transgressive films. Cutting Edge provides the first extended political critique of Yoko Ono’s rarely seen Rape and shows how a film such as Franju’s Eyes without a Face can work simultaneously as an art, political, and splatter film. The rediscovery of Tod Browning’s Freaks as an art film, the "eurotrash" cinema of Jess Franco, camp cults like the one around Maria Montez, and the "cross-over" reception of Andy Warhol’s Frankenstein are all studied for what they reveal about cultural hierarchies. Looking at the low aspects of high culture and the high aspects of low culture, Hawkins scrutinizes the privilege habitually accorded "high" art-a tendency, she argues, that lets highbrow culture off the hook and removes it from the kinds of ethical and critical social discussions that have plagued horror and porn. Full of unexpected insights, Cutting Edge calls for a rethinking of high/low distinctions-and a reassigning of labels at the video store.

DKK 237.00
1

HIV Exceptionalism - Adia Benton - Bog - University of Minnesota Press - Plusbog.dk

HIV Exceptionalism - Adia Benton - Bog - University of Minnesota Press - Plusbog.dk

WINNER, 2017 RACHEL CARSON PRIZE, SOCIETY FOR THE SOCIAL STUDIES OF SCIENCE In 2002, Sierra Leone emerged from a decadelong civil war. Seeking international attention and development aid, its government faced a dilemma. Though devastated by conflict, Sierra Leone had a low prevalence of HIV. However, like most African countries, it stood to benefit from a large influx of foreign funds specifically targeted at HIV/AIDS prevention and care. What Adia Benton chronicles in this ethnographically rich and often moving book is how one war-ravaged nation reoriented itself as a country suffering from HIV at the expense of other, more pressing health concerns. During her fieldwork in the capital, Freetown, a city of one million people, at least thirty NGOs administered internationally funded programs that included HIV/AIDS prevention and care. Benton probes why HIV exceptionalism—the idea that HIV is an exceptional disease requiring an exceptional response—continues to guide approaches to the epidemic worldwide and especially in Africa, even in low-prevalence settings. In the fourth decade since the emergence of HIV/AIDS, many today are questioning whether the effort and money spent on this health crisis has in fact helped or exacerbated the problem. HIV Exceptionalism does this and more, asking, what are the unanticipated consequences that HIV/AIDS development programs engender?

DKK 220.00
1

Regions That Work - Manuel Pastor Jr. - Bog - University of Minnesota Press - Plusbog.dk

Regions That Work - Manuel Pastor Jr. - Bog - University of Minnesota Press - Plusbog.dk

"A remarkable and timely book. . . . Must reading." William Julius WilsonOffering a new vision of community-based regionalism, this book arrives just as "smart growth" measures and other attempts to link cities and suburbs are beginning to make their mark on the political and analytical scene. The authors make a powerful case for emphasizing equity, arguing that metropolitan areas must reduce poverty in order to grow and that low-income individuals must make regional connections in order to escape poverty. A hard-hitting analysis of Los Angeles demonstrates that the roots of the unrest of 1992 lay in regional economic deterioration and that the recovery was slowed by insufficient attention to the poor. Regions That Work then provides a history and critique of community-development corporations, a statistical analysis of the poverty-growth relationship in seventy-four metro areas, a detailed study of three regions that have produced superior equity outcomes, and a provocative call for new policies and new politics.

DKK 574.00
1

Regions That Work - Manuel Pastor Jr. - Bog - University of Minnesota Press - Plusbog.dk

Regions That Work - Manuel Pastor Jr. - Bog - University of Minnesota Press - Plusbog.dk

"A remarkable and timely book. . . . Must reading." William Julius WilsonOffering a new vision of community-based regionalism, this book arrives just as "smart growth" measures and other attempts to link cities and suburbs are beginning to make their mark on the political and analytical scene. The authors make a powerful case for emphasizing equity, arguing that metropolitan areas must reduce poverty in order to grow and that low-income individuals must make regional connections in order to escape poverty. A hard-hitting analysis of Los Angeles demonstrates that the roots of the unrest of 1992 lay in regional economic deterioration and that the recovery was slowed by insufficient attention to the poor. Regions That Work then provides a history and critique of community-development corporations, a statistical analysis of the poverty-growth relationship in seventy-four metro areas, a detailed study of three regions that have produced superior equity outcomes, and a provocative call for new policies and new politics.

DKK 246.00
1

Zombie Theory - - Bog - University of Minnesota Press - Plusbog.dk

Zombie Theory - - Bog - University of Minnesota Press - Plusbog.dk

Zombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero’s The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie’s ability to embody a variety of cultural anxieties—ecological disaster, social and economic collapse, political extremism—has ensured its continued relevance and legibility, and has precipitated an unprecedented deluge of international scholarship. Zombie studies manifested across academic disciplines in the humanities but also beyond, spreading into sociology, economics, computer science, mathematics, and even epidemiology. Zombie Theory collects the best interdisciplinary zombie scholarship from around the world. Essays portray the zombie not as a singular cultural figure or myth but show how the undead represent larger issues: the belief in an afterlife, fears of contagion and technology, the effect of capitalism and commodification, racial exclusion and oppression, dehumanization. As presented here, zombies are not simple metaphors; rather, they emerge as a critical mode for theoretical work. With its diverse disciplinary and methodological approaches, Zombie Theory thinks through what the walking undead reveal about our relationships to the world and to each other. Contributors: Fred Botting, Kingston U; Samuel Byrnand, U of Canberra; Gerry Canavan, Marquette U; Jeffrey Jerome Cohen, George Washington U; Jean Comaroff, Harvard U; John Comaroff, Harvard U; Edward P. Comentale, Indiana U; Anna Mae Duane, U of Connecticut; Karen Embry, Portland Community College; Barry Keith Grant, Brock U; Edward Green, Roosevelt U; Lars Bang Larsen; Travis Linnemann, Eastern Kentucky U; Elizabeth McAlister, Wesleyan U; Shaka McGlotten, Purchase College-SUNY; David McNally, York U; Tayla Nyong’o, Yale U; Simon Orpana, U of Alberta; Steven Shaviro, Wayne State U; Ola Sigurdson, U of Gothenburg; Jon Stratton, U of South Australia; Eugene Thacker, The New School; Sherryl Vint, U of California Riverside; Priscilla Wald, Duke U; Tyler Wall, Eastern Kentucky U; Jen Webb, U of Canberra; Jeffrey Andrew Weinstock, Central Michigan U.

DKK 884.00
1

Zombie Theory - - Bog - University of Minnesota Press - Plusbog.dk

Zombie Theory - - Bog - University of Minnesota Press - Plusbog.dk

Zombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero’s The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie’s ability to embody a variety of cultural anxieties—ecological disaster, social and economic collapse, political extremism—has ensured its continued relevance and legibility, and has precipitated an unprecedented deluge of international scholarship. Zombie studies manifested across academic disciplines in the humanities but also beyond, spreading into sociology, economics, computer science, mathematics, and even epidemiology. Zombie Theory collects the best interdisciplinary zombie scholarship from around the world. Essays portray the zombie not as a singular cultural figure or myth but show how the undead represent larger issues: the belief in an afterlife, fears of contagion and technology, the effect of capitalism and commodification, racial exclusion and oppression, dehumanization. As presented here, zombies are not simple metaphors; rather, they emerge as a critical mode for theoretical work. With its diverse disciplinary and methodological approaches, Zombie Theory thinks through what the walking undead reveal about our relationships to the world and to each other. Contributors: Fred Botting, Kingston U; Samuel Byrnand, U of Canberra; Gerry Canavan, Marquette U; Jeffrey Jerome Cohen, George Washington U; Jean Comaroff, Harvard U; John Comaroff, Harvard U; Edward P. Comentale, Indiana U; Anna Mae Duane, U of Connecticut; Karen Embry, Portland Community College; Barry Keith Grant, Brock U; Edward Green, Roosevelt U; Lars Bang Larsen; Travis Linnemann, Eastern Kentucky U; Elizabeth McAlister, Wesleyan U; Shaka McGlotten, Purchase College-SUNY; David McNally, York U; Tayla Nyong’o, Yale U; Simon Orpana, U of Alberta; Steven Shaviro, Wayne State U; Ola Sigurdson, U of Gothenburg; Jon Stratton, U of South Australia; Eugene Thacker, The New School; Sherryl Vint, U of California Riverside; Priscilla Wald, Duke U; Tyler Wall, Eastern Kentucky U; Jen Webb, U of Canberra; Jeffrey Andrew Weinstock, Central Michigan U.

DKK 277.00
1

Landscape of Discontent - Andrew Newman - Bog - University of Minnesota Press - Plusbog.dk

Landscape of Discontent - Andrew Newman - Bog - University of Minnesota Press - Plusbog.dk

On a rainy day in May 2007, the mayor of Paris inaugurated the Jardins d’Éole, a park whose completion was hailed internationally as an exemplar of sustainable urbanism. The park was the result of a hard-fought, decadelong protest movement in a low-income Maghrebi and African immigrant district starved for infrastructure, but the Mayor’s vision of urban sustainability was met with jeers. Drawing extensively from immersive, firsthand ethnographic research with northeast Paris residents, as well as an analysis of green architecture and urban design, Andrew Newman argues that environmental politics must be separated from the construct of urban sustainability, which has been appropriated by forces of redevelopment and gentrification in Paris and beyond. France’s turbulent political environment also provides Newman with powerful new insights into the ways in which multiethnic coalitions can emerge⎯even amid overt racism and Islamophobia⎯in the struggle for more just cities and more inclusive societies. A tale of multidimensional political efforts, Landscape of Discontent cuts through the rhetoric of green cities to reveal the promise that environmentalism holds for urban communities anywhere.

DKK 254.00
1

Organizing Urban America - Heidi J. Swarts - Bog - University of Minnesota Press - Plusbog.dk

Organizing Urban America - Heidi J. Swarts - Bog - University of Minnesota Press - Plusbog.dk

Collective action through organized social movements has long expanded American citizens’ rights and liberties. Recently, the Association of Community Organizations for Reform Now (ACORN) has helped win living wage initiatives in more than 130 cities across the country. Likewise, congregation-based groups have established countless health, education, and other social programs at city and state levels. Despite modest budgets, these organizations—different in their approach, but at the same time working for social change—have won billions of dollars in redistributive programs. Looking closely at this phenomenon, Heidi J. Swarts explores activist groups’ cultural, organizational, and political strategies. Focusing on ACORN chapters and church federations in St. Louis, Missouri, and San Jose, California, Swarts demonstrates that congregation-based organizing has developed an innovative cultural strategy, combining democratic deliberation and leadership development to produce a “culture of commitment” among its cross-class, multiracial membership. By contrast, ACORN’s more homogeneous low-income class base has a national structure that allows it to coordinate campaigns quickly, and its seasoned staff excels in tactical innovations. By making these often-invisible grassroots organizers evident, Swarts sheds light on factors that constrain or enable other social movements in the United States. Heidi J. Swarts is assistant professor of political science at Rutgers University.

DKK 237.00
1

Victorian Afterlife - John Kucich - Bog - University of Minnesota Press - Plusbog.dk

Victorian Afterlife - John Kucich - Bog - University of Minnesota Press - Plusbog.dk

A foundational look at contemporary uses of the Victorian and the presence of the past in postmodern culture. Celebrated films by Francis Ford Coppola, Jane Campion, and Ang Lee; best-selling novels by A. S. Byatt and William Gibson; revivals of Oscar Wilde, Lewis Carroll’s Alice, and nostalgic photography; computer graphics and cyberpunk performances: contemporary culture, high and low, has fallen in love with the nineteenth century. Major critical thinkers have found in the period the origins of contemporary consumerism, sexual science, gay culture, and feminism. And postmodern theory, which once drove a wedge between contemporary interpretation and its historical objects, has lately displayed a new self-consciousness about its own appropriations of the past. This diverse collection of essays begins a long-overdue discussion of how postmodernism understands the Victorian as its historical predecessor. Contributors: Nancy Armstrong, Brown U; Ian Baucom, Duke U; Jay Clayton, Vanderbilt U; Mary A. Favret, Indiana U; Simon Gikandi, U of Michigan; Jennifer Green-Lewis, George Washington U; Kali Israel, U of Michigan; Laurie Langbauer, U of North Carolina; Susan Lurie, Rice U; John McGowan, U of North Carolina; Judith Roof, Indiana U; Hilary M. Schor, USC; Ronald R. Thomas, Trinity College; and Shelton Waldrep, U of Southern Maine.

DKK 220.00
1

Organizing Urban America - Heidi J. Swarts - Bog - University of Minnesota Press - Plusbog.dk

Organizing Urban America - Heidi J. Swarts - Bog - University of Minnesota Press - Plusbog.dk

Collective action through organized social movements has long expanded American citizens’ rights and liberties. Recently, the Association of Community Organizations for Reform Now (ACORN) has helped win living wage initiatives in more than 130 cities across the country. Likewise, congregation-based groups have established countless health, education, and other social programs at city and state levels. Despite modest budgets, these organizations—different in their approach, but at the same time working for social change—have won billions of dollars in redistributive programs. Looking closely at this phenomenon, Heidi J. Swarts explores activist groups’ cultural, organizational, and political strategies. Focusing on ACORN chapters and church federations in St. Louis, Missouri, and San Jose, California, Swarts demonstrates that congregation-based organizing has developed an innovative cultural strategy, combining democratic deliberation and leadership development to produce a “culture of commitment” among its cross-class, multiracial membership. By contrast, ACORN’s more homogeneous low-income class base has a national structure that allows it to coordinate campaigns quickly, and its seasoned staff excels in tactical innovations. By making these often-invisible grassroots organizers evident, Swarts sheds light on factors that constrain or enable other social movements in the United States. Heidi J. Swarts is assistant professor of political science at Rutgers University.

DKK 573.00
1

The Imperial Experience in Sub-Saharan Africa since 1870 - Henry Wilson - Bog - University of Minnesota Press - Plusbog.dk

The Imperial Experience in Sub-Saharan Africa since 1870 - Henry Wilson - Bog - University of Minnesota Press - Plusbog.dk

The Imperial Experience in Sub-Saharan Africa since 1870 was first published in 1977.Through case studies illustrating the differential impact of European domination on African societies, Mr. Wilson surveys sub-Saharan Africa from 1870 to the 1970s. He describes the continent and its regions, analyzes the colonial regimes of Britain, France, Germany, Belgium, and Portugal, and discusses African resistance and involvement. His study demonstrates how the Europeans inadvertently delineated what would constitute, within two generations, the outlines of independent African states. After the “scramble,” the self-confident imperialists had hoped to control African development with low-cost administrative and educational schemes, under the illusion that they had abundant time. But, as this account shows, their timetables were subverted by the spread of western education through missionary activity and laissez-faire economic development, often on African initiatives.The end of empire was signaled by the growth of African nationalism combined with European self-destruction in two world wars and the emergence of the United States and Soviet Russia as superpowers. Led by Britain, the European states instituted abrupt decolonization policies which culminated in the Belgian withdrawal from the Congo and the collapse of Portuguese resistance to African liberation movements. In southern Africa, where Africans lost their land to European settlers, white domination has been more durable, the author points out, and Africans still struggle for self-determination.

DKK 472.00
1

Degraded Work - Marc Doussard - Bog - University of Minnesota Press - Plusbog.dk

Degraded Work - Marc Doussard - Bog - University of Minnesota Press - Plusbog.dk

Critics on the left and the right typically agree that globalization, the loss of manufacturing jobs, and the expansion of the service sector have led to income inequality and rising numbers of low-paying jobs with poor working conditions. In Degraded Work, Marc Doussard demonstrates that this decline in wages and working conditions is anything but the unavoidable result of competitive economic forces. Rather, he makes the case that service sector and other local-serving employers have boosted profit with innovative practices to exploit workers, demeaning their jobs in new ways—denying safety equipment, fining workers for taking scheduled breaks, requiring unpaid overtime—that go far beyond wage cuts. Doussard asserts that the degradation of service work is a choice rather than an inevitability, and he outlines concrete steps that can be taken to help establish a fairer postindustrial labor market. Drawing on fieldwork in Chicago, Degraded Work examines changes in two industries in which inferior job quality is assumed to be intrinsic: residential construction and food retail. In both cases, Doussard shows how employers degraded working conditions as part of a successful and intricate strategy to increase profits. Arguing that a growing service sector does not have to mean growing inequality, Doussard proposes creative policy and organizing opportunities that workers and advocates can use to improve job quality despite the overwhelming barriers to national political action.

DKK 237.00
1

Lewd Looks - Elena Gorfinkel - Bog - University of Minnesota Press - Plusbog.dk

Lewd Looks - Elena Gorfinkel - Bog - University of Minnesota Press - Plusbog.dk

One of the most fascinating phenomena of 1960s film culture is the emergence of American sexploitation films—salacious indies made on the margins of Hollywood. Hundreds of such films were produced and shown on both urban and small-town screens over the course of the decade. Yet despite their vital importance to the film scene, and though they are now understood as a gateway to the emergence of publicly exhibited hardcore pornography in the early 1970s, these films have been largely overlooked by scholars. Defined by low budgets, quick production times, unknown actors, strategic uses of nudity, and a sensationalist obsession with unbridled female sexuality, sexploitation films provide a unique window into a tumultuous period in American culture and sexual politics. In Lewd Looks, Elena Gorfinkel examines the social and legal developments that made sexploitation films possible: their aesthetics, their regulation, and their audiences. Gorfinkel explores the ways sexploitation films changed how spectators encountered and made sense of the sexualized body and set the stage for the adult film industry of today. Lewd Looks recovers a lost chapter in the history of independent cinema and American culture—a subject that will engross readers interested in media, sexuality, gender, and the 1960s. Gorfinkel investigates the films and their contexts with scholarly depth and vivid storytelling, producing a new account of the obscene image, screen sex, and adult film and media.

DKK 237.00
1

Lewd Looks - Elena Gorfinkel - Bog - University of Minnesota Press - Plusbog.dk

Lewd Looks - Elena Gorfinkel - Bog - University of Minnesota Press - Plusbog.dk

One of the most fascinating phenomena of 1960s film culture is the emergence of American sexploitation films—salacious indies made on the margins of Hollywood. Hundreds of such films were produced and shown on both urban and small-town screens over the course of the decade. Yet despite their vital importance to the film scene, and though they are now understood as a gateway to the emergence of publicly exhibited hardcore pornography in the early 1970s, these films have been largely overlooked by scholars. Defined by low budgets, quick production times, unknown actors, strategic uses of nudity, and a sensationalist obsession with unbridled female sexuality, sexploitation films provide a unique window into a tumultuous period in American culture and sexual politics. In Lewd Looks, Elena Gorfinkel examines the social and legal developments that made sexploitation films possible: their aesthetics, their regulation, and their audiences. Gorfinkel explores the ways sexploitation films changed how spectators encountered and made sense of the sexualized body and set the stage for the adult film industry of today. Lewd Looks recovers a lost chapter in the history of independent cinema and American culture—a subject that will engross readers interested in media, sexuality, gender, and the 1960s. Gorfinkel investigates the films and their contexts with scholarly depth and vivid storytelling, producing a new account of the obscene image, screen sex, and adult film and media.

DKK 833.00
1

Hard-Boiled Masculinities - Christopher Breu - Bog - University of Minnesota Press - Plusbog.dk

Hard-Boiled Masculinities - Christopher Breu - Bog - University of Minnesota Press - Plusbog.dk

The persona of the American male in the period between the two world wars was characterized by physical strength, emotional detachment, aggressive behavior, and an amoral worldview. This ideal of a hard-boiled masculinity can be seen in the pages and, even more vividly, on the covers of magazines such as Black Mask , which shifted from Victorian-influenced depictions of men in top hats and mustaches in the early 1920s to the portrayal of much more overtly violent and muscular men. Looking closely at this transformation, Christopher Breu offers a complex account of how and why hard-boiled masculinity emerged during an unsettled time of increased urbanization and tenuous peace and traces the changes in its cultural conception as it moved back and forth across the divide between high and low culture as well as the color line that bifurcated American society. Examining the work of Ernest Hemingway, Dashiell Hammett, Chester Himes, and William Faulkner, as well as many lesser-known writers for the hypermasculine pulp magazines of the 1920s and 1930s, Breu illustrates how the tough male was a product of cultural fantasy, one that shored up gender and racial stereotypes as a way of lashing out at the destabilizing effects of capitalism and social transformation. Christopher Breu is assistant professor of English at Illinois State University.

DKK 220.00
1

The Filing Cabinet - Craig Robertson - Bog - University of Minnesota Press - Plusbog.dk

The Filing Cabinet - Craig Robertson - Bog - University of Minnesota Press - Plusbog.dk

The history of how a deceptively ordinary piece of office furniture transformed our relationship with information The ubiquity of the filing cabinet in the twentieth-century office space, along with its noticeable absence of style, has obscured its transformative role in the histories of both information technology and work. In the first in-depth history of this neglected artifact, Craig Robertson explores how the filing cabinet profoundly shaped the way that information and data have been sorted, stored, retrieved, and used. Invented in the 1890s, the filing cabinet was a result of the nineteenth-century faith in efficiency. Previously, paper records were arranged haphazardly: bound into books, stacked in piles, curled into slots, or impaled on spindles. The filing cabinet organized loose papers in tabbed folders that could be sorted alphanumerically, radically changing how people accessed, circulated, and structured information. Robertson’s unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an “automatic memory” machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women’s nimble fingers helped to naturalize the changes that brought women into the workforce as low-level clerical workers. The filing cabinet emerges from this unexpected account as a sophisticated piece of information technology and a site of gendered labor that with its folders, files, and tabs continues to shape how we interact with information and data in today’s digital world.

DKK 833.00
1

The Filing Cabinet - Craig Robertson - Bog - University of Minnesota Press - Plusbog.dk

The Filing Cabinet - Craig Robertson - Bog - University of Minnesota Press - Plusbog.dk

The history of how a deceptively ordinary piece of office furniture transformed our relationship with information The ubiquity of the filing cabinet in the twentieth-century office space, along with its noticeable absence of style, has obscured its transformative role in the histories of both information technology and work. In the first in-depth history of this neglected artifact, Craig Robertson explores how the filing cabinet profoundly shaped the way that information and data have been sorted, stored, retrieved, and used. Invented in the 1890s, the filing cabinet was a result of the nineteenth-century faith in efficiency. Previously, paper records were arranged haphazardly: bound into books, stacked in piles, curled into slots, or impaled on spindles. The filing cabinet organized loose papers in tabbed folders that could be sorted alphanumerically, radically changing how people accessed, circulated, and structured information. Robertson’s unconventional history of the origins of the information age posits the filing cabinet as an information storage container, an “automatic memory” machine that contributed to a new type of information labor privileging manual dexterity over mental deliberation. Gendered assumptions about women’s nimble fingers helped to naturalize the changes that brought women into the workforce as low-level clerical workers. The filing cabinet emerges from this unexpected account as a sophisticated piece of information technology and a site of gendered labor that with its folders, files, and tabs continues to shape how we interact with information and data in today’s digital world.

DKK 264.00
1

Strike! - William D. Green - Bog - University of Minnesota Press - Plusbog.dk

Strike! - William D. Green - Bog - University of Minnesota Press - Plusbog.dk

The complex and dramatic history of an illegal teachers’ strike that forever altered labor relations and Minnesota politics When viewed from our turbulent times, the Minneapolis of fifty years ago might seem serene, but Minneapolis schoolteachers of the day remember it quite differently. It was, author William D. Green said of their recollections, as if they’d been through war. This book recreates twenty days in April 1970 when a then-illegal strike by Minneapolis’s public school teachers marked a singular moment of cultural upheaval-and forever changed the city’s politics, labor law, educational climate, and the right to collective bargaining. Since the inception of public education in Minnesota, teachers were expected to pursue their vocation out of civic spirit, with low wages, no benefits, and no job security. Strike! describes the history and circumstances leading to the teachers’ extraordinary action, which pitted the progressive and conservative teachers’ unions against each other-and both against the all-powerful school district, a hostile governor and state legislature, and a draconian Minnesota law. Capturing the intense emotions and heated rivalries of the strike, Green profiles the many actors involved, the personal and professional stakes, and the issues of politics, law, and the business of education. Informed by interviews, firsthand accounts, news reports, and written records, Strike! brings to life a pivotal moment not just for Minneapolis’s teachers but for the city itself, whose government, school system, and culture would, in a complex but inexorable way, change course for good.

DKK 678.00
1

Strike! - William D. Green - Bog - University of Minnesota Press - Plusbog.dk

Strike! - William D. Green - Bog - University of Minnesota Press - Plusbog.dk

The complex and dramatic history of an illegal teachers’ strike that forever altered labor relations and Minnesota politics When viewed from our turbulent times, the Minneapolis of fifty years ago might seem serene, but Minneapolis schoolteachers of the day remember it quite differently. It was, author William D. Green said of their recollections, as if they’d been through war. This book recreates twenty days in April 1970 when a then-illegal strike by Minneapolis’s public school teachers marked a singular moment of cultural upheaval-and forever changed the city’s politics, labor law, educational climate, and the right to collective bargaining. Since the inception of public education in Minnesota, teachers were expected to pursue their vocation out of civic spirit, with low wages, no benefits, and no job security. Strike! describes the history and circumstances leading to the teachers’ extraordinary action, which pitted the progressive and conservative teachers’ unions against each other-and both against the all-powerful school district, a hostile governor and state legislature, and a draconian Minnesota law. Capturing the intense emotions and heated rivalries of the strike, Green profiles the many actors involved, the personal and professional stakes, and the issues of politics, law, and the business of education. Informed by interviews, firsthand accounts, news reports, and written records, Strike! brings to life a pivotal moment not just for Minneapolis’s teachers but for the city itself, whose government, school system, and culture would, in a complex but inexorable way, change course for good.

DKK 191.00
1