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The Imperial Experience in Sub-Saharan Africa since 1870 - Henry Wilson - Bog - University of Minnesota Press - Plusbog.dk

The Imperial Experience in Sub-Saharan Africa since 1870 - Henry Wilson - Bog - University of Minnesota Press - Plusbog.dk

The Imperial Experience in Sub-Saharan Africa since 1870 was first published in 1977.Through case studies illustrating the differential impact of European domination on African societies, Mr. Wilson surveys sub-Saharan Africa from 1870 to the 1970s. He describes the continent and its regions, analyzes the colonial regimes of Britain, France, Germany, Belgium, and Portugal, and discusses African resistance and involvement. His study demonstrates how the Europeans inadvertently delineated what would constitute, within two generations, the outlines of independent African states. After the “scramble,” the self-confident imperialists had hoped to control African development with low-cost administrative and educational schemes, under the illusion that they had abundant time. But, as this account shows, their timetables were subverted by the spread of western education through missionary activity and laissez-faire economic development, often on African initiatives.The end of empire was signaled by the growth of African nationalism combined with European self-destruction in two world wars and the emergence of the United States and Soviet Russia as superpowers. Led by Britain, the European states instituted abrupt decolonization policies which culminated in the Belgian withdrawal from the Congo and the collapse of Portuguese resistance to African liberation movements. In southern Africa, where Africans lost their land to European settlers, white domination has been more durable, the author points out, and Africans still struggle for self-determination.

DKK 472.00
1

Cutting Edge - Joan Hawkins - Bog - University of Minnesota Press - Plusbog.dk

Cutting Edge - Joan Hawkins - Bog - University of Minnesota Press - Plusbog.dk

Explores what horror movies tell us about issues of taste. Even before Jean-Luc Godard and other members of the French New Wave championed Hollywood B movies, aesthetes and cineasts relished the raw emotions of genre films. This contradiction has been particularly true of horror cinema, in which the same images and themes found in exploitation and splatter movies are also found in avant-garde and experimental films, blurring boundaries of taste and calling into question traditional distinctions between high and low culture. In Cutting Edge, Joan Hawkins offers an original and provocative discussion of taste, trash aesthetics, and avant-garde culture of the 1960s and 1970s to reveal horror’s subversiveness as a genre. In her treatment of what she terms "art-horror" films, Hawkins examines home viewing, video collection catalogs, and fanzines for insights into what draws audiences to transgressive films. Cutting Edge provides the first extended political critique of Yoko Ono’s rarely seen Rape and shows how a film such as Franju’s Eyes without a Face can work simultaneously as an art, political, and splatter film. The rediscovery of Tod Browning’s Freaks as an art film, the "eurotrash" cinema of Jess Franco, camp cults like the one around Maria Montez, and the "cross-over" reception of Andy Warhol’s Frankenstein are all studied for what they reveal about cultural hierarchies. Looking at the low aspects of high culture and the high aspects of low culture, Hawkins scrutinizes the privilege habitually accorded "high" art-a tendency, she argues, that lets highbrow culture off the hook and removes it from the kinds of ethical and critical social discussions that have plagued horror and porn. Full of unexpected insights, Cutting Edge calls for a rethinking of high/low distinctions-and a reassigning of labels at the video store.

DKK 539.00
1

Cutting Edge - Joan Hawkins - Bog - University of Minnesota Press - Plusbog.dk

Cutting Edge - Joan Hawkins - Bog - University of Minnesota Press - Plusbog.dk

Explores what horror movies tell us about issues of taste. Even before Jean-Luc Godard and other members of the French New Wave championed Hollywood B movies, aesthetes and cineasts relished the raw emotions of genre films. This contradiction has been particularly true of horror cinema, in which the same images and themes found in exploitation and splatter movies are also found in avant-garde and experimental films, blurring boundaries of taste and calling into question traditional distinctions between high and low culture. In Cutting Edge, Joan Hawkins offers an original and provocative discussion of taste, trash aesthetics, and avant-garde culture of the 1960s and 1970s to reveal horror’s subversiveness as a genre. In her treatment of what she terms "art-horror" films, Hawkins examines home viewing, video collection catalogs, and fanzines for insights into what draws audiences to transgressive films. Cutting Edge provides the first extended political critique of Yoko Ono’s rarely seen Rape and shows how a film such as Franju’s Eyes without a Face can work simultaneously as an art, political, and splatter film. The rediscovery of Tod Browning’s Freaks as an art film, the "eurotrash" cinema of Jess Franco, camp cults like the one around Maria Montez, and the "cross-over" reception of Andy Warhol’s Frankenstein are all studied for what they reveal about cultural hierarchies. Looking at the low aspects of high culture and the high aspects of low culture, Hawkins scrutinizes the privilege habitually accorded "high" art-a tendency, she argues, that lets highbrow culture off the hook and removes it from the kinds of ethical and critical social discussions that have plagued horror and porn. Full of unexpected insights, Cutting Edge calls for a rethinking of high/low distinctions-and a reassigning of labels at the video store.

DKK 237.00
1

Quick Breads - Beatrice Ojakangas - Bog - University of Minnesota Press - Plusbog.dk

HIV Exceptionalism - Adia Benton - Bog - University of Minnesota Press - Plusbog.dk

The Ultimate Minnesota Cookie Book - Lee Svitak Dean - Bog - University of Minnesota Press - Plusbog.dk

Regions That Work - Manuel Pastor Jr. - Bog - University of Minnesota Press - Plusbog.dk

Regions That Work - Manuel Pastor Jr. - Bog - University of Minnesota Press - Plusbog.dk

Zombie Theory - - Bog - University of Minnesota Press - Plusbog.dk

Zombie Theory - - Bog - University of Minnesota Press - Plusbog.dk

Zombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero’s The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie’s ability to embody a variety of cultural anxieties—ecological disaster, social and economic collapse, political extremism—has ensured its continued relevance and legibility, and has precipitated an unprecedented deluge of international scholarship. Zombie studies manifested across academic disciplines in the humanities but also beyond, spreading into sociology, economics, computer science, mathematics, and even epidemiology. Zombie Theory collects the best interdisciplinary zombie scholarship from around the world. Essays portray the zombie not as a singular cultural figure or myth but show how the undead represent larger issues: the belief in an afterlife, fears of contagion and technology, the effect of capitalism and commodification, racial exclusion and oppression, dehumanization. As presented here, zombies are not simple metaphors; rather, they emerge as a critical mode for theoretical work. With its diverse disciplinary and methodological approaches, Zombie Theory thinks through what the walking undead reveal about our relationships to the world and to each other. Contributors: Fred Botting, Kingston U; Samuel Byrnand, U of Canberra; Gerry Canavan, Marquette U; Jeffrey Jerome Cohen, George Washington U; Jean Comaroff, Harvard U; John Comaroff, Harvard U; Edward P. Comentale, Indiana U; Anna Mae Duane, U of Connecticut; Karen Embry, Portland Community College; Barry Keith Grant, Brock U; Edward Green, Roosevelt U; Lars Bang Larsen; Travis Linnemann, Eastern Kentucky U; Elizabeth McAlister, Wesleyan U; Shaka McGlotten, Purchase College-SUNY; David McNally, York U; Tayla Nyong’o, Yale U; Simon Orpana, U of Alberta; Steven Shaviro, Wayne State U; Ola Sigurdson, U of Gothenburg; Jon Stratton, U of South Australia; Eugene Thacker, The New School; Sherryl Vint, U of California Riverside; Priscilla Wald, Duke U; Tyler Wall, Eastern Kentucky U; Jen Webb, U of Canberra; Jeffrey Andrew Weinstock, Central Michigan U.

DKK 884.00
1

Zombie Theory - - Bog - University of Minnesota Press - Plusbog.dk

Zombie Theory - - Bog - University of Minnesota Press - Plusbog.dk

Zombies first shuffled across movie screens in 1932 in the low-budget Hollywood film White Zombie and were reimagined as undead flesh-eaters in George A. Romero’s The Night of the Living Dead almost four decades later. Today, zombies are omnipresent in global popular culture, from video games and top-rated cable shows in the United States to comic books and other visual art forms to low-budget films from Cuba and the Philippines. The zombie’s ability to embody a variety of cultural anxieties—ecological disaster, social and economic collapse, political extremism—has ensured its continued relevance and legibility, and has precipitated an unprecedented deluge of international scholarship. Zombie studies manifested across academic disciplines in the humanities but also beyond, spreading into sociology, economics, computer science, mathematics, and even epidemiology. Zombie Theory collects the best interdisciplinary zombie scholarship from around the world. Essays portray the zombie not as a singular cultural figure or myth but show how the undead represent larger issues: the belief in an afterlife, fears of contagion and technology, the effect of capitalism and commodification, racial exclusion and oppression, dehumanization. As presented here, zombies are not simple metaphors; rather, they emerge as a critical mode for theoretical work. With its diverse disciplinary and methodological approaches, Zombie Theory thinks through what the walking undead reveal about our relationships to the world and to each other. Contributors: Fred Botting, Kingston U; Samuel Byrnand, U of Canberra; Gerry Canavan, Marquette U; Jeffrey Jerome Cohen, George Washington U; Jean Comaroff, Harvard U; John Comaroff, Harvard U; Edward P. Comentale, Indiana U; Anna Mae Duane, U of Connecticut; Karen Embry, Portland Community College; Barry Keith Grant, Brock U; Edward Green, Roosevelt U; Lars Bang Larsen; Travis Linnemann, Eastern Kentucky U; Elizabeth McAlister, Wesleyan U; Shaka McGlotten, Purchase College-SUNY; David McNally, York U; Tayla Nyong’o, Yale U; Simon Orpana, U of Alberta; Steven Shaviro, Wayne State U; Ola Sigurdson, U of Gothenburg; Jon Stratton, U of South Australia; Eugene Thacker, The New School; Sherryl Vint, U of California Riverside; Priscilla Wald, Duke U; Tyler Wall, Eastern Kentucky U; Jen Webb, U of Canberra; Jeffrey Andrew Weinstock, Central Michigan U.

DKK 277.00
1

The American Farmer and the Export Market - Austin Dowell - Bog - University of Minnesota Press - Plusbog.dk

The American Farmer and the Export Market - Austin Dowell - Bog - University of Minnesota Press - Plusbog.dk

The American Farmer and the Export Market was first published in 1934. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.Shall we isolate ourselves behind the walls of national self-sufficiency and do without what we cannot produce? Or shall we try to break down trade barriers and restore export markets? How can we escape the intolerable combination of abundance and poverty?“We have enough resources in the United States to provide for twice our present standard of living,” Secretary Wallace has asserted. This book is the most comprehensive analysis yet published of the problems that must be solved, the long-time plans that must be thought out, before America can abolish its “rural slums” and achieve the full benefit of its enormous resources.Self-sufficiency and continued or increased exportation each has its price. Professors Dowell and Jesness show just what we may expect to gain or to lose from reducing production, shifting crops, abandoning sub-marginal land, boosting farm prices, and legislating trade barriers. They point out the relationship between agricultural and industrial recovery and between our policy in regard to world markets and the possibility of collecting our foreign debts.The authors present facts, not theories – the pertinent facts on both sides of the most vital question that the American farmer faces today – After the AAA, what?

DKK 396.00
1

Landscape of Discontent - Andrew Newman - Bog - University of Minnesota Press - Plusbog.dk

Cooking from the Heart - Sheng Yang - Bog - University of Minnesota Press - Plusbog.dk

Cooking from the Heart - Sheng Yang - Bog - University of Minnesota Press - Plusbog.dk

The first cookbook of Hmong-American cuisine, filled with unique recipes and stories Simple, earthy, fiery, and fresh, Hmong food is an exciting but still little-known South Asian cuisine. In traditional Hmong culture, dishes are created and replicated not by exact measurements but by taste and experimentation-for every Hmong recipe, there are as many variations as there are Hmong cooks-and often served to large, communal groups. Sami Scripter and Sheng Yang have gathered more than 100 recipes from Hmong-American kitchens, illustrated them with color photos of completed dishes, and provided descriptions of unusual ingredients and cooking techniques. Cooking from the Heart is the first cookbook to clearly set out the culinary traditions of the Hmong people as well as the cultural significance such traditions hold. The recipes are accompanied by anecdotes, aphorisms, and poems that demonstrate the importance of food and cooking in Hmong culture and offer a dramatic perspective on the immigrant experience. Scripter and Yang outline diet restrictions and taboos as well as how herbs and foods are traditionally used for healing purposes. The dishes featured in Cooking from the Heart range from well-known items such as egg rolls and green papaya salad to more unfamiliar dishes such as Nqaij Qaib Hau Xyaw Tshuaj (Chicken Soup for New Mothers) and Dib Iab Ntim Nqaij Hau Ua Kua (Stuffed Bitter Melon Soup). The oral tradition by which these recipes have been passed down has meant that Hmong cooking has not yet reached a wide audience in the United States. While designed for an American kitchen, Cooking from the Heart encourages readers to seek out Hmong herbs and vegetables only recently introduced in the United States. After all, the authors say, the essence of Hmong cuisine is cooking with an adventurous and creative spirit-from the heart.

DKK 225.00
1

Organizing Urban America - Heidi J. Swarts - Bog - University of Minnesota Press - Plusbog.dk

Organizing Urban America - Heidi J. Swarts - Bog - University of Minnesota Press - Plusbog.dk

Collective action through organized social movements has long expanded American citizens’ rights and liberties. Recently, the Association of Community Organizations for Reform Now (ACORN) has helped win living wage initiatives in more than 130 cities across the country. Likewise, congregation-based groups have established countless health, education, and other social programs at city and state levels. Despite modest budgets, these organizations—different in their approach, but at the same time working for social change—have won billions of dollars in redistributive programs. Looking closely at this phenomenon, Heidi J. Swarts explores activist groups’ cultural, organizational, and political strategies. Focusing on ACORN chapters and church federations in St. Louis, Missouri, and San Jose, California, Swarts demonstrates that congregation-based organizing has developed an innovative cultural strategy, combining democratic deliberation and leadership development to produce a “culture of commitment” among its cross-class, multiracial membership. By contrast, ACORN’s more homogeneous low-income class base has a national structure that allows it to coordinate campaigns quickly, and its seasoned staff excels in tactical innovations. By making these often-invisible grassroots organizers evident, Swarts sheds light on factors that constrain or enable other social movements in the United States. Heidi J. Swarts is assistant professor of political science at Rutgers University.

DKK 237.00
1

Victorian Afterlife - John Kucich - Bog - University of Minnesota Press - Plusbog.dk

Organizing Urban America - Heidi J. Swarts - Bog - University of Minnesota Press - Plusbog.dk

Organizing Urban America - Heidi J. Swarts - Bog - University of Minnesota Press - Plusbog.dk

Collective action through organized social movements has long expanded American citizens’ rights and liberties. Recently, the Association of Community Organizations for Reform Now (ACORN) has helped win living wage initiatives in more than 130 cities across the country. Likewise, congregation-based groups have established countless health, education, and other social programs at city and state levels. Despite modest budgets, these organizations—different in their approach, but at the same time working for social change—have won billions of dollars in redistributive programs. Looking closely at this phenomenon, Heidi J. Swarts explores activist groups’ cultural, organizational, and political strategies. Focusing on ACORN chapters and church federations in St. Louis, Missouri, and San Jose, California, Swarts demonstrates that congregation-based organizing has developed an innovative cultural strategy, combining democratic deliberation and leadership development to produce a “culture of commitment” among its cross-class, multiracial membership. By contrast, ACORN’s more homogeneous low-income class base has a national structure that allows it to coordinate campaigns quickly, and its seasoned staff excels in tactical innovations. By making these often-invisible grassroots organizers evident, Swarts sheds light on factors that constrain or enable other social movements in the United States. Heidi J. Swarts is assistant professor of political science at Rutgers University.

DKK 573.00
1

Blackness in Morocco - Cynthia J. Becker - Bog - University of Minnesota Press - Plusbog.dk

Blackness in Morocco - Cynthia J. Becker - Bog - University of Minnesota Press - Plusbog.dk

A groundbreaking study of Blackness in Morocco through the lens of visual representation For more than thirteen centuries, caravans transported millions of enslaved people from Africa south of the Sahara into what is now the Kingdom of Morocco. Today there are no museums, plaques, or monuments that recognize this history of enslavement, but enslaved people and their descendants created the Gnawa identity that preserves this largely suppressed heritage. This pioneering book describes how Gnawa emerged as a practice associated with Blackness and enslavement by reviewing visual representation and musical traditions from the late nineteenth century to the present. Cynthia J. Becker addresses the historical consciousness of subaltern groups and how they give Blackness material form through modes of dress, visual art, religious ceremonies, and musical instruments in performance. She examines what it means to self-identify as Black in Morocco (a country typically associated with the Middle East and the Arab world), especially during this time of increased contemporary African migration, which has made Blackness even more visible. Her case studies draw on archival material and on her extended research in the city of Essaouira, site of the wildly popular Gnawa World Music Festival. Becker shows that Gnawa spirit possession ceremonies express the marginalization associated with enslavement and allow these unique communities to move toward healing, even as the mass-marketing of Gnawa music has resulted in some Gnawa practitioners engaging Blackness to claim legitimacy and spiritual power. This book challenges the framing of Africa’s cultural history into “sub-Saharan” versus “North African” or Islamic versus non-Islamic categories. Blackness in Morocco complicates how we think about the institution of slavery and its impact on North African religious and social institutions, and readers will better understand and appreciate the role of Africans in shaping global forces, including religious institutions such as Islam.

DKK 884.00
1

Sweetness in the Blood - James Doucet Battle - Bog - University of Minnesota Press - Plusbog.dk

Sweetness in the Blood - James Doucet Battle - Bog - University of Minnesota Press - Plusbog.dk

A bold new indictment of the racialization of science Decades of data cannot be ignored: African American adults are far more likely to develop Type 2 diabetes than white adults. But has science gone so far in racializing diabetes as to undermine the search for solutions? In a rousing indictment of the idea that notions of biological race should drive scientific inquiry, Sweetness in the Blood provides an ethnographic picture of biotechnology’s framings of Type 2 diabetes risk and race and, importantly, offers a critical examination of the assumptions behind the recruitment of African American and African-descent populations for Type 2 diabetes research. James Doucet-Battle begins with a historical overview of how diabetes has been researched and framed racially over the past century, chronicling one company’s efforts to recruit African Americans to test their new diabetes risk-score algorithm with the aim of increasing the clinical and market value of the firm’s technology. He considers African American reticence about participation in biomedical research and examines race and health disparities in light of advances in genomic sequencing technology. Doucet-Battle concludes by emphasizing that genomic research into sub-Saharan ancestry in fact underlines the importance of analyzing gender before attempting to understand the notion of race. No disease reveals this more than Type 2 diabetes. Sweetness in the Blood challenges the notion that the best approach to understanding, managing, and curing Type 2 diabetes is through the lens of race. It also transforms how we think about sugar, filling a neglected gap between the sugar- and molasses-sweetened past of the enslaved African laborer and the high-fructose corn syrup- and corporate-fed body of the contemporary consumer-laborer.

DKK 866.00
1

Sweetness in the Blood - James Doucet Battle - Bog - University of Minnesota Press - Plusbog.dk

Sweetness in the Blood - James Doucet Battle - Bog - University of Minnesota Press - Plusbog.dk

A bold new indictment of the racialization of science Decades of data cannot be ignored: African American adults are far more likely to develop Type 2 diabetes than white adults. But has science gone so far in racializing diabetes as to undermine the search for solutions? In a rousing indictment of the idea that notions of biological race should drive scientific inquiry, Sweetness in the Blood provides an ethnographic picture of biotechnology’s framings of Type 2 diabetes risk and race and, importantly, offers a critical examination of the assumptions behind the recruitment of African American and African-descent populations for Type 2 diabetes research. James Doucet-Battle begins with a historical overview of how diabetes has been researched and framed racially over the past century, chronicling one company’s efforts to recruit African Americans to test their new diabetes risk-score algorithm with the aim of increasing the clinical and market value of the firm’s technology. He considers African American reticence about participation in biomedical research and examines race and health disparities in light of advances in genomic sequencing technology. Doucet-Battle concludes by emphasizing that genomic research into sub-Saharan ancestry in fact underlines the importance of analyzing gender before attempting to understand the notion of race. No disease reveals this more than Type 2 diabetes. Sweetness in the Blood challenges the notion that the best approach to understanding, managing, and curing Type 2 diabetes is through the lens of race. It also transforms how we think about sugar, filling a neglected gap between the sugar- and molasses-sweetened past of the enslaved African laborer and the high-fructose corn syrup- and corporate-fed body of the contemporary consumer-laborer.

DKK 229.00
1

Blackness in Morocco - Cynthia J. Becker - Bog - University of Minnesota Press - Plusbog.dk

Blackness in Morocco - Cynthia J. Becker - Bog - University of Minnesota Press - Plusbog.dk

A groundbreaking study of Blackness in Morocco through the lens of visual representation For more than thirteen centuries, caravans transported millions of enslaved people from Africa south of the Sahara into what is now the Kingdom of Morocco. Today there are no museums, plaques, or monuments that recognize this history of enslavement, but enslaved people and their descendants created the Gnawa identity that preserves this largely suppressed heritage. This pioneering book describes how Gnawa emerged as a practice associated with Blackness and enslavement by reviewing visual representation and musical traditions from the late nineteenth century to the present. Cynthia J. Becker addresses the historical consciousness of subaltern groups and how they give Blackness material form through modes of dress, visual art, religious ceremonies, and musical instruments in performance. She examines what it means to self-identify as Black in Morocco (a country typically associated with the Middle East and the Arab world), especially during this time of increased contemporary African migration, which has made Blackness even more visible. Her case studies draw on archival material and on her extended research in the city of Essaouira, site of the wildly popular Gnawa World Music Festival. Becker shows that Gnawa spirit possession ceremonies express the marginalization associated with enslavement and allow these unique communities to move toward healing, even as the mass-marketing of Gnawa music has resulted in some Gnawa practitioners engaging Blackness to claim legitimacy and spiritual power. This book challenges the framing of Africa’s cultural history into “sub-Saharan” versus “North African” or Islamic versus non-Islamic categories. Blackness in Morocco complicates how we think about the institution of slavery and its impact on North African religious and social institutions, and readers will better understand and appreciate the role of Africans in shaping global forces, including religious institutions such as Islam.

DKK 260.00
1