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From Near and Far - Tyler Stovall - Bog - University of Nebraska Press - Plusbog.dk

From Near and Far - Tyler Stovall - Bog - University of Nebraska Press - Plusbog.dk

From Near and Far relates the history of modern France from the French Revolution to the present. Noted historian Tyler Stovall considers how the history of France interacts with both the broader history of the world and the local histories of French communities, examining the impacts of Karl Marx, Ho Chi Minh, Paul Gauguin, and Josephine Baker alongside the rise of haute couture and the contemporary role of hip hop. From Near and Far focuses on the interactions between France and three other parts of the world: Europe, the United States, and the French colonial empire. Taking this transnational approach to the history of modern France, Stovall shows how the theme of universalism, so central to modern French culture, has manifested itself in different ways over the last few centuries. Moreover, it emphasizes the importance of narrative to French history, that historians tell the story of a nation and a people by bringing together a multitude of stories and tales that often go well beyond its boundaries. In telling these stories From Near and Far gives the reader a vision of France both global and local at the same time.

DKK 262.00
1

From Near and Far - Tyler Stovall - Bog - University of Nebraska Press - Plusbog.dk

From Near and Far - Tyler Stovall - Bog - University of Nebraska Press - Plusbog.dk

From Near and Far relates the history of modern France from the French Revolution to the present. Noted historian Tyler Stovall considers how the history of France interacts with both the broader history of the world and the local histories of French communities, examining the impacts of Karl Marx, Ho Chi Minh, Paul Gauguin, and Josephine Baker alongside the rise of haute couture and the contemporary role of hip hop. From Near and Far focuses on the interactions between France and three other parts of the world: Europe, the United States, and the French colonial empire. Taking this transnational approach to the history of modern France, Stovall shows how the theme of universalism, so central to modern French culture, has manifested itself in different ways over the last few centuries. Moreover, it emphasizes the importance of narrative to French history, that historians tell the story of a nation and a people by bringing together a multitude of stories and tales that often go well beyond its boundaries. In telling these stories From Near and Far gives the reader a vision of France both global and local at the same time.

DKK 866.00
1

Give Me Eighty Men - Shannon D. Smith - Bog - University of Nebraska Press - Plusbog.dk

Give Me Eighty Men - Shannon D. Smith - Bog - University of Nebraska Press - Plusbog.dk

“With eighty men I could ride through the entire Sioux nation.” The story of what has become popularly known as the Fetterman Fight, near Fort Phil Kearney in present-day Wyoming in 1866, is based entirely on this infamous declaration attributed to Capt. William J. Fetterman. Historical accounts cite this statement in support of the premise that bravado, vainglory, and contempt for the fort’s commander, Col. Henry B. Carrington, compelled Fetterman to disobey direct orders from Carrington and lead his men into a perfectly executed ambush by an alliance of Plains Indians. In the aftermath of the incident, Carrington’s superiors—including generals Ulysses S. Grant and William T. Sherman—positioned Carrington as solely accountable for the “massacre” by suppressing exonerating evidence. In the face of this betrayal, Carrington’s first and second wives came to their husband’s defense by publishing books presenting his version of the deadly encounter. Although several of Fetterman’s soldiers and fellow officers disagreed with the women’s accounts, their chivalrous deference to women’s moral authority during this age of Victorian sensibilities enabled Carrington’s wives to present their story without challenge. Influenced by these early works, historians focused on Fetterman’s arrogance and ineptitude as the sole cause of the tragedy. In Give Me Eighty Men , Shannon D. Smith reexamines the works of the two Mrs. Carringtons in the context of contemporary evidence. No longer seen as an arrogant firebrand, Fetterman emerges as an outstanding officer who respected the Plains Indians'' superiority in numbers, weaponry, and battle skills. Give Me Eighty Men both challenges standard interpretations of this American myth and shows the powerful influence of female writers in the nineteenth and twentieth centuries.

DKK 170.00
1

Give Me Eighty Men - Shannon D. Smith - Bog - University of Nebraska Press - Plusbog.dk

Give Me Eighty Men - Shannon D. Smith - Bog - University of Nebraska Press - Plusbog.dk

“With eighty men I could ride through the entire Sioux nation.” The story of what has become popularly known as the Fetterman Fight, near Fort Phil Kearney in present-day Wyoming in 1866, is based entirely on this infamous declaration attributed to Capt. William J. Fetterman. Historical accounts cite this statement in support of the premise that bravado, vainglory, and contempt for the fort’s commander, Col. Henry B. Carrington, compelled Fetterman to disobey direct orders from Carrington and lead his men into a perfectly executed ambush by an alliance of Plains Indians. In the aftermath of the incident, Carrington’s superiors—including generals Ulysses S. Grant and William T. Sherman—positioned Carrington as solely accountable for the “massacre” by suppressing exonerating evidence. In the face of this betrayal, Carrington’s first and second wives came to their husband’s defense by publishing books presenting his version of the deadly encounter. Although several of Fetterman’s soldiers and fellow officers disagreed with the women’s accounts, their chivalrous deference to women’s moral authority during this age of Victorian sensibilities enabled Carrington’s wives to present their story without challenge. Influenced by these early works, historians focused on Fetterman’s arrogance and ineptitude as the sole cause of the tragedy. In Give Me Eighty Men , Shannon D. Smith reexamines the works of the two Mrs. Carringtons in the context of contemporary evidence. No longer seen as an arrogant firebrand, Fetterman emerges as an outstanding officer who respected the Plains Indians'' superiority in numbers, weaponry, and battle skills. Give Me Eighty Men both challenges standard interpretations of this American myth and shows the powerful influence of female writers in the nineteenth and twentieth centuries.

DKK 312.00
1

Thank You for Staying with Me - Bailey Gaylin Moore - Bog - University of Nebraska Press - Plusbog.dk

Thank You for Staying with Me - Bailey Gaylin Moore - Bog - University of Nebraska Press - Plusbog.dk

Urgent, meditative, and searching, Thank You for Staying with Me is a collection of essays that navigates the complexities of home, the vulnerability of being a woman, mother-daughter relationships, and young motherhood in the conservative and religious landscape of the Ozarks. Using cosmology as a foil to discuss human issues, Bailey Gaylin Moore describes praying to the sky during moments of despondency, observing a solar eclipse while reflecting on what it means to be in the penumbra of society, and using galaxy identification to understand herself. During a collision of women’s rights, gun policy, and racial tension, Thank You for Staying with Me is a frank and intimate rumination on how national policy and social attitudes affect both the individual and the public sphere, especially in such a conservative part of the United States.

DKK 189.00
1

The Story of "Me" - Marjorie Worthington - Bog - University of Nebraska Press - Plusbog.dk

The Story of "Me" - Marjorie Worthington - Bog - University of Nebraska Press - Plusbog.dk

Autofiction, or works in which the eponymous author appears as a fictionalized character, represents a significant trend in postwar American literature, when it proliferated to become a kind of postmodern cliché. The Story of “Me” charts the history and development of this genre, analyzing its narratological effects and discussing its cultural implications. By tracing autofiction’s conceptual issues through case studies and an array of texts, Marjorie Worthington sheds light on a number of issues for postwar American writing: the maleness of the postmodern canon—and anxieties created by the supposed waning of male privilege—the relationship between celebrity and authorship, the influence of theory, the angst stemming from claims of the “death of the author,” and the rise of memoir culture. Worthington constructs and contextualizes a bridge between the French literary context, from which the term originated, and the rise of autofiction among various American literary movements, from modernism to New Criticism to New Journalism. The Story of “Me” demonstrates that the burgeoning of autofiction serves as a barometer of American literature, from modernist authorial effacement to postmodern literary self-consciousness.

DKK 390.00
1

Take Me Out to the Ball Game - Amy Whorf Mcguiggan - Bog - University of Nebraska Press - Plusbog.dk

Take Me Out to the Ball Game - Amy Whorf Mcguiggan - Bog - University of Nebraska Press - Plusbog.dk

For anyone who has ever sung ""Take Me Out to the Ball Game"" during the seventh-inning stretch and wondered why we sing it when we are already at the ball game, this entertaining book supplies the answers. This story, told here in full for the first time, evokes the bright hope of turn-of-the-century America, the backstage drama of vaudeville, and the beguiling charm of baseball itself.

DKK 237.00
1

The Boy Who Promised Me Horses - David Joseph Charpentier - Bog - University of Nebraska Press - Plusbog.dk

The Boy Who Promised Me Horses - David Joseph Charpentier - Bog - University of Nebraska Press - Plusbog.dk

“He tried to outrun a train,” Theodore Blindwoman told David Joseph Charpentier the night they found out about Maurice Prairie Chief’s death. When Charpentier was a new teacher at St. Labre Indian School in Ashland, Montana, Prairie Chief was the first student he met and the one with whom he formed the closest bonds. From the shock of moving from a bucolic Minnesota college to teach at a small, remote reservation school in eastern Montana, Charpentier details the complex and emotional challenges of Indigenous education in the United States. Although he intended his teaching tenure at St. Labre to be short, Charpentier’s involvement with the school has extended past thirty years. Unlike many white teachers who came and left the reservation, Charpentier has remained committed to the potentialities of Indigenous education, motivated by the early friendship he formed with Prairie Chief, who taught him lessons far and wide, from dealing with buffalo while riding a horse to coping with student dropouts he would never see again. Told through episodic experiences, the story takes a journey back in time as Charpentier searches for answers to Prairie Chief’s life. As he sits on top of the sledding hill near the cemetery where Prairie Chief is buried, Charpentier finds solace in the memories of their shared (mis)adventures and their mutual respect, hard won through the challenges of educational and cultural mistrust.

DKK 230.00
1

Get Me Through Tomorrow - Mojie Crigler - Bog - University of Nebraska Press - Plusbog.dk

Get Me Through Tomorrow - Mojie Crigler - Bog - University of Nebraska Press - Plusbog.dk

On August 4, 2004, Jason Crigler was onstage in a New York City nightclub when a blood vessel burst in his brain. The thirty-four-year-old guitarist, a fixture in the downtown music scene who had played with Marshall Crenshaw, Linda Thompson, and John Cale, narrowly survived the bleed. A string of complications that followed—meningitis, seizures, coma—left him immobile and unresponsive, with his doctors saying nothing more could be done. Meanwhile, Jason's medical insurance quickly hit its lifetime cap, meaning that his policy would no longer pay for his care. Despite such overwhelming circumstances, Jason's parents, sister, and pregnant wife were sure that he was still there, trapped inside his incapacitated body but able to fight his way back. They mounted an intense course of rehabilitation for him even as they fought a healthcare system that was geared toward defeat. In intimate and unflinching prose, Mojie Crigler chronicles her brother's harrowing decline and miraculous recovery. Get Me Through Tomorrow is much more than the story of a medical victory amid a broken healthcare system, however. It is about a sister's metamorphosis from fearful naïf to assertive caregiver. It is about families bridging heartache and divorce to find hope. It is about the deep and enduring relationship between siblings—and the love that transforms them.

DKK 181.00
1

Tell Me About Your Bad Guys - Michael Dowdy - Bog - University of Nebraska Press - Plusbog.dk

Tell Me About Your Bad Guys - Michael Dowdy - Bog - University of Nebraska Press - Plusbog.dk

Michael Dowdy perceives the world as a poet, one with an anxiety disorder. As a result he has rarely experienced fathering or his relationship with his daughter, A, as a linear narrative. Rather, his impressions of fathering coalesce in encounters with the conditions of our time, producing intense flashes of awareness and emotion. Critiquing his own fathering practices, Dowdy’s essays move between simplicity-being present for his daughter-and complexity-considering the harrowing present of entrenched misogyny, school shootings, climate change, and other threats to childing and fathering with love, optimism, and joy. The essays in Tell Me about Your Bad Guys do not provide easy answers. They follow instead an interrogative mode, guided by A’s unruly questions and Dowdy’s desire to avoid fatherhood literature’s traps: false modesty, antic ineptitude, and defensive clowning. This means understanding fathering not as an ironclad identity or a cohesive story but as a process of trial and error, self-reflection, and radical openness. With measures of dark humor, the essays take seriously the literary, material, and political stakes of fathering and in doing so challenge patriarchal norms and one-dimensional accounts of fatherhood.

DKK 189.00
1

Let Me Count the Ways - Tomas Q. Morin - Bog - University of Nebraska Press - Plusbog.dk

Let Me Count the Ways - Tomas Q. Morin - Bog - University of Nebraska Press - Plusbog.dk

Winner of the 2023 Vulgar Genius Book Award Winner of the 2022 Writer's League of Texas Book Award Growing up in a small town in South Texas in the eighties and nineties, poverty, machismo, and drug addiction were everywhere for Tomás Q. Morín. He was around four or five years old when he first remembers his father cooking heroin, and he recalls many times he and his mother accompanied his father while he was on the hunt for more, Morín in the back seat keeping an eye out for unmarked cop cars, just as his father taught him. It was on one of these drives that, for the first time, he blinked in a way that evolution hadn’t intended. Let Me Count the Ways is the memoir of a journey into obsessive-compulsive disorder, a mechanism to survive a childhood filled with pain, violence, and unpredictability. Morín’s compulsions were a way to hold onto his love for his family in uncertain times until OCD became a prison he struggled for decades to escape. Tender, unflinching, and even funny, this vivid portrait of South Texas life challenges our ideas about fatherhood, drug abuse, and mental illness.

DKK 189.00
1

There Where It's So Bright in Me - Tanella Boni - Bog - University of Nebraska Press - Plusbog.dk

There Where It's So Bright in Me - Tanella Boni - Bog - University of Nebraska Press - Plusbog.dk

There Where It’s So Bright in Me pries at the complexities of difference-race, religion, gender, nationality-that shape twenty-first-century geopolitical conditions. With work spanning more than thirty-five years and as one of the most prominent figures in contemporary African literature, Tanella Boni is uniquely positioned to test the distinctions of self, other, and belonging. Two twenty-first-century civil wars have made her West African home country of CÔte d’Ivoire unstable. Abroad in the United States, Boni confronts the racialized violence that accompanies the idea of Blackness; in France, a second home since her university days, Boni encounters the nationalism roiling much of Europe as the consequences of (neo)colonialism shift the continent’s ethnic and racial profile. What would it mean for the borders that segregate-for these social, political, cultural, personal, and historicizing forces that enshroud us-to lose their dominion? In a body under constant threat, how does the human spirit stay afloat? Boni’s poetry is characterized by a hard-earned buoyancy, given her subject matter. Her empathy, insight, and plainspoken address are crucial contributions to the many difficult contemporary conversations we must engage.

DKK 165.00
1