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Camille Saint-Saens: Carnival! (SSA)

This is a wonderful adaptation of Camille Saint-Saens Carnival of the Animals for three-part choir and piano accompaniment. Each movement is complimented by a witty narrative verse, and the lyrics also abound with humour and fun; all provided by Jeremy Browne. With brilliant musical arrangements by Gwyn Arch, Carnival! is an ideal celebratory work that can also be greatly enhanced by the use of costumes, animal masks and dancers.

DKK 106.00

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Jan Holdstock: In Viking Times (Pupil's Book)

In Viking Times is a fun all-year-round musical presentation with six songs and narration. This work is especially suited to large groups, since it requires up to 30 children for short sections of narration introducing each song (in addition to the singers). The teachers book contains illustrations to stimulate ideas for costumes. You will require a license to perform this work at your school/youth theatre; please click here for more information and our application form.

DKK 94.00

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Jan Holdstock: In Viking Times (Cassette)

In Viking Times is a fun all-year-round musical presentation with six songs and narration. This work is especially suited to large groups, since it requires up to 30 children for short sections of narration introducing each song (in addition to the singers). The teachers book contains illustrations to stimulate ideas for costumes. You will require a license to perform this work at your school/youth theatre; please click here for more information and our application form.

DKK 102.00

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Dracula!

Carey Blyton. Fun Victorian melodrama based on Bram Stoker?s book and subtitled ?The Vampire Vanquished?. The score may be performed quite simply as written, or used as the basis for something more elaborate, involving scenery, costumes and props. Scored for narrator, unison voices and piano with guitar chords, the seven songs can be sung by everyone, or solo voices (characters) may be used in contrast with the chorus. Ample scope to make use of conventions of the music hall such as hissing the villain! Wind, Brass and Percussion parts on hire. 30 mins.

DKK 94.00

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Mr Punch

Michael Hurd. An operatic entertainment for young people following the traditional ?Punch and Judy? with music and libretto by Michael Hurd. Costumes and presentation can be simple or elaborate; accompaniment can be either by piano (piano duet) or classroom instruments (glockenspiel, side drum, cymbal and xylophone parts can be found in the score). Scored for unison chorus plus a minimum of four soloists who play the eight, treble roles. The nine songs include ?Scaramouch?s Fiddle Song?, ?Judy?s Lullaby? and ?Policeman?s Song And Duet?. 30 mins.

DKK 118.00

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John Alden Carpenter: Krazy Kat - A Jazz Pantomime For Piano (Original And Revised Versions)

This is the first single-volume publication of both the out-of-print original and revised versions of Krazy Kat, a unique "jazz pantomime" for piano. Based on George Herriman's hugely influential newspaper comic strip that chronicled the adventures of a lovelorn feline, this comic production represents a landmark in American music. The seldom-staged work debuted in 1922 at New York City's Town Hall, and a 1940 revival employed the revised edition.John Alden Carpenter's score abounds in lyric warmth, harmonic charm, and rhythmic vitality. He created this unusual theatrical work for a ballet company headed by a former Ballets Russes performer. Cartoonist Herriman designed the production's scenery and costumes, and he drew a series of madcap illustrations that are reproduced in this edition. Jazz lovers, collectors of rare music, and intermediate- to advanced-level pianists will want a copy of this facsimile publication, which features the composer's original Program Notes and an illuminating Introduction.Reprint of the George Schirmer, Inc., 1922 and 1948 editions.

DKK 96.00

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Lin Marsh And Wendy Cook: The Show Must Go On!

Whether teacher, performer, first-time director or experienced stage-hand, this practical guide is a starting point for a first venture into music theatre, or a source of new ideas if you are an old hand. This book offers all you need to know to ensure that your show runs smoothly ans sucessfully-including help in: Choosing imaginative and appropriate repertoireDesigning your set, costumes and propsCreating the magic through music, lighting and soundScheduling, from audition to performanceteaching and staging a songPreparing your performers, both physically and vocally Have you ever found a jigsaw in a plastic bag at the back of a cupboard, without a picture showing how it should look? This is the challenge faced by anyone putting together a piece of musical theatre-an enormous number of elements that must fit together perfectly. Lin and Wendy have put together more than most, and know just how it is done! Richard Stilgoe, OBE.

DKK 106.00

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Betty Roe: Destination London

This mini-musical began life as a workshop project commissioned by June Keyte for late-teenage children at Kingsmead School, Enfield. The three main characters are a contented boy, an uncertain girl and a disillusioned person who can be a boy or a girl. The chorus can be any size. The part of the porter is a solo voice taken from the chorus. The staging and costumes can be as simple or elaborate as you wish but the opening and closing scenes must in some way represent a railway carriage, with the three main characters sitting side by side. The piece offers some scope for the insertion of other songs about London to extend the performance in appropriate circumstances. Destination London is ideal for a school or youth group looking for a substantial item in a mixed programme, or a group not yet ready to tackle a full-scale musical.The accompaniment can be piano alone, but the addition of double bass, percussion or any other instruments would add to the overall effect.

DKK 134.00

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Sweeney Todd The Barber (Vocal Score)

The time is the early 1840?s. The place is the shop of Sweeney Todd the barber, where many more customers go in than ever come out! This is a fun piece for schools and contains some amusing lyrics set to catchy tunes. It may be performed quite simply as written, or the score here may be used as the basis for something more elaborate involving scenery, costumes and props. or it can be done in any way in between. Written for narrator, unison voices and piano, the seven songs may be sung by all the voices or solo voices can sing the character parts in contrast to the choruses. If instruments are used to accompany the voices then choose banjo/ukelele rather than guitar, cornet rather than trumpet, an so on. In other words, aim for a music hall orchestra sound. There is ample opportunity to make the most of the conventions of Victorian melodrama such as hissing at the villain and overdone, nasty laughter in You?re In My Power!

DKK 142.00

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