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Drawing & the Blind - Pictures to Touch | John M. Kennedy usato Scienze umane Psicologia

Drawing & the Blind - Pictures to Touch | John M. Kennedy usato Scienze umane Psicologia

This groundbreaking work explores how children and adults who have been blind since birth can both perceive and draw pictures. John M. Kennedy, a perception psychologist, relates how pictures in raised form can be understood by the blind, and how untrained blind people can make recognizable sketches of objects, situations, and events using new methods for raised-line drawing. According to Kennedy, the ability to draw develops in blind people as it does in the sighted. His book gives detailed descriptions of his work with the blind, includes many pictures by blind children and adults, and provides a new theory of visual and tactile perception - applicable to both the blind and the sighted - to account for his startling findings.Kennedy argues that spatial perception is possible through touch as well as through sight, and that aspects of perspective are found in pictures by the blind. He shows that blind people recognize when pictures of objects are drawn incorrectly. According to Kennedy, the incorrect features are often deliberate attempts to represent properties of objects that cannot be shown in a picture. These metaphors, as Kennedy describes them, can be interpreted by the blind and the sighted in the same way. Kennedy's findings are vitally important for studies in perceptual and cognitive psychology, the philosophy of representation, and education. His conclusions have practical significance as well, offering inspiration and guidelines for those who seek to engineer ways to allow blind and visually impaired people to gain access to information only available in graphs, figures, and pictures.

EUR 30.00
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Witness Testimony Evidence - Argumentation, artificial intelligence, and law | Douglas Walton usato Filosofia Contemporanea

The debate over stabilization policy | Franco Modigliani usato Politica e società Economia

The best american comics 2012 | AA.VV. usato Fumetti Fumetti Fumetti

MOD. A very British phenomenon | Terry Rawlings usato Fotografici Illustrati Fotografici

After the End of Art - Contemporary art and the pale of history | Arthur Coleman Danto usato Arte Storia e critica d'arte

After the End of Art - Contemporary art and the pale of history | Arthur Coleman Danto usato Arte Storia e critica d'arte

Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, he leads the way to a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol's Brillo Box and the product found in the grocery store. Here we are engaged in a series of insightful and entertaining conversations on the most relevant aesthetic and philosophical issues of art, conducted by an especially acute observer of the art scene today. Originally delivered as the prestigious Mellon Lectures on the Fine Arts, these writings cover art history, pop art, "people's art," the future role of museums, and the critical contributions of Clement Greenberg--who helped make sense of modernism for viewers over two generations ago through an aesthetics-based criticism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist's philosophy), Danto shows that it wasn't until the invention of Pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways of producing art, hinged on a narrative. Traditional notions of aesthetics can no longer apply to contemporary art, argues Danto. Instead he focuses on a philosophy of art criticism that can deal with perhaps the most perplexing feature of contemporary art: that everything is possible.

EUR 13.00
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Intonation and its uses. Melody in grammar and discourse | Dwight Bolinger usato Saggi di letteratura Linguistica

Chosen Tales - Stories Told by Jewish Storytellers | Peninnah Schram usato Religione Ebraismo

A bear and a tree | Stephen Michael King usato Libri per ragazzi Illustrati

Cellular Automata an Complexity | Stephen Wolfram usato Scienze Matematica e Ingegneria

Isaiah Berlin - Liberty and Pluralism | George Crowder usato Filosofia Contemporanea

Alan Turing's Systems of Logic - The princeton thesis | Alan Mathison Turing usato Scienze Matematica e Ingegneria

Alan Turing's Systems of Logic - The princeton thesis | Alan Mathison Turing usato Scienze Matematica e Ingegneria

A facsimile edition of Alan Turing's influential Princeton thesisBetween inventing the concept of a universal computer in 1936 and breaking the German Enigma code during World War II, Alan Turing (1912–1954), the British founder of computer science and artificial intelligence, came to Princeton University to study mathematical logic. Some of the greatest logicians in the world—including Alonzo Church, Kurt Gödel, John von Neumann, and Stephen Kleene—were at Princeton in the 1930s, and they were working on ideas that would lay the groundwork for what would become known as computer science. This book presents a facsimile of the original typescript of Turing's fascinating and influential 1938 Princeton PhD thesis, one of the key documents in the history of mathematics and computer science. The book also features essays by Andrew Appel and Solomon Feferman that explain the still-unfolding significance of the ideas Turing developed at Princeton.A work of philosophy as well as mathematics, Turing's thesis envisions a practical goal—a logical system to formalize mathematical proofs so they can be checked mechanically. If every step of a theorem could be verified mechanically, the burden on intuition would be limited to the axioms. Turing's point, as Appel writes, is that "mathematical reasoning can be done, and should be done, in mechanizable formal logic." Turing's vision of "constructive systems of logic for practical use" has become reality: in the twenty-first century, automated "formal methods" are now routine.Presented here in its original form, this fascinating thesis is one of the key documents in the history of mathematics and computer science.

EUR 17.00
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Memory, Brain, and Belief | Daniel L. Schacter, Elaine Scarry usato Scienze umane Psicologia

The Cambridge Companion to Modern Russian Culture | Nicholas Rzhevsky usato Storia Storiografia Temi

The Internet and Democratic Citizenship - Theory, Practice and Policy | Stephen Coleman, Jay G. Blumler usato Scienze umane Sociologia

Keys to Interpreting Media Messages, Art Silverblatt , usato, Scienze umane, Sociologia, dimanoinmano.it