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International Encyclopedia of Military History

International Encyclopedia of Military History

A Field Guide to Student Teaching in Music

A Field Guide to Student Teaching in Music

A Field Guide to Student Teaching in Music Second Edition serves as a practical guide for the music education student one that recognizes the importance of effective coursework while addressing the unique field-based aspects of the music classroom. Student teaching in music is a singular experience presenting challenges beyond those encountered in general education classroom settings: educators must plan for singing and movement performances and rehearsals intensive parent involvement uniforms community outreach and much more. This guide explores such topics common to all music placements as well as those specific to general choral and instrumental music classrooms building on theoretical materials often covered in music methods courses and yet not beholden to any one pedagogy thus allowing for a dynamic and flexible approach for various classroom settings. New to the second edition: Companion website featuring downloadable worksheets résumé support a cooperating teacher guide and more: www. musicstudentteaching. com A new chapter on the transition from student to student teacher Expanded discussions on the interview process including mock interviews interviewing techniques and online interview prep Updated content throughout to reflect current practices in the field. Leading readers through the transition from student to teacher A Field Guide to Student Teaching in Music Second Edition represents a necessary update to the first edition text published a decade ago an indispensable resource that provides the insights and skillsets students need to launch successful careers as music educators.

GBP 44.99
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Dress Codes Meanings And Messages In American Culture

Dress Codes Meanings And Messages In American Culture

Rich with illustrations this revised and updated second edition of Dress Codes systematically analyzes the meaning and relevance of clothing in American culture. Presented here is an up-to-date analysis of images of power and authority gender seduction (the sexy look the alluring look the glamorous look the vulnerable look) wealth and beauty youth and health and leisure and political hierarchy. Taken together the chapters offer to the student and the general reader a complete semiotics of clothing in a form that is highly readable very entertaining and thoroughly informative. The illustrations provide fascinating glimpses into the history of American fashion and clothing-along with their antecedents in Europe-as well as a fine collection of images from the more familiar world of contemporary America. Rubinstein has identified six distinct categories of dress in American society upon which Dress Codes is based. Clothing signs were instituted by those in authority have one meaning indicate behavior and are required attire (police uniforms or the clothing of ministers and priests); ?clothing symbols on the other hand reflect the achievement of cultural values?wealth beauty you and health. The wearing of clothing symbols?designer clothing or jewelry?may have several meanings; '`'clothing tie-signs ? which are specific types of clothing that indicate membership in a community outside mainstream culture (Hasidic Amish or Hare Krishna attire). They were instituted by those in authority have one meaning they indicate expected behavior and are required attire; ?clothing tie symbols? emanate from hopes fears and dreams of particular groups. They include trendy styles such as hip-hop hippie and gothic. Another category ?contemporary fashion ? reflects consumer sentiments and the political and economic forces of the period. ?Personal dress ? refers to the I component we bring in when dressing the public self (bowtie dramatic or artistic at | Dress Codes Meanings And Messages In American Culture

GBP 175.00
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Civilian Participants in the Cultural Revolution Being Vulnerable and Being Responsible

Civilian Participants in the Cultural Revolution Being Vulnerable and Being Responsible

In the ten years of the Cultural Revolution political persecutions violation of rights deprivation of freedom violence and brutality were daily occurrences. Especially striking is the huge number of ordinary civilians who were involved in inflicting pain and suffering on their comrades colleagues friends neighbors and even family members. The large-scale and systematic form of violence and injustice that was witnessed differs from that in countries like Chile under military rule or South Africa during apartheid in that such acts were largely committed by ordinary people instead of officials in uniforms. Mok asks how we should assess the moral responsibility of these wrongdoers if any for the harm they did both voluntarily and involuntarily. After the death of Chairman Mao there was a trial of the Gang of Four who were condemned as the chief perpetrators of the Cultural Revolution. Besides tens of millions of officials and cadres who were wrongly accused and unfairly treated were subsequently cleared and reinstated under the new leadership. However justice has not yet been fully done because no legal or political mechanism has ever been established for the massive number of civilian perpetrators to answer for all sorts of violence inflicted on other civilians to make peace with their victims and to make amends. The numerous civilians who participated need to come to terms with the people they wronged in those turbulent years. Justice in general and transitional justice in particular may still be pursued by taking the first steps to clarify and identify the moral burden and responsibility that may legitimately be ascribed to the various types of participant. This book will be of interest to anyone who studies the Cultural Revolution of China especially those who are concerned with the ethical dimension. | Civilian Participants in the Cultural Revolution Being Vulnerable and Being Responsible

GBP 38.99
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The Anarchy of Nazi Memorabilia From Things of Tyranny to Troubled Treasure

The Anarchy of Nazi Memorabilia From Things of Tyranny to Troubled Treasure

Out of the numerous books and articles on the Third Reich few address its material culture and fewer still discuss the phenomenon of Nazi memorabilia. This is all the more surprising given that Nazi symbols so central to sustaining Hitler’s movement continue to live long after the collapse of his 12-year Reich. Neither did Nazi ideology die; far-right populists would like to see the swastika flown over the White House or Buckingham Palace. Against a backdrop of right-wing extremism military re-enactors think nothing of dressing up in Waffen-SS uniforms and romanticising the Third Reich in the name of living history. Auctioneers are prepared to hammer down Nazi artefacts to the highest bidder but who is buying them and why do they do so? Should collectors be allowed to decorate their homes with Nazi flags? The Anarchy of Nazi Memorabilia begins by examining the creation and context of Nazi artefacts and symbols during the volatile Weimar Republic to their wider distribution during the Third Reich. There were few people in Nazi Germany who did not wear a badge or uniform of some sort. Whether it be mothers soldiers or concentration camp inmates they were all branded. The chapter on the Second World War demonstrates that although German soldiers were cynical about being given medals in exchange for freezing in Russia. They still continued to fight for which more decorations were awarded. A large proportion of this book is therefore given to the meaning that Nazi symbols had before Nazi Germany was eventually defeated in May 1945. Equally important however and one of the characteristics of this book is the analysis of the meaning and value of Nazi material culture over time. The interpreters of Nazi symbols that this book focuses on are internationally based private collectors and traders. Sustained attention is given in a chapter outlining the development of the collectors’ market for Nazi memorabilia from 1945 onwards. No matter how much collectors go out of their way to paint the hobby in a positive light their activities do not fully escape the troubled past of the material that they desire. So contested are Nazi symbols that another chapter is devoted to the ethics and morals of destroying or preserving them. The issues surrounding private versus public custody and ownership of Nazi artefacts are also discussed. So far in this book the examination of Nazi artefacts has been restricted to physical objects within societies that are generally aware of the consequences of Hitlerism. As we increasingly move into the digital age however and there are few survivors of the Second World War left to relay their horrific experiences the final chapter contemplates the future of Nazi symbols both digitally and physically fake or real. This book will appeal to all those interested in the Third Reich Nazi ideology Neo-Nazism perceptions of the Nazis post-1945 modern European history and political symbolism. It will also hold particular appeal to those interested in the collecting and trading of contested and highly emotive artefacts. It considers aesthetics authenticity commodification gift exchange life histories of people and objects materiality and value theory. | The Anarchy of Nazi Memorabilia From Things of Tyranny to Troubled Treasure

GBP 38.99
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