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Bioclimatic Double-Skin Façades

Bioclimatic Double-Skin Façades

Visually enriched with over 250 photographs and drawings Bioclimatic Double-Skin Façades is an essential reference guide for understanding the types and functions of double-skin façades. Author Mary Ben Bonham examines the history and continuing potential of double-skin architecture informing on the variety of approaches possible and advising a rigorous integrated design process leading to application. Featuring a wide selection of architectural examples the book will be of interest to professionals and students within the fields of architecture engineering and construction. Characterized by a buffer-like air space between two glazed building skins double-skin windows and façades aim to improve building comfort and energy performance. Double skins introduce complexity and initial costs yet significant buildings in locations around the globe continue to select this approach. In addition to exploring motivations benefits and cautions for designing with double skins the book provides a primer on fundamental façade design concepts and strategies for control of thermal luminous and acoustic environments. Chapters also address alternative types of high-performance façades and implications for each phase of façade design and construction. Bioclimatic Double-Skin Façades promotes bioclimatic design that is inspired by nature measured in performance and uniquely adapted to climate and place. In-depth case studies illustrate how double-skin façades have been adapted to a range of climates and cultural settings: Marseille Library and Grenoble Courthouse in France Cambridge Public Library in Massachusetts Manitoba Hydro Place in Canada and the Pearl River Tower in China.

GBP 46.99
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The Skin-Ego A New Translation by Naomi Segal

A Skin for Thought Interviews with Gilbert Tarrab on Psychology and Psychoanalysis

Thornton Wilder's The Skin of our Teeth

Straight Skin Gay Masks and Pretending to be Gay on Screen

Straight Skin Gay Masks and Pretending to be Gay on Screen

Straight Skin Gay Masks and Pretending to Be Gay on Screen examines cinematic depictions of pretending-to-be-gay assessing performances that not only reflect heteronormative and explicitly homophobic attitudes but also offer depictions of gay selfhood with more nuanced multidirectional identifications. The case of straight protagonists pretending to be gay on screen is the ideal context in which to study unanticipated progressivity and dissidence in regard to cultural construction of human sexualities in the face of theatricalized epistemological collapse. Teasing apart the dynamics of depictions of both sexual stability and fluidity in cinematic images of men pretending to be gay offers new insights into such salient issues as sexual vulnerability and dynamics and long-term queer visibility in a politically complicated mass culture which is mostly produced in a heteronormative and even hostile cultural environment. Additionally this book initially examines queer uses of sexuality masquerade in Alternate Gay World Cinema that allegorically features a world pretending to be gay in which straights are harassed and persecuted in order to expose the tragic consequences of sexual intolerance. Films and TV series examined as part of the analysis include The Gay Deceivers Victor/Victoria Happy Texas William Friedkin’s Cruising and many other straight and gay screens. This is a fascinating and important study relevant to students and researchers in Film Studies Media Studies Gender Studies Queer Studies Sexuality Studies Communication Studies and Cultural Studies. | Straight Skin Gay Masks and Pretending to be Gay on Screen

GBP 38.99
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Orphaned by the Colour of My Skin A Stolen Generation Story

Love Under the Skin Interracial Marriages in the American South and France

Physiological Psychology

Conservation of Leather and Related Materials

Imagination and Healing

Treatment for Body-Focused Repetitive Behaviors An Integrative Psychodynamic Approach

Black Skins Black Masks Hybridity Dialogism Performativity

Makeup Artistry for Film and Television Your Tools for Success On-Set and Behind-the-Scenes

Makeup Artistry for Film and Television Your Tools for Success On-Set and Behind-the-Scenes

In this comprehensive handbook author makeup artist and educator Christine Sciortino offers a detailed introduction to the conceptual foundations techniques and on-set practices of the makeup design process going beyond technique-centered makeup education to provide an in-depth look at the workings of the film and television world. Through personal stories interviews demonstrations and insights from Sciortino and her colleagues this book explores the business of makeup artistry including tailoring a resume building a kit self-marketing breaking down a script researching and creating makeup looks working as part of a production team and different ways to get paid. It further delves into on-set procedures and theory such as anatomy skin science color theory and lighting design. With high-quality step-by-step photo tutorials this book will help readers to learn and hone techniques for beauty makeup character makeup and light special effects including aging and dirtying grooming bruises and prosthetics tattoos and more. An emphasis is placed on working with actors of all ages skin tones and gender identities. This approachable and engaging blend of practical techniques and professional practice is ideal for both introductory-level and established artists. An online resource also offers downloadable templates and sample paperwork for on-set use and practice. | Makeup Artistry for Film and Television Your Tools for Success On-Set and Behind-the-Scenes

GBP 46.99
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Touch Sexuality and Hands in British Literature 1740–1901

Touch Sexuality and Hands in British Literature 1740–1901

From Robert Lovelace’s uninvited hand-grasps in Samuel Richardson’s Clarissa to to Basil Hallward’s first encounter with Dorian Gray literary depictions of touching hands in British literature from the 1740s to the 1890s communicate emotional dimensions of sexual experience that reflect shifting cultural norms associated with gender roles sexuality​ and sexual expression. But what is the relationship between hands tactility and sexuality in Victorian literature? And how do we best interpret ​what those touches communicate between characters? This volume addresses these questions by asserting a connection between the prevalence of violent sexually charged touches in eighteenth-century novels such as those by Eliza Haywood Samuel Richardson and Frances Burney and growing public concern over handshake etiquette in the nineteenth century evident in works by ​Jane Austen the Brontës George Eliot Elizabeth Gaskell Thomas Hardy Oscar Wilde and Flora Annie Steel. This book takes an interdisciplinary approach that combines literary analysis with close analyses of paintings musical compositions and nonfictional texts​ such as etiquette books and scientific treatises​ to make a case for the significance of tactility to eighteenth- and nineteenth-century perceptions of selfhood and sexuality. In doing so it draws attention to the communicative nature of skin-to-skin contact ​as represented in literature and traces a trajectory of meaning from the forceful grips that violate female characters in eighteenth-century novels to the consensual embraces common in Victorian ​and neo-Victorian literature. | Touch Sexuality and Hands in British Literature 1740–1901

GBP 38.99
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Color Theory for the Make-up Artist Understanding Color and Light for Beauty and Special Effects

Color Theory for the Make-up Artist Understanding Color and Light for Beauty and Special Effects

Color Theory for the Make-up Artist: Understanding Color and Light for Beauty and Special Effects (Second Edition) analyzes and explains traditional color theory for fine artists and applies it to make-up artistry. This beautifully illustrated guide begins with the basics of color theory – why we see color how to categorize and identify color and relationships between colors – and relates these concepts to beauty and special effects make-up. The book provides a wealth of information including how to mix flesh tones by using only primary colors how these colors in paints and make-up are sourced and created the reason for variations in skin colors and undertones and how to identify and match these using make-up while choosing flattering colors for the eyes lips and cheeks. Colors found inside the body are explained for special effects make-up like why we bruise bleed or appear sick. Ideas and techniques are also described for painting prosthetics in addition to using color as inspiration in make-up designs. The book also discusses how lighting affects color on film television theater and photography sets and how to properly light a workspace for successful applications. The second edition features: A brand-new chapter on color inspiration in make-up and design Additional and updated diagrams More real-life application photos and demonstrations including new examples of tattoo covering and prosthetic painting using optical mixtures airbrush and stippling Expanded discussion on undertones skin variations color correction pigments colored gels and more Filled with stunning photography and practical information Color Theory for the Make-up Artist provides guidance and inspiration for both professionals and beginners who wish to train their eye further to understand and recognize distinctions in color. | Color Theory for the Make-up Artist Understanding Color and Light for Beauty and Special Effects

GBP 34.99
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Nursing Skills in Safety and Protection

Sensation and Perception

Fairy-Tale Revivals in the Long Nineteenth Century Volume II: Fairy- Tale Revival Dramas: Writing Wonder in Transatlantic Ethnic Literary Re

The Biological Basis of Clinical Observations

Experiments in Film and Philosophy

Special Makeup Effects for Stage and Screen Making and Applying Prosthetics

The Politics and Performance of Mestizaje in Latin America Mestizo Acts

Parametric Methods for Beginners Architecture Applications

FABRIC[ated] Fabric Innovation and Material Responsibility in Architecture

FABRIC[ated] Fabric Innovation and Material Responsibility in Architecture

FABRIC[ated] examines fabric as a catalyst for innovation reflection change and transformation in architecture. This book explores the ways in which research and development of fabric can and historically has influenced and revolutionized architecture teaching and design. Responsive flexible impermanent fluid and adaptive—fabric interacts with and influences architecture offering innovative solutions and increased material responsibility. Foundation and theory chapters establish clear precedent and futures for fabric’s position in architectural discourse. The case study section examines 14 international projects through three different threads: Veiling Compression and Tension. Case studies include a diverse range of projects from the HiLo unit at Nest and CAST’s fabric formed concrete projects to a discussion of the impact of fabric on SO-IL and Kennedy Violich Architect’s professional work demonstrating new and fresh methods for addressing sustainability and social justice through the use of fabric in architecture. Through the work of the many authors of this book we see fabric as drape skin veil mold concept and inspiration. Fabric in its broadest definition is an important and innovative material in the development of socially conscious architecture. Offering readers pedagogical and practical models for international projects highlighting fabric’s use in architecture this book will appeal to the novice and the expert architecture students and practitioners alike. | FABRIC[ated] Fabric Innovation and Material Responsibility in Architecture

GBP 34.99
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