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Metaethical Subjectivism

Civil Society in Liberal Democracy

Michael Costa: England's First Conductor The Revolution in Musical Performance in England 1830-1880

Michael Costa: England's First Conductor The Revolution in Musical Performance in England 1830-1880

Among the major changes that swept through the music industry during the mid-nineteenth century one that has received little attention is how musical performances were managed and directed. Yet this was arguably the most radical change of all: from a loose control shared between the violin-leader musical director and maestro al cembalo to a system of tight and unified control under a professional conductor-manager. This process brought with it not only baton conducting in its modern form but also higher standards of training and discipline a new orchestral lay-out and a more focused rehearsal regime. The resulting rise in standards of performance was arguably the greatest achievement of English music in the otherwise rather barren mid-Victorian period. The key figure in this process was Michael Costa who built for himself unprecedented contractual powers and used his awesome personal authority to impose reform on the three main institutions of mid-Victorian music: the opera houses the Philharmonic and the Sacred Harmonic Society. He was a central figure in the battles between the two rival opera houses between the Philharmonic and the New Philharmonic and between the venerable Ancient Concerts and the mass festival events of the Sacred Harmonic Society. Costa’s uniquely powerful position in the operatic symphonic and choral world and the rapidity with which he was forgotten after his death provide a fascinating insight into the politics and changing aesthetics of the Victorian musical world. | Michael Costa: England's First Conductor The Revolution in Musical Performance in England 1830-1880

GBP 44.99
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After the Arab Uprisings Between Democratization Counter-revolution and State Failure

After the Arab Uprisings Between Democratization Counter-revolution and State Failure

The Arab Uprisings that began in 2010 removed four presidents and made more mobilized mass publics an increased factor in the politics of regional states. The main initial problematic of the Arab Uprising was how to translate mass protest into democratization and ultimately democratic consolidation; yet four years later there was little democratization. This book explores various aspects of this question while comparing outcomes in three states Egypt Syria and Tunisia. The introduction by Raymond Hinnebusch explores how far different starting points —the features of the regime and of the uprising-explain these pathways. Morten Valbjørn then considers the consequences of the Arab uprisings for the credibility of rival democratization and post-democratization paradigms. Vincent Durac examines the efficacy of anti-system social movements in challenging regimes but their inability to steer a democratic transition. Joshua Stacher examines the increased violence deployed by more conercive authoritarian regimes to prevent such a transition. Frede´ric Volpi and Ewan Stein examine the conseuences of the relative balance between different kinds of Islamists for outcomes. James Allison then examines the impact of workers’ movements on democratic potentials. Adham Saouli assesses the mobilization of communal identities by ruling elites and counter-elites. Raymond Hinnebusch focuses on the negative impact on democratization of competitive external interference inside the uprising states. In Hinnebusch’s conclusion the combined effects of the agency of these forces and the political cultural and economic contexts in which they operate are summarized. This book was previously published as a special issue of Democratization. | After the Arab Uprisings Between Democratization Counter-revolution and State Failure

GBP 44.99
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Social Relations and the Cuban Health Miracle

Social Relations and the Cuban Health Miracle

For Cuba's supporters health is the most commonly cited evidence of the socialist system's success. Even critics often concede that this is the country's saving grace. Cuba's health statistics are indeed extraordinary. This small island outperforms virtually all of its neighboring countries and all countries of the same level of economic development. Some of its health statistics rival wealthy industrialized countries. Moreover these health outcomes have resulted against all odds. Setting out to unravel this puzzle the author finds that Cuba possesses an unusually high level of popular participation and cooperation in the implementation of health policy. This has been achieved with the help of a longstanding government that prioritizes public health and has enough political influence to compel the rest of the community to do the same. On the other hand popular participation in decision-making regarding health policy is minimal which contrasts with the image of popular participation often promoted. Political elites design and impose health policy allowing little room for other health sector groups to meaningfully contribute to or protest official decisions. This is a problem because aspects of health care that are important to those who use the system or work within it can be neglected if they do not fit within official priorities. The author remains overall supportive of health achievement in Cuba. The country's preventive arrangements its collective prioritization of key health areas the improvements in public access to health services through the expansion of health facilities and the provision of free universal care are among the accomplishments that set it apart. The sustainability and progress of these achievements however must involve open recognition and public discussion of weaker aspects of the health system. | Social Relations and the Cuban Health Miracle

GBP 51.99
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The Trauma of Freud

The Trauma of Freud

Over one hundred years have passed since Sigmund Freud first created psychoanalysis. The new profession flourished within the increasing secularization of Western culture and it is almost impossible to overestimate its influence. Despite its traditional aloofness from ethical questions psychoanalysis attracted an extraordinary degree of sectarian bitterness. Original thinkers were condemned as dissidents and renegades and the merits of individual cases have been frequently mixed up with questions concerning power and ambition as well as the future of the movement. In The Trauma of Freud Paul Roazen shows how despite this contentiousness Freud's legacy has remained central to human selfawareness. Roazen provides a much-needed sequence and perspective on the memorable issues that have come up in connection with the history of Freud's school. Topics covered include the problem of seduction Jung's Zurich school Ferenczi's Hungarian following and the influence of Melanie Klein and Anna Freud in England. Also highlighted are Lacanianism in France Erik Erikson's ego psychology and Sandor Rado's innovations. In considering these historical cases and related public scandals Roazen continually addresses important general issues concerning ethics and privacy the power of orthodoxy creativity and the historiography of psychoanalysis. Throughout he argues that rival interpretations are a sign of the intellectual maturity and sophistication of the discipline. Vigorous debate is healthy and essential in avoiding ill-considered and dogmatic self-assurance. He observes that potential zealotry lies just below the surface of even the most placid psychoanalytic waters even today. Examining the past so much a part of the job of scholarship may involve challenging those who might have preferred to let sleeping dogs lie. Roazen emphasizes that Freud's approach rested on the Socratic conviction that the unexamined life is not worth living and that this constitutes the spiritual basis of its influence beyond immediate clinical concerns. The Trauma of Freud is a major contribution to the historical literature on psychoanalysis.

GBP 51.99
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Cyanotype Toning Using Botanicals to Tone Blueprints Naturally

Cyanotype Toning Using Botanicals to Tone Blueprints Naturally

Cyanotype is the most accessible and frequently used of all the alternative photographic processes. When utilized properly it has the potential to rival other processes when it comes to detail and tonal range but its Prussian blue color isn’t always suitable for the final photograph. Throughout history cyanotype prints have been toned not only with various—and at times hazardous—chemicals but also with more natural ingredients like tea and coffee. Since the cyanotype itself is non-toxic Cyanotype Toning will champion an innovative process developed by the author of toning cyanotypes with natural material. This process which is easy and reliable offers a much broader range of possible colors and even beautiful black and whites. Even duotone or tricolor prints can be attained. The book consists of two parts. Part One is a step-by-step how-to section including all the information that a student at any level needs to achieve a successfully toned print. Easy-to-understand background information is provided on how and why the process works so that readers can venture on their own into the world of natural colors. The first part also has a detailed section on all the factors that can influence the outcome like paper choice water quality properties of the plants temperature of the bath and the duration of the toning. Part Two is devoted to contemporary artists who have explored toning with botanicals and integrated the process into their creative practice. The book includes: A list of equipment and supplies needed. In depth information about useful plants and the specific properties that make them suitable for toning cyanotypes. Concise step-by-step instructions for printing cyanotypes successfully. A chart of more than 60 tested papers with recommendations on paper choice. Step-by-step generic instructions on toning with botanicals. Troubleshooting toning with botanicals. More detailed recipes for specific colors with information about the plants. Step-by-step instructions on how to print duotone and tricolor prints. A range of creative ideas on how to use the process in classrooms and with different age groups. A comprehensive list of more than 380 tested parts of plants and possible color outcomes. Using botanicals to tone cyanotypes broadens the color spectrum enlarges creative possibilities and makes the cyanotype process even more versatile. The process is not cut and dried science but a limitless field for discovery and surprises. Cyanotype Toning provides accessible information and instructions for readers at all levels. It is comprehensive and explanatory so that readers can expand on the subject on their own as did the contemporary artists who share their experiences and the works they have created using this innovative toning process. | Cyanotype Toning Using Botanicals to Tone Blueprints Naturally

GBP 48.99
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