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Marabu - Fixogum Rubber Cement (50g)

Fabriano - Accademia Cartridge Paper 160gsm A3 Pack

Fabriano - Accademia Cartridge Paper 120gsm A4 Pack

Fabriano - Accademia Cartridge Paper 200gsm A4 Pack

Fabriano - Accademia Cartridge Paper 160gsm A4 Pack

Fabriano - Accademia Cartridge Paper 120gsm A3 Pack

Fabriano - Accademia Cartridge Paper 200gsm A3 Pack

PRAT Paris - Pampa Cristal Laser 502 Polypropylene Sleeves (Packs of 10) A4 Landscape

PRAT Paris - Pampa Cristal Laser 502 Polypropylene Sleeves (Packs of 10) A4

Conté à Paris - Charcoal & Pastel Fixative (400ml)

Unison Colour - Pastel Fixative (400ml)

Unison Colour - Pastel Fixative (400ml)

Size: 400ml Finish: Matte Fixative spray for soft pastels CFC-Free, colourless & non-yellowing Protects from smudging, moisture & UV damage Suitable for use with soft pastels, pencils, charcoal, crayon, chalk & more! Renowned for their soft pastels, this fixative spray from Unison Colour is amongst the highest-quality materials available for use with dry media. This colourless, non-yellowing spray features a matte finish that affixes & protects pastels, charcoal, chalk, pencils, paint & more from smudging, moisture & UV damage with a crystal clear protective layer. Directions for use (in a well ventilated area): Shake can well, using a scrap piece of material, press for a second to clear & test before spraying onto artwork. Position your drawing horizontally or slightly inclined. From 25-30cm (10-12") away, spray a light, even coat over the entire drawing. For Charcoal, Pastel, Pencil and Chalk: Use this Fixative during & after the drawing process. Apply to the work in progress to 'fix' layers and prevent smudging, allowing a minute for the layer to dry before continuing. The final coat will help protect the finished picture from airborne moisture and from smudging. AGE RESTRICTED PRODUCTAfter placing your order, you will be required to provide a valid form of ID before dispatch.Failure to do so will result in the product being removed from your order. For further information, please refer to our Terms & Conditions.

GBP 15.99
1

Sakura - Pigma Micron Fineliner 7+1 Set

Sakura - Pigma Micron Fineliner 7+1 Set

The World's First Professional Disposable Archival-Quality Fineliner with Water-Based Pigment Ink! Pigma Micron fineliners Set of 8 assorted sizes* Acid-free & pH neutral Archival-quality water-based ink Highly pigmented, opaque black Water & fade-resistant once dry *please see Contents below Highlighting the variety on offer from the beloved Pigma Micron range, this set includes an assortment of fineliners, a flexible brush pen & even the brand new Micron PN! Launched by Sakura in 1982, the Pigma Micron debuted as the world's first disposable, archival-quality illustration pen with water-based pigment ink & has since only gained popularity, remaining a reliable tool for artists, designers, illustrators & more for over 40 years. Offering quality & consistency, this range is available in a plethora of sizes, shapes & colours ideal for both artistic & technical applications. Their incredibly versatile ink is acid-free, pH neutral & permanent, actively preventing bleeding, feathering or smudging as you work.  Drying to a resilient water & fade-resistant finish, they ensure your work lasts the test of time. Pigma Micron Calibrated Nib Precisely engineered for pinpoint accuracy & manufactured using hardwearing plastic, these long lasting fine point nibs are further protected by a metal sheath that actively prevents damage whilst offering unfettered use of templates or stencils. Pigma Micron Brush Able to produce a variety of bold, artistic strokes via changes in pressure & angle, these flexible nibs are especially popular amongst manga illustrators for their versatility. Pigma Micron PN Ideal for everyday writing whether you're right or left handed, the Micron PN is filled with the same lightfast, archival ink as their finer cousins, but with the added benefit of a durable polyacetal plastic nib able to produce lines of varying width.

GBP 15.99
1

Liquitex - Professional Acrylic Fabric Medium (118ml)

Liquitex - Professional Acrylic Fabric Medium (118ml)

Enhances the workability of acrylic paint on fabric Lightweight and non-toxic Dries to a water resistant, non yellowing surface Intermixable with Liquitex acrylic paint colours and mediums Safe for educational use Liquitex offers the broadest range of acrylic mediums to inspire creativity at every stage of the painting process, including fluid mediums, gel mediums, texture gels and additives which have been specifically designed to achieve various techniques, applications and effects. Liquitex Professional Fabric Medium is the ideal choice to enhance the workability of acrylic paint on fabric.  It controls the bleeding of colours thinned with water and provides a smooth, consistent flow when added to Liquitex soft body artist colours. It can also prevent uneven application of paint to rough textured fabrics and reduces the stiffness of dried acrylic paint on fabric. Fabric Medium also eliminates the need to scrub or abrade rough textured fabrics to enable paint to adhere or penetrate surface. It does not require heat setting and is formulated for maximum flexibility and adhesion, sp will not chip or crack on canvas. You can apply Fabric Medium to any material or surface that will accept traditional acrylic media, such as canvas, paper, wood, etc. Liquitex texture gels are lightweight, non-toxic and dry to a water-resistant, non-yellowing surface. Application: Painting on fabric - begin by adding medium 1:1 with Liquitex soft body artist colour. Test on fabric to see if you are getting coverage without bleeding. Colour blending on fabric - mix into acrylic colours to improve wet on wet blending techniques. Medium can be added directly onto fabric to blend colour. Watercolour on fabric - use fabric medium 5:1 with Liquitex soft body artist colour to control colour bleeding.

GBP 10.49
1

GOLDEN - Crackle Paste (237ml)

GOLDEN - Crackle Paste (237ml)

Acrylic painting medium Designed to develop deep fissure-like cracks Water-based Cleans up with soap and water Made in the USA Video: Golden Artist Colours - Exploring Crackle Paste Golden Crackle Paste is a thick, opaque cracking material, designed to develop deep fissure-like cracks as it cures. The size and extent of the crackle pattern is dependent on many factors, including the thickness of application, and the environmental conditions (temperature, relative humidity and air flow) during drying. This product utilises defects in the film formation process, and controlled failure is problematic. This results in the cracking performance being variable and to some extent unpredictable. Golden has provided the most current and comprehensive knowledge of what may be expected while using this product, but artist-conducted testing will ultimately assure more reproducible and sound applications. Crackle Paste is a water-based product formulated with styrene-acrylic copolymer emulsions, and may have a tendency to yellow. This product has white, low-density solids that replace traditional fillers. Its unique ratio of specific solids and binders allows for a "controlled failure" to occur and the result is its tendency to crack. It has a consistency similar to cake icing, easily manipulated by a palette knife. Peaks will maintain their height and appearance. It is a harder film than the GOLDEN Light Moulding Paste, yet still retains an absorbent surface. Films dry to an opaque, matte finish to which subsequent layers of acrylic paint and mediums can be applied. Crackle Paste can be easily tinted with Golden Heavy Body, Matte, High Load and Fluid Acrylic Paints. It is imperative to test all aspects when working with Golden Crackle Paste. This is a highly variable product, and it should NOT be assumed that it will perform exactly the same each time the product is used. Review this information carefully and conduct testing before using this product on artwork or decorative finishes. Drying times greatly depend upon film thickness. Very thin films will dry to the touch in several hours but may not develop much cracking. Increasing film thickness will increase the tendency to crack and also the size of the cracks and platelets. Cracks can take several days to fully develop. Do not force dry Crackle Paste, nor try to slow the drying by adding Retarder or other additives, as both conditions may interfere with the products ability to crack. Product should be allowed to cure between 65oF and 75oF, and under 75% Relative Humidity. Crackle Paste cleans up with soap and water. Do not let products dry on tools. Keep tools wet while in use. Soak tools in soapy water to remove dried films. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.35
1

GOLDEN - Matte Medium (237ml)

GOLDEN - Matte Medium (237ml)

Acrylic painting medium Increases transparency and decreases gloss Useful as a translucent ground Can also be use as a decoupage glue or temporary varnish Made in the USA Golden Matte Medium is a viscous, pourable acrylic medium useful for extending colours, increasing translucency and decreasing gloss. It is also useful as a translucent ground. To lower the sheen of a paint colour or another medium, begin by adding Matte Medium in increments of about 10% of the total volume. It is helpful to brush out each mixture, and let dry on a piece of paper to note the difference in sheen. With some experimenting, it will become easier to know how much of the matte medium is required to achieve the desired gloss. Matte Medium can be used as a translucent ground, sometimes referred to as a "clear" gesso. It is thin enough to penetrate canvas and other porous substrates easily, and the matting solids provide an adequate "tooth" for additional paint layers. In thin applications it can appear quite translucent, while darkening the canvas to a small degree. The darkening effect, similar to a "wet look", is somewhat more pronounced with Matte Medium. Apply Matte Medium in much the same manner as recommended for the application of a gesso layer. Apply one or more coats, keeping in mind that additional layers will gradually make a more opaque overall film. Please note: Applying a matte product over an absorbent surface may cause a "frosted" appearance. As the acrylic medium penetrates, the matting solids are left behind on the surface. Over highly absorbent dark passages, such as on top of canvas coated with Golden Black Gesso, severe whitening may occur. This can be corrected by applying a coat of Golden GAC 100 or Gloss Medium over the frosted area, which will once again encapsulate the matting solids, returning the transparent look. The frosting can be avoided by applying a coat of GAC 100 or Gloss Medium before a matte medium is applied. Liquid and low viscosity Matte Mediums should be gently stirred or shaken before use, as settling of matting solids can occur. Use as a Decoupage Glue Golden Matte Medium has been used successfully as a decoupage glue by many collage artists. The fact that it has a very low sheen makes it ideal, as it does not impart a "plastic" gloss to the work. If the whiteness of multiple coats does become troublesome, blend in Polymer Medium (Gloss) to decrease the matting solid level. Multiple Layers of Matte Mediums The application of several layers of a matte medium will become increasingly opaque and begin to lighten the colours underneath. Multiple layers can also impart a greyish cast due to the natural colour of the matting solids if built up to an extreme. If an artist is using a matte medium as a glazing base for multiple glazes, they should consider using Polymer Medium (Gloss) instead for the best clarity. After the artwork is completed, a matte varnish can be applied to give a flat finish to the work. This will result in better film clarity because there is only one layer of matting solids to look through. Use as a Temporary Varnish Golden does not recommend using any insoluble acrylic as a final varnish. Polymer Medium (Gloss) or Soft Gel (Gloss) thinned 2:1 with water works well to establish an even coat, or a temporary varnish. Instead of applying a matte medium over the piece, the artist can use a sheet of matte Mylar to apply it over to allow them to temporarily view it in the matte state, or create a test piece. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 15.60
1