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Scola - Air Drying Clay (12.5kg) Terracotta

Scola - Air Drying Clay (12.5kg) Stone

Scola - Air Drying Clay (4.5kg) Terracotta

Scola - Air Drying Clay (4.5kg) Stone

Marabu - Fixogum Rubber Cement (50g)

Sennelier - Green for Oil Thinner 250ml

Essdee - Block Printing Kit for Kids

Sennelier - Green for Oil Brush Cleaner 250ml

Fabriano - Accademia Cartridge Paper 160gsm A3 Pack

Fabriano - Accademia Cartridge Paper 120gsm A4 Pack

Fabriano - Accademia Cartridge Paper 200gsm A3 Pack

Fabriano - Accademia Cartridge Paper 200gsm A4 Pack

Fabriano - Accademia Cartridge Paper 160gsm A4 Pack

Fabriano - Accademia Cartridge Paper 120gsm A3 Pack

Sennelier - Green for Oil Gel Medium 200ml

Sennelier - Green for Oil Liquid Medium 100ml

Sennelier - Green for Oil Liquid Medium 250ml

GOLDEN - GAC 500 Gloss Extender for Fluid Acrylic Colours (237ml)

GOLDEN - GAC 500 Gloss Extender for Fluid Acrylic Colours (237ml)

Acrylic painting medium Fast-drying isolation coat Increases mar resistance Decreases dry film tack Made in the USA GAC 500: Gloss Extender For Fluid Acrylic Colours provides a unique balance of film hardness and flexibility. Mix 2 parts GAC 500 to 1 part High Flow Medium to produce a good spraying, fast-drying isolation coat. It is beneficial as an additive for acrylic paints for increasing mar resistance and decreasing dry film tack, without disturbing the balance between hardness and flexibility. Its also useful when working on flexible or rigid supports and offers a self-levelling working quality. GAC 500 dries to a high gloss film with good clarity and transparency. It's useful to hard-edge painters to seal masking tape for cleaner edges. Apply over masking tape. Let dry before applying an additional paint layer. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 15.60
1

GOLDEN - GAC 200 Hard Acrylic Extender for Non-Porous Surfaces (237ml)

GOLDEN - GAC 200 Hard Acrylic Extender for Non-Porous Surfaces (237ml)

Acrylic painting medium Increases film hardness Reduces dry film tack Improves adhesion to non-porous surfaces Made in the USA GAC 200: Hard Acrylic Extender For Non-Porous Surfaces is ideal as an additive to acrylic paints to increase film hardness and reduce dry film tack. It improves adhesion to non-porous surfaces. However, some surfaces - such as glass and glazed tile - will not allow for a permanent bond. It dries with high gloss and excellent film clarity, and promotes cleaner edges of hard-edge techniques. The harder paint film has less "pull" as the masking tape is removed. This is the hardest and least flexible of any Golden Acrylic product. Caution is advised when using this product alone. Used in its pure form, it is limited to applications on rigid supports, as its lack of flexibility may lead to cracking when flexed. When used alone it needs to be applied and left to dry at a minimum temperature of 70F / 21°C. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 16.99
1

Conté à Paris - Charcoal & Pastel Fixative (400ml)

PRAT Paris - Pampa Cristal Laser 502 Polypropylene Sleeves (Packs of 10) A4 Landscape

PRAT Paris - Pampa Cristal Laser 502 Polypropylene Sleeves (Packs of 10) A4

Unison Colour - Pastel Fixative (400ml)

Unison Colour - Pastel Fixative (400ml)

Size: 400ml Finish: Matte Fixative spray for soft pastels CFC-Free, colourless & non-yellowing Protects from smudging, moisture & UV damage Suitable for use with soft pastels, pencils, charcoal, crayon, chalk & more! Renowned for their soft pastels, this fixative spray from Unison Colour is amongst the highest-quality materials available for use with dry media. This colourless, non-yellowing spray features a matte finish that affixes & protects pastels, charcoal, chalk, pencils, paint & more from smudging, moisture & UV damage with a crystal clear protective layer. Directions for use (in a well ventilated area): Shake can well, using a scrap piece of material, press for a second to clear & test before spraying onto artwork. Position your drawing horizontally or slightly inclined. From 25-30cm (10-12") away, spray a light, even coat over the entire drawing. For Charcoal, Pastel, Pencil and Chalk: Use this Fixative during & after the drawing process. Apply to the work in progress to 'fix' layers and prevent smudging, allowing a minute for the layer to dry before continuing. The final coat will help protect the finished picture from airborne moisture and from smudging. AGE RESTRICTED PRODUCTAfter placing your order, you will be required to provide a valid form of ID before dispatch.Failure to do so will result in the product being removed from your order. For further information, please refer to our Terms & Conditions.

GBP 15.99
1

Sakura - Pigma Micron Fineliner 7+1 Set

Sakura - Pigma Micron Fineliner 7+1 Set

The World's First Professional Disposable Archival-Quality Fineliner with Water-Based Pigment Ink! Pigma Micron fineliners Set of 8 assorted sizes* Acid-free & pH neutral Archival-quality water-based ink Highly pigmented, opaque black Water & fade-resistant once dry *please see Contents below Highlighting the variety on offer from the beloved Pigma Micron range, this set includes an assortment of fineliners, a flexible brush pen & even the brand new Micron PN! Launched by Sakura in 1982, the Pigma Micron debuted as the world's first disposable, archival-quality illustration pen with water-based pigment ink & has since only gained popularity, remaining a reliable tool for artists, designers, illustrators & more for over 40 years. Offering quality & consistency, this range is available in a plethora of sizes, shapes & colours ideal for both artistic & technical applications. Their incredibly versatile ink is acid-free, pH neutral & permanent, actively preventing bleeding, feathering or smudging as you work.  Drying to a resilient water & fade-resistant finish, they ensure your work lasts the test of time. Pigma Micron Calibrated Nib Precisely engineered for pinpoint accuracy & manufactured using hardwearing plastic, these long lasting fine point nibs are further protected by a metal sheath that actively prevents damage whilst offering unfettered use of templates or stencils. Pigma Micron Brush Able to produce a variety of bold, artistic strokes via changes in pressure & angle, these flexible nibs are especially popular amongst manga illustrators for their versatility. Pigma Micron PN Ideal for everyday writing whether you're right or left handed, the Micron PN is filled with the same lightfast, archival ink as their finer cousins, but with the added benefit of a durable polyacetal plastic nib able to produce lines of varying width.

GBP 15.99
1

Liquitex - Professional Acrylic Fabric Medium (118ml)

Liquitex - Professional Acrylic Fabric Medium (118ml)

Enhances the workability of acrylic paint on fabric Lightweight and non-toxic Dries to a water resistant, non yellowing surface Intermixable with Liquitex acrylic paint colours and mediums Safe for educational use Liquitex offers the broadest range of acrylic mediums to inspire creativity at every stage of the painting process, including fluid mediums, gel mediums, texture gels and additives which have been specifically designed to achieve various techniques, applications and effects. Liquitex Professional Fabric Medium is the ideal choice to enhance the workability of acrylic paint on fabric.  It controls the bleeding of colours thinned with water and provides a smooth, consistent flow when added to Liquitex soft body artist colours. It can also prevent uneven application of paint to rough textured fabrics and reduces the stiffness of dried acrylic paint on fabric. Fabric Medium also eliminates the need to scrub or abrade rough textured fabrics to enable paint to adhere or penetrate surface. It does not require heat setting and is formulated for maximum flexibility and adhesion, sp will not chip or crack on canvas. You can apply Fabric Medium to any material or surface that will accept traditional acrylic media, such as canvas, paper, wood, etc. Liquitex texture gels are lightweight, non-toxic and dry to a water-resistant, non-yellowing surface. Application: Painting on fabric - begin by adding medium 1:1 with Liquitex soft body artist colour. Test on fabric to see if you are getting coverage without bleeding. Colour blending on fabric - mix into acrylic colours to improve wet on wet blending techniques. Medium can be added directly onto fabric to blend colour. Watercolour on fabric - use fabric medium 5:1 with Liquitex soft body artist colour to control colour bleeding.

GBP 9.00
1