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Zest-It - Brush Cleaner 500ml

Zest-It - Brush Cleaner 500ml

Environmentally friendly A great alternative to white spirit and turpentine Cleans brushes Thins paint Non-toxic Citrus orange scent An environmentally friendly alternative to white spirit and turpentine, Zest-It Brush Cleaner is ideal for cleaning brushes and thinning paint. Non-flammable, non-toxic and biodegradable, Zest-It has a citrus orange smell, ensuring it is pleasant to use. Why choose Zest-It Brush Cleaner? An effective, powerful and efficient solvent, designed for use with Oil Paint, Zest-It can also be used with Oil Pastels, oil-based ink, Coloured Pencils and wax. Unlike turpentine and white spirit, which can dry out brushes by leeching the natural oils from bristles, Zest-It contains citrus oils to help maintain the integrity of brush hair and bristles, extending the life of brushes. This video shows How To Use Zest-It.

GBP 18.99
1

Zest-It - Brush Cleaner 1 Litre

Zest-It - Brush Cleaner 1 Litre

Environmentally friendly A great alternative to white spirit and turpentine Cleans brushes Thins paint Non-toxic Citrus orange scent An environmentally friendly alternative to white spirit and turpentine, Zest-It Brush Cleaner is ideal for cleaning brushes and thinning paint. Non-flammable, non-toxic and biodegradable, Zest-It has a citrus orange smell, ensuring it is pleasant to use. Why choose Zest-It Brush Cleaner? An effective, powerful and efficient solvent, designed for use with Oil Paint, Zest-It can also be used with Oil Pastels, oil-based ink, Coloured Pencils and wax. Unlike turpentine and white spirit, which can dry out brushes by leeching the natural oils from bristles, Zest-It contains citrus oils to help maintain the integrity of brush hair and bristles, extending the life of brushes. This video shows How To Use Zest-It.

GBP 30.49
1

Zest-It - Clear Painting Medium (250ml)

Zest-It - Clear Painting Medium (250ml)

Versatile oil painting medium Enhances the flow of oil paint Levels out brush strokes Able to shorten drying time Useful for blending & glazing Suitable for both Traditional & Wet-on-wet techniques Made using a potent blend of Zest-It & Linseed Stand Oil Made using a blend of Zest-It & Linseed Stand Oil, Clear Painting Medium is a versatile, must-have tool for both Traditional & Wet-on-wet artists. Useful for blending & glazing techniques without the need for additional varnish, this ready-to-use medium enhances the flow of oil paint, levelling out brush strokes & hastening their drying time. Traditional Oil Painting Very useful for applying glazes to your work, Clear Painting medium dries quickly to a clear coat, lifting any "dull" portions of a piece & offering a better overall balance to the surface finish.  Containing no varnish, the dried glaze has a more flexible film in keeping with the rest of the works structure & the final glaze can of course be worked into before it drying to completion. Wet-on-wet Oil Painting Workable for around 12 hours, Clear Painting Medium provides an ideal canvas base for wet-on-wet techniques, offering smooth, effective mixing & blending of colours.  It can even be coloured before starting a wet-on-wet painting by simply adding a small amount of oil paint in your desired colour & mixing together before applying a very thin coat to wet the background.

GBP 18.49
1

Seawhite - Concertina A4 Sketchbook

Seawhite - Concertina A4 Sketchbook

Unique and original 70 working surfaces Use for display purposes or traditional sketching White, acid-free cartridge paper Includes elegant carry case Weight: 140gsm The Seawhite A4 Concertina Sketchbook is a genuinely original and exciting new idea. It opens out to give you 70 working surfaces, each a double-thickness of white acid-free 140gsm high-quality cartridge paper. You can use it for drawing and sketching in pencils, charcoals or in ink, but where it really comes into its own is for display purposes, when you can open the book out along a table or shelf to show off its contents. The Seawhite A4 Concertina Sketchbook comes in an elegant hard carrying case to keep it safe.

GBP 17.99
1

C.R.P. Picture Cleaner (120ml)

C.R.P. Picture Cleaner (120ml)

For cleansing, reviving & preserving Replaces soap and water, which may harm some paintings Does not attack varnish or old paint surfaces Revives dull varnish Use on any painting or polished surface This is a brilliant wax emulsion for oil paintings, sculptures and any painted surfaces. It is designed for the cleansing, reviving, preserving of oil paintings, objets d'art, sculpture, any painted and polished surfaces. It is not designed for drawings, watercolours or pastels. C. R. P. Picture Cleaner cleanses surfaces from dirt, replacing soap and water, which may harm certain paintings. It does not attack the varnish or old paint surfaces. It is also great for reviving old varnish that has become dull. A must-have for thise that treasure their paintings.

GBP 20.99
1

Pébéo - Gédéo Crystal Resin Set 300ml

Pébéo - Gédéo Crystal Resin Set 300ml

Available in 300ml & 750ml sizes New formulation - even more transparent Imitates Glass paste Solid and transparent when dry Encapsulates items up to 5cm thick Drying Time: 24 hours A two component epoxy resin system consisting of both a resin and a hardener. Gedeo Crystal Resin is a perfect imitation of glass paste. It can be used to produce mouldings, inclusions, coatings or laminates up to 5cm thick. It is both solid and transparent, and can be coloured using Pebeo Vitrail Glass Paint. It can also be used as a varnish. Drying time: 24 hours.

GBP 26.49
1

GOLDEN - Black Gesso (237ml)

GOLDEN - Black Gesso (237ml)

Acrylic painting medium Seals, protects and gives tooth to substrates Promotes paint adhesion Can be used on a wide variety of surfaces Made in the USA Video: Golden Artist Colours - Gessoes & Grounds Golden Black Gesso is a flexible liquid ground that seals, protects, and gives "tooth" to substrates, which promotes paint adhesion. It is formulated to accept a wide variety of media on many commonly used painting surfaces. It comes ready-to-use, but can be mixed with water for thinner applications. It is flexible and can be applied in thin layers to conform to a variety of textured surfaces without cracking. For oil painting over acrylic gesso, it is recommended that at least three layers of gesso be applied. Golden Black Gesso can be mixed with Golden Acrylics to produce a range of coloured grounds. Modify Golden Black Gesso by mixing it with a variety of mediums. Spray it, or apply it with brush, roller, or trowel. At least three layers of gesso are needed for oil painting over acrylic gesso. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.99
1

GOLDEN - Fibre Paste (237ml)

GOLDEN - Fibre Paste (237ml)

Acrylic painting medium Suitable for wet techniques Can be used as a texture or ground Provides a good surface for pastels or pencils Made in the USA Video: Golden Artist Colours - Exploring Fibre Paste With Melanie Matthews Golden Fibre Paste is a cream-coloured modelling paste suitable for wet techniques and is ideal for use with acrylic paints. It can be used as texture or as a ground on canvas or board. Fibre Paste is an opaque, viscous medium that dries to a surface similar to rough paper. You can give it a smoother finish either by skimming it with a wet palette knife before it dries or by applying it to a smooth plastic surface. Adding acrylic colours, watercolours or inks will give it a pastel tint. Once dry, Golden Fibre Paste provides a good surface for pastels or pencils. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 17.99
1

Teloman - Tech-Style Polyrib Portfolios A3

Teloman - Tech-Style Polyrib Portfolios A3

Simple and classic design Available in three sizes: A1, A2 & A3 Made from fluted polyrib plastic Rigid and sturdy design offers great protection Includes carrying handle This sturdy portfolio case is ideal for transporting sketchbooks, canvases and various types of artwork. It is a simple and classic design, made from durable and rigid fluted polyrib plastic, which offers great protection to the case contents. The case is available in 3 different sizes (A3, A2 and A1), to suit your requirements, and is easily portable thanks to its lightweight design and carry handle. It closes by a covering flap folding into the case to keep it securely fastened.

GBP 19.99
1

Teloman - Tech-Style Polyrib Portfolios A2

Teloman - Tech-Style Polyrib Portfolios A2

Simple and classic design Available in three sizes: A1, A2 & A3 Made from fluted polyrib plastic Rigid and sturdy design offers great protection Includes carrying handle This sturdy portfolio case is ideal for transporting sketchbooks, canvases and various types of artwork. It is a simple and classic design, made from durable and rigid fluted polyrib plastic, which offers great protection to the case contents. The case is available in 3 different sizes (A3, A2 and A1), to suit your requirements, and is easily portable thanks to its lightweight design and carry handle. It closes by a covering flap folding into the case to keep it securely fastened.

GBP 24.99
1

Teloman - Tech-Style Polyrib Portfolios A1

Teloman - Tech-Style Polyrib Portfolios A1

Simple and classic design Available in three sizes: A1, A2 & A3 Made from fluted polyrib plastic Rigid and sturdy design offers great protection Includes carrying handle This sturdy portfolio case is ideal for transporting sketchbooks, canvases and various types of artwork. It is a simple and classic design, made from durable and rigid fluted polyrib plastic, which offers great protection to the case contents. The case is available in 3 different sizes (A3, A2 and A1), to suit your requirements, and is easily portable thanks to its lightweight design and carry handle. It closes by a covering flap folding into the case to keep it securely fastened.

GBP 35.99
1

Aristo 25cm Adjustable Set Square

Aristo 25cm Adjustable Set Square

Perfect for architects and designers Made from clear 3.5mm thick Plexiglass Ideal for drawing and measuring angles Longest side measures 25cm Also functions as a protractor This adjustable set square is perfect for architects and graphic designers. It is made from clear 3.5mm thick Plexiglass and is ideal for drawing and measuring angles. It consists of a large set square with a hypotenuse (longest side) measuring 25cm. The hypotenuse can be fixed in any position on the arc scale or can be left unfastened so that different angles can be measured. The arc scale runs from 0 to 45 degrees and 90 to 45 degrees. It scales in one degree and half degree increments. The hypotenuse is mounted on a bolt and an arc scale, so that it can be swung out from the rest of the set square. This then allows the set square to function as a protractor. Great value for money.

GBP 35.95
1

GOLDEN - Clear Tar Gel (237ml)

GOLDEN - Clear Tar Gel (237ml)

Acrylic painting medium Creates fine detailed lines Extremely resinous Dries to a flexible, high-gloss finish Made in the USA Video: Golden Artist Colours - Clear Tar Gel Golden Clear Tar Gel is a 100% acrylic polymer dispersion colourless gel with an extremely resinous, syrupy , stringy, and tar-like consistency. It is a unique product with a long rheology; conceivably it could be poured from a three-story building as one long strand! Clear Tar Gel can be used to generate fine detailed lines by "dripping" it over painting surfaces. It can be blended with all Golden Acrylic paints, offering a full range of colours with which to work. It blends with acrylics to produce a flow of colour that can be manipulated with a palette knife to create a drizzle effect. Golden Clear Tar Gel dries to a flexible film with a high-gloss finish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.99
1

Da Vinci - Cosmotop 5040 Mottler Brush Size 50

Da Vinci - Cosmotop 5040 Mottler Brush Size 50

Bristles: Synthetic Sizes: 6 Sold Individually Extra strong synthetic fibres High elasticity Ideal for the application of varnishes and glazes Rust-proof stainless steel ferrules Red and black polished handles Handmade in Germany Video: Da Vinci Cosmotop Mottler 5040 Series Brush Demo These Mottler brushes are manufactured by Da Vinci, the world's finest brushmaker, in Germany. The Cosmotop Mottler 5040 range is composed of dark brown synthetic fibre mixture hairs, secured in rust-proof steel ferrules with a black and red handle.  It is recommended these brushes are used for glazing and varnishing because of their high elasticity. They come in several sizes: 20, 30, 40, 50, 60 & 80mm. Cleaning your brushes: 1. Water-soluble colours should be washed out with water. 2. Acrylic colour, as long as it is wet, should be washed out with water. When dried up it can only be dissolved with special cleaning agents. 3. Oil colours should be wiped off thoroughly with a piece of cloth, where appropriate clean with a special cleanser. 4. Hairs, bristles and synthetic fibres should be cleaned with a special soap (our order no. 4033 and 4433), that cleans and maintains the brush head on the basis of vegetable oils, and warm water until the soap begins to produce white lather. Do not use strongly fat removing soaps! Especially natural hair tends to break if they are missing their protecting fat contents. By that you elevate the life as well as the suppleness of your brushes. 6. Afterwards wipe the brush with a fine piece of cloth and bring it to its original shape. Artists call this procedure "dressing". 7. Let the brush dry completely before you use it again. Don't put it on the radiator to dry. There the hair will dry too quickly, the handle will shrink, and the brush head will come loose.

GBP 23.67
1

Daler-Rowney - Edinburgh Wooden Box Easel

Daler-Rowney - Edinburgh Wooden Box Easel

Dove-tailed joints and brass finished hardware Leather carrying handle Edinburgh Table Box Easel is adjustable to any angle between vertical & horizontal Ideal for working outdoors Max. canvas height: 43cm Size: 37.8 x 27 x 8.9cm Weight: 1.6kg What is a Table Box Easel? The table box easel is a small portable easel that folds away and can be set up on a table top. The working angle can be adjusted if you still want to stand and paint too. It is also a versatile easel as when flat it can be used for drawing on paper or card without a drawing board. Video: Daler-Rowney Easels Range For over 230 years, Daler-Rowney has been manufacturing some of the finest art materials, supporting artists at every step of their journey. The Edinburgh Table Box Easel from Daler-Rowney is elegant and practical, made from hard-wearing FSC oiled beech wood. It features dove-tailed joints, brass finished hardware and a leather carrying handle. The canvas support is adjustable to any angle between vertical and horizontal, making it ideal for watercolour as well as oil and acrylic work. It also utilises metal rails as lid supports, rather than wood.  The box has removable dividers, to make the layout very flexible, and the carry handle makes it easily portable. The maximum canvas this easel can hold is 43cm (16.9"), which equates to A3 portrait size. When set up the maximum height of the Edinburgh Table Box Easel is 62.2.cm, with a width of 27cm and a depth of 37.8cm. Its folded dimensions are 27 x 37.8 x 8.9 cm. The total weight is 1.6kg (3.5lb). Paints and canvas are sold separately.

GBP 23.99
1

Da Vinci - Cosmotop 5040 Mottler Brush Size 60

Da Vinci - Cosmotop 5040 Mottler Brush Size 60

Bristles: Synthetic Sizes: 6 Sold Individually Extra strong synthetic fibres High elasticity Ideal for the application of varnishes and glazes Rust-proof stainless steel ferrules Red and black polished handles Handmade in Germany Video: Da Vinci Cosmotop Mottler 5040 Series Brush Demo These Mottler brushes are manufactured by Da Vinci, the world's finest brushmaker, in Germany. The Cosmotop Mottler 5040 range is composed of dark brown synthetic fibre mixture hairs, secured in rust-proof steel ferrules with a black and red handle.  It is recommended these brushes are used for glazing and varnishing because of their high elasticity. They come in several sizes: 20, 30, 40, 50, 60 & 80mm. Cleaning your brushes: 1. Water-soluble colours should be washed out with water. 2. Acrylic colour, as long as it is wet, should be washed out with water. When dried up it can only be dissolved with special cleaning agents. 3. Oil colours should be wiped off thoroughly with a piece of cloth, where appropriate clean with a special cleanser. 4. Hairs, bristles and synthetic fibres should be cleaned with a special soap (our order no. 4033 and 4433), that cleans and maintains the brush head on the basis of vegetable oils, and warm water until the soap begins to produce white lather. Do not use strongly fat removing soaps! Especially natural hair tends to break if they are missing their protecting fat contents. By that you elevate the life as well as the suppleness of your brushes. 6. Afterwards wipe the brush with a fine piece of cloth and bring it to its original shape. Artists call this procedure "dressing". 7. Let the brush dry completely before you use it again. Don't put it on the radiator to dry. There the hair will dry too quickly, the handle will shrink, and the brush head will come loose.

GBP 29.71
1

Da Vinci - Cosmotop 5040 Mottler Brush Size 40

Da Vinci - Cosmotop 5040 Mottler Brush Size 40

Bristles: Synthetic Sizes: 6 Sold Individually Extra strong synthetic fibres High elasticity Ideal for the application of varnishes and glazes Rust-proof stainless steel ferrules Red and black polished handles Handmade in Germany Video: Da Vinci Cosmotop Mottler 5040 Series Brush Demo These Mottler brushes are manufactured by Da Vinci, the world's finest brushmaker, in Germany. The Cosmotop Mottler 5040 range is composed of dark brown synthetic fibre mixture hairs, secured in rust-proof steel ferrules with a black and red handle.  It is recommended these brushes are used for glazing and varnishing because of their high elasticity. They come in several sizes: 20, 30, 40, 50, 60 & 80mm. Cleaning your brushes: 1. Water-soluble colours should be washed out with water. 2. Acrylic colour, as long as it is wet, should be washed out with water. When dried up it can only be dissolved with special cleaning agents. 3. Oil colours should be wiped off thoroughly with a piece of cloth, where appropriate clean with a special cleanser. 4. Hairs, bristles and synthetic fibres should be cleaned with a special soap (our order no. 4033 and 4433), that cleans and maintains the brush head on the basis of vegetable oils, and warm water until the soap begins to produce white lather. Do not use strongly fat removing soaps! Especially natural hair tends to break if they are missing their protecting fat contents. By that you elevate the life as well as the suppleness of your brushes. 6. Afterwards wipe the brush with a fine piece of cloth and bring it to its original shape. Artists call this procedure "dressing". 7. Let the brush dry completely before you use it again. Don't put it on the radiator to dry. There the hair will dry too quickly, the handle will shrink, and the brush head will come loose.

GBP 18.49
1

Da Vinci - Cosmotop 5040 Mottler Brush Size 80

Da Vinci - Cosmotop 5040 Mottler Brush Size 80

Bristles: Synthetic Sizes: 6 Sold Individually Extra strong synthetic fibres High elasticity Ideal for the application of varnishes and glazes Rust-proof stainless steel ferrules Red and black polished handles Handmade in Germany Video: Da Vinci Cosmotop Mottler 5040 Series Brush Demo These Mottler brushes are manufactured by Da Vinci, the world's finest brushmaker, in Germany. The Cosmotop Mottler 5040 range is composed of dark brown synthetic fibre mixture hairs, secured in rust-proof steel ferrules with a black and red handle.  It is recommended these brushes are used for glazing and varnishing because of their high elasticity. They come in several sizes: 20, 30, 40, 50, 60 & 80mm. Cleaning your brushes: 1. Water-soluble colours should be washed out with water. 2. Acrylic colour, as long as it is wet, should be washed out with water. When dried up it can only be dissolved with special cleaning agents. 3. Oil colours should be wiped off thoroughly with a piece of cloth, where appropriate clean with a special cleanser. 4. Hairs, bristles and synthetic fibres should be cleaned with a special soap (our order no. 4033 and 4433), that cleans and maintains the brush head on the basis of vegetable oils, and warm water until the soap begins to produce white lather. Do not use strongly fat removing soaps! Especially natural hair tends to break if they are missing their protecting fat contents. By that you elevate the life as well as the suppleness of your brushes. 6. Afterwards wipe the brush with a fine piece of cloth and bring it to its original shape. Artists call this procedure "dressing". 7. Let the brush dry completely before you use it again. Don't put it on the radiator to dry. There the hair will dry too quickly, the handle will shrink, and the brush head will come loose.

GBP 42.29
1

Mapac - Quartz Portfolios A2

Mapac - Quartz Portfolios A2

Available in A1 - A4 sizes Can carry up to 20 sleeves Padded nylon design & lightweight polypropylene interior Reflective safety strips Strong ring mechanism Adjustable shoulder straps Comfortable handle Double lockable zippers and two internal pockets The Mapac Quartz Portfolio is a stylish and cost-effective, lightweight Portfolio Case that's ideal for transporting your artwork. The portfolio is padded with nylon to protect its contents and has a leather grain, water-resistant finish. It includes a heavy-duty ring mechanism for inserting portfolio sleeves, and the spine incorporates a solid steel bar to make it extra tough. It has both a handle and a detachable shoulder strap, so it's easy to lug around. Inside are two practical internal pockets for the storage of additional materials. Once you reach your destination, you can open it right out and lay it flat to present your work.  The three ring mechanism will work with all multipunch presentation pockets and the case also has a business card pocket. The Quartz Portfolio is perfect for students, photographers or artists, complimenting their work with its style and securing their precious cargo with its long-lasting and high-performance. It's ideal for displaying drawings, plans and prints, and comes in a range of sizes: A1, A2, A3 & A4. Use the following sleeve sizes for each portfolio: A1 - 60cm x 86cm; A2 - 43cm x 60cm; A3 - 30cm x 43cm; and A4 - 22cm x 30cm.

GBP 34.95
1

Mapac - Quartz Portfolios A4

Mapac - Quartz Portfolios A4

Available in A1 - A4 sizes Can carry up to 20 sleeves Padded nylon design & lightweight polypropylene interior Reflective safety strips Strong ring mechanism Adjustable shoulder straps Comfortable handle Double lockable zippers and two internal pockets The Mapac Quartz Portfolio is a stylish and cost-effective, lightweight Portfolio Case that's ideal for transporting your artwork. The portfolio is padded with nylon to protect its contents and has a leather grain, water-resistant finish. It includes a heavy-duty ring mechanism for inserting portfolio sleeves, and the spine incorporates a solid steel bar to make it extra tough. It has both a handle and a detachable shoulder strap, so it's easy to lug around. Inside are two practical internal pockets for the storage of additional materials. Once you reach your destination, you can open it right out and lay it flat to present your work.  The three ring mechanism will work with all multipunch presentation pockets and the case also has a business card pocket. The Quartz Portfolio is perfect for students, photographers or artists, complimenting their work with its style and securing their precious cargo with its long-lasting and high-performance. It's ideal for displaying drawings, plans and prints, and comes in a range of sizes: A1, A2, A3 & A4. Use the following sleeve sizes for each portfolio: A1 - 60cm x 86cm; A2 - 43cm x 60cm; A3 - 30cm x 43cm; and A4 - 22cm x 30cm.

GBP 18.95
1

Mapac - Quartz Portfolios A3

Mapac - Quartz Portfolios A3

Available in A1 - A4 sizes Can carry up to 20 sleeves Padded nylon design & lightweight polypropylene interior Reflective safety strips Strong ring mechanism Adjustable shoulder straps Comfortable handle Double lockable zippers and two internal pockets The Mapac Quartz Portfolio is a stylish and cost-effective, lightweight Portfolio Case that's ideal for transporting your artwork. The portfolio is padded with nylon to protect its contents and has a leather grain, water-resistant finish. It includes a heavy-duty ring mechanism for inserting portfolio sleeves, and the spine incorporates a solid steel bar to make it extra tough. It has both a handle and a detachable shoulder strap, so it's easy to lug around. Inside are two practical internal pockets for the storage of additional materials. Once you reach your destination, you can open it right out and lay it flat to present your work.  The three ring mechanism will work with all multipunch presentation pockets and the case also has a business card pocket. The Quartz Portfolio is perfect for students, photographers or artists, complimenting their work with its style and securing their precious cargo with its long-lasting and high-performance. It's ideal for displaying drawings, plans and prints, and comes in a range of sizes: A1, A2, A3 & A4. Use the following sleeve sizes for each portfolio: A1 - 60cm x 86cm; A2 - 43cm x 60cm; A3 - 30cm x 43cm; and A4 - 22cm x 30cm.

GBP 23.95
1

Winsor & Newton - Professional Watercolour Hot Press Block

Winsor & Newton - Professional Watercolour Hot Press Block

Sheets: 20 Weight: 300gsm Dimensions: 9 x 12" Professional-Quality watercolour block Lightly textured, 100% cotton sheets Acid-free, archival-quality & non-yellowing Traditionally mould made for greater strength & durability Internally & externally sized for absorbency, dispersion & adherence Gummed on several sides in order to prevent potential warping whilst in use Video: Winsor & Newton Professional Water Colour Paper Water colourists know that theirs is an art that requires materials of exceptional quality and strength.Winsor & Newton's luxury 100% cotton water colour paper is crafted in France in the tradition of fine art papermaking. Made on a traditional cylinder mould, it offers the highest quality surface for smooth, even washes, preserving lustre and transparency of colour. The cotton fibres are internally and externally sized for optimal absorbency and extreme strength. This means that the paper will not warp even when saturated with heavy water, or when multiple layers or paint are applied, making it ideal for water colour, gouache, ink and acrylic. It will also withstand even the roughest of editing techniques many times over. Acid free and free of optical brighteners, Winsor & Newton's paper offers a bright natural whiteness and is velvety smooth to the touch. Cotton is also naturally archival so it will not yellow or degrade over time.

GBP 30.99
1

Pébéo - Gédéo Bio-Based Crystal Resin (300ml)

Pébéo - Gédéo Bio-Based Crystal Resin (300ml)

50% biosourced resin  Safer and more environmentally friendly Solid and transparent when dry Encapsulates items up to 5cm thick Drying Time: 24 hours Available in 150ml, 300ml & 750ml sizes A two component epoxy resin system consisting of both a resin and a hardener. Pebeo Gedeo Bio-Based Crystal Resin is a 50% biosourced resin that offers a safer and more environmentally friendly alternative to standard resins. Transparent, glossy, bubble-free and easy to work with, this set uses two components: resin and hardener.  This high quality resin is easy to use and gives you professional results. It's ideal for casting in moulds or framed media, inclusions and even as a protective varnish. The epoxy resin system includes resin A and hardener B. With its liquid texture, the resin is ideal for casting in moulds or framed media, inclusions and even as a protective varnish. Once dry, it is hard and non-porous.  Gedeo Bio-Based Crystal Resin is a perfect imitation of glass paste. It can be used to produce mouldings, inclusions, coatings or laminates up to 5cm thick. It can be coloured using Pebeo Vitrail Glass Paint. It can also be used as a varnish. Drying time: 24 hours.

GBP 34.99
1

GOLDEN - Absorbent Ground (237ml)

GOLDEN - Absorbent Ground (237ml)

Acrylic painting medium Creates a porous, paper-like surface High level of absorbency when dry Creates wash and staining effects Made in the USA Video: Golden Artist Colours - Gessoes & Grounds Golden Absorbent Ground can be used to create a porous, paper-like surface on many different substrates. It is uniquely formulated for a high level of absorbency when dry. Applied over gessoed canvas, Absorbent Ground allows for wash and staining effects on a stable acrylic film as an alternative to staining raw canvas. Watercolours may also be used, although they will retain their water sensitivity. Absorbent Ground, designed for stain and watercolour-type applications, is light stable, permanent and flexible. While it has a gesso-like consistency, it is not intended as a gesso alternative. It must be applied over a porous and "toothy" surface, such as Golden Gesso, to ensure adequate adhesion due to the type and level of solids in the product. Once properly sealed, it is a permanent acrylic film that does not need to be kept under glass. However, the surface is quite delicate and additional protection is recommended. A properly applied isolation coat and Golden Varnishes (Polymer & MSA) will protect the artwork from environmental factors such as sunlight and dust. Painting in an impasto style over Golden Absorbent Ground is not recommended, unless the surface is properly sealed. Apply onto gessoed canvas, hardboard, wood or other surfaces. It can be applied with a brush, roller or squeegee. No thinning is necessary, although for increased levelling or ease of application, up to 25% water may be added. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.99
1

GOLDEN - Super Matte Medium (237ml)

GOLDEN - Super Matte Medium (237ml)

Acrylic painting medium Pourable Reduces gloss and sheen Create your own colour gessoes Made in the USA Golden Super Matte Medium is a pourable medium useful for reducing gloss. Because of its high level of matting agents, it will lower sheen of another product with a minimal addition, thereby changing other paint attributes the least, such as colour strength and viscosity. Super Matte Medium should always be blended with other acrylic paints or mediums as this product is not intended to be used by itself. To lower the sheen of a paint colour or another medium, begin by adding Super Matte Medium in increments of about 10% of the total volume. It is helpful to brush out each mixture, and let dry on a piece of paper to note the difference in sheen. With some experimenting, it will become easier to know how much of the matte medium is required to achieve the desired gloss. It is acceptable to add any amount of a matte medium to Golden Heavy Body.Acrylics. It can also be added to Golden Decorative Glazes, Gels and Mediums. Some caution is required with the Super Matte Medium: too much of an addition may dramatically lighten a colour, or if used alone, it may crack in thick applications. Super Matte Medium blended with Golden Fluid Acrylics allows artists to make their own colour gessoes. Some experimenting will allow an artist to understand the limitations for their manner of application. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 19.99
1