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Pébéo - Artist Acrylic One Coat Gesso (1ltr)

Pébéo - Artist Acrylic One Coat Gesso (1ltr)

1 litre pot of One Coat Gesso An opaque, matt white coating Suitable for use with oil & acrylic colours Prepares various surfaces for use with paint Incredible coverage in only one coat Also Available: One Coat Gesso (500ml) From Pebeo, this One Coat gesso is (you guessed it) designed to prepare various surfaces including canvas, cardboard, wood etc. in only one single coat. Quick drying to an impressive matt white finish & featuring a higher concentration of Titanium Dioxide than their similar Studio Acrylics range, providing additional opacity & coverage. Apply this to a clean, non-greasy surface to improve the adhesion of acrylic & oil colours.

GBP 21.99
1

Pébéo - Artist Acrylic One Coat Gesso (500ml)

Pébéo - Artist Acrylic One Coat Gesso (500ml)

500ml pot of One Coat Gesso An opaque, matt white coating Suitable for use with oil & acrylic colours Prepares various surfaces for use with paint Incredible coverage in only one coat Also Available: One Coat Gesso (1 litre) From Pebeo, this One Coat gesso is (you guessed it) designed to prepare various surfaces including canvas, cardboard, wood etc. in only one single coat. Quick drying to an impressive matt white finish & featuring a higher concentration of Titanium Dioxide than their similar Studio Acrylics range, providing additional opacity & coverage. Apply this to a clean, non-greasy surface to improve the adhesion of acrylic & oil colours.

GBP 14.99
1

GOLDEN - Isolation Coat (237ml)

GOLDEN - Isolation Coat (237ml)

Acrylic painting medium Physically separates the paint surface from removable varnish Seals in absorbent areas Creates an even surface for varnishing Made in the USA Video: Golden Artist Colours - Isolation Coat Application For Small Paintings An isolation coat is a clear, non-removable coating that serves to physically separate the paint surface from the removable varnish. The isolation coat serves two purposes:to protect the painting if/or when the varnish is removed by separating the pigmented area of the painting from the solvents used in removal; and to seal any absorbent areas in order to create an even surface on which to apply the varnish. An isolation coat can be very beneficial to the preservation of a piece of artwork but it is not for every painting. The decision of applying an isolation coat is first an aesthetic decision: Will this serve the purpose of the work? Secondly, are the changes created by the application of an isolation coat and subsequent varnish understood and anticipated? These are important questions to consider as the isolation coat will become a permanent part of the painting. Some ways that an isolation coat may negatively affect the underlying painting are: Foam and bubbles resulting from mixing Soft Gel (Gloss) and water too vigorously. Brushstroke texture Change and/or loss of texture Change or shift of colour Testing and practice should always be done before application to insure that the isolation coat will not change or damage the piece in any way that is undesirable. Here are a couple of examples of pieces that should not receive an isolation coat: Oil paintings Any painting done with water soluble media A piece with intentional varying sheens and surface qualities Work with metallic leaf (imitation gold leaf can tarnish with exposure to gels and paints) Sealing absorbent surfaces of the painting with an isolation coat will assist in the varnish application. This will prevent the varnish from being absorbed within the surface and allow the varnish to function as an easily removable topcoat. This is especially important when using a Satin or Matte varnish because the liquid of the varnish can be absorbed into non-sealed areas leaving the matting solids exposed at the surface and creating a dusty or cloudy appearance. To determine if you have a substantial isolation coat, once the first isolation coat is dry, look at the painting at an angle and the presence of an even sheen should indicate an even surface ready for varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 12.35
1

Bob Ross - The Best of The Joy of Painting

Bob Ross - The Best of The Joy of Painting

By Annette Kowalski Includes 60 of Bob's favourites Easy to follow instructions Illustrated with thousands of step-by-step photographs As seen on The Joy of Painting TV series It's Bob Ross. The man with the gentle voice who can paint a landscape in thirty minutes right before your very eyes in your own living room. Reaching millions of homes every day, Bob Ross is unquestionably America's favorite art instructor. The Best of the Joy of Painting - Bob Ross's first book - contains sixty of his favourite paintings, all of them originally created during the Joy of Painting show. Each painting comes complete with a full-color photo and a series of black-and-white instructional photos, accompanied by step-by-step instructions that guide you through the painting process. With this book in hand, you will be amazed at the ease and skill with which you can create your own Bob Ross original.

GBP 21.99
1

Pébéo - Studio Green One Coat White Gesso 225ml

Pébéo - Studio Green One Coat White Gesso 225ml

Colour: Black Size(s): 225ml / 475ml sold individually Premium-Quality primer Excellent coverage with a smooth, matt finish Incredibly opaque, with high concentrations of Titanium White pigment Prepare any clean, non-greasy surface including canvas, paper, card, wood, plastic & more! Made use 100% recycled raw materials! Available in 2 sizes, this premium-quality One Coat White Gesso Primer is ideal for preparing surfaces for use with a variety of mediums including acrylic & oil colours. Featuring a higher concentration of Titanium White pigments, this Primer provides an incredibly opaque application for exceptional, long-lasting coverage. Drying quickly to a smooth, matt finish, it can be applied to any clean, non-greasy surface including canvas, paper, card, wood, plastic & more! Part of the new Studio Green range from Pebeo, these eco-designed acrylic mediums & primers are derived from 100% recycled raw material, offering a more sustainable creative alternative without sacrificing quality. Composed of several Gessos, a Binder, Fluid Medium & Phosphorescent Gel, the Studio Green range replaces the standard Petrochemical resin with a 100% recycled alternative, generating 6 - 7x less CO2 emissions than traditional binders & boasting comparable performance in terms of adhesion, strength, flexibility & durability. Additionally, all jars & bottles are also 100% recycled (not including caps & lids), and recyclable.

GBP 8.49
1

Pébéo - Studio Green One Coat White Gesso 475ml

Pébéo - Studio Green One Coat White Gesso 475ml

Colour: Black Size(s): 225ml / 475ml sold individually Premium-Quality primer Excellent coverage with a smooth, matt finish Incredibly opaque, with high concentrations of Titanium White pigment Prepare any clean, non-greasy surface including canvas, paper, card, wood, plastic & more! Made use 100% recycled raw materials! Available in 2 sizes, this premium-quality One Coat White Gesso Primer is ideal for preparing surfaces for use with a variety of mediums including acrylic & oil colours. Featuring a higher concentration of Titanium White pigments, this Primer provides an incredibly opaque application for exceptional, long-lasting coverage. Drying quickly to a smooth, matt finish, it can be applied to any clean, non-greasy surface including canvas, paper, card, wood, plastic & more! Part of the new Studio Green range from Pebeo, these eco-designed acrylic mediums & primers are derived from 100% recycled raw material, offering a more sustainable creative alternative without sacrificing quality. Composed of several Gessos, a Binder, Fluid Medium & Phosphorescent Gel, the Studio Green range replaces the standard Petrochemical resin with a 100% recycled alternative, generating 6 - 7x less CO2 emissions than traditional binders & boasting comparable performance in terms of adhesion, strength, flexibility & durability. Additionally, all jars & bottles are also 100% recycled (not including caps & lids), and recyclable.

GBP 16.99
1

Bob Ross - Base Coat Value Pack (4 x 100ml)

Bob Ross - Base Coat Value Pack (4 x 100ml)

Essential for the Bob Ross Wet-on-Wet Technique Blend and mix colours right on the canvas Can be used to thin colours Great for taking on the go Liquid base coats are essential to the Bob Ross Wet-on-Wet Technique. They allow you to actually blend and mix colours right on the canvas. They can also be used to thin other colours for application over thicker paints. The idea that a thin paint will stick to a thick paint is the basis for this entire technique. This is your take anywhere supply of Liquid White, Black, and Clear plus FREE Ross Brush Conditioner! Portable 100ml bottles fit in any bag or box. This assortment of Bob Ross mediums is ideal for the beginner's painting kit. It contains four 100ml bottles.

GBP 34.49
1

Search Press - Kawaii: How to Draw Cute Stuff

Search Press - Kawaii: How to Draw Cute Stuff

Author: Angela Nguyen Dimensions: 230 x 180mm Format: Paperback Pages: 128 Learn to draw anything in an adorable style Simple, pictorial step-by-step lessons No specialist materials required Includes 500 colour illustrations Perfect for beginners ENTER PLANET CUTE!!! Angela Nguyen teaches you how to draw anything & everything from people, animals, food & everyday objects in an adorable kawaii style. Requiring no special tools or materials, just grab a biro or marker and you're ready to go! The quick & easy exercises teach the fundamental techniques of kawaii illustration including basic shapes, effects and styles.  A perfect book for beginners to dive into & easily create their own kawaii characters using the easy to follow pictorial step-by-step sequences that make learning fun & simple. About the Author Also known as Pikarar, Angela Nguyen is a successful Seattle based artist known for her cute illustration style. Besides illustration, she's also a graphic designer trained in print, motion & packaging that's currently designing voice experiences for Amazon. An accomplished author, with an entire series of best-selling kawaii instructional books including How to Draw Cute Stuff, How to Draw Cute Animals & How to Draw Cute Food.

GBP 8.99
1

Faber-Castell - Felt Tip Pen Set (36pc)

Faber-Castell - Felt Tip Pen Set (36pc)

Ideal for drawing on paper, card and wood Bright ink colours Ventilated caps Water-based with food dyes Washes out of most fabrics Not suitable for children under 3 Approximate dimensions (mm): H 210 x W 134 This Faber-Castell felt tip pen set includes 36 pens in an attractive cardboard box. These fibre-tip pens have a robust points and are ideal for drawing on paper, cardboard and wood. Their bright ink colours are water-based and coloured with food dyes, so can be easily washed out of most fabrics. Not suitable for children under 3 years.

GBP 4.77
1

Marabu - Fixogum Rubber Cement (50g)

Marabu - Fixogum Rubber Cement (50g)

Intelligent elastic adhesive Fast-drying & transparent Acid-free, will not wrinkle paper Based on rubber latex & organic solvents Glued pieces are adjustable after mounting Versatile, easily achieve a light, firm or strong hold Ideal for crafts with paper, cardboard, plastic & more! Not age-resistant, may yellow.  Always try a test area first! From Marabu, Fixogum Rubber Cement is an intelligent elastic adhesive ideal for students, artists, hobbyists & professionals working on a variety of graphics & craft projects. Based on natural rubber latex & organic solvents, this acid-free adhesive applies easily & precisely thanks to the tube applicator, drying quickly to a transparent finish. Applying the glue to only one side provides a non-permanent hold, for a firmer bond it's best to coat both sides at once (for an even stronger hold, allow the glue to dry).  Any glued pieces are able to be adjusted after mounting & excess glue can be removed by hand, leaving no residue, for the perfect finish. Although acid-free, Fixogum is based on natural formulations & ingredients and is therefore not age-resistant. Due to this, it may yellow over time, so it's best to apply to a test area first, for reassurance.

GBP 10.49
1

GOLDEN - GAC 500 Gloss Extender for Fluid Acrylic Colours (237ml)

GOLDEN - GAC 500 Gloss Extender for Fluid Acrylic Colours (237ml)

Acrylic painting medium Fast-drying isolation coat Increases mar resistance Decreases dry film tack Made in the USA GAC 500: Gloss Extender For Fluid Acrylic Colours provides a unique balance of film hardness and flexibility. Mix 2 parts GAC 500 to 1 part High Flow Medium to produce a good spraying, fast-drying isolation coat. It is beneficial as an additive for acrylic paints for increasing mar resistance and decreasing dry film tack, without disturbing the balance between hardness and flexibility. Its also useful when working on flexible or rigid supports and offers a self-levelling working quality. GAC 500 dries to a high gloss film with good clarity and transparency. It's useful to hard-edge painters to seal masking tape for cleaner edges. Apply over masking tape. Let dry before applying an additional paint layer. About GAC Acrylic Polymers GACs can be blended with Golden Acrylic Paints to extend the paint, regulate transparency, create glazes, increase gloss, reduce viscosity or improve adhesion and film integrity. The GAC polymers can also be used for binding pigment solids for various effects and surfaces. Unlike the other Golden Mediums and Gels, GAC Acrylic Polymers have only a minimum amount of thickeners, levellers, defoamers and surfactants to ensure good film formation. The consistency of the GAC polymers is very fluid, and thinner than other Golden Mediums. Each GAC product represents a unique polymer that offers certain specific attributes. Therefore, each GAC will have its own unique benefits and applications. Mixing GAC polymers should be gently stirred or rocked back and forth prior to use, but should never be shaken, as this will incorporate significant amounts of foam which will be very difficult to eliminate. Foam can severely affect the transparency of the film causing an apparent foggy or hazy quality. When applying with a brush, use minimal agitation and force, and do not overwork, as this too will result in foaming. Spraying If spray application is desired, blend with Golden Airbrush Medium. Start at 2 parts GAC Medium to 1 part Airbrush Medium. When faster drying is required, replace the Airbrush Medium with Golden High Flow Medium. Varnishing The GAC polymers are intended for use as binders, modifiers or additives for acrylic paints. They are not intended for use as a final varnish. Golden Artist Colours manufactures two different varnish systems, Polymer Varnish and Mineral Spirit Acrylic (MSA) Varnish. About Golden Mediums Golden offer the widest range of mediums for acrylic painting. Their range includes gels, additives and effect pastes, which allows you to choose whatever qualities you desire for your acrylic painting: luminous glazes, gritty opaque structures, string effects, glassy areas or variable drying times. This expansive range gives rise to inspiring possibilities that allow you to do very unusual things. Whatever your needs, our Golden range has you covered.

GBP 15.60
1

Robersons - Clear Shellac Varnish (60ml)

Robersons - Clear Shellac Varnish (60ml)

Organic varnish Very hard surface Non-discolouring Derived from tree bark UV-resistant For whenever you need a hard, non-discolouring organic varnish. Shellac is collected from the bark of the kursum tree where the female lac bug excretes her sticky deposit. The raw shellac found mainly in India and Thailand, contains bark shavings and lac bug parts. It is placed in canvas socks and heated over a fire. This causes the shellac to liquefy and seep out leaving the bark and bug parts behind. The thick sticky shellac is then dried into a flat sheet. When needed this is broken up and mixed with alcohol to make liquid shellac. Shellac is UV-resistant and does not darken as it ages. Shellac gives a very hard surface and scratches less easily than lacquers and polyurethane. Damaged areas can easily be touched-up with another coat of shellac because the new coat melts itself into the existing coat. Don't buy more than you need as, being organic it has a short shelf life and should not be stored when opened.

GBP 11.99
1

Bob Ross - Liquid Oil Paint (237ml) Black

Bob Ross - Liquid Oil Paint (237ml) Black

Available in three varieties Essential for wet-on-wet techniques Can be used to thin oil colours Does not dilute colour intensity Made in the USA Liquid Oils are specially formulated liquid oil paints that are a staple of Bob Ross techniques. They are primarily used as a slow drying base coat for wet-on-wet techniques. The Bob Ross Wet-on-Wet Technique is dependent upon a wet surface to work into. Liquid Oils can also be used to thin other oil colours for application over thicker paint. Bob Ross Liquid Oil Clear provides a unique base coat to your painting surface. Liquid base coats are smooth and slow drying, and allow the blending and mixing of Bob Ross oil paints on the canvas. Liquid Oils do not dilute the intensity of colours and should be applied sparingly.

GBP 17.49
1

Bob Ross - Liquid Oil Paint (237ml) Clear

Bob Ross - Liquid Oil Paint (237ml) Clear

Available in three varieties Essential for wet-on-wet techniques Can be used to thin oil colours Does not dilute colour intensity Made in the USA Liquid Oils are specially formulated liquid oil paints that are a staple of Bob Ross techniques. They are primarily used as a slow drying base coat for wet-on-wet techniques. The Bob Ross Wet-on-Wet Technique is dependent upon a wet surface to work into. Liquid Oils can also be used to thin other oil colours for application over thicker paint. Bob Ross Liquid Oil Clear provides a unique base coat to your painting surface. Liquid base coats are smooth and slow drying, and allow the blending and mixing of Bob Ross oil paints on the canvas. Liquid Oils do not dilute the intensity of colours and should be applied sparingly.

GBP 17.49
1

Bob Ross - Liquid Oil Paint (237ml) White

Bob Ross - Liquid Oil Paint (237ml) White

Available in three varieties Essential for wet-on-wet techniques Can be used to thin oil colours Does not dilute colour intensity Made in the USA Liquid Oils are specially formulated liquid oil paints that are a staple of Bob Ross techniques. They are primarily used as a slow drying base coat for wet-on-wet techniques. The Bob Ross Wet-on-Wet Technique is dependent upon a wet surface to work into. Liquid Oils can also be used to thin other oil colours for application over thicker paint. Bob Ross Liquid Oil Clear provides a unique base coat to your painting surface. Liquid base coats are smooth and slow drying, and allow the blending and mixing of Bob Ross oil paints on the canvas. Liquid Oils do not dilute the intensity of colours and should be applied sparingly.

GBP 17.49
1

Inscribe - Half-Stick Soft Pastel Assorted Set (64pc)

Inscribe - Half-Stick Soft Pastel Assorted Set (64pc)

The UK's best selling soft pastels Set of half-length pastels in 64 colours Square shape allows for both block & detail work High pigment content for brilliance & vibrancy Inscribe soft pastels are the UK's best-selling brand for beginners, hobbyists & professionals looking for a cost-effective way of broadening their horizons artistically. The 48 half-length pastels included feature colours of unmatched strength & brilliance, thanks to their high pigment content.  Incredibly versatile, the square shape of these pastels allows for both bold & effective highlighting in large areas, or adding fine details & textures. Able to both blend beautifully & layer on one another for a number of effects & textures, we recommend using a smooth paper as opposed to textured, simply to provide the best surface for a number of uses.

GBP 14.99
1

Inscribe - Half-Stick Soft Pastel Assorted Set (48pc)

Inscribe - Half-Stick Soft Pastel Assorted Set (48pc)

The UK's best selling soft pastels Set of half-length pastels in 48 colours Square shape allows for both block & detail work High pigment content for brilliance & vibrancy Inscribe soft pastels are the UK's best-selling brand for beginners, hobbyists & professionals looking for a cost-effective way of broadening their horizons artistically. The 48 half-length pastels included feature colours of unmatched strength & brilliance, thanks to their high pigment content.  Incredibly versatile, the square shape of these pastels allows for both bold & effective highlighting in large areas, or adding fine details & textures. Able to both blend beautifully & layer on one another for a number of effects & textures, we recommend using a smooth paper as opposed to textured, simply to provide the best surface for a number of uses.

GBP 11.99
1

Inscribe - Half-Stick Soft Pastel Assorted Set (32pc)

Inscribe - Half-Stick Soft Pastel Assorted Set (32pc)

The UK's best selling soft pastels Set of half-length pastels in 32 colours Square shape allows for both block & detail work High pigment content for brilliance & vibrancy Inscribe soft pastels are the UK's best-selling brand for beginners, hobbyists & professionals looking for a cost-effective way of broadening their horizons artistically. The 32 half-length pastels included feature colours of unmatched strength & brilliance, thanks to their high pigment content.  Incredibly versatile, the square shape of these pastels allows for both bold & effective highlighting in large areas, or adding fine details & textures. Able to both blend beautifully & layer on one another for a number of effects & textures, we recommend using a smooth paper as opposed to textured, simply to provide the best surface for a number of uses.

GBP 8.49
1

Cowling & Wilcox - Italian Tissue Paper (20gsm) Yellow Green 31

Cowling & Wilcox - Italian Tissue Paper (20gsm) Yellow Green 31

The best quality tissue paper on the market Ideal for a range of art and craft applications 24 sheets per pack Each sheet measures approx. 50 x 76cm 20gsm paper Made in Italy Our fine coloured tissue paper is imported directly from Italy. Each pack contains 24 sheets of 20gsm tissue paper, and each sheet measures approximately 50 x 76cm. A great tool for both arts and hobby crafts, for both children and professional artists alike. We believe that this is the best quality tissue paper available on the market.

GBP 4.50
1

Cowling & Wilcox - Italian Tissue Paper (20gsm) Black 145

Cowling & Wilcox - Italian Tissue Paper (20gsm) Black 145

The best quality tissue paper on the market Ideal for a range of art and craft applications 24 sheets per pack Each sheet measures approx. 50 x 76cm 20gsm paper Made in Italy Our fine coloured tissue paper is imported directly from Italy. Each pack contains 24 sheets of 20gsm tissue paper, and each sheet measures approximately 50 x 76cm. A great tool for both arts and hobby crafts, for both children and professional artists alike. We believe that this is the best quality tissue paper available on the market.

GBP 4.50
1

Cowling & Wilcox - Italian Tissue Paper (20gsm) White 140

Cowling & Wilcox - Italian Tissue Paper (20gsm) White 140

The best quality tissue paper on the market Ideal for a range of art and craft applications 24 sheets per pack Each sheet measures approx. 50 x 76cm 20gsm paper Made in Italy Our fine coloured tissue paper is imported directly from Italy. Each pack contains 24 sheets of 20gsm tissue paper, and each sheet measures approximately 50 x 76cm. A great tool for both arts and hobby crafts, for both children and professional artists alike. We believe that this is the best quality tissue paper available on the market.

GBP 4.50
1

Cowling & Wilcox - Italian Tissue Paper (20gsm) Royal Blue 56

Cowling & Wilcox - Italian Tissue Paper (20gsm) Royal Blue 56

The best quality tissue paper on the market Ideal for a range of art and craft applications 24 sheets per pack Each sheet measures approx. 50 x 76cm 20gsm paper Made in Italy Our fine coloured tissue paper is imported directly from Italy. Each pack contains 24 sheets of 20gsm tissue paper, and each sheet measures approximately 50 x 76cm. A great tool for both arts and hobby crafts, for both children and professional artists alike. We believe that this is the best quality tissue paper available on the market.

GBP 4.50
1

Cowling & Wilcox - Italian Tissue Paper (20gsm) Cerise 65

Cowling & Wilcox - Italian Tissue Paper (20gsm) Cerise 65

The best quality tissue paper on the market Ideal for a range of art and craft applications 24 sheets per pack Each sheet measures approx. 50 x 76cm 20gsm paper Made in Italy Our fine coloured tissue paper is imported directly from Italy. Each pack contains 24 sheets of 20gsm tissue paper, and each sheet measures approximately 50 x 76cm. A great tool for both arts and hobby crafts, for both children and professional artists alike. We believe that this is the best quality tissue paper available on the market.

GBP 4.50
1

Cowling & Wilcox - Italian Tissue Paper (20gsm) Dark Green 38

Cowling & Wilcox - Italian Tissue Paper (20gsm) Dark Green 38

The best quality tissue paper on the market Ideal for a range of art and craft applications 24 sheets per pack Each sheet measures approx. 50 x 76cm 20gsm paper Made in Italy Our fine coloured tissue paper is imported directly from Italy. Each pack contains 24 sheets of 20gsm tissue paper, and each sheet measures approximately 50 x 76cm. A great tool for both arts and hobby crafts, for both children and professional artists alike. We believe that this is the best quality tissue paper available on the market.

GBP 4.50
1