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Spectrum For Clarinet

Spectrum For Clarinet

Spectrum for Clarinet is an inspiring collection of specially commissioned pieces by sixteen contemporary composers. An introduction to music of today, it reflects compositional trends from the millennium so far while containing technically accessible material for players of all ages. There is at least one piece at each of the ABRSM grades 1-8 ensuring the collection will be revisited time and again. Also included is an exciting recording of all sixteen pieces, featuring Ian Mitchell himself on Clarinet with pianist Thalia Myers.

SEK 390.00
1

Spectrum For Violin - 16 Contemporary Pieces

Spectrum For Violin - 16 Contemporary Pieces

Spectrum For Violin is an exciting introduction to the music of today for all violinists. The 16 pieces included have been specially commissioned from some of today's leading composers and reflect current compositional trends. With at least one piece at each of Grades 1 to 8, there's something here for players of all ages and abilities.Included is a a recording of the 16 pieces, performed by violinist Alexandra Wood - compiler of this volume - and pianist Thalia Myers. The CD also contains recorded accompaniments for the two works composed for Violin and soundtrack.With pull-out Piano accompaniment part.

SEK 390.00
1

Domenico Scarlatti: Scarlatti For Guitar

Domenico Scarlatti: Scarlatti For Guitar

After the Piano and Harpsichord, the Guitar is the instrument most associated with Domenico Scarlatti (1685-1757). Many of his Keyboard works were influenced by the Guitar music of Spain, his adopted country. This collection of arrangements for solo Guitar is an ideal introduction to Scarlatti's music. The ten varied pieces were carefully chosen for their musical character and technical suitability. Placed in order of difficulty, they reflect the range of skills required for Baroque repertoire, at intermediate and advanced levels. Stylish and idiomatic adaptations, preserving the original ornamentations. Core repertoire for Grades 6-8, with pieces on the ABRSM Guitar syllabus. Carefully considered fingering, both clear and consistent. Advice on ornaments, including full realizations.

SEK 210.00
1

Paul Harris: Funfare For Horn

Paul Harris: Funfare For Horn

Written in a colourful and imaginative style designed to appeal to young horn players and their teachers the pieces are all written in different time signatures and explore some interesting and occasionally challenging rhythms ‘They come with piano accompaniment and are all written with different time-signatures and explore some interesting, and occasionally challenging, rhythms for the young player.’ Music Business ‘Paul Harris takes the funfare for his characteristic, descriptive pieces for learners just in, or below, the stave... learning material of true worth.’ Music Teacher

SEK 161.00
1

Alan Bullard: Sixty For Sax

Alan Bullard: Sixty For Sax

Sixty For Sax is an unmissible collection of studies that cover the full range of musical styles with challenges for players of all abilities. Discover the versatility of your Saxophone - this progressive set of sixty studies varies from the sad, sorrowful and bluesy to jumping Jazz and elegant Classical tunes. Each study is designed to address a particular Saxophone technique, from legato slurs to stuttering staccatos, and each study is written in a characterful style that reflects the style of playing. The studies are intended to provide a systematic coverage of different aspects of technique, from Grades 1 all the way up to 8, and all are directly applicable to the playing standards required for the ABRSM examination program for both Tenor and Alto Saxophones.

SEK 141.00
1

Michael Rose: A Sketchbook for Violin

Michael Rose: A Sketchbook for Violin

A delightful album of pieces in contrasting styles for young violinists. All of the pieces may be played in first position and provide useful practice of various aspects of technique such as reading bowing symbols, mixed phrasing, legato and staccato playing, all of which will help build the young player’s confidence. All the pieces can be played in the first position and the music is clear and well-edited. These are excellent pieces for developing a sense of style and the writing for both instruments [including A Sketchbook for Cello] is imaginative . David Rothwell, ISM Magazine

SEK 145.00
1