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100 Ultimate Soul, Funk and R&B Grooves

100 Ultimate Soul, Funk and R&B Grooves

As playing funk styles is a passion of Andrew’s, he has written this instructional book “100 Ultimate Soul, Funk and R&B Grooves” based on the influences of the great Funk, Soul and R&B artists such as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG’s, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Trumpet part playing along with a rhythm section of guitar, bass, drums, keyboards and in many of the grooves, percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks. Percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves.

SEK 345.00
1

100 Ultimate Soul, Funk and R&B Grooves

100 Ultimate Soul, Funk and R&B Grooves

As playing funk styles is a passion of Andrew’s, he has written this instructional book “100 Ultimate Soul, Funk and R&B Grooves” based on the influences of the great Funk, Soul and R&B artists such as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG’s, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Trumpet part playing along with a rhythm section of guitar, bass, drums, keyboards and in many of the grooves, percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks. Percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves.

SEK 345.00
1

Medieval Music For Mandolin Bk 2 Bk/Cd

Medieval Music For Mandolin Bk 2 Bk/Cd

Medieval Mandolin Voume 2 by Allan Alexander.These medieval pieces sound great on the mandolin. They also lay right under the fingers. There is both notation and TAB and no page turns for any of the pieces in this book. The reason? This book is made for musicians, by musicians. You can get the book with a CD and the guitar and mandolin are separate tracks. You can turn the mandolin totally off and play with the cd. There is no "Tick Tick" before the pieces, instead there are two measures of intro with the guitar, so you can sit and listen to the CD and become familiar with the pieces without it sounding like a learning CD. There are chords with the music and at the end of the book, there are examples of what the guitar is doing for many of the tunes in both tablature and notation. These tunes sound terrific, and are a great addition to any repertoire. You can use them for any kind of gig, or you can try doing some medieval fairs, medieval feasts or medieval weddings. The bowl back mandolin looks so much like the lute, most people would never know the difference. Often when I play the lute, they ask me if it's a mandolin. I play lute, guitar and more recently mandolin. I know the music. These pieces are particulary suited for the sound of the mandolin. I love playing them. The book is beautiful and scored professionally. The paper is heavy stock. The titles may not make a lot of sense, but these are great pieces. Many have variations to make them longer.

SEK 279.00
1

Medieval Music For Mandolin Bk 1 Bk/Cd

Medieval Music For Mandolin Bk 1 Bk/Cd

Please Note: Special Import Item - must be a firm order(Cannot be cancelled once in process)This is a high quality collection of Easy Pieces for Mandolin. If you play the mandolin, this is a must have book/cd collection. These medieval pieces sound great on the mandolin. They also lay right under the fingers. There is both notation and TAB and no page turns for any of the pieces in this book. The reason? This book is made for musicians, by musicians. The book comes with a CD and the guitar and mandolin are on separate tracks. You can turn the mandolin totally off and play with the cd. There are two measures of intro with the guitar, so you can sit and listen to the CD and become familiar with the sounds of the pieces without it sounding like a learning CD. There are chords with the music and at the end of the book, there are examples of what the guitar is doing for many of the tunes in both tablature and notation. These tunes sound terrific, and are a great addition to any repertoire. You can use them for any kind of gig, or you can try doing some medieval fairs, medieval feasts or medieval weddings. The bowl back mandolin looks so much like the lute, most people would never know the difference. Allan the author plays the lute, guitar and more recently mandolin and has a wealth of knowledge about the music. These pieces are particulary suited for the sound of the mandolin. The book is beautiful and scored professionally. The titles may not make a lot of sense, but these are great pieces with many of them having variations to make them longer. We do not believe there is another book like this available

SEK 269.00
1

American Folk Music For Flute

American Folk Music For Flute

American folk music is just right for flute. From the lyrical beauty of Amazing Grace and Shenandoah to the rollicking good fun of Lane County Bachelor and Old Joe Clark, these 34 tunes will keep you playing ? and keep your listeners dancing and singing. All of the tunes can be played on flute alone, or with piano, guitar, or any chord instrument. Chord symbols are included with the music. The lyrics are included in the book. Lyrics can help with learning rhythm, or with memorization of the melody. They allow the player to sing as well as play, or to invite others to sing along. Besides, they are fun. The Play-Along CD includes two sections. The first section of the CD includes all of the tunes, with Jessica Walsh on flute and Andrew D. Gordon on piano. The second section is a Play-Along, featuring wonderful piano accompaniments arranged by Anita Briggs. The music notation for the piano accompaniments is in PDF format and is available for download.

SEK 259.00
1

Latin Solo Series for Tenor Sax

Latin Solo Series for Tenor Sax

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting offpoint for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track, around 3 minutes in length, recorded without the solo part so you can practice the riffs that you have learned. Also, these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible.

SEK 345.00
1

Latin Solo Series for Accordion

Latin Solo Series for Accordion

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting offpoint for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track, around 3 minutes in length, recorded without the solo part so you can practice the riffs that you have learned. Also, these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible.

SEK 345.00
1

Latin Solo Series for Alto Sax

Latin Solo Series for Alto Sax

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting offpoint for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track, around 3 minutes in length, recorded without the solo part so you can practice the riffs that you have learned. Also, these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible.

SEK 345.00
1

Andrew D. Gordon: Blues Horn Ensemble Playing For B Flat And E Flat Instruments

Andrew D. Gordon: Blues Horn Ensemble Playing For B Flat And E Flat Instruments

Blues Horn Ensemble Playing is the result of the combined efforts of Andrew D. Gordon and Frank Villafranca to present the material in a way in which beginning and intermediate horn players can gain an understanding of blues ensemble playing quickly and easily.The twenty examples recorded on the CD provide a dual purpose. They take you through a variety of musical styles including, swing blues, slow blues, funky blues, jazz blues, latin blues, minor blues, mostly based on the standard 12 bar blues chord progression and include four choruses each. The first two choruses are recorded with the horns and rhythm section consisting of keyboards, guitar, bass and drums and the last two choruses are rhythm section only. On the last two choruses you may want to play the riffs again or practice playing your own melodic blues solos.These examples will help you build a repertoire of riffs you can use in a live situation. Hopefully, they will also provide inspiration to help you come up with your own ideas.

SEK 345.00
1

Latin Solo Series for Trumpet

Latin Solo Series for Trumpet

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting offpoint for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track, around 3 minutes in length, recorded without the solo part so you can practice the riffs that you have learned. Also, these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible.

SEK 345.00
1

Courtiere, M: Folk And Country Waltzes For Guitar + Cd

Courtiere, M: Folk And Country Waltzes For Guitar + Cd

Folk & Country Waltzes for Guitar contain 50 well known waltzes fully notated in the book and played on the CD with a full backing band. (play-a-long tracks including melody line played by another instrument). These pieces are all easy to learn. If you do not read music well (or at all) you can pick up the melody from the CD. The book can be used to build a repertoire of waltz music. At live engagements, especially weddings, the audience will always ask for a few waltzes. The material in this book covers a wide range of tempos and styles, not just slow waltzes. The melodies of these pieces are easily recognizable although you may not remember the name of a specific tune. Many of the tunes are very well known such as: Daisy, Home On The Range, Anniversary Waltz, After The Ball, Ash Grove, Greensleeves, Laredo, Scarborough Fair, Star Of The County Down, The Black Velvet Band, The Greenwood Tree, Southwind, The Four Marys, Barbara Allen, Flowers Of The Thorn, Beautiful Brown Eyes, Give Me Your Hand and many more.

SEK 345.00
1

Miles Courtiere: Folk And Country Waltzes For Fiddle

Miles Courtiere: Folk And Country Waltzes For Fiddle

There are 50 well known waltzes fully notated in the book and played on the CD with a full backing band. (play-a-long tracks including melody line played by another instrument). These pieces are all easy to learn. If you do not read music well (or at all) you can pick up the melody from the CD. The book can be used to build a repertoire of waltz music. At live engagements, especially weddings, the audience will always ask for a few waltzes. The material in this book covers a wide range of tempos and styles, not just slow waltzes.The melodies of these pieces are easily recognizable although you may not remember the name of a specific tune. Many of the tunes are very well known such as: Daisy, Home On The Range, Anniversary Waltz, After The Ball, Ash Grove, Greensleeves, Laredo, Scarborough Fair, Star Of The County Down, The Black Velvet Band, The Greenwood Tree, Southwind, The Four Marys, Barbara Allen, Flowers Of The Thorn, Beautiful Brown Eyes, Give Me Your Hand and many more.

SEK 231.00
1

Latin Solo Series for Organ

Latin Solo Series for Organ

The idea for this book series is to give instrumentalists the opportunity to practice solo improvisational techniques while playing along to rhythm tracks of keyboards, guitar, bass, drums/percussion in various different Latin styles including Calypso, Mambo, Salsa, Songo, Bossa, Guaracha, Samba and Latin-Blues. The 24 grooves totalling over 200 riffs/phrases and play-a-long tracks consists of a variety of tempos and keys. Each groove has a variety of riffs to learn that are generally 4 or 8 measures in length. It would be beneficial if you could memorize these riffs so that you can experiment using different permutations of the riffs as well as being used as a starting offpoint for one's own improvisations. Each riff has been recorded with a rhythm track with each style having an extended play-a-long track, around 3 minutes in length, recorded without the solo part so you can practice the riffs that you have learned. Also, these musical phrases or riffs may be interchanged from one groove to another and should be learned in as many keys as possible.

SEK 385.00
1

Ben Tompsett: Ultimate Funk Grooves For B Flat Saxophone

Ben Tompsett: Ultimate Funk Grooves For B Flat Saxophone

This book contains 92 riifs that showcase the different ways in which the soloist can create a distinct Funk sound to their playing. The audio CD that comes with the book contains 31 different grooves that accompany each of the riffs, influenced by the aforementioned artists, and covers a wide range of different Funk styles from the mid-sixties to the present day.The book is intended for the musician who wants to practically develop their playing style and improvisation technique in this genre.

SEK 345.00
1

Ben Tompsett: Ultimate Funk Grooves For E Flat Saxophone

Ben Tompsett: Ultimate Funk Grooves For E Flat Saxophone

Funk and its infectious style remains a popular part of today?s music. This book contains ninety-two riffs that showcase the different ways you can create a distinct Funk sound to your playing. The included audio CD contains thirty-one different grooves to accompany each of the riffs, influenced by the greatest Funk artists, and covers a wide range of different Funk styles from the mid-sixties to the present day. The book will help you develop your Funk playing style and improvisation technique.

SEK 347.00
1

Allan Alexander: Music Of Spain And South America For Flute

Allan Alexander: Music Of Spain And South America For Flute

This folio contains 42 pieces which can be played solo or with a chord instrument. This great collection includes music from the Spain and South America. Most of the pieces have been extended with variations, which make the tunes a more suitable length for performances. Allan Alexander has also included four pages of extensive performance notes on the pieces in the book, to give you the opportunity to place the piece in its historical and musicological context. Every tune in the book is also included on the digitally mastered CD. Though the tunes are very effective as solo material, they are made even more spectacular with guitar accompaniment. For the player who is new to music of Spain and South America, the recording will give insights into the melodies, and it will allow the flutist who has no access to a chord instrument to hear and play along with the guitar as the flute part can be turned down by fading one channel. For those who know some of these wonderful tunes, it will be a joy to have the music and hear them played by two musicians who obviously love to play this music together.

SEK 329.00
1

American Folk Music for Recorder

American Folk Music for Recorder

American folk music is just right for Recorder. There are 34 songs in this collection, from the lyrical beauty of Amazing Grace and Shenandoah to the rollicking good fun of Lane County Bachelor and Old Joe Clark, these tunes will keep you playing ? and keep your listeners dancing and singing. All of the tunes are notated for soprano recorder. They can be played on recorder alone, or with piano, guitar, or any chord instrument. Chord symbols are included with the music. The lyrics are included in the book. Lyrics can help with learning rhythm, or with memorization of the melody. They allow the player to sing as well as play, or to invite others to sing along. Besides, they are fun. The Play-along CD has separate channels for Recorder and Piano accompaniment. The first section of the CD includes all of the tunes, with Jessica Walsh on Recorder and Andrew D. Gordon on piano. The second section is a Play-Along, featuring wonderful Piano accompaniments arranged by Anita Briggs. The music notation for the Piano accompaniments are available as PDF files for download.

SEK 345.00
1

Andrew D. Gordon: Ultimate Blues Organ Riffs

Andrew D. Gordon: Ultimate Blues Organ Riffs

Ninety-six riffs, in many different keys, covering a wide range of blues organ styles including Blues, Funk, Gospel, jazz and Rock. The musical notation consists of the right and left parts as well as the bass line. All 96 samples have been recorded on the accompanying CD twice. The first time with the organ right-hand and left-hand part bass, rhythm guitar and drums. The second time has just bass, rhythm guitar and drums recorded so that you can step into the spotlight and play along with the rhythm section.

SEK 269.00
1

Andrew Gordon: 100 Ultimate Jazz Riffs - Guitar

Andrew Gordon: 100 Ultimate Jazz Riffs - Guitar

100 Ultimate Jazz Riffs for Guitar by Andrew D. Gordon and Jo De Sa consists of, as the title suggests, 100 Jazz riffs based on chord progressions used in jazz such as the II-V-I, II-VI-II-V etc. Most jazz as well as pop standards such as Misty, Satin Doll, Blue Moon, This Masquerade and Europa use these types of chord progressions. There are five separate sections: Jazz Swing, Jazz Ballad, Jazz Funk, Jazz Waltz, and Latin Jazz. At the end of the book there is the chord progression for the popular jazz standard Blue Moon showing you how to use various examples from over 100 riffs to create an improvised solo over the chord progression. By demonstrating this technique you can pick most jazz standards and create your own improvisational ideas using the book.The accompanying CD is recorded with the guitar as the melody instrument along with the piano, bass and drums. All of the examples are recorded with the guitar playing with the rhythm section at the normal tempo followed by, just the rhythm section playing the normal tempo so that the soloist can practice along. The more difficult examples have been recorded with the rhythm section playing at a slowed down tempo.

SEK 385.00
1

Andrew D. Gordon: The Bluesier Side Of Jazz - Piano/Keyboards

Andrew D. Gordon: The Bluesier Side Of Jazz - Piano/Keyboards

The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt.Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as "Watermelon Man", "Blue Monk", "Tenor Madness", "Route 66", "Blue Trane", "Bag's Groove" starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs.

SEK 385.00
1

Andrew D. Gordon: The Bluesier Side Of Jazz - Flute

Andrew D. Gordon: The Bluesier Side Of Jazz - Flute

The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt.Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as "Watermelon Man", "Blue Monk", "Tenor Madness", "Route 66", "Blue Trane", "Bag's Groove" starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs.

SEK 385.00
1

Gabriel Rosati/Darrow Hunt: The Latin Saxophone Soloist - B Flat/E Flat Instruments

Gabriel Rosati/Darrow Hunt: The Latin Saxophone Soloist - B Flat/E Flat Instruments

Latin Saxophone Soloist by Gabriel Rosati & Darrow Hunt provides an extensive study into the various Latin saxophone styles including: Salsa, Mambo, Merengue, Calypso, Cha Cha etc. These exciting 50 examples will have you spending many enjoyable hours learning the intricacies of Latin saxophone playing. The book is transcribed note for note (for both Bb & Eb instruments) from the superbly recorded audio CD. Each example is recorded twice, the first version with Sax, Piano, Bass and Percussion and the second version with just Piano, Bass and Percussion so that the Sax player can practise along with the rhythm section.

SEK 345.00
1

Salsa Afro Cuban Montunos For Piano

Salsa Afro Cuban Montunos For Piano

Salsa And Afro Cuban Montunos For Piano is an extremely informative 100 page book containing over 400 musical examples showing you how to play in these aforementioned Latin styles. Mr. Campos who teaches a course in Latin piano styles at the Berklee School Of Music originates from Lima Peru and has studied Latin music for over 20 years. This book contains great study material for learning the various techniques and rhythms used in playing Latin piano styles. It can be used as a source to practice reading syncopated rhythms. A CD of Latin percussion rhythm tracks to play along with accompanies the book.

SEK 410.00
1

Andrew D. Gordon/Frank Villafranca: The Bluesier Side Of Jazz - Tenor Saxophone/B Flat Instruments

Andrew D. Gordon/Frank Villafranca: The Bluesier Side Of Jazz - Tenor Saxophone/B Flat Instruments

The Bluesier Side of Jazz for Tenor Saxophone and Bb instruments by Andrew D. Gordon and Frank Villafranca was inspired by the piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt.Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as "Watermelon Man", "Blue Monk", "Tenor Madness", "Route 66", "Blue Trane", "Bag's Groove" starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs.The package includes:Book or PDF file30 audio tracks to play on your CD player or computerOver 200 mp3 filesOver 200 MIDI files

SEK 385.00
1