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Gospel Riffs God Would Love To Hear- Organ

Gospel Riffs God Would Love To Hear - Piano

Andrew D. Gordon: 60 Of The Funkiest Keyboard Riffs Known To Mankind

Gordon, Andrew G: Gospel Riffs God Would Love To Hear + Cd

The Solo Workout For Guitar

Merengue Piano Styles

Merengue Piano Styles

This book is the latest addition to Carlos Campos? series of Afro-Latin books for keyboard. Mr. Campos? previous books in this genre are Salsa: Afro-Cuban Montunos for Piano, Salsa: Further Adventures in Afro-Cuban Music, Latin Jazz Piano Vol. 1, Ultimate Latin Riffs and Salsa: Afro-Cuban Montunos for Guitar.In Merengue Piano Styles, Mr. Campos delves into an aspect of the music of the Dominican Republic called merengue, known for its intricate rhythms and ultra fast tempos. Mr. Campos divides most of the examples in this book into ?Derecho? and ?Pambiche? styles. Selected examples are included in the accompanying CD, recorded at different tempos. Tracks containing bass and percussion only are also included.The complete set of recordings containing every example in this book are also available in high quality mp3 files (over 300 megabytes of mp3 files) and/or midi files, see below.While living in Boston, Carlos Campos spent many years studying and performing this particular genre with many merengue bands in the New England area. He later arranged, produced and recorded for several merengue artists. In the past, the only way to learn how to play the different styles of Afro-Latin music was to live in an area where that music genre was already very popular, so that one might connect with as many authentic musicians as possible, learning one pattern here, another there, via a very slow learning process that could take years if not decades to accomplish.Even though the process of immersing oneself fully and experientially into the musical style of our choosing is absolutely necessary for our musical growth, the need for concise, well-written and organized materials, written by someone who knows and lives this type of music is also essential.We at ADG believe that Mr. Campos? books have done a great service to the musical community by making Afro-Latin musical styles more accessible to students worldwide. We hope that this book and the rest of Mr. Campos? books find a special place in your musical world and that they become an integral part of your daily musical practice.

SEK 410.00
1

Andrew Gordon: 100 Ultimate Blues Riffs - Piano/Keyboards

Folk Songs For Guitar From Near And Far

Latin Solo Series for Violin

Latin Solo Series for Piano/Keyboards

Latin Solo Series for Guitar

Latin Solo Series for Flute

Andrew D. Gordon: The Bluesier Side Of Jazz - Flute

Andrew D. Gordon: The Bluesier Side Of Jazz - Flute

The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt.Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as "Watermelon Man", "Blue Monk", "Tenor Madness", "Route 66", "Blue Trane", "Bag's Groove" starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs.

SEK 385.00
1

Andrew D. Gordon: The Bluesier Side Of Jazz - Piano/Keyboards

Andrew D. Gordon: The Bluesier Side Of Jazz - Piano/Keyboards

The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt.Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as "Watermelon Man", "Blue Monk", "Tenor Madness", "Route 66", "Blue Trane", "Bag's Groove" starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs.

SEK 385.00
1

Andrew D. Gordon: Funky Organ Grooves

Andrew D. Gordon/Frank Villafranca: The Bluesier Side Of Jazz - Alto Saxophone/E Flat Instruments

Andrew D. Gordon/Frank Villafranca: The Bluesier Side Of Jazz - Alto Saxophone/E Flat Instruments

The Bluesier Side of Jazz for Alto Saxophone and Eb instruments by Andrew D. Gordon and Frank Villafranca was inspired by the piano students Andrew teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt.Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as "Watermelon Man", "Blue Monk", "Tenor Madness", "Route 66", "Blue Trane", "Bag's Groove" starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs.The package includes:Book or PDF file30 audio tracks to play on your CD player or computerOver 200 mp3 filesOver 200 MIDI files

SEK 385.00
1

Andrew D. Gordon/Frank Villafranca: The Bluesier Side Of Jazz - Tenor Saxophone/B Flat Instruments

Andrew D. Gordon/Frank Villafranca: The Bluesier Side Of Jazz - Tenor Saxophone/B Flat Instruments

The Bluesier Side of Jazz for Tenor Saxophone and Bb instruments by Andrew D. Gordon and Frank Villafranca was inspired by the piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt.Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales.Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as "Watermelon Man", "Blue Monk", "Tenor Madness", "Route 66", "Blue Trane", "Bag's Groove" starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs.The package includes:Book or PDF file30 audio tracks to play on your CD player or computerOver 200 mp3 filesOver 200 MIDI files

SEK 385.00
1