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Ten Pocket-Sized Trios

Ten Pocket-Sized Trios

Ten Pocket-Sized Trios is a collection of vignettes arranged for flute, guitar, and cello by Jan Boland (with guitar adaptations by John Dowdall). For two of the titles, there is an alto flute transposition of the C flute part. Additionally, for the entire collection, the cello part can be considered optional. Ten Pocket-Sized Trios is a collection of vignettes arranged for flute, guitar, and cello by Jan Boland (with guitar adaptations by John Dowdall). For two of the titles, there is an alto flute transposition of the C flute part. Additionally, for the entire collection, the cello part can be considered optional.

SEK 298.00
1

French Nativity Suite

French Nativity Suite

Three lovely traditional Christmas carols are beautifully set and can be played separately or as a suite. These pieces each capture the magic of melody as well as the dance-like essence of this music. Songs include: Il Est Ne, Un Flambeau, Jeanette Isabella (Bring a Torch, Jeanette Isabella), and Pat-a-Pan. Three lovely traditional Christmas carols are beautifully set and can be played separately or as a suite. These pieces each capture the magic of melody as well as the dance-like essence of this music. Songs include: Il Est Ne, Un Flambeau, Jeanette Isabella (Bring a Torch, Jeanette Isabella), and Pat-a-Pan.

SEK 298.00
1

Perpetual Motion

Perpetual Motion

A rollicking tune from Johann Strauss, Jr., sure to get stuck in your head. This piece is performed by the Vienna Philharmonic every New Year's Eve. The arrangement includes many piccolo and flute excerpts from the original work! It can be performed with just a flute quartet, or an entire flute choir, accompanied by string orchestra and percussion. A rollicking tune from Johann Strauss, Jr., sure to get stuck in your head. This piece is performed by the Vienna Philharmonic every New Year's Eve. The arrangement includes many piccolo and flute excerpts from the original work! It can be performed with just a flute quartet, or an entire flute choir, accompanied by string orchestra and percussion.

SEK 548.00
1

Sakura Sakura Variations

Sakura Sakura Variations

Cherry blossoms falling one by one on a timeless day in Japan. All of a sudden, the wind blows the petals off of the branches and into the air. All you can see is light pink falling all around you. The blossoming of the flowers symbolize a time of renewal, but the sea of flowers don’t last long. The Japanese feel that the magic of Cherry blossoms lie in their short, but breathtakingly beautiful life. The Sakura Sakura Variations for Flute Choir by Kazuko Stratmann is a versatile work which can be performed with a large flute ensemble, as well as a smaller chamber group with one player on each part. It is full of different colors and effects, enabling players the opportunity toimitate the sounds of two types of Japanese flutes, the Shinobue and the Shakuhachi. Cherry blossoms falling one by one on a timeless day in Japan. All of a sudden, the wind blows the petals off of the branches and into the air. All you can see is light pink falling all around you. The blossoming of the flowers symbolize a time of renewal, but the sea of flowers don’t last long. The Japanese feel that the magic of Cherry blossoms lie in their short, but breathtakingly beautiful life. The Sakura Sakura Variations for Flute Choir by Kazuko Stratmann is a versatile work which can be performed with a large flute ensemble, as well as a smaller chamber group with one player on each part. It is full of different colors and effects, enabling players the opportunity toimitate the sounds of two types of Japanese flutes, the Shinobue and the Shakuhachi.

SEK 268.00
1

The Swan and The Elephant : from The Carnival of the Animals

The Swan and The Elephant : from The Carnival of the Animals

One of Camille Saint-Saens most popular works is The Carnival of the Animals, composed in 1886 for two pianos and small chamber orchestra. Two of the movements, The Swan and The Elephant have been arranged here for solo bass clarinet with clarinet choir accompaniment. Additionally, The Elephant can be performed as a contra clarinet (and/or string bass) feature, with the parts provided in the set. One of Camille Saint-Saens most popular works is The Carnival of the Animals, composed in 1886 for two pianos and small chamber orchestra. Two of the movements, The Swan and The Elephant have been arranged here for solo bass clarinet with clarinet choir accompaniment. Additionally, The Elephant can be performed as a contra clarinet (and/or string bass) feature, with the parts provided in the set.

SEK 298.00
1

Scherzino

Scherzino

The Scherzino of Joachim Andersen (1847—1909) belongs to his opus 55 collection of eight recital pieces. Here, it is arranged by Matt Johnston for solo flute with the accompaniment of strings (the double bass part is optional). Additionally, this work is available in another volume for solo flute and flute choir, such that a string orchestra and flute choir can play this piece together. The Scherzino of Joachim Andersen (1847—1909) belongs to his opus 55 collection of eight recital pieces. Here, it is arranged by Matt Johnston for solo flute with the accompaniment of strings (the double bass part is optional). Additionally, this work is available in another volume for solo flute and flute choir, such that a string orchestra and flute choir can play this piece together.

SEK 398.00
1

Meditation

Meditation

An original work for Alto Clarinet (in E-flat) or Basset Horn (in F) and Piano based on "The Little Prelude in C minor" by J.S. Bach. Much like Charles Gounod based his "Ave Maria" on the first prelude of the Well-Tempered Clavier, Dan Fox has created a beautiful melody which floats over the accompaniment. This work can be played with either an Alto Clarinet or a Basset Horn. An original work for Alto Clarinet (in E-flat) or Basset Horn (in F) and Piano based on "The Little Prelude in C minor" by J.S. Bach. Much like Charles Gounod based his "Ave Maria" on the first prelude of the Well-Tempered Clavier, Dan Fox has created a beautiful melody which floats over the accompaniment. This work can be played with either an Alto Clarinet or a Basset Horn.

SEK 198.00
1

The Christmas Flutist: 20 Songs and Carols

The Christmas Flutist: 20 Songs and Carols

The Christmas Flutist is a collection of 20 Songs and Carols arranged for solo flute by Judy Nishimura. The perfect companion for a flutist looking for music to play at a church service, a solo gig, or just to enjoy at home. Additionally, each arrangement has retained the key signature most commonly associated with the tune, thus they can easily be used as a prelude or introduction to the same titles used during a church service. The Christmas Flutist is a collection of 20 Songs and Carols arranged for solo flute by Judy Nishimura. The perfect companion for a flutist looking for music to play at a church service, a solo gig, or just to enjoy at home. Additionally, each arrangement has retained the key signature most commonly associated with the tune, thus they can easily be used as a prelude or introduction to the same titles used during a church service.

SEK 198.00
1

Adagio and Allegro, Op. 70

Adagio and Allegro, Op. 70

Robert Schumann (1810-1856), composed this Adagio and Allegro, Op. 70, for horn and piano in 1859. Along with the Fantasy Pieces for clarinet and piano, and the Three Romances for oboe and piano, it rounds out his small yet important output of solo repertoire for wind instruments. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn. Robert Schumann (1810-1856), composed this Adagio and Allegro, Op. 70, for horn and piano in 1859. Along with the Fantasy Pieces for clarinet and piano, and the Three Romances for oboe and piano, it rounds out his small yet important output of solo repertoire for wind instruments. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.

SEK 218.00
1

Fantomas

Fantomas

Fantomas for Two (or Three) Flutes and Piano by Eugene Magalif is based on a theme and sequence of chords which the composer and a friend sometimes played as kids: "This funny and mysterious theme was easy to play on piano, four-hands. At that time, the French movie "Fantômas" was on the cinema screens and we called this music by the name of a clever criminal – the main character of the movie." This edition can be played by either two or three flutes and piano.Fantomas for Two (or Three) Flutes and Piano by Eugene Magalif is based on a theme and sequence of chords which the composer and a friend sometimes played as kids: "This funny and mysterious theme was easy to play on piano, four-hands. At that time, the French movie "Fantômas" was on the cinema screens and we called this music by the name of a clever criminal – the main character of the movie." This edition can be played by either two or three flutes and piano.

SEK 248.00
1

Giocara

Giocara

Louis Anthony deLise's Giocara for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. As the title implies, (giocara means "to play"), this collection is all about playfulness, and consists of three works: Three Little Dancers, A Preponderance of Sevenths, and Petite Fall Fanfare. Though originally composed for flute and pedal harp, included in this edition are lever harp arrangements of the first two movements. The third movement, being primarily diatonic, can be played on lever harp with the notes included.Louis Anthony deLise's Giocara for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. As the title implies, (giocara means "to play"), this collection is all about playfulness, and consists of three works: Three Little Dancers, A Preponderance of Sevenths, and Petite Fall Fanfare. Though originally composed for flute and pedal harp, included in this edition are lever harp arrangements of the first two movements. The third movement, being primarily diatonic, can be played on lever harp with the notes included.

SEK 248.00
1

Apres un Reve

Apres un Reve

Although mostly known for his orchestral music and Requiem, Gabriel Faure (1845 - 1924) composed more than 70 works for voice and piano, and was once commended by Maurice Ravel for saving French vocal music from the dominance of the German lied. One of the most famous of these art songs, Apres un reve (Op. 7, No. 1) is arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.Although mostly known for his orchestral music and Requiem, Gabriel Faure (1845 - 1924) composed more than 70 works for voice and piano, and was once commended by Maurice Ravel for saving French vocal music from the dominance of the German lied. One of the most famous of these art songs, Apres un reve (Op. 7, No. 1) is arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.

SEK 198.00
1

Sonata in F Minor

Sonata in F Minor

Georg Philipp Telemann (1681-1767), is one of the most prolific composers of all time. He wrote a great amount of music for wind instruments, including many concerti and sonatas for flute, oboe and bassoon. The Sonata in F Major for bassoon and basso continuo, composed in four movements (Triste, Allegro, Andante, Vivace), was originally included in the collection Der getreue Musikmeister, dating back to 1728. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.Georg Philipp Telemann (1681-1767), is one of the most prolific composers of all time. He wrote a great amount of music for wind instruments, including many concerti and sonatas for flute, oboe and bassoon. The Sonata in F Major for bassoon and basso continuo, composed in four movements (Triste, Allegro, Andante, Vivace), was originally included in the collection Der getreue Musikmeister, dating back to 1728. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.

SEK 218.00
1

Traverso Colore, Volume 2 : Concerto Grosso Op. 6, No. 8

Traverso Colore, Volume 2 : Concerto Grosso Op. 6, No. 8

Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 2 includes: Concerto Grosso Op. 6, No. 8 (Arcangelo Corelli)Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 2 includes: Concerto Grosso Op. 6, No. 8 (Arcangelo Corelli)

SEK 328.00
1

Lyrische Pastorale

Lyrische Pastorale

Lodewijk Mortelmans was born in Antwerp on February 5, 1868, as second son of printer Karel Mortelmans. He died on June 24, 1952. He was an outstanding, universal Belgian musician and composer. His unique and poetic classical songs, his intimate and delicate piano music and his imaginative orchestral pieces rank among the European masterworks of the end of the 19th and the early 20th century. His Lyrische Pastorale, originally for horn and orchestra, has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.Lodewijk Mortelmans was born in Antwerp on February 5, 1868, as second son of printer Karel Mortelmans. He died on June 24, 1952. He was an outstanding, universal Belgian musician and composer. His unique and poetic classical songs, his intimate and delicate piano music and his imaginative orchestral pieces rank among the European masterworks of the end of the 19th and the early 20th century. His Lyrische Pastorale, originally for horn and orchestra, has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.

SEK 218.00
1

Traverso Colore, Volume 4 : Music for the Royal Fireworks

Traverso Colore, Volume 4 : Music for the Royal Fireworks

Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 4 includes: Music for the Royal Fireworks, HWV 351 (George Frideric Handel)Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 4 includes: Music for the Royal Fireworks, HWV 351 (George Frideric Handel)

SEK 268.00
1

Traverso Colore, Volume 5 : Water Music Suite No. 2

Traverso Colore, Volume 5 : Water Music Suite No. 2

Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 5 includes: Water Music: Suite No. 2, HWV 349 (George Frideric Handel)Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 5 includes: Water Music: Suite No. 2, HWV 349 (George Frideric Handel)

SEK 248.00
1

Apres un Reve

Apres un Reve

Although mostly known for his orchestral music and Requiem, Gabriel Faure (1845 - 1924) composed more than 70 works for voice and piano, and was once commended by Maurice Ravel for saving French vocal music from the dominance of the German lied. One of the most famous of these art songs, Apres un reve (Op. 7, No. 1) is transcribed here for solo contra clarinet and piano. In the case of this art song, the solo part has been transposed to accommodate the key of each solo instrument, either a contrabass clarinet (in B-flat) or a contralto clarinet (in E-flat). This work can be played with either a contrabass or contralto clarinet.Although mostly known for his orchestral music and Requiem, Gabriel Faure (1845 - 1924) composed more than 70 works for voice and piano, and was once commended by Maurice Ravel for saving French vocal music from the dominance of the German lied. One of the most famous of these art songs, Apres un reve (Op. 7, No. 1) is transcribed here for solo contra clarinet and piano. In the case of this art song, the solo part has been transposed to accommodate the key of each solo instrument, either a contrabass clarinet (in B-flat) or a contralto clarinet (in E-flat). This work can be played with either a contrabass or contralto clarinet.

SEK 198.00
1

Traverso Colore, Volume 3 : Baroque Quartets

Traverso Colore, Volume 3 : Baroque Quartets

Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 3 includes: 'Ombra mai fu' from Xerxes (George Frideric Handel), Three Madrigals (Orlando diLasso), and Ricercare in the Twelfth Mode (Andrea Gabrieli). Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 3 includes: 'Ombra mai fu' from Xerxes (George Frideric Handel), Three Madrigals (Orlando diLasso), and Ricercare in the Twelfth Mode (Andrea Gabrieli).

SEK 248.00
1

Cantilena and Rigadoon

Cantilena and Rigadoon

Cantilena has a song-like quality which the performer should try to convey, while the Rigadoon is a moderately fast dance movement, both arranged here together for contra clarinet with piano accompaniment. In the case of this Cantilena and Rigadoon, the solo part fit so well into the range of the clarinet, it only made sense to keep the solo part the same for each instrument (contrabass and contralto) and to transpose the piano part. Thus, a single solo part is included, as well as two separate piano parts, corresponding to the contrabass clarinet (in B-flat) and contralto clarinet (in E-flat). This work can be played with either a contrabass or contralto clarinet.Cantilena has a song-like quality which the performer should try to convey, while the Rigadoon is a moderately fast dance movement, both arranged here together for contra clarinet with piano accompaniment. In the case of this Cantilena and Rigadoon, the solo part fit so well into the range of the clarinet, it only made sense to keep the solo part the same for each instrument (contrabass and contralto) and to transpose the piano part. Thus, a single solo part is included, as well as two separate piano parts, corresponding to the contrabass clarinet (in B-flat) and contralto clarinet (in E-flat). This work can be played with either a contrabass or contralto clarinet.

SEK 198.00
1

Nachtpoema

Nachtpoema

Prosper Van Eechaute (1904-1964), born in Ghent, was a Belgian composer, conductor and teacher. While a student at the Ghent Royal Conservatory, he was awarded first prize for cello, harmony, chamber music, counterpoint and fugue, in addition to the Emile Mathieu prize for composition in 1930. His Nachtpoema for Horn and Orchestra (or Piano), was written in 1938, however the premiere took place towards the end of his life in 1962, with Maurice Van Bocxstaele as the horn soloist. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.Prosper Van Eechaute (1904-1964), born in Ghent, was a Belgian composer, conductor and teacher. While a student at the Ghent Royal Conservatory, he was awarded first prize for cello, harmony, chamber music, counterpoint and fugue, in addition to the Emile Mathieu prize for composition in 1930. His Nachtpoema for Horn and Orchestra (or Piano), was written in 1938, however the premiere took place towards the end of his life in 1962, with Maurice Van Bocxstaele as the horn soloist. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.

SEK 208.00
1

The Swan and The Elephant : from The Carnival of the Animals

The Swan and The Elephant : from The Carnival of the Animals

Camille Saint-Saëns (1835 - 1821) composed The Carnival of the Animals, one of his most popular works, in 1886. Though private performances were given during his lifetime, the first public performance took place only a few months following his death, in February 1922. The two movements arranged here, The Swan and The Elephant, lend themselves very well to the contra clarinets accompanied by piano, also providing a humorous contrast in both title and style. In the case of these two movements, the solo part has been transposed to accommodate the key of each solo instrument, either a contrabass clarinet (in B-flat) or a contralto clarinet (in E-flat). This work can be played witheither a contrabass or contralto clarinet. Camille Saint-Saëns (1835 - 1821) composed The Carnival of the Animals, one of his most popular works, in 1886. Though private performances were given during his lifetime, the first public performance took place only a few months following his death, in February 1922. The two movements arranged here, The Swan and The Elephant, lend themselves very well to the contra clarinets accompanied by piano, also providing a humorous contrast in both title and style. In the case of these two movements, the solo part has been transposed to accommodate the key of each solo instrument, either a contrabass clarinet (in B-flat) or a contralto clarinet (in E-flat). This work can be played witheither a contrabass or contralto clarinet.

SEK 198.00
1

Traverso Colore, Volume 1 : Baroque Quintets

Traverso Colore, Volume 1 : Baroque Quintets

Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 1 includes: Arrival of the Queen of Sheba (George Frideric Handel), Banchetto Musicale: Suite No.1 (Johann Hermann Schein), Sinfonia 'Non sa che sia dolore' (Johann Sebastian Bach), and Court Music, from the Childhood of Louis XIII (Francois Danican Philidor). Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 1 includes: Arrival of the Queen of Sheba (George Frideric Handel), Banchetto Musicale: Suite No.1 (Johann Hermann Schein), Sinfonia 'Non sa che sia dolore' (Johann Sebastian Bach), and Court Music, from the Childhood of Louis XIII (Francois Danican Philidor).

SEK 348.00
1

Divertimento

Divertimento

Divertimento is an original trio by Arthur Frackenpohl that was written at the request of a trio for a senior flute recital at the Crane School of Music. The first movement, Introduction, is in sonata form with two contrasting themes, closing section, short development and recapitulation. In the second movement, Passacaglia, the dorian theme is stated canonically, with variations on the eight bar theme and closing in quietly in the minor. The third movement is a lively Scherzo with a rhythmic first section employing some echo effects before moving into a more subdued and legato trio. The final movement is an energetic Fughetta, which uses the contrapuntal devices ofinversion, augmentation and stretto. Each movement can be played by itself, or in combination with the other movements. Divertimento is an original trio by Arthur Frackenpohl that was written at the request of a trio for a senior flute recital at the Crane School of Music. The first movement, Introduction, is in sonata form with two contrasting themes, closing section, short development and recapitulation. In the second movement, Passacaglia, the dorian theme is stated canonically, with variations on the eight bar theme and closing in quietly in the minor. The third movement is a lively Scherzo with a rhythmic first section employing some echo effects before moving into a more subdued and legato trio. The final movement is an energetic Fughetta, which uses the contrapuntal devices ofinversion, augmentation and stretto. Each movement can be played by itself, or in combination with the other movements.

SEK 248.00
1

Divertimento No. 2

Divertimento No. 2

Divertimento No. 2 was composed in 2016 to showcase Flute Street, a Toronto-based, professional flute ensemble in which Isaac's mother, Carolyn Ricketts, is a founding member. Flute Street first performed the work that November in Toronto and then, because of its generous attention to the melodic possibilities of the alto, bass and contrabass flute colours, chose to premiere it in Reston, Virginia (U.S.A.) at the First International Low Flutes Festival in April 2018. The composer notes "As with my other Divertimenti, this work deals with how similar elements can create contrast. The homogeneous timbre of the flute choir is used in this work to highlight the formal contrasts thatare at play. Structured in an arch form, the work starts with a complex harmonic language that gradually simplifies. As the harmonic language simplifies, the accompaniment becomes more complex." Divertimento No. 2 was composed in 2016 to showcase Flute Street, a Toronto-based, professional flute ensemble in which Isaac's mother, Carolyn Ricketts, is a founding member. Flute Street first performed the work that November in Toronto and then, because of its generous attention to the melodic possibilities of the alto, bass and contrabass flute colours, chose to premiere it in Reston, Virginia (U.S.A.) at the First International Low Flutes Festival in April 2018. The composer notes "As with my other Divertimenti, this work deals with how similar elements can create contrast. The homogeneous timbre of the flute choir is used in this work to highlight the formal contrasts thatare at play. Structured in an arch form, the work starts with a complex harmonic language that gradually simplifies. As the harmonic language simplifies, the accompaniment becomes more complex."

SEK 348.00
1