Cloud Breathing for Oboe and Piano

I Love Thee

I Love Thee

When I am Laid in Earth

I Love Thee for Clarinet Choir

Ten Pocket-Sized Trios

Ten Pocket-Sized Trios is a collection of vignettes arranged for flute, guitar, and cello by Jan Boland (with guitar adaptations by John Dowdall). For two of the titles, there is an alto flute transposition of the C flute part. Additionally, for the entire collection, the cello part can be considered optional. Ten Pocket-Sized Trios is a collection of vignettes arranged for flute, guitar, and cello by Jan Boland (with guitar adaptations by John Dowdall). For two of the titles, there is an alto flute transposition of the C flute part. Additionally, for the entire collection, the cello part can be considered optional.

French Nativity Suite

Three lovely traditional Christmas carols are beautifully set and can be played separately or as a suite. These pieces each capture the magic of melody as well as the dance-like essence of this music. Songs include: Il Est Ne, Un Flambeau, Jeanette Isabella (Bring a Torch, Jeanette Isabella), and Pat-a-Pan. Three lovely traditional Christmas carols are beautifully set and can be played separately or as a suite. These pieces each capture the magic of melody as well as the dance-like essence of this music. Songs include: Il Est Ne, Un Flambeau, Jeanette Isabella (Bring a Torch, Jeanette Isabella), and Pat-a-Pan.

Perpetual Motion

A rollicking tune from Johann Strauss, Jr., sure to get stuck in your head. This piece is performed by the Vienna Philharmonic every New Year's Eve. The arrangement includes many piccolo and flute excerpts from the original work! It can be performed with just a flute quartet, or an entire flute choir, accompanied by string orchestra and percussion. A rollicking tune from Johann Strauss, Jr., sure to get stuck in your head. This piece is performed by the Vienna Philharmonic every New Year's Eve. The arrangement includes many piccolo and flute excerpts from the original work! It can be performed with just a flute quartet, or an entire flute choir, accompanied by string orchestra and percussion.

Sakura Sakura Variations

Cherry blossoms falling one by one on a timeless day in Japan. All of a sudden, the wind blows the petals off of the branches and into the air. All you can see is light pink falling all around you. The blossoming of the flowers symbolize a time of renewal, but the sea of flowers don’t last long. The Japanese feel that the magic of Cherry blossoms lie in their short, but breathtakingly beautiful life. The Sakura Sakura Variations for Flute Choir by Kazuko Stratmann is a versatile work which can be performed with a large flute ensemble, as well as a smaller chamber group with one player on each part. It is full of different colors and effects, enabling players the opportunity toimitate the sounds of two types of Japanese flutes, the Shinobue and the Shakuhachi. Cherry blossoms falling one by one on a timeless day in Japan. All of a sudden, the wind blows the petals off of the branches and into the air. All you can see is light pink falling all around you. The blossoming of the flowers symbolize a time of renewal, but the sea of flowers don’t last long. The Japanese feel that the magic of Cherry blossoms lie in their short, but breathtakingly beautiful life. The Sakura Sakura Variations for Flute Choir by Kazuko Stratmann is a versatile work which can be performed with a large flute ensemble, as well as a smaller chamber group with one player on each part. It is full of different colors and effects, enabling players the opportunity toimitate the sounds of two types of Japanese flutes, the Shinobue and the Shakuhachi.

Scherzino

The Scherzino of Joachim Andersen (1847—1909) belongs to his opus 55 collection of eight recital pieces. Here, it is arranged by Matt Johnston for solo flute with the accompaniment of strings (the double bass part is optional). Additionally, this work is available in another volume for solo flute and flute choir, such that a string orchestra and flute choir can play this piece together. The Scherzino of Joachim Andersen (1847—1909) belongs to his opus 55 collection of eight recital pieces. Here, it is arranged by Matt Johnston for solo flute with the accompaniment of strings (the double bass part is optional). Additionally, this work is available in another volume for solo flute and flute choir, such that a string orchestra and flute choir can play this piece together.

The Swan and The Elephant : from The Carnival of the Animals

One of Camille Saint-Saens most popular works is The Carnival of the Animals, composed in 1886 for two pianos and small chamber orchestra. Two of the movements, The Swan and The Elephant have been arranged here for solo bass clarinet with clarinet choir accompaniment. Additionally, The Elephant can be performed as a contra clarinet (and/or string bass) feature, with the parts provided in the set. One of Camille Saint-Saens most popular works is The Carnival of the Animals, composed in 1886 for two pianos and small chamber orchestra. Two of the movements, The Swan and The Elephant have been arranged here for solo bass clarinet with clarinet choir accompaniment. Additionally, The Elephant can be performed as a contra clarinet (and/or string bass) feature, with the parts provided in the set.

Fantasia on a Newfoundland Folk Tune

Newfoundland, the last province to join Canada (in 1949) is a rugged and beautiful island shaped by the many inlets where tiny fishing villages are huddled. The Newfoundland ballads and shanties that were formed from Celtic traditions have developed a unique style in response to five hundred years of living in the Newfoundland outports. The beautiful tune and doleful text of She’s Like the Swallow have made this ballad a particular favourite amongst singers and arrangers/composers. Although similarities appear in the love songs of British folk music, the simile of the swallow is definitively Newfoundlander.Newfoundland, the last province to join Canada (in 1949) is a rugged and beautiful island shaped by the many inlets where tiny fishing villages are huddled. The Newfoundland ballads and shanties that were formed from Celtic traditions have developed a unique style in response to five hundred years of living in the Newfoundland outports. The beautiful tune and doleful text of She’s Like the Swallow have made this ballad a particular favourite amongst singers and arrangers/composers. Although similarities appear in the love songs of British folk music, the simile of the swallow is definitively Newfoundlander.

Marche Slave

Marche Slave is one of Peter Ilyich Tchaikovsky’s most popular and well-known pieces, frequently performed by orchestras of all levels throughout the world. It was commissioned by the Russian Musical Society in 1876 to benefit the Red Cross Society and support the benefits of wounded Serbian veterans. A very programmatic composition, it depicts the events surrounding the Serbo-Turkish War (1876–78), where Russia openly supported Serbia. Tchaikovsky referred to the piece as his "Serbo-Russian March" while writing it and the premiere took place in Moscow on November 17, 1876.Marche Slave is one of Peter Ilyich Tchaikovsky’s most popular and well-known pieces, frequently performed by orchestras of all levels throughout the world. It was commissioned by the Russian Musical Society in 1876 to benefit the Red Cross Society and support the benefits of wounded Serbian veterans. A very programmatic composition, it depicts the events surrounding the Serbo-Turkish War (1876–78), where Russia openly supported Serbia. Tchaikovsky referred to the piece as his "Serbo-Russian March" while writing it and the premiere took place in Moscow on November 17, 1876.

Meditation

An original work for Alto Clarinet (in E-flat) or Basset Horn (in F) and Piano based on "The Little Prelude in C minor" by J.S. Bach. Much like Charles Gounod based his "Ave Maria" on the first prelude of the Well-Tempered Clavier, Dan Fox has created a beautiful melody which floats over the accompaniment. This work can be played with either an Alto Clarinet or a Basset Horn. An original work for Alto Clarinet (in E-flat) or Basset Horn (in F) and Piano based on "The Little Prelude in C minor" by J.S. Bach. Much like Charles Gounod based his "Ave Maria" on the first prelude of the Well-Tempered Clavier, Dan Fox has created a beautiful melody which floats over the accompaniment. This work can be played with either an Alto Clarinet or a Basset Horn.

Honduras Sonata

The Honduras Sonata for flute and guitar was composed during a visit to Honduras by the composer. The sonata is in three movements: Pico Bonita, Copan Ruins, and Lovely Cotinga. The first movement was inspired by the jungle lodge (of the same name) where she visited. The Copan Ruins, in the far west of Honduras, are the remnants of the Copan civilization and give visitors a chance to climb and explore the vast complex of ancient structures. Lastly, the third movement is named after the shy and elusive cotinga bird, which the composer was fortunate to have gazed upon during her time there.The Honduras Sonata for flute and guitar was composed during a visit to Honduras by the composer. The sonata is in three movements: Pico Bonita, Copan Ruins, and Lovely Cotinga. The first movement was inspired by the jungle lodge (of the same name) where she visited. The Copan Ruins, in the far west of Honduras, are the remnants of the Copan civilization and give visitors a chance to climb and explore the vast complex of ancient structures. Lastly, the third movement is named after the shy and elusive cotinga bird, which the composer was fortunate to have gazed upon during her time there.

The Christmas Flutist: 20 Songs and Carols

The Christmas Flutist is a collection of 20 Songs and Carols arranged for solo flute by Judy Nishimura. The perfect companion for a flutist looking for music to play at a church service, a solo gig, or just to enjoy at home. Additionally, each arrangement has retained the key signature most commonly associated with the tune, thus they can easily be used as a prelude or introduction to the same titles used during a church service. The Christmas Flutist is a collection of 20 Songs and Carols arranged for solo flute by Judy Nishimura. The perfect companion for a flutist looking for music to play at a church service, a solo gig, or just to enjoy at home. Additionally, each arrangement has retained the key signature most commonly associated with the tune, thus they can easily be used as a prelude or introduction to the same titles used during a church service.

Adagio and Allegro, Op. 70

Robert Schumann (1810-1856), composed this Adagio and Allegro, Op. 70, for horn and piano in 1859. Along with the Fantasy Pieces for clarinet and piano, and the Three Romances for oboe and piano, it rounds out his small yet important output of solo repertoire for wind instruments. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn. Robert Schumann (1810-1856), composed this Adagio and Allegro, Op. 70, for horn and piano in 1859. Along with the Fantasy Pieces for clarinet and piano, and the Three Romances for oboe and piano, it rounds out his small yet important output of solo repertoire for wind instruments. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.

Giocara

Louis Anthony deLise's Giocara for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. As the title implies, (giocara means "to play"), this collection is all about playfulness, and consists of three works: Three Little Dancers, A Preponderance of Sevenths, and Petite Fall Fanfare. Though originally composed for flute and pedal harp, included in this edition are lever harp arrangements of the first two movements. The third movement, being primarily diatonic, can be played on lever harp with the notes included.Louis Anthony deLise's Giocara for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. As the title implies, (giocara means "to play"), this collection is all about playfulness, and consists of three works: Three Little Dancers, A Preponderance of Sevenths, and Petite Fall Fanfare. Though originally composed for flute and pedal harp, included in this edition are lever harp arrangements of the first two movements. The third movement, being primarily diatonic, can be played on lever harp with the notes included.

Fantomas

Fantomas for Two (or Three) Flutes and Piano by Eugene Magalif is based on a theme and sequence of chords which the composer and a friend sometimes played as kids: "This funny and mysterious theme was easy to play on piano, four-hands. At that time, the French movie "Fantômas" was on the cinema screens and we called this music by the name of a clever criminal – the main character of the movie." This edition can be played by either two or three flutes and piano.Fantomas for Two (or Three) Flutes and Piano by Eugene Magalif is based on a theme and sequence of chords which the composer and a friend sometimes played as kids: "This funny and mysterious theme was easy to play on piano, four-hands. At that time, the French movie "Fantômas" was on the cinema screens and we called this music by the name of a clever criminal – the main character of the movie." This edition can be played by either two or three flutes and piano.

Apres un Reve

Although mostly known for his orchestral music and Requiem, Gabriel Faure (1845 - 1924) composed more than 70 works for voice and piano, and was once commended by Maurice Ravel for saving French vocal music from the dominance of the German lied. One of the most famous of these art songs, Apres un reve (Op. 7, No. 1) is arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.Although mostly known for his orchestral music and Requiem, Gabriel Faure (1845 - 1924) composed more than 70 works for voice and piano, and was once commended by Maurice Ravel for saving French vocal music from the dominance of the German lied. One of the most famous of these art songs, Apres un reve (Op. 7, No. 1) is arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.

Sonata in F Minor

Georg Philipp Telemann (1681-1767), is one of the most prolific composers of all time. He wrote a great amount of music for wind instruments, including many concerti and sonatas for flute, oboe and bassoon. The Sonata in F Major for bassoon and basso continuo, composed in four movements (Triste, Allegro, Andante, Vivace), was originally included in the collection Der getreue Musikmeister, dating back to 1728. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.Georg Philipp Telemann (1681-1767), is one of the most prolific composers of all time. He wrote a great amount of music for wind instruments, including many concerti and sonatas for flute, oboe and bassoon. The Sonata in F Major for bassoon and basso continuo, composed in four movements (Triste, Allegro, Andante, Vivace), was originally included in the collection Der getreue Musikmeister, dating back to 1728. Here, it has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.

Traverso Colore, Volume 2 : Concerto Grosso Op. 6, No. 8

Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 2 includes: Concerto Grosso Op. 6, No. 8 (Arcangelo Corelli)Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 2 includes: Concerto Grosso Op. 6, No. 8 (Arcangelo Corelli)

Lyrische Pastorale

Lodewijk Mortelmans was born in Antwerp on February 5, 1868, as second son of printer Karel Mortelmans. He died on June 24, 1952. He was an outstanding, universal Belgian musician and composer. His unique and poetic classical songs, his intimate and delicate piano music and his imaginative orchestral pieces rank among the European masterworks of the end of the 19th and the early 20th century. His Lyrische Pastorale, originally for horn and orchestra, has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.Lodewijk Mortelmans was born in Antwerp on February 5, 1868, as second son of printer Karel Mortelmans. He died on June 24, 1952. He was an outstanding, universal Belgian musician and composer. His unique and poetic classical songs, his intimate and delicate piano music and his imaginative orchestral pieces rank among the European masterworks of the end of the 19th and the early 20th century. His Lyrische Pastorale, originally for horn and orchestra, has been arranged here for either Alto Clarinet (in E-flat) or Basset Horn (in F) and piano. This work can be played with either an Alto Clarinet or a Basset Horn.

Traverso Colore, Volume 5 : Water Music Suite No. 2

Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 5 includes: Water Music: Suite No. 2, HWV 349 (George Frideric Handel)Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 5 includes: Water Music: Suite No. 2, HWV 349 (George Frideric Handel)

Traverso Colore, Volume 4 : Music for the Royal Fireworks

Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 4 includes: Music for the Royal Fireworks, HWV 351 (George Frideric Handel)Seeking to bridge the educational divide between modern flute and baroque flute performance opportunities, Traverso Colore was founded in early 2005 as an outgrowth of the baroque flute class at Florida State University. They are a baroque flute ensemble that promotes baroque music on period instruments and creates more opportunities for flutists to perform original and arranged works from this historical era. All the arrangements in the Traverso Colore series, created by Karen McLaughlin Large and Tammara K. Phillips, can be played on baroque flutes as well as modern flutes. Volume 4 includes: Music for the Royal Fireworks, HWV 351 (George Frideric Handel)

Cantilena and Rigadoon

Cantilena has a song-like quality which the performer should try to convey, while the Rigadoon is a moderately fast dance movement, both arranged here together for contra clarinet with piano accompaniment. In the case of this Cantilena and Rigadoon, the solo part fit so well into the range of the clarinet, it only made sense to keep the solo part the same for each instrument (contrabass and contralto) and to transpose the piano part. Thus, a single solo part is included, as well as two separate piano parts, corresponding to the contrabass clarinet (in B-flat) and contralto clarinet (in E-flat). This work can be played with either a contrabass or contralto clarinet.Cantilena has a song-like quality which the performer should try to convey, while the Rigadoon is a moderately fast dance movement, both arranged here together for contra clarinet with piano accompaniment. In the case of this Cantilena and Rigadoon, the solo part fit so well into the range of the clarinet, it only made sense to keep the solo part the same for each instrument (contrabass and contralto) and to transpose the piano part. Thus, a single solo part is included, as well as two separate piano parts, corresponding to the contrabass clarinet (in B-flat) and contralto clarinet (in E-flat). This work can be played with either a contrabass or contralto clarinet.