Marc Bleuse: Alternative (Viola & Piano)

René Berthelot: Pastorale et Danse rustique (Flute & Piano)

Cellist, conductor, composer and musicologist, René Berthelot (1903-1999) was influential in leading the Orleans Conservatory to obtain a high profile reputation. His Pastorale Et Danse Rustique  for Flute and Piano contributes to a significant catalogue of compositions by the composer. Published in 1976, a typical performance of  Pastorale Et Danse Rustique  lasts around 5 minutes and 45 seconds. Characteristics include, complex rhythms, variation in time signatures and much contrast between the two movements. suitable for advanced flautists, Berthelot 's  Pastorale Et Danse Rustique  also provides alternative scorings for more difficult passages. For all advanced flautists, this Berthelot provides an exciting, alternative performance work.

Robert Clérisse: Sérénade variée (Saxophone-Alto & Piano)

French composer and saxophonist, Robert Clérisse (1899-1973) is best known for founding the Marcel Mule Saxophone Quartet. As a prolific saxophonist, Clérisse 's compositions are composed with a wealth of understanding, Varied Serenade being no exception. Varied Serenade is a modern work, exploiting rhythm, tonality and structure, amongst other aspects. For all aspiring, advanced saxophonists, Clérisse 's Varied Serenade provides an alternative, exciting performance work.

Robert Truillard: Rêverie (Clarinet & Piano)

French composer, Robert Truillard published his  Rêverie  in 1986. The work remains popular for intermediate clarinettists. With a typical performance lasting around 2 minutes and 46 seconds,  Rêverie  is in Ternary Form, with the 'B' section marked 'Scherzando' and containing a short cadenza passage. The solo Clarinet part makes use of variety in articulation, tempo, dynamics and phrasing, amongst other aspects. For all aspiring, intermediate clarinetists, Truillard 's  Rêverie  provides exciting, alternative repertoire.

M. Hauchard: Gammes et Arpèges Vol.1 (Violin solo)

Maurice Hauchard (1870-1957) was a French violinist, composer and music teacher. His combined experiences in these three fields present his well-informed compilation, Scales and Arpeggios for Violin . Covering all major and minor scales and arpeggios, 's book goes on to ensure the violinist practises these in different positions, fingerings and ways of bowing, with varying rhythms, articulation and ornamentation and in alternative patterns. Scales and Arpeggios for Violin ensures a thorough study of the essential technique for all violinists.

Emile Pessard: Andalouse (Flute/Piano)

French composer, Emile Pessard (1843-1917) studied at the Paris Conservatoire where he won first prize for harmony and the 1866 Prix de Rome. Andalouse contributes to his significant catalogue of compositions. As well as composing, Pessard taught a wealth of prolific students, including Maurice Ravel and Jacques Ibert. Extracted from his Opus 20, Andalouse for Flute and Piano accompaniment displays typical French romantic features, including semiquaver flourishes, use of a wide tessitura and syncopated rhythms. For all aspiring flautists seeking alternative repertoire, Pessard 's Andalouse ensures an exciting performance.

Jeanine Rueff: Concertino Op.15 (Clarinet & Piano)

Jeanine Rueff (1922-1999) was a French composer and music educator. Her Concertino for Clarinet and orchestral or Piano accompaniment was first published in 1950 and remains a popular, alternative piece in the advanced clarinetist's performance repertoire. Rueff wrote extensively for the Saxophone and Clarinet and her compositions are often used as required contest solos. Concertino is fast and contains complex rhythms. Other appealing musical features include chromaticism, triplet motifs and the exploitation of the entire range of the Clarinet. Rueff 's Concertino provides a challenging yet riveting piece for advanced clarinetists.

Isabelle Aboulker: I love you, for Soprano and Piano

Known for her Operas and Vocal works, contemporary composer, Isabelle Aboulker has won numerous prizes for her compositions. I love you makes for a sublime performance work for Soprano and Piano. Described as a love song for a distressed Soprano, I love you is technically challenging. Aboulker 's love song addresses features including intervals, staccato, a wide range, altering time signatures and contrasting dynamics, amongst other aspects. As an exciting, alternative collection in the Vocal repertoire, Aboulker 's I love you is an exquisite addition to the Soprano repertoire.

Albert Beaucamp: Fantaisie (Flute & Piano)

French conductor and composer, Albert Beaucamp (1921-1967) first studied Organ with his father, and then with Marcel Dupré. His compositional catalogue is relatively small, however,  Fantaisie  for Flute and Piano remains prominent in the advanced flautist's repertoire. Beaucamp is best remembered for founding the Rouen Conservatory and organising and conducting many concerts. Published in 1954,  Fantaisie  reflects typical French romantic-modern characteristics, including flourishing semiquaver passages, chromaticism and much dynamic contrast. For all advanced flautists seeking alternative repertoire, Beaucamp 's  Fantaisie  is a delightful addition to the repertoire.

René Berthelot: Variations brèves sur un Chant scout (Horn & Piano)

Cellist, conductor, composer and musicologist, René Berthelot (1903-1999) was influential in leading the Orleans Conservatory to obtain a high profile reputation. His  Variations Brèves  for Horn and Piano contribute to a significant catalogue of compositions by the composer. Published in 1973, a typical performance of Pastoral And Rustic Dance lasts around four minutes. Characteristics include, complex rhythms, variation in time signatures and much contrast between the variations. Suitable to advanced Horn players, Berthelot 's  Variations Brèves  is suitable to advanced Horn players, providing an exciting, alternative performance work.

Alfred Désenclos: Aria et Rondo (Double Bass & Piano)

Modern French composer, Alfred Desenclos (1912-1971) created exceptional works for a variety of instruments. Aria Et Rondo  for Double Bass and Piano, published in 1952, is no exception. Desenclos won the 1942 Prix de Rome following studies at the Conservatory in Roubaix. The composer's compositional style is highly expressive and atmospheric, with uses of extended technique. Aria Et Rondo  reflects these aspects, with a typical performance lasting about 12 minutes. For all advanced Double Bass players, Desenclos 's Aria Et Rondo  is an exciting, alternative piece for the repertoire.

Marcel & Jérôme Galiègue M.& Naulais J.: Plein Vent (Trombone & Piano)

Both Marcel Galiègue and Jérôme Naulais studied the Trombone at the Paris Conservatoire. Both musicians have performed in a large number of concerts and recordings and have taken part in many international Master Classes. Their collaboration for  Plein Vent, therefore, makes for a well-informed compilation. As suggested by the title,  Plein Vent  focuses on breath control. With a typical performance lasting around three minutes and ten seconds, this Trombone work is a delightful, alternative piece for young trombonists.  Plein Vent  is a delightful addition to the intermediate Trombone repertoire.

Los Hermanos Abal, Virtu Maragno: Carnavalito Quebradeño

Argentinian folk music composer, Los Hermanos Abal is best known for founding a folk group in 1939. Their career high point came in 1942 when their song, Carnavalito Quebradeño was used in the film, La Guerra Gaucha. Virtu Maragno (1828-2004) sublimely harmonises the song for SATB choir. Argentinian born Maragno was a composer of classical, opera and film music, as well as a teaching and national academic. His harmonisation of Carnavalito Quebradeño displays elements of South American folk music. For aspiring four-part choirs, Maragno 's harmonisation of Los Hermanos Abal 's Carnavalito Quebradeño makes for an exciting, alternative performance work.

Marcel & Jérôme Galiègue M.& Naulais J.: 2 Ans déjà (Trombone & Piano)

Both Marcel Galiègue and Jérôme Naulais studied the Trombone at the Paris Conservatoire. Both musicians have performed in a large number of concerts and recordings and have taken part in many international Master Classes. Their collaboration for  Deux Ans Déjà, therefore, makes for a well-informed compilation. As suggested by the title,  Deux Ans Déjà  is suitable for grade two standard trombonists. With a typical performance lasting around two and a half minutes, this Trombone work is a delightful, alternative piece for young trombonists.  Deux Ans Déjà  is a delightful addition to the beginner Trombone repertoire.

Paul Rougnon: Solo de Concert No.1 (Trumpet & Piano)

French composer, pianist and teacher, Paul Rougnon (1846-1934) studied at the Paris Conservatoire under many prolific musicians of the time, including César Franck. Rougnon 's composition catalogue is extensive, with many works remaining popular to this day, including his First Concert Solo for Trumpet or Cornet and Piano. The date of composition is unknown, however Rougnon 's First Concert Solo displays characteristics of early, French romantic music, such as chromaticism, flourishing semiquaver passages, complex rhythms and extensive use of performance directions. For all advanced, aspiring Trumpet and Cornet players, Rougnon provides an alternative, exciting performance work.

Gabriel & André Fauré G.& Messager A.: Messe des Pêcheurs de Villerville (Choral-Female accompanied)

André Messager (1853-1929) was a composition and Piano pupil of Gabriel Fauré (1845-1924). They collaborated during the summer of 1881 to compose  Messe Des Pêcheurs De Villerville  and the first performance was in aid of the fisherman's charitable association. The Mass comprises five movements; 1) Kyrie, 2) Gloria Benedictus, 3) Sanctus, 4) O Salutaris, and 5) Agnus Dei.  Messe Des Pêcheurs De Villerville  is a Missa Brevis for female choir accompanied by chamber orchestra. Given its specific arrangement for female voices, Fauré and Messager 's  Messe Des Pêcheurs De Villerville  is an ideal and alternative performance work.

Gieco Enzo A Plusieurs 4 Flutes Perc Ad Lib Score/Parts

Enzo Gieco composes an exciting work for Flute Quartet with Percussion ad lib accompaniment. From furious, fast passages to legato, lyrical melodies,  A Plusieurs Flûtes  is an exciting addition to the ensemble repertoire. Gieco 's  A Plusieurs Flûtes  is in six movements; 1) The Brazilian Woman, 2) Orillera 1, 3) The Caribbean Woman, 4) The Bolivian Woman, 5) Orilla 2, and 6) The Star, and incorporates features of each of the nationalities. Furthermore, the work has the option of additional 'ad lib' Percussion. For all aspiring, advanced Flute Quartets, Gieco 's  A Plusieurs Flûtes  provides an exciting, alternative ensemble performance work.

Edison Denisov: Deux Pieces

Russian composer, Edison Denisov (1929-1996) was a controversial composer of the nonconformist division of Soviet music. He studied at the Moscow Conservatory and his compositions remain popular to this day,  Deux Pièces  for Alto Saxophone and Piano being no exception. Published in 1978, a typical performance of Denisov 's  Deux Pièces  lasts about 5 minutes. The work makes use of extended techniques, including quarter and three-quarter tones, variations in ornamentation, complex rhythms, large intervals, differing articulation and exploitation of the ensemble, amongst other aspects. For all advanced saxophonists seeking modern, alternative and exciting repertoire, Denisov 's  Deux Pièces  is essential.

Requiem Soli Sttb/ Ch Ssatbb Choral Score

French composer, Jean Gilles (1668-1705) received his musical training as a choirboy in Aix-en-Provence. His substantial works are entirely religious,  Messe Des Morts  being no exception. Gilles catalogue comprises a significant amount of choral work. His choral composing style often alternate passages sung by soloists and the chorus, as is the case in  Messe Des Morts, realised by Laurence Boulay. His musical style was influenced by André Campra, a leading Opera composer of the day who Gilles succeeded as music master at the Cathedral of Saint Etienne in Toulouse. For all choirs seeking alternative repertoire,  Messe Des Morts  provides a riveting performance.

Alfred Désenclos: Plain-chant et Allegretto (Trombone & Piano)

French composer, Alfred Désenclos (1912-1971) described his music as romantic. His music is expressive and atmospheric, as heard in his  Plain-Chant Et Allegretto  for Trombone and Piano. Désenclos studied at the Roubaix Conservatory and he won the 1942 Prix de Rome. His  Plain-Chant Et Allegretto  was published in 1965, towards the end of the composer's life. A typical performance lasts around eight minutes, in which the Trombone solo line is enhanced by rhythm, and technique. As expected, the two movements are contrasting, suitable for the advanced trombonist. For all Trombone players seeking alternative and challenging repertoire, Désenclos'   Plain-Chant Et Allegretto  makes for a riveting performance.

Isabelle Aboulker: 1918, The Man Who Was Staggering In The War, For Voice And Piano

Known for her Operas and Vocal works, contemporary composer, Isabelle Aboulker has won numerous prizes for her compositions.  1918, L'Homme Qui Titubait Dans La Guerre  has met much success and is a sublime addition to the Vocal repertoire. Aboulker was commissioned to write the work in 1998 to commemorate the 80th anniversary of the ending of World War I.  1918, L'Homme Qui Titubait Dans La Guerre  was later chosen to represent France when Weimar became European city of culture in 1999. Written for Voice and Piano,  1918, L'Homme Qui Titubait Dans La Guerre  is an Oratorio. As an exciting, alternative collection of songs in the Vocal repertoire, Aboulker ''s composition is an exquisite addition to any singer''s repertoire.

Isabelle Aboulker, Christian Eymery: Sweet and Blue Beard, for Soloists, Children's Choir and Piano

Known for her Operas and Vocal works, contemporary composer, Isabelle Aboulker has won numerous prizes for her compositions. Her collaboration with Opera libretto writer, Christian Eymery led to the exciting Sweet and Blue Beard for soloists, children's choir and Piano. Aboulker has done a significant amount of work with children and as a result, she has specially composed pieces to which they can relate. This is true of Sweet and Blue Beard, which includes a children's choir. Made up of 14 movements, Sweet and Blue Beard is an Oratorio, depicting a fairytale-like story. As an exciting, alternative collection in the Vocal repertoire, Aboulker 's Sweet and Blue Beard is an exquisite addition to any children's choir repertoire.

Bohuslav Martinu: Etudes faciles à deux Violons H191, Vol.2 (Violins 2)

Bohuslav Martinů (1890-1959) was a prolific Czech composer, writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in a variety of composition styles.  Études Faciles À Deux Violons  was published in 1932 and is made up of nine duets. Martinů himself was a violinist, and the beginning of his experiments in composing for solo instruments and small ensembles saw him write for his own instrument. The second volume of  Études Faciles À Deux Violons  provides intermediate violinists with alternative and enjoyable studies, addressing a variety of musical features. As a varied compilation, Martinů 's  Études Faciles À Deux Violons  is essential to aspiring violinists.

Bohuslav Martinu: Etudes faciles à deux Violons H191, Vol.1 (Violins 2)

Bohuslav Martinů (1890-1959) was a prolific Czech composer, writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in a variety of composition styles. Easy Studies For Two Violins was published in 1932 and is made up of nine duets. Martinů himself was a violinist and the beginning of his experiments in composing for solo instruments and small ensembles saw him write for his own instrument. The first volume of Easy Studies For Two Violins provides intermediate violinists with alternative and enjoyable studies, addressing a variety of musical features. As a varied compilation, Martinů 's Easy Studies For Two Violins is essential to aspiring violinists.