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Jindrich Feld: Sonate for alto Saxophone (Saxophone-Alto & Piano)

Jindrich Feld: Sonate for alto Saxophone (Saxophone-Alto & Piano)

Jindrich Feld 's Sonata for Alto Saxophone and Piano is frequently performed by virtuoso Saxophonists. Composed in 1989-90, the Sonata is elaborate and quirky, and successfully exploits many extended techniques on the instrument. Born in Prague, Feld (1925-2007) studied Violin and Viola with his parents before studying at the Conservatory and Academy of Music of his native city. His compositions, predominantly instrumental, soon became popular, being performed all over the world. As reflected in his Sonata for Alto Saxophone and Piano , Feld 's style is deeply rooted in the Czech musical tradition, but he also integrated the main styles of 20th century Western music. The Sonata is made up of four movements, 1. Allegro ritmico, 2. Adagio/Bells of liberty, 3. Allegro vivo/Scherzo, and 4. Allegro con fuoco. Each movement of the Sonata presents different challenges, from fast, staccato, semiquaver flourishes to the lyrical slurred passages. This Feld piece is highly virtuosic, yet an excellent and enjoyable performance for all advanced saxophonists.

SEK 757.00
1

Wolfgang Amadeus Mozart: Serenade in C minor, transcribed for Wind Quintet by David Walter

Wolfgang Amadeus Mozart: Serenade in C minor, transcribed for Wind Quintet by David Walter

Wolfgang Amadeus Mozart 's (1756-1791) Serenade in C minor was written by the composer in 1782-83. The work remains widely performed by Wind Octets, making it one of the most significant, substantial works in the wind ensemble repertoire. David Walter 's transcription of Serenade in C minor, also known as Serenade No. 12, is for Wind Quintet, making the popular work even more accessible and versatile. Serenade in C minor comprises four movements; 1) Allegro, 2) Andante, 3) Menuet and Trio, and 4) Allegro. This edition of Mozart 's Serenade in C minor for Wind Quintet is essential to all ensembles looking for exciting, yet traditional repertoire.

SEK 558.00
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Eugène Bozza: Sonatine (Clarinets 4)

Eugène Bozza: Sonatine (Clarinets 4)

Sonatina by Eugène Bozza is a piece for four unequal Clarinets (an E flat Clarinet, two B flat and a Bb Bass Clarinet). Strongly lyrical, this piece, which lasts approximatively 7'50 minutes, is very interesting and quite challenging to play. It explores the full high and low of the instruments, and requires some good ability of breathing and strong agility. It is divided into three main parts, which are: I. Allegro vivo, II. Calme (Quiet) and III. Allegro Vivo. While the first and third sections are very cheerful and energetic, the second part is slower and more reflective. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.

SEK 633.00
1

Kishio Hirao: Sonata, for Violin and Piano

Kishio Hirao: Sonata, for Violin and Piano

Japanese composer, Kishio Hirao (1907-1953) first studied medicine before changing to music. His 1947 Sonata for Violin and Piano is a challenging yet exciting addition to the repertoire. Hirao moved to Paris where he studied harmony, counterpoint and composition at the Ecole César Franck. The Sonata is in three movements; 1) Moderato-Allegro Agitato, 2) Andante, and 3) Vivacissimo. The work is in F major, with the middle movement modulating to D major, however, tonality is substantially exploited. For all advanced violinists and pianists, Hirao 's Sonata for Violin and Piano is a riveting addition to the repertoire.

SEK 757.00
1

Paul Taffanel: Quintette (Quintet-Wind)

Paul Taffanel: Quintette (Quintet-Wind)

Paul Taffanel (1844-1908) was a French flautist, conductor and composer. He contributed significantly to the repertoire of the Flute and his Wind Quintet also remains prominent to this day. In 1879, Taffanel founded the Society of Chamber Music for Wind Instruments, reviving the wind ensemble music of Mozart and Beethoven. His Wind Quintet in G minor had been composed three years previously, in 1876, and is made up of three movements; 1) Allegro con moto, 2) Andante, and 3) Vivace. For the repertoire of this popular ensemble arrangement, Taffanel 's Wind Quintet is an essential addition.

SEK 940.00
1

Ludwig van Beethoven: Grand Trio Op.87 in C major (Trio - Brass)

Ludwig van Beethoven: Grand Trio Op.87 in C major (Trio - Brass)

Ludwig Van Beethoven (1770-1827) remains one of the most influential composers ever to have lived. His Op. 87 Trio, originally composed for two Oboes and Cor Anglais in 1795, is sublimely arranged for Brass instruments by Robert King . Beethoven 's Trio was originally composed in C major, and has since been arranged for a variety of instrumentations. King 's arrangement is intended for Trumpet, Horn or Trumpet, and Baritone, Trombone or Horn. The Trio is made up of four movements; 1) Allegro, 2) Adagio Cantabile, 3) Menuetto, and 4) Finale. For all aspiring, advanced Brass trios, King's arrangement of Beethoven 's popular Op. 87 Trio cannot be missed.

SEK 657.00
1

Jacques Castérède: Sonatine d'Avril (Flute & Guitar)

Jacques Castérède: Sonatine d'Avril (Flute & Guitar)

After hearing Castèréde 's Sonatine D'Avril for Flute and Guitar, the realisation that his music remains in the shadows of his French contemporaries is one that is hard to fathom. Should you be a fan of Messiaen, then Castèréde 's Sonatine D'Avril is one for you. Having won prizes in Piano, chamber music, harmony, composition, analysis and aesthetics in music whilst studying at Paris Conservatoire, it is not surprising that the composer's Sonatine D'Avril is full of musically appealing features. Elements include exquisite use of Flute technique, exploiting tonality, and clever accompaniment features in the Guitar. From allegro semiquaver passages to luscious melodies, Sonatine D'Avril provides an enjoyable listen and fun piece to learn for all advanced flautists and guitarists.

SEK 558.00
1

Bohuslav Martinu: Trio À Cordes No.1, H136 (Trio - Strings)

Bohuslav Martinu: Trio À Cordes No.1, H136 (Trio - Strings)

Bohuslav Martinů (1890-1959) was a prolific Czech composer, writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in a variety of composition styles. His String Trio was published in 1951. Martinů himself was a violinist and many of his experiments in composing for solo instruments and small ensembles saw him write for his own instrument and for the familiar strings. String Trio is made up of two movements; 1) Allegro and 2) Poco moderato. With a typical performance lasting about 15 and a half minutes, the String Trio for Violin, Viola and Cello provides advanced string players with an exciting, challenging and inspiring ensemble work, addressing a variety of musical features. Martinů 's String Trio is essential to aspiring string ensembles.

SEK 633.00
1

Pierre Max Dubois: Quatuor (Clarinets 4)

Pierre Max Dubois: Quatuor (Clarinets 4)

Composed by Pierre-Max Dubois ,  Quartuor  is a really energetic and melodious piece for four Bb Clarinets. Lasting approximately 10 minutes, it is divided into four distinct parts: 1. Allegretto, 2. Allegro, 3. Pastorale and 4. Musette. During the whole piece, the Clarinets complete each other’s part on this fast work. The first part has a repetitive theme with some variations while the second one seems to be playing more on the aspects of the low and high ranges. The “Pastorale” section is slower and slightly less cheerful. The piece ends on the “Musette” which brings back some energy before the end. This piece would be perfect to play during a concert or a recital. Pierre Max Dubois (1930-1995) was a French composer who was awarded the Prix de Rome in 1955. Mainly composing classical music, his works are mainly for woodwinds. He is one of the founder of the Les Six and which included his professor, Darius Milhaud.

SEK 558.00
1

Orphée aux enfers (version 1874 chant et piano)

Orphée aux enfers (version 1874 chant et piano)

Créé au Théâtre des Bouffes-Parisiens le 21 octobre 1858, l’opéra bouffon en 2 actes Orphée aux enfers de Jacques Offenbach (1819-1880), sur un livret d’Henri Crémieux et de Ludovic Halévy, constitua le premier succès lyrique de l’éditeur Heugel puisque l’œuvre réussit à s’imposer rapidement sur les scènes du monde entier (1860 à Vienne, l’année suivante à New-York...). Cette parodie mythologique, qui choqua nombre de bien-pensants, ne cherchait nullement à profaner la légende originelle ou même l’opéra de Gluck, mais plutôt à railler l’utilisation abusive qu’en faisait une certaine élite académique : pour échapper à la momification, rien de tel qu’une salve de rires ! La musique de celui que l’on surnommera bientôt « le roi du Second Empire » réussit le tour de force d’allier la plus grande légèreté au raffinement. Il s’agit ici de l’édition piano-chant de la seconde version d’Orphée aux enfers, repris triomphalement en 1874 au Théâtre de la Gaîté avec le sous-titre : opéra-féérie en 4 actes et 12 tableaux.

SEK 1029.00
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