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String Quartet in C-sharp minor op. 131

String Quartet in C-sharp minor op. 131

Many anecdotes surround String Quartet op. 131: Beethoven is said to have considered it to be his finest quartet and of his late period works, the one dearest to his heart. It is also believed that the composer invested so much ofhimself in it: his ailing health, the social isolation brought about by his deafness and the suicide attempt of his nephew Karl. In addition it was reported that Franz Schubert asked to hear this piece once more on hisdeathbed.Even if these anecdotes are not all true, they reveal what generations of musicians felt they heard in this quartet: Beethoven’s most personal musical idiom and a vulnerable message from the final period of hislife.This new edition by Jonathan Del Mar represents a thorough revision of this highly complex work. Meticulously incorporated are Beethoven’s pencil markings that were previously almost completely ignored.

SEK 330.00
1

String Quartet in C-sharp minor op. 131

String Quartet in C-sharp minor op. 131

Many anecdotes surround String Quartet op. 131: Beethoven is said to have considered it to be his finest quartet and of his late period works, the one dearest to his heart. It is also believed that the composer invested so much ofhimself in it: his ailing health, the social isolation brought about by his deafness and the suicide attempt of his nephew Karl. In addition it was reported that Franz Schubert asked to hear this piece once more on hisdeathbed.Even if these anecdotes are not all true, they reveal what generations of musicians felt they heard in this quartet: Beethoven’s most personal musical idiom and a vulnerable message from the final period of hislife.This new edition by Jonathan Del Mar represents a thorough revision of this highly complex work. Meticulously incorporated are Beethoven’s pencil markings that were previously almost completely ignored.

SEK 202.00
1

Cantata No. 132 Bereitet Die Wege : Cantata for the 4th Sunday of Advent

Cantata No. 132 Bereitet Die Wege : Cantata for the 4th Sunday of Advent

The cantata Bereitet die Wege is one of the few works by Johann Sebastian Bach of which we know fairly well how it came into being. The autograph full score bears the date 1715; Bach therefore composed the piece for the churchservice given by the Weimar court orchestra (of which he was the concert master) on 22 December, the fourth Sunday in Advent, in the year 1715. We even know the author of the words: it was the High Ecclesiastical Secretary inWeimar, Salomon Franck, who wrote the poem especially for that occasion and had it printed in his annual cycle of cantata texts entitled Evangelisches Andachtsopfer.

SEK 62.00
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Sonatina In G Major Op.100 For Violin And Piano

Sonatina In G Major Op.100 For Violin And Piano

Sonatina In G Major for Violin and Piano was written during a period of relaxed creativity and family contentment. Dvorak wrote it in America at the end of 1893 and dedicated it to his children whowere both attending the National Conservatory in New York, where the composer acted as director. His daughter Otylie, later the wife of Josef Suk, and his 10-year-old son Antonin, also premiered the work at a familyconcert.The purpose for which it was intended is reflected in the simplicity and clarity of musical ideas, and the relatively straightforward technical demands of the piece.This title is part of the firstCompleteCritical Edition of Works by Antonin Dvorak.

SEK 192.00
1

Miniatures, Op.75a & Gavotte : für zwei Violinen und Viola oder drei Violinen

Miniatures, Op.75a & Gavotte : für zwei Violinen und Viola oder drei Violinen

'This work brings me as much pleasure as if I were writing a major symphony...'. This was how Dvorak communicated to his publisher Simrock the joy he felt while working on Op.75a (Miniaturesfor Two Violins and Viola), and he immediately set about reworking it for Violin and Piano, giving it a new title, Romantic Pieces. The four short movements fully evoke the atmosphere of home music-making for which it waswritten. The Czech edition goes by the title Drobnosti (Miniatures) and is accompanied by a short Gavotte, dated 1890 and also written in a simpler style for three Violins. This title is part of the first CompleteCriticalEdition of Works by Antonin Dvorak.

SEK 196.00
1

Concerto for Violin and Orchestra no. 1 E major

Concerto for Violin and Orchestra no. 1 E major

Bohuslav Martinu wrote his First Violin Concerto in Paris in 1932–33, this work having been commissioned by the violin virtuoso Samuel Dushkin. However, it was never performed during the composer’s lifetime and was even considered lost after his death. It was not until 1961 that musicologist and collector Hans Moldenhauer bought it from Boaz Piller, contrabassoonist of the Boston Symphony Orchestra. Moldenhauer approached Czech violinist Josef Suk, who gave the world premiere of the work with the Chicago Symphony Orchestra under Georg Solti in October 1973. This piano reduction is based on the musical text of the first edition. The solo part has been revised by a leading Czechviolinist and performer of Martinu’s music.

SEK 823.00
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Piano Concerto No. 20 in D minor K. 466

Piano Concerto No. 20 in D minor K. 466

Mozart perfected the form of the modern piano concerto, which from about 1750 begins to show its affinity with sonata form, in his 21 concertos for solo piano and orchestra. The D minor piano concerto K.466 is one of the fewconcertos which remained in concert repertoire in the years following Mozart’s death. After the resuscitation of the other concertos it remained the most popular of all Mozart’s works in this genre, and there can scarcely be apianist who has not studied it or played it in a concert.Urtext of the New Mozart EditionFull score, performance material (BA4873), two-piano reduction (BA4873-90) and study score format 22.5 x 16.5cm(TP147)available for sale

SEK 277.00
1

Concerto for Violin and Orchestra no. 1 H 226

Concerto for Violin and Orchestra no. 1 H 226

Bohuslav Martinu wrote his First Violin Concerto in Paris in 1932–33, this work having been commissioned by the violin virtuoso Samuel Dushkin. However, it was never performed during the composer’s lifetime and was even considered lost after his death. It was not until 1961 that musicologist and collector Hans Moldenhauer bought it from Boaz Piller, contrabassoonist of the Boston Symphony Orchestra. Moldenhauer approached Czech violinist Josef Suk, who gave the world premiere of the work with the Chicago Symphony Orchestra under Georg Solti in October 1973. This piano reduction is based on the musical text of the first edition. The solo part has been revised by a leading Czechviolinist and performer of Martinu’s music.

SEK 345.00
1

Zwei Suiten : Suiten in G-dur und F-dur

Zwei Suiten : Suiten in G-dur und F-dur

The orchestra suite (earlier referred to as an overture) is in its style and the continuity of its movements far removed from the strict polyphonic form such as illustrated in the canzone and the fugue, as well as from the moreexpressive style of the trio sonata or the later solo sonata.We have inherited a rich collection of suite music from the period 1680-1750, and it is important that we make use of it today. The obliging form of the suitemakes it possible for every musician to play because it presents no technical problems, another advantage being that the individual parts are easily filled. When played at home the parts are normally filled by strings, butwindinstruments of all kinds can be used in combination or instead of the strings.It is unnecessary to point out that the suite is an ideal form of music for school and amateur orchestra performances. More than any othertype of composition it is recommended for musical instruction, and especially when playing in an ensemble for the first practice in ensemble playing.- Johann Caspar Ferdinand Fischer 1656 - 1746- Score with one ofeach part (Violin I,II; Viola [da gamba] I,II; Cello; Cembalo) and separate string parts available for sale

SEK 356.00
1

Premiere Rhapsodie

Premiere Rhapsodie

Debussy’s Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussyorchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention amongclarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source thatshedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary(Eng)

SEK 239.00
1

Première Rhapsodie : For Orchestra With Solo Clarinet In B-Flat

Première Rhapsodie : For Orchestra With Solo Clarinet In B-Flat

Debussy’s Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussyorchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention amongclarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source thatshedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary(Eng)

SEK 90.00
1