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Symphony No.8 In G Op.88 (Cello) : In G Major

The performance material available up till now for Dvorák’s sun-filled cheerful Symphony No.8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the editor Jonathan Del Mar. Hehas taken into account the engraver’s copy, which was actually discovered in a rubbish bin at Novello’s in 1964. Its title page bears the words “Copied from my original manuscript” in Dvorák’s hand. This source proves that many ofthe readings contained in the first edition and faithfully adopted in all subsequent editions, were simply slips of the copyist’s pen.This new edition with score and orchestral parts in an enlarged format is accompanied byadetailed Critical Commentary on the sources and alternative readings. It also contains important facsimile pages to clarify problematical readings.Score and orchestral parts in an enlarged formatInformativeForeword (Eng/Cz/Ger) and Critical Commentary (Eng) on sources and alternative readingsWith facsimile pages

SEK 128.00

1

Evening Service : Magnificat and Nunc dimittis

The present 'Evening Service' is one of the few works in which Pucell sets to music portions of the liturgy, whereas most of the church music of the Master consists of anthems, i.e. cantata-like compositions with biblical text. The alternative between chorus (full) and soloists (verse), so characteristic of this composition, may if necessary be replaced by contrasting large and small chorus.Soprano solo (2), Alto solo, Tenor solo, Bass solo,Mixed choir (SATB)

SEK 122.00

1

Orchestral Suite - Overture No.2 In B Minor

J.S. Bach’s four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sourcesthat have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”.At that time Bärenreiteralso issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suites now presents the Urtext as found in the “NewBachEdition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a“Violino concertato” part.Urtext editions of these important works.Newly engraved parts and fully realized continuo.For the first time an alternative version of the Overture and Air to the D major suiteBWV 1068 with “ Violino concertato ” is included.Full scores, study scores & performance material available for sale

SEK 117.00

1

Orchestral Suite - Overture No.2 In B Minor

J.S. Bach’s four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sourcesthat have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”.At that time Bärenreiteralso issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suites now presents the Urtext as found in the “NewBachEdition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a“Violino concertato” part.Urtext editions of these important works.Newly engraved parts and fully realized continuo.For the first time an alternative version of the Overture and Air to the D major suiteBWV 1068 with “ Violino concertato ” is included.Full scores, study scores & performance material available for sale

SEK 117.00

1

Orchestral Suite - Overture No.2 In B Minor

J.S. Bach’s four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sourcesthat have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”.At that time Bärenreiteralso issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suites now presents the Urtext as found in the “NewBachEdition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a“Violino concertato” part.Urtext editions of these important works.Newly engraved parts and fully realized continuo.For the first time an alternative version of the Overture and Air to the D major suiteBWV 1068 with “ Violino concertato ” is included.Full scores, study scores & performance material available for sale

SEK 165.00

1

Orchestral Suite - Overture No.2 In B Minor

J.S. Bach’s four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in 1721. Unfortunatelythe only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnowpresents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overtureand Air to the D major suite BWV 1068 including a “Violino concertato” part. Urtext editions of these important works. Newly engraved parts and fully realized continuo. For the first timean alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. Full scores, study scores & performance material available for sale

SEK 117.00

1

Orchestral Suite - Overture No.2 In B Minor

J.S. Bach’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New BachEdition”.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnowpresents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Airto the D major suite BWV 1068 including a “Violino concertato” part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version ofthe Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included.- Full scores, study scores and performance material available for sale.

SEK 122.00

1

Orchestral Suite - Overture No.2 In B Minor

J.S. Bach’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New BachEdition”.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnowpresents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Airto the D major suite BWV 1068 including a “Violino concertato” part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version ofthe Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included.- Full scores, study scores and performance material available for sale.

SEK 117.00

1

Sonata for Pianoforte in E major op. 109

Beethoven’s final three piano sonatas have always been a source of great fascination. Composed in 1820, the Sonata op. 109 opened the door to the future with its extreme expressivity, its abandonment of traditional techniques and its radical departure from familiar aesthetic norms. Beethoven specialist Jonathan Del Mar has competently solved the questions raised by the highly complex source material of this work headed “Sonata for the Hammerklavier” in the autograph score. The result is a reliable musical text and a Critical Commentary explaining alternative readings and editorial decisions. In addition to a reader-friendly engraving and practical page-turns, the edition is roundedoff with an informative Introduction and valuable notes on historical performance practice. Beethoven’s final three piano sonatas have always been a source of great fascination. Composed in 1820, the Sonata op. 109 opened the door to the future with its extreme expressivity, its abandonment of traditional techniques and its radical departure from familiar aesthetic norms.Beethoven specialist Jonathan Del Mar has competently solved the questions raised by the highly complex source material of this work headed “Sonata for the Hammerklavier” in the autograph score. The result is a reliable musical text and a Critical Commentary explaining alternative readings and editorial decisions.In addition to a reader-friendly engraving and practicalpage-turns, the edition is rounded off with an informative Introduction and valuable notes on historical performance practice.

SEK 165.00

1

The Four Seasons (Viola)

One of the best-loved and most endearing works of the late Baroque, Vivaldi's set of Violin Concertos The Four Seasons Op.8 are presented here in an authoritative Barenreiter Urtext edition.This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source, which originates from Vivaldi’s circle and represents an alternative (in many cases, moreexplicit) version of these famous concertos than the first printed edition published by Le Cene in Amsterdam in 1725.The Manchester source has until now not been used as the primary basis for a modern performing edition, andoffersnew readings and evidence for players and listeners alike.With Christopher Hogwood’s new edition a fresh gust of wind has taken hold of The Four Seasons.

SEK 133.00

1

Die Hirten bei der Krippe zu Bethlehem : Sacred Cantata

In the words of Karl Wilhelm Ramler, this cantata is one of the most beautiful Christmas compositions of the 18th century. Written for a performance in 1759, it combines festive trumpet sounds with moving choralesettings.Telemann has used his musical resources with moderation and restraint, allowing the chorus to appear at the central passages in both sections and painting an unobtrusive pastoral background for the Christmassetting. A worthy alternative in any Christmas concert.Our edition contains an English translation of the German text in an appendix and follows the Urtext of the Telemann Edition (vol. 30), thereby providing areliabletext reflecting the latest findings of scholarship.Urtext of the Telemann EditionFull score and performance material (BA5852) and vocal score (BA5852-90) available for sale.

SEK 160.00

1

The Four Seasons (Violin II)

One of the best-loved and most endearing works of the late Baroque, Vivaldi's set of Violin Concertos The Four Seasons Op.8 are presented here in an authoritative Barenreiter Urtext edition.This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source, which originates from Vivaldi’s circle and represents an alternative (in many cases, moreexplicit) version of these famous concertos than the first printed edition published by Le Cene in Amsterdam in 1725.The Manchester source has until now not been used as the primary basis for a modern performing edition, andoffersnew readings and evidence for players and listeners alike.With Christopher Hogwood’s new edition a fresh gust of wind has taken hold of The Four Seasons.

SEK 133.00

1

Die Hirten bei der Krippe zu Bethlehem : Sacred Cantata

In the words of Karl Wilhelm Ramler, this cantata is one of the most beautiful Christmas compositions of the 18th century. Written for a performance in 1759, it combines festive trumpet sounds with moving choralesettings.Telemann has used his musical resources with moderation and restraint, allowing the chorus to appear at the central passages in both sections and painting an unobtrusive pastoral background for the Christmassetting. A worthy alternative in any Christmas concert.Our edition contains an English translation of the German text in an appendix and follows the Urtext of the Telemann Edition (vol. 30), thereby providing areliabletext reflecting the latest findings of scholarship.Urtext of the Telemann EditionFull score and performance material (BA5852) and vocal score (BA5852-90) available for sale.

SEK 160.00

1

The Four Seasons (Violin I)

One of the best-loved and most endearing works of the late Baroque, Vivaldi's set of Violin Concertos The Four Seasons Op.8 are presented here in an authoritative Barenreiter Urtext edition.This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source, which originates from Vivaldi’s circle and represents an alternative (in many cases, moreexplicit) version of these famous concertos than the first printed edition published by Le Cene in Amsterdam in 1725.The Manchester source has until now not been used as the primary basis for a modern performing edition, andoffersnew readings and evidence for players and listeners alike.With Christopher Hogwood’s new edition a fresh gust of wind has taken hold of The Four Seasons.

SEK 136.00

1

The Four Seasons (Cembalo)

One of the best-loved and most endearing works of the late Baroque, Vivaldi's set of Violin Concertos The Four Seasons Op.8 are presented here in an authoritative Barenreiter Urtext edition.This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source, which originates from Vivaldi’s circle and represents an alternative (in many cases, moreexplicit) version of these famous concertos than the first printed edition published by Le Cene in Amsterdam in 1725.The Manchester source has until now not been used as the primary basis for a modern performing edition, andoffersnew readings and evidence for players and listeners alike.With Christopher Hogwood’s new edition a fresh gust of wind has taken hold of The Four Seasons.

SEK 165.00

1

Die Hirten bei der Krippe zu Bethlehem : Sacred Cantata

In the words of Karl Wilhelm Ramler, this cantata is one of the most beautiful Christmas compositions of the 18th century. Written for a performance in 1759, it combines festive trumpet sounds with moving choralesettings.Telemann has used his musical resources with moderation and restraint, allowing the chorus to appear at the central passages in both sections and painting an unobtrusive pastoral background for the Christmassetting. A worthy alternative in any Christmas concert.Our edition contains an English translation of the German text in an appendix and follows the Urtext of the Telemann Edition (vol. 30), thereby providing areliabletext reflecting the latest findings of scholarship.Urtext of the Telemann EditionFull score and performance material (BA5852) and vocal score (BA5852-90) available for sale.

SEK 160.00

1

The Four Seasons (Cello/Bass)

One of the best-loved and most endearing works of the late Baroque, Vivaldi's set of Violin Concertos The Four Seasons Op.8 are presented here in an authoritative Barenreiter Urtext edition.This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source, which originates from Vivaldi’s circle and represents an alternative (in many cases, moreexplicit) version of these famous concertos than the first printed edition published by Le Cene in Amsterdam in 1725.The Manchester source has until now not been used as the primary basis for a modern performing edition, andoffersnew readings and evidence for players and listeners alike.With Christopher Hogwood’s new edition a fresh gust of wind has taken hold of The Four Seasons.

SEK 133.00

1

Die Hirten bei der Krippe zu Bethlehem : Sacred Cantata

In the words of Karl Wilhelm Ramler, this cantata is one of the most beautiful Christmas compositions of the 18th century. Written for a performance in 1759, it combines festive trumpet sounds with moving choralesettings.Telemann has used his musical resources with moderation and restraint, allowing the chorus to appear at the central passages in both sections and painting an unobtrusive pastoral background for the Christmassetting. A worthy alternative in any Christmas concert.Our edition contains an English translation of the German text in an appendix and follows the Urtext of the Telemann Edition (vol. 30), thereby providing areliabletext reflecting the latest findings of scholarship.Urtext of the Telemann EditionFull score and performance material (BA5852) and vocal score (BA5852-90) available for sale.

SEK 160.00

1

Sonata In A Major D 959

Edited on the basis of the New Schubert Edition.Newly engraved scholarly-critical performing edition.Notes on performance practice (Ger/Eng)Access to Schubert’s drafts on the Bärenreiterwebsite.New foreword (Ger/Eng) and a Critical Commentary (Eng).Schubert composed his great Piano Sonata In A Major just a few months before his untimely death in 1828. The balance this workstrikes between lyrical melody, emotional intimacy and pianistic brilliance makes it a highlight among his sonatas, not least because of its poetic Andantino.This scholarly-critical edition by Walburga Litschauer is basedonthe Urtext of the New Schubert Edition and uses the autograph manuscript as the prime source. The edition is rounded off by a new foreword, valuable notes on performance practice as well as a Critical Commentary with informationon performance-relevant alternative readings and Schubert’s notation of accents.Schubert’s drafts of the A major Sonata can be accessed on Bärenreiter’s website.This new edition replaces theexisting edition BA 5633.

SEK 202.00

1

Piano Sonata In G Op.78 D 894 : G Major Op. 78 D 894

Schubert’s tuneful and buoyant Sonata in G major was published in April 1827 as a “Fantasy or Sonata”, to quote the heading of its first movement. His first reviewer noted that “the beloved and talented Lieder composer haspresented the music world with a fantasy in which he lets his inventiveness loose. He presents the pianist with a harmonic indulgence without however amassing too many difficulties to complicate the execution”.Ourscholarly-critical Urtext edition, based on the definitive New Schubert Edition, presents the sonata in a spacious new engraving with practical page turns. The work is introduced by an updated Foreword (Ger/Eng) and detailednoteson key questions of performance practice, e.g. pedalling and Schubert’s characteristic way of writing accents. Rounding off the edition is a Critical Commentary (Eng) containing alternative readings of relevance to the performer. Schubert’s rejected initial version of the second movement can be accessed via the Barenreiter website.- Scholarly-critical Urtext editions based on the New Schubert Edition- Spacious new engravings with practicalpage turns- Detailed notes on historical performance practice (Ger/Eng)- Updated Forewords (Ger/Eng) and Critical Commentaries (Eng)- Schubert’s rejected versions of individual movements accessible online

SEK 196.00

1

Concerto : for the Left Hand for Piano and Orchestra

In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrillingcompositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand isbased on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’sevolutionfrom Ravel’s autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph isinaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us tounderstand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Pianopart.The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering afterhaving studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings(Eng)Informative Introduction on the work’s history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Pianoreduction (BA7881-90) available for sale

SEK 128.00

1

Concerto : for the Left Hand for Piano and Orchestra

In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrillingcompositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand isbased on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’sevolutionfrom Ravel’s autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph isinaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us tounderstand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Pianopart.The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering afterhaving studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings(Eng)Informative Introduction on the work’s history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Pianoreduction (BA7881-90) available for sale

SEK 128.00

1

Concerto : for the Left Hand for Piano and Orchestra

In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrillingcompositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand isbased on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’sevolutionfrom Ravel’s autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph isinaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us tounderstand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Pianopart.The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering afterhaving studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings(Eng)Informative Introduction on the work’s history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Pianoreduction (BA7881-90) available for sale

SEK 128.00

1

Concerto : for the Left Hand for Piano and Orchestra

In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrillingcompositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand isbased on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’sevolutionfrom Ravel’s autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph isinaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us tounderstand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Pianopart.The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering afterhaving studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings(Eng)Informative Introduction on the work’s history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Pianoreduction (BA7881-90) available for sale

SEK 128.00

1

Concerto : for the Left Hand for Piano and Orchestra

In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrillingcompositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand isbased on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’sevolutionfrom Ravel’s autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph isinaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us tounderstand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Pianopart.The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering afterhaving studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings(Eng)Informative Introduction on the work’s history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Pianoreduction (BA7881-90) available for sale

SEK 133.00

1

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Symphony No.8 In G Op.88 (Cello) : In G Major

Evening Service : Magnificat and Nunc dimittis

Orchestral Suite - Overture No.2 In B Minor

Orchestral Suite - Overture No.2 In B Minor

Orchestral Suite - Overture No.2 In B Minor

Orchestral Suite - Overture No.2 In B Minor

Orchestral Suite - Overture No.2 In B Minor

Orchestral Suite - Overture No.2 In B Minor

Sonata for Pianoforte in E major op. 109

The Four Seasons (Viola)

Die Hirten bei der Krippe zu Bethlehem : Sacred Cantata

The Four Seasons (Violin II)

Die Hirten bei der Krippe zu Bethlehem : Sacred Cantata

The Four Seasons (Violin I)

The Four Seasons (Cembalo)

Die Hirten bei der Krippe zu Bethlehem : Sacred Cantata

The Four Seasons (Cello/Bass)

Die Hirten bei der Krippe zu Bethlehem : Sacred Cantata

Sonata In A Major D 959

Piano Sonata In G Op.78 D 894 : G Major Op. 78 D 894

Concerto : for the Left Hand for Piano and Orchestra

Concerto : for the Left Hand for Piano and Orchestra

Concerto : for the Left Hand for Piano and Orchestra

Concerto : for the Left Hand for Piano and Orchestra

Concerto : for the Left Hand for Piano and Orchestra

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