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Les Nuits D'Ete : op. 7 Hol. 81B / Six Melodies

Les Nuits D'Ete : op. 7 Hol. 81B / Six Melodies

Original version. BA 5784-90: Vocal score (original keys, with alternatives of 2) and 3) in higher keys). 1: Villanelle A major (mezzo-soprano or tenor voice). 2: Le spectre de la rose B major(contralto voice; alternative provided in D major for high voice). 3: Sur les lagunes F minor (baritone or contralto or soprano voice; alternative provided in G minor for high voice). 4: Absence F sharp minor(mezzo-soprano or tenor voice). 5: Au cimetière D major (tenor voice). 6: L’îsle inconnue D major (tenor voice). Full scores and parts available for hire contain both versionsof2) and 3) enabling the complete song cycle to be performed in concert by a single vocalist.

SEK 266.00
1

The Four Seasons (Study Score)

The Four Seasons (Study Score)

This critical edition of Vivaldi’s masterpiece is based on the Manchester manuscript source, which originates from Vivaldi’s circle, and represents an alternative (in many cases, more explicit)version of these famous concertos. The Manchester source has until now not been used as the primary source for a modern edition. First study score to be based on the Manchester source. Critical scholarly edition.Details regarding the work's source history as well as comments on performance practice.

SEK 245.00
1

Cowboy Songs for Strings and Winds : Cowboy Songs

Cowboy Songs for Strings and Winds : Cowboy Songs

Score with 5 parts (V I, VII, Va (V III).Cowboy Songs are old but ever popular tunes from the pioneering days of the Wild West.This edition presents these songs in simple arrangements for String Quartet or StringOrchestra and form an ideal introduction to ensemble playing. An alternative third Violin part may be substituted for the Viola.With such favourites as “Home on the Range”, “Arkansas Traveler” and “TheYellow Rose of Texas”, these Cowboy Songs will be a hit with young String players.

SEK 226.00
1

Orchestral Suite - Overture No.3 In D BWV 1068

Orchestral Suite - Overture No.3 In D BWV 1068

J.S. Bach’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New BachEdition”.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnowpresents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air tothe D major suite BWV 1068 including a “Violino concertato” part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of theOverture and Air to the D major suite BWV 1068 with “Violino concertato” is included.- Full scores, study scores and performance material available for sale.

SEK 277.00
1

Orchestral Suite - Overture No.4 In D BWV 1069

Orchestral Suite - Overture No.4 In D BWV 1069

J.S. Bach’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New BachEdition”.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnowpresents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air tothe D major suite BWV 1068 including a “Violino concertato” part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of theOverture and Air to the D major suite BWV 1068 with “Violino concertato” is included.- Full scores, study scores and performance material available for sale.

SEK 334.00
1

Orchestral Suite

Orchestral Suite

J.S. Bach’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New BachEdition”.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnowpresents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Airto the D major suite BWV 1068 including a “Violino concertato” part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version ofthe Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included.- Full scores, study scores and performance material available for sale.

SEK 266.00
1

Orchestral Suite

Orchestral Suite

J.S. Bach’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New BachEdition”.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnowpresents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Airto the D major suite BWV 1068 including a “Violino concertato” part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version ofthe Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included.- Full scores, study scores and performance material available for sale.

SEK 266.00
1

Orchestral Suite - Overture No.1 In C BWV 1066

Orchestral Suite - Overture No.1 In C BWV 1066

J.S. Bach’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New BachEdition”.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnowpresents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air tothe D major suite BWV 1068 including a “Violino concertato” part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of theOverture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included.- Full scores, study scores and performance material available for sale.

SEK 266.00
1

The Four Seasons Op. 8 : Le Quattro Stagioni - Die Vier Jahreszeiten

The Four Seasons Op. 8 : Le Quattro Stagioni - Die Vier Jahreszeiten

Piano reduction with solo Violin part for all 4 concertos.One of the best-loved and most endearing works of the late Baroque, Vivaldi's set of Violin Concertos The Four Seasons Op.8are presented here in an authoritative Barenreiter Urtext edition.This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source, which originatesfrom Vivaldi’s circle and represents an alternative (in many cases, more explicit) version of these famous concertos than the first printed edition published by Le Cene in Amsterdam in 1725.The Manchester sourcehasuntil now not been used as the primary basis for a modern performing edition, and offers new readings and evidence for players and listeners alike.With Christopher Hogwood’s new edition a fresh gust ofwind has taken hold of The Four Seasons.

SEK 404.00
1

Die Hirten bei der Krippe zu Bethlehem : Sacred Cantata

Die Hirten bei der Krippe zu Bethlehem : Sacred Cantata

In the words of Karl Wilhelm Ramler, this cantata is one of the most beautiful Christmas compositions of the 18th century. Written for a performance in 1759, it combines festive trumpet sounds with moving choralesettings.Telemann has used his musical resources with moderation and restraint, allowing the chorus to appear at the central passages in both sections and painting an unobtrusive pastoral background for the Christmassetting. A worthy alternative in any Christmas concert.Our edition contains an English translation of the German text in an appendix and follows the Urtext of the Telemann Edition (vol. 30), thereby providing areliabletext reflecting the latest findings of scholarship.Urtext of the Telemann EditionFull score and performance material (BA5852) and vocal score (BA5852-90) available for sale.

SEK 228.00
1

Die Hirten bei der Krippe zu Bethlehem : Sacred Cantata

Die Hirten bei der Krippe zu Bethlehem : Sacred Cantata

In the words of Karl Wilhelm Ramler, this cantata is one of the most beautiful Christmas compositions of the 18th century. Written for a performance in 1759, it combines festive trumpet sounds with moving choralesettings.Telemann has used his musical resources with moderation and restraint, allowing the chorus to appear at the central passages in both sections and painting an unobtrusive pastoral background for the Christmassetting. A worthy alternative in any Christmas concert.Our edition contains an English translation of the German text in an appendix and follows the Urtext of the Telemann Edition (vol. 30), thereby providing areliabletext reflecting the latest findings of scholarship.Urtext of the Telemann EditionFull score and performance material (BA5852) and vocal score (BA5852-90) available for sale.

SEK 255.00
1

Die Hirten bei der Krippe zu Bethlehem : Sacred Cantata

Die Hirten bei der Krippe zu Bethlehem : Sacred Cantata

In the words of Karl Wilhelm Ramler, this cantata is one of the most beautiful Christmas compositions of the 18th century. Written for a performance in 1759, it combines festive trumpet sounds with moving choralesettings.Telemann has used his musical resources with moderation and restraint, allowing the chorus to appear at the central passages in both sections and painting an unobtrusive pastoral background for the Christmassetting. A worthy alternative in any Christmas concert.Our edition contains an English translation of the German text in an appendix and follows the Urtext of the Telemann Edition (vol. 30), thereby providing areliabletext reflecting the latest findings of scholarship.Urtext of the Telemann EditionFull score and performance material (BA5852) and vocal score (BA5852-90) available for sale.

SEK 383.00
1

Sonata in F major op. 17 : for Pianoforte and Horn or Violoncello

Sonata in F major op. 17 : for Pianoforte and Horn or Violoncello

Beethoven wrote his Horn Sonata op. 17 for Johann Wenzel, one of the most famous horn players of his day. According to an anecdote from Beethoven's pupil Ferdinand Ries, he only completed it on the day before the première. Nevertheless, the piece was a rousing success.As the horn part demands a masterly technique, the publisher of the first print, Tranquillo Mollo et Comp., issued the piece in 1801 with an alternative part for violoncello. Since the autograph score has not survived, Jonathan Del Mar has based his scholarly-critical edition mainly on this first print.Misha Donat provides an informative Foreword on the work’s history and genesis (Eng/Ger) and theedition is rounded off by a Critical Commentary (Eng) with a complete description of the sources as well as a page in facsimile.

SEK 260.00
1

Sonate in G-Moll, Teufelstriller

Sonate in G-Moll, Teufelstriller

The “Devil’s Trill” Sonata is the most famous of the violin sonatas of Giuseppe Tartini (1692–1770). In the new scholarly-critical edition, it holds many a surprise in store. For the first time, all available contemporary sources have been consulted to produce an edition closely approximating Tartini’s lost autograph. The solo part offers several ossia passages and alternative articulation marks, and the score have been given an eminently playable realization of the continuo part offering ample scope for improvisation. Also for the first time, this edition includes a separate part for violoncello or violone. A detailed preface sheds light on the genesis and subsequentreception of this sonata. There is also a critical report discussing and evaluating all sources used and providing explanations of a number of important passages, including the famous trill itself.

SEK 218.00
1

Concerto For Violin In D K.271a

Concerto For Violin In D K.271a

Mozart’s concertos for Violin and Orchestra belong to that elite group of works determining a Violin players abilities; they are elegant and transparent with demanding passage-work. The Concerto In D Major K.2271a, the “6th” Mozart Violin concerto, has come down to us in two separate sources, a French set of parts and score copy as well as a Berlin score. The editorial board of the New Mozart Edition considers thisconcerto to be of doubtful authenticity. There are however many musicologists who feel that the work has numerous Mozart attributes.This new publication takes both the above mentioned sources into accountandincludes the cadenzas from the respective New Mozart Edition volume appendix although these are certainly not from Mozart's pen.- The “6th” Mozart Violin concerto!- Cadenzas from thesources.- With an alternative ending.- Additional solo part with fingerings and bowings.- Straight-forward Piano reduction.- Full score and performance material (BA5769) and Violin and Piano reduction(BA5769-90) available for sale.

SEK 277.00
1

Piano Sonatas III : The Late Sonatas

Piano Sonatas III : The Late Sonatas

Volume III of Schubert’s Piano Sonatas includes the tuneful, dance-like Sonata in G major D 894 (1827), sometimes called the “Fantasie” sonata, as well as the three great sonatas in C minor, A major and B-flat major (D 958, 959 and 960), which were conceived as a triptych and constitute the composer’s greatest contribution to the piano sonata genre. The works pay homage to the three late sonatas of Beethoven. This scholarly-critical Urtext edition is based on the definitive musical text of the “New Schubert Edition” and presents the works in a spacious new engraving with practical page turns. It includes an informative Foreword and detailed notes (Ger/Eng) on central performance practice issues such as the use of pedals and Schubert’s distinctive manner of notating accents. It is rounded off by a Critical Commentary (Eng) with performance-related alternative readings. Schubert’s drafts for individual sonata movements can be accessed on the Bärenreiter website.

SEK 446.00
1

L'Isola Disabitata - Hob.XXVIII

L'Isola Disabitata - Hob.XXVIII

Of Haydn’s numerous operas, only “L'Isola Disabitata” (The Deserted Island) has a librett by Pietro Metastasio. The plot recedes into the background in favour of the fine psychological interpretationof the feelings of the four protagonists. There are no more secco recitatives; instead the arias and ensembles and the commenting scenes with their emotionally-laden orchestral accompaniment are merged together in greater unities. The gloomy tone colours of the overture and the experimental form show the short, 90-minute chamber opera called an “operetta” by Haydn himself in a striking distance from Italian Baroque opera, perceptibleevennow.The new Vocal score is based on Vol. XXV/9 of the Haydn Edition.- Based on the Urtext of the Complete Edition of “Joseph Haydn Werke”, published by G. Henle Verlag.- Original Italian text, with Germansinging translation.- Vocal score with clearly-marked, incorporated original variants and alternative versions in an appendix.- Editorial additions in cue-sized notes.- Detailed foreword (Ger/Eng).-Performance material available for hire (BA4664-72)

SEK 451.00
1

Dichterliebe Op.48

Dichterliebe Op.48

Robert Schumann once described his lieder as a ”mirror image of his self”. This applies particularly to his compositions from Heinrich Heine’s “Buch der Lieder”. What began as a lyricalintermezzo, then developed into “Dichterliebe”, a work with which Schumann identified the ardour of his love for Clara Wieck. This work still presents an enigma to performers; how Schumann interpretesHeine’s irony in his music is often discussed. But one thing is certain: with “Dichterliebe” the composer created what is perhaps the best-loved and one of the most tightly-woven lieder cycles of theRomanticperiod. This new edition presents the work based on the first edition. It takes Schumann’s autograph score into consideration, an autograph score where there have recently been discussions as to whether itshould be presented as an independent alternative version. The four lieder omitted by Schumann from the printed edition are included in the appendix. High-quality Urtext edition of this well-known song cycleAppendix includes four lieder by Schumann which he did not include in the original cycle Comprehensive foreword and critical commentary (Ger/Eng)

SEK 330.00
1

St. Matthew Passion - Early Version BWV 244B

St. Matthew Passion - Early Version BWV 244B

Attractive alternative to the well-known St. Matthew PassionUrtext from the “New Bach Edition”Straightforward and easy-to-play piano reduction in the vocal scoreUnique to the marketBach’s St. Matthew Passion as we know it today evidently had a long history dating back before 1727. It is unclear whether the work performed at the Thomaskirche on Good Friday 1729 was based on a still earlier version.Whatever the case, the surviving version of 1729 presents the work in a form strikingly different from its later incarnation. For example, the opening section ends with the chorale “ Jesum lass ich nicht von mir ”whichwas replaced by the large-scale cantus firmus chorus “O Mensch , bewein dein Sünde gross” for the 1736 performance. The well-known alto aria “Ach! nun ist mein Jesus hin ” is still assigned to abass in the earlier version, and the aria “ Komm süsses Kreuz ” calls for a lute instead of the later viola da gamba. Moreover, the pieces for double chorus only require a single continuo group. Otherdifferences can be found in the instrumental scoring and voice-leading. The early version of the St. Matthew Passion is thus a most interesting addition to the great concert repertoire. The corresponding volume of the“New Bach Edition” (series II/volume 5b) serves as a conducting score (BA5099-01).

SEK 366.00
1