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Symphony No.8 In G Op.88 (Full Score) : In G Major

Symphony No.8 In G Op.88 (Full Score) : In G Major

The performance material available up till now for Dvorák’s sun-filled cheerful Symphony No.8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the editor Jonathan Del Mar. Hehas taken into account the engraver’s copy, which was actually discovered in a rubbish bin at Novello’s in 1964. Its title page bears the words “Copied from my original manuscript” in Dvorák’s hand. This source proves that many ofthe readings contained in the first edition and faithfully adopted in all subsequent editions, were simply slips of the copyist’s pen.This new edition with score and orchestral parts in an enlarged format is accompanied byadetailed Critical Commentary on the sources and alternative readings. It also contains important facsimile pages to clarify problematical readings.Score and orchestral parts in an enlargedformatInformative Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) on sources and alternative readingsWith facsimile pages

SEK 876.00
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Alcina HWV 34 : Opera in three acts

Alcina HWV 34 : Opera in three acts

Also available full score for sale (BA4061) and performance matetial for hire.Opera in 3 Acts.The Halle Handel Edition is a complete critical edition which serves the needs of scholars and performers by drawing onall available sources and the latest musicological findings. Within each volume the works appear, wherever possible, in chronological order; the numbering of the works follows the Händel-Werke-Verzeichnis (HWV). In addition tothe finished compositions, the edition also includes alternative versions, discarded sections, drafts, fragments, and, since 1991, the volumes in Series I and II include the printed libretto of the first performanceinfacsimile.The editions of Vocal works contain German and, if necessary, English text translation. Instructive examples of the source material (in facsimile) and a critical report (Ger/Eng) are included in the volumes.

SEK 557.00
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The Four Seasons (Full Score)

The Four Seasons (Full Score)

One of the best-loved and most endearing works of the late Baroque, Vivaldi's set of Violin Concertos The Four Seasons Op.8 are presented here in an authoritative Barenreiter Urtext edition.This publication of Vivaldi’s masterpiece is a critical performing edition of the Manchester manuscript source, which originates from Vivaldi’s circle and represents an alternative (in many cases, moreexplicit) version of these famous concertos than the first printed edition published by Le Cene in Amsterdam in 1725.The Manchester source has until now not been used as the primary basis for a modern performing edition, andoffersnew readings and evidence for players and listeners alike.With Christopher Hogwood’s new edition a fresh gust of wind has taken hold of The Four Seasons.

SEK 621.00
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Johannes-Passion (St. John Passion) BWV 245

Johannes-Passion (St. John Passion) BWV 245

The St. John Passion was first performed in Leipzig on Good Friday of 1724. Written three years before the St. Matthew Passion, it was a work Bach revised during the rest of his life, in fact he did not leave us a definitive version either in print or fair copy. The sources give evidence of four different versions used at four performances - 1724, 1725, around 1730 and during the last years of Bach's life. They often contain two or more readings for the same passage, or even different movements that on different occasions occupied the same place in the work.This edition uses the final version IV as its basis with alternative movements and readings contained in theappendices. A comprehensive preface in the study score (German/English) TP197 gives full information.

SEK 1003.00
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Piano Quintet in F minor op. 34

Piano Quintet in F minor op. 34

Bärenreiter’s scholarly-critical edition of Brahms’ popular Quintet in F minor for piano and strings contains everything a cutting edge Urtext edition is meant to offer. It presents a solid and well researched musical textbased on Brahms’ autograph as well as the first edition, and draws on the autograph of the two-piano version (composed six years later) for purposes of comparison. The edition also contains a discussion of the work’s historicalcontext and performance practice as well as a comprehensive Critical Commentary with an evaluation of the sources and alternative readings.The editor, Daniel Boomhower, deals with the conflicting readings between thestringparts in the autograph engraver’s copy and those found in small print in the first published score as well as in the separate parts for that edition. Relevant readings from the two-piano version appear in the appendix of theCritical Commentary.New Bärenreiter Urtext editionExhaustive study of conflicting readingsNotes on performance practice (Eng/Ger)Informative Foreword (Eng/Ger) and Critical Commentary(Eng)

SEK 563.00
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