Première Rhapsodie : For Orchestra With Solo Clarinet In B-Flat

Debussy’s Première Rhapsodie is one of two concertante works completed, premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussyorchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano, he made a few subtle changes, particularly in m. 201, which has been a bone of contention amongclarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source thatshedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary(Eng)

L'incoronazione Di Poppea : Opera Regia With A Prologue and Three Acts

Drawing on the definitive scholarly-critical edition by Hendrik Schulze et al., the renowned conductor, harpsichordist and organist Jörg Halubek has joined forces with students from the State University of Music and Performing Arts Stuttgart to present a historically informed piano reduction of Claudio Monteverdi’s exciting final opera, “L’incoronazione di Poppea”.The vocal score contains all the appendices found in the full score and includes an uncluttered piano reduction that lies well on the instrument. Rounding off the edition is a detailed musicological Foreword (Ger/Eng) by Emily Hagen providing information on the work’s genesis, the history of its performance andreception. In addition there is a Foreword on performance practice by early music specialist Jörg Halubek.

Les Indes Galantes RCT 44 : Ballet Heroïque With A Prologue and Four Acts

The main body of the new edition of Les Indes galantes, published in Opera Omnia Rameau (OOR IV.2, 7), restores the version authorised by Rameau in 1736. This basic editorial decision has made it possible to present a fullycoherent and authenticated reading of the work (after the adjustments from the earliest performances). All other versions before and after 1736 are gathered together in 19 appendices.Sylvie Bouissou’s new edition differsmarkedly from previous modern editions and all existing recordings. With its appendices she does justice to the performer’s need for Rameau’s various revisions while finally making accessible a version actually authorisedbyRameau. For the first time it is presented in its complete stylistic and dramatic context.Practical vocal score by François Saint-Yves for keyboard accompanimentBased on a reassessment of all sources andversionsDestined to have a clear impact on performances of Rameau’s magnum opusUrtext edition from the Rameau edition 'Opera omnia'.Full score (BA8860) and vocal score (BA8860-90) available forsale.Performance material (BA8860-72) available for hire.

Naïs : Opera With A Prologue and Three Acts

Complete Works For Violin And Piano - Volume 2 : Viennese Sonatas 1781-1788 with fragments and variations

- Not just some, but all the works for Violin and Piano- Urtext violin part plus an additional violin part prepared with fingerings and bowings- Large format 24,3 x 31 cm- New informative preface by Mozart scholar Dietrich BerkeContent: Sonata G major K. 379 (373a) Sonata F major K. 376 (374d) Sonata F major K. 377 (374e) Sonata E-flat major K. 380 (374f) Sonata B-flat major K. 454 Sonata E-flat major K. 481 Sonata A major K. 526 Sonata F major K. 547 Twelve Variations in G major on the French song "La Bergère Célimène" K. 359 (374a) Six Variations in G minor on the French song "Au bord dune fontaine" ("Hélas, jai perdu mon amant") K. 360 (374b) Appendix I: Andante and Allegretto in C major K. 404 (385d) Appendix II. Three Sonata Fragments completed by Maximilian Stadler: a. First Movement of a Sonata in B-flat major K. 372 b. Sonata C major K. 403 (385c) c. Andante and Fugue from a Sonata in A major K. 402 (385e)

Arias, Scenes, Ensembles and Choirs with Orchestra - Mozart, Wolfgang Amadeus

study score zu BA 4548 und BA 4551 complete edition, study score, Anthology Paperback

Trakturen - Michel, Wilfried

for Tape (with) sound track tape

Sonatas - Mendelssohn Bartholdy, Felix

for Violin and Piano With an Urtext solo part and a solo part with bowing and fingering Performance score, part(s), Urtext edition, Anthology piano/V Paperback

Six Sonatas - Bach, Johann Sebastian

for Violin and obligatory Harpsichord With an Urtext solo part and a solo part with bowing, fingering and comments score, set of parts, Urtext edition, Anthology V/harpisc./Bc Paperback

The Orchestral Violinist's Companion - Wulfhorst, Martin

A comprehensive guidebook with hundreds of excerpts book Paperback

Early works and works with little or facultative pedal use - Dubois, Théodore

Performance score, Anthology, Urtext edition Org Paperback

Parastasis I - Antoniou, Theodore

Szenisches Werk for 1 Player and Tape (with) sound track tape

Die Entfuhrung aus dem Serail : Overture with the Johann Anton André concert ending

Music for the Royal Fireworks - Händel, Georg Friedrich

Replaces BA 4208-65, not compatible with BA 4018 set of winds, Urtext edition Hæftet udgave

The Techniques of Violin Playing - Arditti, Irvine / Platz, Robert HP

The DVD can be played with the free-of-charge VLC Media Player book, DVD (Video) Paperback

Symphony - Mozart, Wolfgang Amadeus

First version without clarinets and second version with clarinets set of winds, Urtext edition Hæftet udgave G minor

The Techniques of Trombone Playing - Svoboda, Mike / Roth, Michel

With 92 sound-files und 5 newly composed studies available for download on the Bärenreiter website book Paperback

PiÞces de Clavecin - Rameau, Jean-Philippe

Complete Edition. With the composer's original appended texts unabridged, directions for playing and ornamentation tables Performance score piano/harpisc. Paperback

Der dunkle Gedanke - Klebe, Giselher

for B-flat Clarinet alternating with Bassett Horn in F and Piano Performance score, part(s) clarinet/BaHn/piano Hæftet udgave

Klavier-Festival Ruhr. Bärenreiter Piano Album -

Contemporary music for two and four hands With fingerings by Pierre-Laurent Aimard und Tamara Stefanovich Performance score, Anthology piano Paperback

Crudel tiranno Amor - Händel, Georg Friedrich

Cantata con stromenti for solo soprano and keyboard instrument. Facsimile edition with an enclosed vocal part facsimile, part(s) SSolo/Bc Hardback

Requiem in C Minor : Missa Pro Defunctis

Cherubini owes his fame as a church composer primarily to the Requiem in C minor of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early19th-century Requiem settings.Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both Choir and Orchestra.This Urtext editiontakes into account not only the autograph score with spartitino (additional instruments written in by hand) but also the first edition and a copyist’s manuscript. Rounding off this exemplary Urtext publication is aninformativeIntroduction and a Critical Commentary (Eng).

Vltava (The Moldau)

New Urtext edition with clear and uncluttered engraving.Informative foreword (Eng/Cz/Ger) including a contribution by Smetana scholar Olga Mojž šová.Includes a detailed Critical Commentary(Eng).Vltava (The Moldau) is Smetana’s most famous and frequently performed tone poem. It was written between 20 November and 8 December 1874, but only in 1879-1880, with the completion of theentire cycle Má vlast did it appear in print, when Urbánek issued it in full score and a version for Piano duet.Owing to the large number of misprints in the Urbánek first edition, Hugh Macdonald has based his new editiononthe autograph score, with cross-references to the first edition and the composer’s own version for Piano duet. Conflicting readings in the sources are listed in the Critical Commentary along with a discussion of all editorialdecisions.Version for Piano duet BA 9549.

Concerto For Piano, Violin And Violoncello In C

In Beethoven’s Triple Concerto, a piano trio provides the soloists a first in the history of music. Beethoven’s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra,but varies his treatment of the solo parts, allowing each instrument to play alone with the orchestra (particularly the cello), using two solo instruments together in ever new combinations, and finally bringing together all threeinstruments with the orchestra. Beethoven weaves a complex web the orchestral, piano, violin and cello voices interplaying and entwining and he produces a true masterpiece. Bärenreiter’s new Urtext edition ofBeethoven’sTriple Concerto is a completely fresh revision of this warm and beautiful showpiece. Errors abounded in all previous editions, but with the assistance of three newly-discovered sources, editor Jonathan Del Mar has cleaned up thetext, corrected wrong notes and rhythms and (for the first time since 1807) presented the work in a way that a musician of Beethoven’s day might have recognized, with all necessary information for directing the piece included inthe solo piano part. Piano reduction with separate parts for all three soloistsDraws on three new sourcesCorrection of many errors found in previous editions

Piano Concerto No.4 In G Op.58

With numerous corrections.Piano reduction with a separate solo Piano part.The autograph to Beethoven’s Piano Concerto No. 4 is lost. For every new edition which has appeared during thecourse of time there have been only two authentic sources to draw upon; the copyist’s manuscript of the score with Beethoven’s own corrections and the first edition in parts from 1808 which was published in Vienna andwhich contains a few revisions dated after the aforementioned manuscript.Though no new sources have been available for this new edition, numerous editorial emendations which have prevailed in all previous editions(evenUrtext editions) have now been corrected.Thus, this new Bärenreiter Urtext edition presents Beethoven’s famous work in the clarity which it deserves.