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Gottfried August Homilius : Warum toben die Heiden. Kantaten

Gottfried August Homilius : Warum toben die Heiden. Kantaten

Gottfried August Homilius left an extensive oeuvre. Numerous motets, church cantatas, and oratorios, among others, have been preserved. In their day the compositions of ­Homilius were very popular and were extraordi­narily well circulated. On the occasion of his 300th anniversary Carus is releasing several CDs with works by “the best church composer” [J. F. Reichardt] of his time. The Handel Company and the Handel’s Company Choir under Rainer Johannes Homburg present five cantatas for Advent, New Year and Epiphany.

SEK 249.00
1

Kleinere Orgelwerke ohne Opuszahl in Auswahl : Supplementband 3 der Rheinberger-Gesamtausgabe

Kleinere Orgelwerke ohne Opuszahl in Auswahl : Supplementband 3 der Rheinberger-Gesamtausgabe

Following the conclusion of the Complete Edition of the works of Josef Gabriel Rheinberger a supplementary volume has been issued with a compilation of the best smaller organ works without opus numbers. In addition to youthful works and works composed on commission, this volume also contains a number of the late works which Rheinberger, also a famous organ teacher allowed to be published without an opus number.There is a rich repertoire for services or concerts, and especially for organ instruction.

SEK 908.00
1

Missa pro defunctis (Requiem)

Missa pro defunctis (Requiem)

The best-known setting of the Requiem Mass before Mozart’s unfinished work is by the celebrated opera composer Niccolò Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli’s time as Kapellmeister at the court of the Württemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in thesolo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli’s composition, the Appendix contains settings by another composer from his circle, Nicola Sala. • The best-known setting of the Requiem Mass before Mozart • First critical edition • Effective choral movements with numerous suspended dissonances and solo/tutti alternation • Scored for small instrumental forces of strings and organ

SEK 151.00
1

Missa pro defunctis (Requiem)

Missa pro defunctis (Requiem)

The best-known setting of the Requiem Mass before Mozart’s unfinished work is by the celebrated opera composer Niccolò Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli’s time as Kapellmeister at the court of the Württemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in thesolo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli’s composition, the Appendix contains settings by another composer from his circle, Nicola Sala. • The best-known setting of the Requiem Mass before Mozart • First critical edition • Effective choral movements with numerous suspended dissonances and solo/tutti alternation • Scored for small instrumental forces of strings and organ

SEK 151.00
1

Missa pro defunctis (Requiem)

Missa pro defunctis (Requiem)

The best-known setting of the Requiem Mass before Mozart’s unfinished work is by the celebrated opera composer Niccolò Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli’s time as Kapellmeister at the court of the Württemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in thesolo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli’s composition, the Appendix contains settings by another composer from his circle, Nicola Sala. • The best-known setting of the Requiem Mass before Mozart • First critical edition • Effective choral movements with numerous suspended dissonances and solo/tutti alternation • Scored for small instrumental forces of strings and organ

SEK 151.00
1

Missa pro defunctis (Requiem)

Missa pro defunctis (Requiem)

The best-known setting of the Requiem Mass before Mozart’s unfinished work is by the celebrated opera composer Niccolò Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli’s time as Kapellmeister at the court of the Württemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in thesolo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli’s composition, the Appendix contains settings by another composer from his circle, Nicola Sala. • The best-known setting of the Requiem Mass before Mozart • First critical edition • Effective choral movements with numerous suspended dissonances and solo/tutti alternation • Scored for small instrumental forces of strings and organ

SEK 75.00
1

Missa pro defunctis (Requiem)

Missa pro defunctis (Requiem)

The best-known setting of the Requiem Mass before Mozart’s unfinished work is by the celebrated opera composer Niccolò Jommelli. The Missa pro defunctis was composed in 1756, during Jommelli’s time as Kapellmeister at the court of the Württemberg Duke Carl Eugen, on the occasion of the death of the Dowager Duchess Maria Augusta. The work went on to enjoy wide circulation and numerous further performances. Jommelli composed it in the Neapolitan style, with orchestral forces of just strings and basso continuo. The simple but effective choral movements are partly contrapuntal in the stile antico, and partly with solo/tutti alternation and numerous suspended dissonances, whilst in thesolo parts the opera composer can be recognized. This beautiful sounding Missa pro defunctis is now published for the first time in a critical edition. Where sections are missing in Jommelli’s composition, the Appendix contains settings by another composer from his circle, Nicola Sala. • The best-known setting of the Requiem Mass before Mozart • First critical edition • Effective choral movements with numerous suspended dissonances and solo/tutti alternation • Scored for small instrumental forces of strings and organ

SEK 129.00
1

Du sonnige wonnige Welt. Gesänge für Männerstimmen

Du sonnige wonnige Welt. Gesänge für Männerstimmen

The Singphoniker are among the finest vocal ensembles worldwide. On their new CD "Du sonnige wonnige Welt" the six singers present Rheinberger's humorous and witty works for men's voices. The soloistic performance creates an immediacy and purity of sound which makes the well-crafted detail of their musical setting clearly audible a performance practice which might well have pleased the composer and is suited to presenting these works in their best light. A lot of these compositions are recorded here for the first time, including "Der Jonas kehrt im Walfisch ein", "Jagdmorgen" or "Vollmondzauber".

SEK 249.00
1

Gottfried August Homilius : Musik an der Dresdner Frauenkirche. Jubiläumsedition

Gottfried August Homilius : Musik an der Dresdner Frauenkirche. Jubiläumsedition

Gottfried August Homilius left an extensive oeuvre. Numerous motets, church cantatas, and oratorios, among others, have been preserved. In their day the compositions of ­Homilius were very popular and were extraordi­narily well circulated. On the occasion of his 300th anniversary Carus is releasing three CDs with works by “the best church composer” [J. F. Reichardt] of his time. Among them is a special 2 CD edition featuring several of Homilius’ works from the past library of Carus recordings with the Dresdner Kreuzchor under Roderich Kreile and the Sächsisches Vocalensemble under Ludwig Güttler, among others.

SEK 249.00
1

Bach-Söhne 2 : Carl Philipp Emanuel Bach - Concerti FBO

Bach-Söhne 2 : Carl Philipp Emanuel Bach - Concerti FBO

This recording of three concertos and a symphony by the second oldest son of J.S. Bach continues the Carus series with music from “The Sons of Bach.” Once again the Freiburger Barockorchester underscores its leading position in the field of early music. “This music is in the best of hands with the Freiburger Barockorchester: The ensemble does not succumb too much to the sensitive, excessive expression of feelings; rather it renders them with clear contours and with an irresistible forward drive, and in addition, with a joyful tendency towards vital, sonorous playing.”

SEK 249.00
1

Messe solennelle de sainte Cécile : CG 56 - Large Score

Messe solennelle de sainte Cécile : CG 56 - Large Score

“Shining rays stream from the ‘Messe de sainte Cécile‘. At first people were ­dazzled, then bewitched, then overcome.” This is how the composer Camille Saint-Saëns described his impression of what was probably Charles Gounod’s best-known setting of the mass. The work written in 1855 in honor of the patron saint of church music, soon became well-known beyond the borders of France and acquired a degree of popularity like almost no other sacred composition. In the Messe de sainte Cécile, Gounod combines sublime simplicity with operatic-dramatic elements and a colorful, effective orchestration. Critical edition in proven Carus quality.

SEK 314.00
1

Kleine geistliche Konzerte, Teil 1 : Complete recordings, Vol 7

Kleine geistliche Konzerte, Teil 1 : Complete recordings, Vol 7

Under the general direction of Hans-Christoph Rademann Carus will realize the first recording of the complete works of Heinrich Schutz by 2017. With a total of 22 CDs and countless concerts the first German composer of European statue will be given a tangible monument. The Kleine geistliche Konzerte, Part 1 is volume 7 of the series and the first of the CDs within the complete recording that present solo concertos by Schutz. With Dorothee Mields, Ulrike Hofbauer and the other soloists the best singers for this early baroque repertoire are performing together on this disc.

SEK 249.00
1

Campra: Messe de Requiem

Campra: Messe de Requiem

The Messe de Requiem is one of André Campra’s (1660-1744) best-known works and was performed especially during the 18th century at important funerals and memorial services. Despite the serious subject, the tenor is neither bleak nor filled with pain but solemnly sublime. Also in the grand motet De profundis Campra, by means of ever newer pictorial-musical representations, leads us step by step from grief to eternal bliss, thus demonstrating his theatrical abilities. ensemble3 which grew out of the Internationale Chorakademie im Dreiländereck has, under the musical direction of Hans Michael Beuerle, recorded two of the most important works of the French Baroque.

SEK 249.00
1

Die Bach-Söhne [Box mit 4 CDs]

Die Bach-Söhne [Box mit 4 CDs]

“This music is in the best of hands with the Freiburg Baroque Orchestra” is the qualified judgment of the trade magazine Fono Forum about the Freiburg Baroque Orchestra’s “Bach-Söhne” [Sons of J.S. Bach] series issued by Carus-Verlag. With their recordings of numerous orchestral works and concerts by all four of Johann Sebastian Bach’s sons, the Freiburg Baroque Orchestra did justice to its trademark a high standard of performance, pleasure in experimentation and a passion for music-making time and again. This series, which has won several awards, is now available for the first time in a box set of 4 CDs. This results in an impressive panorama of the era that liesbetween Baroque and Classic.

SEK 355.00
1

Gottfried August Homilius : Habe deine Lust an dem Herrn. Motetten II

Gottfried August Homilius : Habe deine Lust an dem Herrn. Motetten II

Gottfried August Homilius left an extensive oeuvre. Numerous motets, church cantatas, and oratorios, among others, have been preserved. In their day the compositions of Homilius were very popular and were extraordinarily well circulated. On the occasion of his 300th anniversary Carus is releasing several CDs with works by “the best church composer” [J. F. Reichardt] of his time. The motets of Homilius are among the most demanding and interesting works for choir. The composer creates a captivating combination of contrapuntal techniques with the new, sensitive compositional style of his days. After the sensational first CD featuring his motets with Frieder Bernius and theKammerchor Stuttgart, the vocal ensemble sirventes berlin under the direction of Stefan Schuck presents a further selection of the over 60 motets by Homilius.

SEK 249.00
1

Korobeiniki

Korobeiniki

Korobeiniki is perhaps the best-known Russian folk song in the world. Anyone who played Gameboy in days long past will surely still remember the Tetris melody, but perhaps they wouldn’t know that this melody comes from Russia and tells a pretty nocturnal romance which allows some leeway for interpretation … Well – this is Korobeiniki! For this arrangement, I was looking for the greatest possible contrast to the Tetris music: a kind of five-part fugue in five verses for five singers: a folk polyphony, so to speak, which – respectfully but with a twinkle in the eye – turns the contrapuntal art form into an arrangement, but at some point degenerates because one singer likes his folksong tune so much that he can’t get enough of it and pushes himself more and more into the foreground …

SEK 75.00
1

Calmus Christmas Carols

Calmus Christmas Carols

To give familiar melodies a fresh, rich and colorful new look and thus to present them in an attractive new light is the essential direction which the Calmus Ensemble Leipzig followed for this Christmas CD. The arrangements of well-known Christmas songs in this collection make use of structures from both classical as well as popular music from a variety of eras, always taking only the best of both worlds. It is hoped that the listener will not only be delighted, but will also be pleasantly surprised. That listening to this international Christmas album brings continually good feelings and that one listens with much joy and pleasure is due not only to the fine arrangements, butalso to the lively interpretation and the perfect sound of the Calmus Ensemble Leipzig, which knows how to create an entirely genuine, uninhibited Christmas feeling.

SEK 249.00
1

Dû bist mîn : Mittelalterliches Liebeslied

Dû bist mîn : Mittelalterliches Liebeslied

Dû bist mîn is probably the best-known love song written in old German that has survived from the Middle Ages. It is often attributed to the famous poet Walther von der Vogelweide, who died around 1230. Unfortunately, the original 12th-century melody to which these verses were possibly has not been handed down. In his setting, Wolfgang König (*1947) delightfully interweaves the sounds of the medieval period with 21st-century music. Parallel fifths are juxtaposed with major-minor harmonies and saxophone solos embellish the choral movements that are also supported by a simple piano accompaniment. The choir consists of six voices divided into two groups. The antiphonal calls between the male and female singers mirror the love song's text: “Dû bist min, ich bin dîn: des solt dû gewis sîn” (You are mine; I am thine; of this you can be sure).

SEK 66.00
1

Psalm 150 : Halleluja! Lobet den Herrn in seinem Heiligtum - C major - WAB 38

Psalm 150 : Halleluja! Lobet den Herrn in seinem Heiligtum - C major - WAB 38

Bruckner described his setting of Psalm 150 of 1892 as my best festive cantata of all. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the full forces which opens the cantata, and which punctuates the work and concludes it. Bruckner devotes most of his music to the verse Alles was Odem hat, lobe den Herrn firstly in an exciting section with solo violin and solo soprano, and subsequently in a great fugue on a striking octave theme. All in all, a fascinating combination of filigree motifs, chromatically bold complexities and intensifications, and powerful passages up to triple forte. The chorus is often divided in the homophonic passages, with wide vocal ranges, but the fugue remains in four parts.With a duration of just 9 minutes, this is an ideal companion piece for other shorter works by Bruckner (such as the Te Deum) or, indeed, works by other composers.

SEK 1586.00
1