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Eight Responsories For Trinity Sunday

Eight Responsories For Trinity Sunday

This is the individual part for Violin 1 for Antonio Juanas' 'Eight Responsories For Trinity Sunday'.Antonio Juanas (ca. 1762/63 - 1816) worked as "maestro de capilla" at the Cathedral in Mexico City. At the turn of the 18th to 19th centuries his music combined a pronounced Baroque character in the string parts (with Basso Continuo) with vocal parts in the stile antico. The short, partly Double-Choir movements of his Ocho Responsorios in Latin belong liturgically to Trinity Sunday, but can also be performed as individual works. They are available for the first time in Urtext editions. The works are terrific for musicians with an interest in early music, and because oftheir scoring for small forces they can be performed by ensembles of different sizes and resources.

SEK 129.00
1

Eight Responsories For Trinity Sunday

Eight Responsories For Trinity Sunday

This is the individual part for Violin 2 for Antonio Juanas' 'Eight Responsories For Trinity Sunday'.Antonio Juanas (ca. 1762/63 - 1816) worked as "maestro de capilla" at the Cathedral in Mexico City. At the turn of the 18th to 19th centuries his music combined a pronounced Baroque character in the string parts (with Basso Continuo) with vocal parts in the stile antico. The short, partly Double-Choir movements of his Ocho Responsorios in Latin belong liturgically to Trinity Sunday, but can also be performed as individual works. They are available for the first time in Urtext editions. The works are terrific for musicians with an interest in early music, and because oftheir scoring for small forces they can be performed by ensembles of different sizes and resources.

SEK 129.00
1

Heinrich von Herzogenberg : Frühling lässt sein blaues Band

Heinrich von Herzogenberg : Frühling lässt sein blaues Band

Heinrich von Herzogenberg [1843 1900] is nowadays known to many as a composer primarily of sacred music. The ensemble cantissimo conducted by Markus Utz highlights a somewhat different facet of his manifold and, by far, not yet entirely rediscovered compositional oeuvre. In his secular choral music Herzogenberg convinces, amongst others, by his sensitive realization of the poetic content of the song lyrics. This second CD in Carus’s series unearths quite a number of treasures for mixed unaccompanied choir.

SEK 249.00
1

Eight Responsories For Trinity Sunday

Eight Responsories For Trinity Sunday

This is the individual Organ part for Antonio Juanas' 'Eight Responsories For Trinity Sunday'.Antonio Juanas (ca. 1762/63 - 1816) worked as "maestro de capilla" at the Cathedral in Mexico City. At the turn of the 18th to 19th centuries his music combined a pronounced Baroque character in the string parts (with Basso Continuo) with vocal parts in the stile antico. The short, partly Double-Choir movements of his Ocho Responsorios in Latin belong liturgically to Trinity Sunday, but can also be performed as individual works. They are available for the first time in Urtext editions. The works are terrific for musicians with an interest in early music, and because of theirscoring for small forces they can be performed by ensembles of different sizes and resources.

SEK 182.00
1

Eight Responsories For Trinity Sunday

Eight Responsories For Trinity Sunday

This is the individual Cello part for Antonio Juanas' 'Eight Responsories For Trinity Sunday'.Antonio Juanas (ca. 1762/63 - 1816) worked as "maestro de capilla" at the Cathedral in Mexico City. At the turn of the 18th to 19th centuries his music combined a pronounced Baroque character in the string parts (with Basso Continuo) with vocal parts in the stile antico. The short, partly Double-Choir movements of his Ocho Responsorios in Latin belong liturgically to Trinity Sunday, but can also be performed as individual works. They are available for the first time in Urtext editions. The works are terrific for musicians with an interest in early music, and because of theirscoring for small forces they can be performed by ensembles of different sizes and resources.

SEK 120.00
1

Eight Responsories For Trinity Sunday

Eight Responsories For Trinity Sunday

This is the set of complete Orchestral parts for Antonio Juanas' 'Eight Responsories For Trinity Sunday'.Antonio Juanas (ca. 1762/63 - 1816) worked as "maestro de capilla" at the Cathedral in Mexico City. At the turn of the 18th to 19th centuries his music combined a pronounced Baroque character in the string parts (with Basso Continuo) with vocal parts in the stile antico. The short, partly Double-Choir movements of his Ocho Responsorios in Latin belong liturgically to Trinity Sunday, but can also be performed as individual works. They are available for the first time in Urtext editions. The works are terrific for musicians with an interest in early music, andbecause of their scoring for small forces they can be performed by ensembles of different sizes and resources.

SEK 611.00
1

Bach for Brass 2: Kantaten II

Bach for Brass 2: Kantaten II

Bach for Brass contains Bach’s complete brass parts in seven volumes, set in generously engraved short scores designed for practical performance. The parts include measure numbers, helpful cues, timpani parts if applicable, as well as the most important information concerning origins, original instrument names in the sources, and much more. An instructive foreword in English and facsimiles complete the picture. These volumes, prepared by experienced musicologists and performers for the first time from the original scores and parts, aim to provide today’s musicians striving for an authentic interpretation of Bach’s works with reliable material for study, instruction, andconcert performance.

SEK 674.00
1

Bach for Brass 1: Kantaten I

Bach for Brass 1: Kantaten I

Bach for Brass contains Bach’s complete brass parts in seven volumes, set in generously engraved short scores designed for practical performance. The parts include measure numbers, helpful cues, timpani parts if applicable, as well as the most important information concerning origins, original instrument names in the sources, and much more. An instructive foreword in English and facsimiles complete the picture. These volumes, prepared by experienced musicologists and performers for the first time from the original scores and parts, aim to provide today’s musicians striving for an authentic interpretation of Bach’s works with reliable material for study, instruction, andconcert performance.

SEK 674.00
1

Das rote Album. Hits for Organ I

Das rote Album. Hits for Organ I

In all ages organists have known how to transcribe popular pieces for their instrument from the entire spectrum of music and to play effectively to the gallery. The repertoire of concert organists was therefore far-reaching and not restricted by any connection with the church. This volume of transcriptions holds a few surprises: one encounters plush and pomp, the deeply serious and the glamor ous, works for the church and for the circus, for the organist playing them and for the whole world.

SEK 367.00
1

Choral collection Volkslieder for choir

Choral collection Volkslieder for choir

The composer Andreas N. Tarkmann, who began his musical training in the Hanover Boys’ Choir, has composed new folk song arrangements for the Liederprojekt. These are scored for four-part mixed chorus with brass quintet or piano duet accompaniment. These highly attractive compositions capture the essence of folk song style, interpreted with great artistry. They are not just simple strophic songs: instead, the well-known melodies are given novel accompaniments which add much to the text and content, commenting on it musically. Tarkmann has grouped together folk songs with common themes, and has woven these together in the style of a medley (nocturnes, animal songs,craftsmen’s songs, sailors’ songs), so that a performance has more of an overarching form. The scorings and accompaniments are varied: there are solo passages, sometimes the chorus sings unaccompanied, but mainly with accompaniment for piano duet. As an attractive alternative the settings are also available in versions for chorus and brass quintet (Carus 2.215/01). • new folk song arrangements for four-part mixed chorus • versions with brass quintet or piano duet • folk song cycles as through-composed medleys • also available in single editions with complete performance material

SEK 473.00
1

Cantatas for Soprano Solo

Cantatas for Soprano Solo

In the depth of its expression and richness of form Johann Sebastian Bach's music has no equal. This becomes especially clear in the famous cantatas for solo soprano, as can be heard in this recording, featuring Ich bin in mir vergnügt BWV 204 and Mein Herze schwimmt in Blut BWV 199 (Weimar version, 1714). The recording is rounded off by a performance of the famous soprano aria Alles mit Gott und nichts ohn' ihn BWV 1127. Once again Dorothee Mields shows that she is one of the leading interpreters of our time for the music of the 17th and 18th centuries. Performed with L’Orfeo Barockorchester, under the direction of Michi Gaigg, this is an exemplary interpretation of theseseldom heard solo cantatas.

SEK 249.00
1

Gospel recitations for the St. Mark Passion

Gospel recitations for the St. Mark Passion

Despite many newly-composed interpolations, ranging from stylistic copies to modern interpretations, performing the Gospel text in Bach’s lost St. Mark Passion continues to present many challenges for performers. With his recitations for narrator, gamba, and cello, Peter Uehling has found a way of maintaining the musical flow, while nevertheless preserving the fragmentary character of the work. The reduced musical language of the recitations places, so to speak, bare walls between Bach’s colorful figured “tonal language”. An important point for performance: despite the free tonal harmony, the recitations lead convincingly into the opening notes of the chorales. Thecello part comprises also all the other pieces from the St. Mark Passion Carus 31.247.

SEK 600.00
1

Gospel recitations for the St. Mark Passion

Gospel recitations for the St. Mark Passion

Despite many newly-composed interpolations, ranging from stylistic copies to modern interpretations, performing the Gospel text in Bach’s lost St. Mark Passion continues to present many challenges for performers. With his recitations for narrator, gamba, and cello, Peter Uehling has found a way of maintaining the musical flow, while nevertheless preserving the fragmentary character of the work. The reduced musical language of the recitations places, so to speak, bare walls between Bach’s colorful figured “tonal language”. An important point for performance: despite the free tonal harmony, the recitations lead convincingly into the opening notes of the chorales. Thecello part comprises also all the other pieces from the St. Mark Passion Carus 31.247.

SEK 218.00
1

Henry Purcell: Love Songs

Henry Purcell: Love Songs

Pure listening pleasure: Next to Henry Purcell there is scarcely a composer in the history of music who knew how to set the English language in such an inspired and sensitive manner. Dorothee Mields and the Lautten Compagney, conducted by Wolfgang Katschner, have assembled a number of songs on the theme of love in its various facets: the spectrum ranges from feelings of wild, joyful, ebullience, to the plaintive, melancholy lament of love. Most of the titles on the CD are from the incidental music which Purcell wrote from 1680 to 1695 for theatrical plays which appeared on the stages of London.

SEK 249.00
1

Three Suites for viola solo : Op. 131d

Three Suites for viola solo : Op. 131d

The rediscovery of the original manuscripts of Max Reger's works for violin, viola, and cello op. 131a-d represents a minor sensation. These late works for solo strings dating from 1914 and 1915, the last of which was only published posthumously, were only known from the first printed editions until now, and a scholarly-critical edition based on all the sources has long been desirable. The new edition from the Max-Reger-Institut now fills this gap.

SEK 197.00
1

Three Suites for violoncello solo : Op. 131c

Three Suites for violoncello solo : Op. 131c

The rediscovery of the original manuscripts of Max Reger's works for violin, viola, and cello op. 131a-d represents a minor sensation. These late works for solo strings dating from 1914 and 1915, the last of which was only published posthumously, were only known from the first printed editions until now, and a scholarly-critical edition based on all the sources has long been desirable. The new edition from the Max-Reger-Institut now fills this gap.

SEK 218.00
1

Rheinberger: Kammermusik mit Orgel

Rheinberger: Kammermusik mit Orgel

Chamber music with organ is a rarity among the musical repertoire. Scarcely a composer has dared to attempt to compose for the charming and challenging combination for solo strings and organ. All the more significant is the contribution of Josef Gabriel Rheinberger, the composer of the Court of Munich, who knew the sounds and colors of the organ like almost no other of his contemporaries, and who knew how to employ them in the "mellifluous art of setting tones." The Suite op. 149 [a "piano trio" with organ, instead of piano], die Drei Stücke op. 150 for violoncello and organ and the Suite op. 166 for violin and organ are romantic character pieces and are - especially inthe suites - sensitive adaptations of baroque form types. They open up an especially attractive world of sound.

SEK 249.00
1

Bach for Brass 6 : Kantaten und weitere Werke Cor, Timp

Bach for Brass 6 : Kantaten und weitere Werke Cor, Timp

Now that all four volumes for trumpet [Vols. 1-4], and the first volume for horn [Vol. 5] have been published in the Bach for Brass series, volume 6, the second of two for horn, will be published. This edition also appears in a generous, practically oriented music engraving with the parts in score form, measure numbers, cue notes, timpani parts - where applicable - as well as important information on the origins of the works, on scoring indications in the source [and much more]. An instructive foreword [in German, English and French] and facsimiles complete the picture. These volumes, prepared by experienced musicologists and performers for the first time from the originalscores and parts, aim to provide today’s musicians striving after an authentic interpretation of Bach’s works with reliable material for study, instruction, and performance.

SEK 621.00
1

Bach for Brass 5: Kantaten BWV 1-100 [Cor, Timp]

Bach for Brass 5: Kantaten BWV 1-100 [Cor, Timp]

Now that all four trumpet volumes of the series BACH FOR BRASS have appeared in print, the publisher is now presenting Vol. 5, the first of two for horns. Like its predecessors, this volume too is set in generously engraved short scores designed for practical performance. The parts include bar numbers, numerous cues, timpani parts if applicable, as well as the most important information concerning origins, original instrument names in the sources, and much more. An instructive foreword in three languages [German, English, and French] and facsimiles round off the picture. These volumes, prepared by experienced musicologists and performers for the first time from the original scoresand parts, aim to provide today's musicians striving after an authentic interpretation of Bach's works with reliable material for study, instruction, and concert performance.

SEK 505.00
1

Requiem Op. 148 : Arrangement for Chamber Orchestra

Requiem Op. 148 : Arrangement for Chamber Orchestra

„Der geistlichen Musik die Kraft zuzuwenden, bleibt ja wohl das höchste Ziel des Künstlers“ (“The artist’s supreme calling is to devote his energies to sacred music”). These words were written by Robert Schumann in January 1851 – even though, up to that point in time, his compositional output had been almost entirely secular. The following year, however, he composed his Missa sacra, op. 147, and the Requiem, op. 148. In these works he sought new forms of expression for the liturgical texts, to which end he repeatedly deviated from the precise wording of the originals. Both in terms of the text and the overall musical conception, his Requiem is certainly suitable for concert performances alongside its traditional use in church.

SEK 164.00
1

Requiem Op. 148 : Arrangement for Chamber Orchestra

Requiem Op. 148 : Arrangement for Chamber Orchestra

„Der geistlichen Musik die Kraft zuzuwenden, bleibt ja wohl das höchste Ziel des Künstlers“ (“The artist’s supreme calling is to devote his energies to sacred music”). These words were written by Robert Schumann in January 1851 – even though, up to that point in time, his compositional output had been almost entirely secular. The following year, however, he composed his Missa sacra, op. 147, and the Requiem, op. 148. In these works he sought new forms of expression for the liturgical texts, to which end he repeatedly deviated from the precise wording of the originals. Both in terms of the text and the overall musical conception, his Requiem is certainly suitable for concert performances alongside its traditional use in church.

SEK 696.00
1

Requiem Op. 148 : Arrangement for Chamber Orchestra

Requiem Op. 148 : Arrangement for Chamber Orchestra

Der geistlichen Musik die Kraft zuzuwenden, bleibt ja wohl das höchste Ziel des Künstlers“ (“The artist’s supreme calling is to devote his energies to sacred music”). These words were written by Robert Schumann in January 1851 – even though, up to that point in time, his compositional output had been almost entirely secular. The following year, however, he composed his Missa sacra, op. 147, and the Requiem, op. 148. In these works he sought new forms of expression for the liturgical texts, to which end he repeatedly deviated from the precise wording of the originals. Both in terms of the text and the overall musical conception, his Requiem is certainly suitable for concert performances alongside its traditional use in church.

SEK 250.00
1

Homilius: Markuspassion : Geschichte des Leidens und Sterbens unseres Heilandes Jesu Christi

Homilius: Markuspassion : Geschichte des Leidens und Sterbens unseres Heilandes Jesu Christi

Gottfried August Homilius belongs to the last generation of composers of the 18th century who, in addition to the popular Passion oratorios, continued to write oratorio Passions using biblical texts. From his pen a Passion for each of the four Gospels has survived. With sensitive arias, unusal orchestral sound and expressive turba choruses Homilius translated the traditional Passion to his times. It was surely not a coincidence that in Hamburg Carl Philipp Emanuel Bachr resorted primarily to the Passions of Homilius, especially the St. Mark Passion, which he first performed in an abridged version in 1770 and whose music he employed in 14 of his 21 pasticcio Passions.

SEK 355.00
1