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Mythos 116 : Psalm 116 - compositions from the 17th and 21st century

Mythos 116 : Psalm 116 - compositions from the 17th and 21st century

In the year 1616 Burckhard Grossmann, a merchant from Jena, commissioned sixteen composers from Central Germany to write five-part settings of Psalm 116. Among the sixteen were master composers of church music such as Heinrich Schuetz and Johann Hermann Schein. In 2010 the Calmus Ensemble revived this commission, awarding it to two of the most significant Central German composers of our time, Bernd Franke and Steffen Schleiermacher.

SEK 249.00
1

Chormusik der Caecilianer

Chormusik der Caecilianer

This selection enables unjustly neglected church choral music of the Cecilian Movement to be restored to use. The texts, all in Latin, reflect the Cecilian epoch from its beginnings in the early 19th century to the 20th century, and the generally easily performable nature of the music recommends it for use during church services. This choir book, representing the most important composers of the Cecilian Movement, provides a very valuable survey of the Cecilian repertoire.

SEK 229.00
1

Freie Orgelmusik der Romantik, Band I

Freie Orgelmusik der Romantik, Band I

While organ music of the 19th century was not highly regarded in Germany a few years ago [with the exception of a few outstanding works], our understanding of it has grown during recent years. In other countries 19th century organ music has retained its place in the repertoire to a far greater extent. This three-volume collection presents playable organ works of high quality for both liturgical and concert use. Most of the pieces have not yet been available in new editions [at the time of publication], and are made accessible to a wider public for the first time. The first two volumes contain pieces which were composed in, or introduced to, the German-speaking area of Europe between1800 and 1900; some of them point back stylistically to the 18th century. The focus of the third volume is on works by French, British, and American composers. There are also organ pieces from Bohemia, Belgium, Denmark, and even Brazil.

SEK 409.00
1

Freie Orgelmusik der Romantik, Band III

Freie Orgelmusik der Romantik, Band III

While organ music of the 19th century was not highly regarded in Germany a few years ago [with the exception of a few outstanding works], our understanding of it has grown during recent years. In other countries 19th century organ music has retained its place in the repertoire to a far greater extent. This three-volume collection presents playable organ works of high quality for both liturgical and concert use. Most of the pieces have not yet been available in new editions [at the time of publication], and are made accessible to a wider public for the first time. The first two volumes contain pieces which were composed in, or introduced to, the German-speaking area of Europe between1800 and 1900; some of them point back stylistically to the 18th century. The focus of the third volume is on works by French, British, and American composers. There are also organ pieces from Bohemia, Belgium, Denmark, and even Brazil.

SEK 409.00
1

Freie Orgelmusik der Romantik, Band II

Freie Orgelmusik der Romantik, Band II

While organ music of the 19th century was not highly regarded in Germany a few years ago [with the exception of a few outstanding works], our understanding of it has grown during recent years. In other countries 19th century organ music has retained its place in the repertoire to a far greater extent. This three-volume collection presents playable organ works of high quality for both liturgical and concert use. Most of the pieces have not yet been available in new editions [at the time of publication], and are made accessible to a wider public for the first time. The first two volumes contain pieces which were composed in, or introduced to, the German-speaking area of Europe between1800 and 1900; some of them point back stylistically to the 18th century. The focus of the third volume is on works by French, British, and American composers. There are also organ pieces from Bohemia, Belgium, Denmark, and even Brazil.

SEK 409.00
1

Ich hebe meine Augen auf : Telemann, Heinichen & Graupner in Leipzig

Ich hebe meine Augen auf : Telemann, Heinichen & Graupner in Leipzig

Even in the 18th century life in university towns offered many temptations, just made to distract students from their studies, though certainly music ranked among the more harmless diversions. Evidently, teems of students were drawn, particularly to sacred services in Leipzig but also, after 1701 to Georg Philipp Telemann's Collegium musicum, which he founded in 1701. This CD, performed by L'arpa festante and Rien Voskuilen, gives an admirable impression of the high level musical quality accessible in the University town of Leipzig at the beginning of the 18th century, when Telemann, Heinichen, and Graupner were making music there and presumably studying law "on theside."

SEK 249.00
1

Mitten im Leben 1517

Mitten im Leben 1517

The Calmus Ensemble and the Lautten Compagney embark on a musical journey into the 16th century: Using Martin Luther’s paean Mitten wir im Leben sind as its starting point, the musicians paint a lively picture of life during the Reformation era. In both the sacred and secular works we encounter joyful delight and high-spirited merriment just as much as never-ending distress and grievous misery. The apparent parallels with the present time cause us to smile quietly, while statements to themes such as nature and home cause us to be pensive. In addition to the many original compositions, a whole series of new arrangements which make the 16th century songs swing have come intobeing through the collaboration of the two ensembles.

SEK 249.00
1

Dû bist mîn : Mittelalterliches Liebeslied

Dû bist mîn : Mittelalterliches Liebeslied

Dû bist mîn is probably the best-known love song written in old German that has survived from the Middle Ages. It is often attributed to the famous poet Walther von der Vogelweide, who died around 1230. Unfortunately, the original 12th-century melody to which these verses were possibly has not been handed down. In his setting, Wolfgang König (*1947) delightfully interweaves the sounds of the medieval period with 21st-century music. Parallel fifths are juxtaposed with major-minor harmonies and saxophone solos embellish the choral movements that are also supported by a simple piano accompaniment. The choir consists of six voices divided into two groups. The antiphonal calls between the male and female singers mirror the love song's text: “Dû bist min, ich bin dîn: des solt dû gewis sîn” (You are mine; I am thine; of this you can be sure).

SEK 66.00
1

Josef Gabriel Rheinberger: Die Wasserfee

Josef Gabriel Rheinberger: Die Wasserfee

The works of the composer Josef Gabriel Rheinberger are mostly unknown today. In the later 19th century in mid-Europe he was quite well-known. Rheinberger’s compositional oeuvre is certainly not restricted to the realm of sacred music. He repeatedly occupied himself with the solo lied, publishing eleven lied collections containing altogether more than 100 songs between 1862 and 1890. In their musical language, Rheinberger’s lieder look for models not among his contemporaries, but in the early 19th century, in Schubert, Mendelssohn and Schumann. Rheinberger’s predominant use of the strophic form hearkens back even further, to the “Second Berlin Lied School” around CarlFriedrich Zelter. But, Where Schubert or Hugo Wolf would have emphasized the dark, despairing aspects of a poem, Rheinberger’s lieder display an almost Haydnesque clarity. Most of the songs recorded on the present CD Die Wasserfee [Water sprite] are first recordings.

SEK 249.00
1

Bach, J.M.: Sämtliche Orgelchoräle

Bach, J.M.: Sämtliche Orgelchoräle

The edition compiles all known chorale arrangements for organ by Johann Michael Bach, father of Johann Sebastian’s first wife Maria Barbara. Herein Johann Michael proves to be a thoroughly selfreliant composer, whose influence must have been felt by the young Johann Sebastian Bach. Especially part-time organists will find a very versatile and ready-to-use repertoire and also interesting insights into the Middle German organ music during the 17th century.

SEK 409.00
1

Hohes Lied

Hohes Lied

The polyphonic choral arrangements by Clytus Gottwald, the founder and only director of the Schola Cantorum Stuttgart, are legendary and in the meantime belong to the established repertoire of many professional concert choirs. Frieder Bernius juxtaposed four of Gottwald’s most well-known arrangements for multiple voices of works by Debussy and Ravel, as well two original compositions from Jean-Yves Daniel-Lesur [1908 2002] and Carl Christian Fasch [1736 1800]. Fasch composed his ambitious 16-voice Mass as a cornerstone for the founding of the famous Berliner Singakademie. To be sure, in its extreme use of writing for multiple voices the Mass refers to the great Romantradition of Palestrina from the 16th century, but at the same time makes use of the new possibilities of choral sound pointing towards the 19th century. The Gottwald arrangements of Schumann’s Vier Gesängen after poems by von Eichendorff a world premiere recording round out this CD of discriminating and fascinating repertoire.

SEK 249.00
1

Motetten und Chorarien, Heft 1

Motetten und Chorarien, Heft 1

The six collections of "Vierstimmige Motetten und Arien" published by Johann Adam Hiller offer a selection of motets, mostly from the second half of the 18th century. They show us the products of a new age of achievement in which the motet was again able to flourish after this genre had led only a shadowlike existence for more than a century. The editor of those collections, Johann Adam Hiller, was active as a composer of Singspie, editor of various musical periodicals, leader of the Gewandhaus concerts, University Director of Music, musical director of the Neukirche, and finally, from 1789, Thomaskantor in Leipzig. Upon Hiller's assumption of the office of Thomaskantor theolder motets were replaced in Leipzig church services by contemporary compositions. Printed texts which have been preserved show that Hiller's collections were used widely. A Critical Report from the editor, Uwe Wolf, with additional information concerning the motets and their composers, will be published to cover all the collections.

SEK 201.00
1

Le Grazie Veneziane : Musica degli Ospedali - Music from the Ospedali

Le Grazie Veneziane : Musica degli Ospedali - Music from the Ospedali

The Ospedali in Venice had developed, over the course of their existence, from being purely charitable orphanages into renowned centres of Venetian musical culture. Far beyond the borders of Venice concerts given by musical young ladies trained at the Ospedali became celebrated during the 18th century. Sacred music written for female singers and instrumentalists, and performed by women in the churches, existed at that time only in Venice. This unique musical tradition became widely famous largely through the works of such notable composers as Vivaldi, Hasse, Porpora and Galuppi, who were active as teachers at the four "Ospedali grandi". Tonal beauty, almost floating choralpassages and virtuosic solo sections create the especial fascination of the works presented on this CD "Le Grazie Veneziane". The soloists Maria Grazia Schiavo, Emanuela Galli, José Maria Lo Monaco and the ladies of the Vocal Concert Dresden, under the direction of Peter Kopp, recreate what was described euphorically as the "heavenly singing" at the Ospedali in the 18th century.

SEK 249.00
1

Missa Sine Nomine

Missa Sine Nomine

Giovanni Pierluigi da Palestrina's 'Missa Sine Nomine' set of parts.In the course of his life, Johann Sebastian Bach assembled an extensive musical library that today can only be reconstructed in fragments. It reflects Bach's curiosity, starting in his youth and continuing into old age, to get to know compositions from different epochs and styles. The two complete Masses and six individual Palestrina metrics testify to Bach's interest in 16th-century compositions. In his Weimar years, Bach first used the works for a theoretical examination of the stile antico, his idiosyncrasies of vocal conduct and modal harmony. In his last years in Leipzig Bach plannedperformances of at least two of the fairs. In this context, he supplemented the works with instrumental parts and a Basso Continuo. The Masses by Giovanni Pierluigi da Palestrina, created by Bach, form an important document on the performance practice of works of the austere style in the eighteenth century.

SEK 428.00
1

Orgelsonaten op. 65 [Johannsen]

Orgelsonaten op. 65 [Johannsen]

With Mendelssohn’s Six Sonatas for the Organ op. 65 a new era begins in organ music. They have maintained their function as role models for more than a century, continuing from Josef G. Rheinberger and Max Reger through Paul Hindemith. “Johannsens technichal mastery and formidable accomplishment on the organ ... is evident throughout this recital, and his imaginative registrations, which never obscure the principal thematic interest, keep you listening.” Classics today 2/05

SEK 249.00
1

Norddeutsche Orgelmusik aus klassisch-rom. Zeit : 1780-1860

Norddeutsche Orgelmusik aus klassisch-rom. Zeit : 1780-1860

For the first time a completely self-contained organ repertoire is presented which originated in the churches of northern Germany after 1780, and yet keeping up the musical traditions of the 17th century. Thus, a many-facetted, “more recent” organ music from northwestern middle Europe is now accessible. Focal points of the music clearly are church songs and counterpoint; a fascinating element is the rich chromaticism. The pieces are of medium difficulty, practical for liturgical or concert use.

SEK 1088.00
1