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Peter Maxwell Davies: Sonata For Clarinet And Piano

Charles Hanon: The Virtuoso Pianist In Sixty Exercises (Book/Download Card)

Charles Hanon: The Virtuoso Pianist In Sixty Exercises (Book/Download Card)

With this newly-edited, complete edition of the essential book of practice exercises, The Virtuoso Pianist In Sixty Exercises is intended to help pianists acquire essential technical and practical skills. The music and text have been updated with a sleek, modern design and the Download Card features audio demonstrations of every exercise. When Charles Hanon first published these sixty exercises in 1873, he intended for the common problems of young pianists to be remedied by the practising of these pieces. Problems like crossing the thumb, the strength of the fourth and fifth fingers, and the difference in right and left hand skill were all common, and still are today. The book itself, however, became dated, making this new and revised edition necessary. Updated with a beautiful and modern new design, these practice pieces are a joy to play, and the included Download Card lets you hear them first, so that you can play them exactly as they should be played. The method involves scales, broken chords and other exercises, split into three sections, 'Preparatory', 'Transcendent' and 'Virtuoso'. Throughout, descriptions help the student to better prepare themselves, while recommended metronome ranges suggest tempos that the student can steadily increase. The Hanon   Exercises have been praised and criticised over the years, but with a sensible practice regime and their incorporation into a more musical and fun schedule, some fantastic results can be gained very quickly.  For over a century, these Hanon Exercises  have been testing amateur and professional pianists, helping them to work on common problems faced by all. With this updated version of the complete Virtuoso Pianist In Sixty Exercises , you can aim to acquire the agility, strength and suppleness that Hanon intended, but with a clean and modern looking design and the innovative, easy-to-use Download Card.

SEK 246.00
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Simon Holt: A Table Of Noises (Full Score)

Simon Holt: A Table Of Noises (Full Score)

Commissioned jointly for Colin Currie by the City of Birmingham Symphony Orchestra and the Borletti-Buitoni Trust. First performance on 14th May 2008, at Symphony Hall, Birmingham, by Colin Currie (percussion) and the City of Birmingham Symphony Orchestra conducted by Martyn Brabbins.NOTE FOR PERFORMANCEIn table top, the unpitched solo percussion part in the 9th movement, the scoring was initially left open. The present full score shows a suggested instrumentation  which was devised by Colin Currie in conjunction with the composer. Soloists  should attempt to match the timbres used, but should not feel constrained by the  exact choice of instruments.COMPOSER?S NOTEThe percussion instruments used in a table of noises in some ways represent the odd things that were on my great uncle Ash?s parlour table that fascinated me as a child. There is even a bottle; there was always a milk bottle with the silver top pushed in surrounded by other essentials for his life. From birth he was quite severely handicapped in one of his legs and couldn?t walk too far without his trusty crutch. He kept everything he needed within arm?s length. In the list of instruments for the solo part there?s everything from deep log drum sounds to very high metallic chime sounds. Wood, glass, metal and a whistle. Mostly small-scale things with a large gong behind, used sparingly. I think that we managed to keep below 30 instruments in all, which I was keen to do. I didn?t want scores of things that are only played once, they have to earn their keep. I didn?t want to use a marimba but thought that trying to make the xylophone sound in a more expressive way would be more of a challenge. The percussionist sits for much of the time on a Cajon, a flamenco instrument which is essentially a wooden box. The player hits the front of the box in various ways, rather as you play a conga. There are guitar strings inside and bells to add to the overall colour. I would like to thank Colin Currie for the extraordinary 3 hours or so that we spent in his percussion studio trying to find potential instruments for table top. I had fully notated the rhythms for the movement, which functions as a cadenza, and knew the kinds of sounds that I wanted, but as I don?t know all the instruments available we were able to collaborate in a very constructive way and make the cadenza what it is now. I see the chosen instruments as being the yardstick for all future performances.

SEK 751.00
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