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Singin’ in the Rain : from Singin’ in the Rain

Singin’ in the Rain : from Singin’ in the Rain

Though the song Singin’ in the Rain first appeared in an early American sound film in 1929, its popularity nowadays is largely attributed to the unforgettable scene from the 1952 film of the same name, with Gene Kelly gleefully singing and dancing through the streets of Hollywood in the pouring rain and getting soaked to the skin. The swinging charm of the song’s melody, also now a popular jazz standard, has now successfully been encapsulated in Anthony Gröger’s new arrangement for string quartet.

SEK 305.00
1

Studies in Rhythm : for Flute

Studies in Rhythm : for Flute

Sometimes it can be quite difficult to play well, rhythmically speaking. To help you develop a good feel for rhythm, Jan van Hulten has written a number of appealing pieces with the attention especially focused on time signature and rhythm. The pieces gradually become more difficult. At the start they are straightforward, using the smallest note value of a quaver. Then, semiquavers, triplets and irregular time signatures follow. Finally, you will encounter all the different rhythms once again in a number of exercises, so that you will not forget them.All the pieces come accompanied by a live combo on the CD - to make your performances totally complete. The CD supports youin keeping strictly to the beat - and that is what Studies in Rhythm is all about.

SEK 296.00
1

Studies in Rhythm : for Trombone

Studies in Rhythm : for Trombone

Sometimes it can be quite difficult to play well, rhythmically speaking. To help you develop a good feel for rhythm, Jan van Hulten has written a number of appealing pieces with the attention especially focused on time signature and rhythm. The pieces gradually become more difficult. At the start they are straightforward, using the smallest note value of a quaver. Then, semiquavers, triplets and irregular time signatures follow. Finally, you will encounter all the different rhythms once again in a number of exercises, so that you will not forget them.All the pieces come accompanied by a live combo on the CD - to make your performances totally complete. The CD supports youin keeping strictly to the beat - and that is what Studies in Rhythm is all about.

SEK 296.00
1

Studies in Rhythm : for Clarinet

Studies in Rhythm : for Clarinet

Sometimes it can be quite difficult to play well, rhythmically speaking. To help you develop a good feel for rhythm, Jan van Hulten has written a number of appealing pieces with the attention especially focused on time signature and rhythm. The pieces gradually become more difficult. At the start they are straightforward, using the smallest note value of a quaver. Then, semiquavers, triplets and irregular time signatures follow. Finally, you will encounter all the different rhythms once again in a number of exercises, so that you will not forget them.All the pieces come accompanied by a live combo on the CD - to make your performances totally complete. The CD supports youin keeping strictly to the beat - and that is what Studies in Rhythm is all about.

SEK 296.00
1

Studies in Rhythm : for Alto Saxophone

Studies in Rhythm : for Alto Saxophone

Sometimes it can be quite difficult to play well, rhythmically speaking. To help you develop a good feel for rhythm, Jan van Hulten has written a number of appealing pieces with the attention especially focused on time signature and rhythm. The pieces gradually become more difficult. At the start they are straightforward, using the smallest note value of a quaver. Then, semiquavers, triplets and irregular time signatures follow. Finally, you will encounter all the different rhythms once again in a number of exercises, so that you will not forget them.All the pieces come accompanied by a live combo on the CD - to make your performances totally complete. The CD supports youin keeping strictly to the beat - and that is what Studies in Rhythm is all about.

SEK 296.00
1

Breeze in the Forest : for Solo Flute and Concert Band

Breeze in the Forest : for Solo Flute and Concert Band

Breeze in the Forest was commissioned for the concert to celebrate the 60th birthday of Professor Haruyuki Nakatsukasa of Osaka Kyoiku University. “Kanreki” is a special term used to celebrate reaching the age of 60 in Japan. The composer was inspired by some of Professor Nakatsukasa’s admirable characteristics upon composing this work: he speaks softly and at the same level as his students; he is fashionable, stylish and refined. The band accompaniment is at a moderate level of difficulty, allowing the solo flautist to choose this work for many an occasion.Breeze in the Forest was commissioned for the concert to celebrate the 60th birthday of Professor Haruyuki Nakatsukasa of Osaka Kyoiku University. “Kanreki” is a special term used to celebrate reaching the age of 60 in Japan. The composer was inspired by some of Professor Nakatsukasa’s admirable characteristics upon composing this work: he speaks softly and at the same level as his students; he is fashionable, stylish and refined. The band accompaniment is at a moderate level of difficulty, allowing the solo flautist to choose this work for many an occasion.

SEK 1852.00
1

Breeze in the Forest : for Solo Flute and Concert Band

Breeze in the Forest : for Solo Flute and Concert Band

Breeze in the Forest was commissioned for the concert to celebrate the 60th birthday of Professor Haruyuki Nakatsukasa of Osaka Kyoiku University. “Kanreki” is a special term used to celebrate reaching the age of 60 in Japan. The composer was inspired by some of Professor Nakatsukasa’s admirable characteristics upon composing this work: he speaks softly and at the same level as his students; he is fashionable, stylish and refined. The band accompaniment is at a moderate level of difficulty, allowing the solo flautist to choose this work for many an occasion.Breeze in the Forest was commissioned for the concert to celebrate the 60th birthday of Professor Haruyuki Nakatsukasa of Osaka Kyoiku University. “Kanreki” is a special term used to celebrate reaching the age of 60 in Japan. The composer was inspired by some of Professor Nakatsukasa’s admirable characteristics upon composing this work: he speaks softly and at the same level as his students; he is fashionable, stylish and refined. The band accompaniment is at a moderate level of difficulty, allowing the solo flautist to choose this work for many an occasion.

SEK 400.00
1

Oscar for Amnesty

Oscar for Amnesty

The central figure in this work is Marianella Garçia Villas (1948-1983). This Salvadorean woman fought for human rights in her country. As a barrister for political prisoners she belonged to the opponents of the regime in El Salvador. She escaped death several times, but eventually her activities cost her her life. The story of Marianella Garçia Villas is very important in the struggle for human rights in South America with many people followed her example. Dirk Brossé ends this symphonic poem with a Coda in which hope for improvements in human rights triumph.

SEK 2684.00
1

Fantasy for Marimba : For Marimba and Piano

Fantasy for Marimba : For Marimba and Piano

Fantasy for Marimba was commissioned by the outstanding Japanese marimba player, Fumito Nunoya. Although it is written in concerto style, the piano not only accompanies the solo marimba but also plays an important part in the development of the work. The piece is written in four movements, played without a break: Allegro, Andante misterioso, Tempo rubato and Allegro energico. Also available for Marimbaphone and Concert Band (DHP 1104731-010/140).

SEK 385.00
1

Capriccio for Saxophones

Capriccio for Saxophones

Capriccio is a term for a musical work that doesn’t strictly adhere to formal ‘classical’ conventions but rather follows its own ideas. The composer Pascal Proust plays about with the listener’s normal expectations in an amusing way, such as presenting a slow swing groove in the piano that is overlaid with a barcarolle-like theme in in the winds, or the colourful coming-together of straight rock and tango… A varied and effective concert piece for four ambitious musicians!Capriccio is a term for a musical work that doesn’t strictly adhere to formal ‘classical’ conventions but rather follows its own ideas. The composer Pascal Proust plays about with the listener’s normal expectations in an amusing way, such as presenting a slow swing groove in the piano that is overlaid with a barcarolle-like theme in in the winds, or the colourful coming-together of straight rock and tango… A varied and effective concert piece for four ambitious musicians!

SEK 305.00
1

Capriccio for Flutes

Capriccio for Flutes

Capriccio is a term for a musical work that doesn’t strictly adhere to formal ‘classical’ conventions but rather follows its own ideas. The composer Pascal Proust plays about with the listener’s normal expectations in an amusing way, such as presenting a slow swing groove in the piano that is overlaid with a barcarolle-like theme in in the winds, or the colourful coming-together of straight rock and tango… A varied and effective concert piece for four ambitious musicians!Capriccio is a term for a musical work that doesn’t strictly adhere to formal ‘classical’ conventions but rather follows its own ideas. The composer Pascal Proust plays about with the listener’s normal expectations in an amusing way, such as presenting a slow swing groove in the piano that is overlaid with a barcarolle-like theme in in the winds, or the colourful coming-together of straight rock and tango… A varied and effective concert piece for four ambitious musicians!

SEK 305.00
1

Capriccio for Clarinets

Capriccio for Clarinets

Capriccio is a term for a musical work that doesn’t strictly adhere to formal ‘classical’ conventions but rather follows its own ideas. The composer Pascal Proust plays about with the listener’s normal expectations in an amusing way, such as presenting a slow swing groove in the piano that is overlaid with a barcarolle-like theme in in the winds, or the colourful coming-together of straight rock and tango… A varied and effective concert piece for four ambitious musicians!Capriccio is a term for a musical work that doesn’t strictly adhere to formal ‘classical’ conventions but rather follows its own ideas. The composer Pascal Proust plays about with the listener’s normal expectations in an amusing way, such as presenting a slow swing groove in the piano that is overlaid with a barcarolle-like theme in in the winds, or the colourful coming-together of straight rock and tango… A varied and effective concert piece for four ambitious musicians!

SEK 305.00
1

Capriccio for Trombones

Capriccio for Trombones

Capriccio is a term for a musical work that doesn’t strictly adhere to formal ‘classical’ conventions but rather follows its own ideas. The composer Pascal Proust plays about with the listener’s normal expectations in an amusing way, such as presenting a slow swing groove in the piano that is overlaid with a barcarolle-like theme in in the winds, or the colourful coming-together of straight rock and tango… A varied and effective concert piece for four ambitious musicians!Capriccio is a term for a musical work that doesn’t strictly adhere to formal ‘classical’ conventions but rather follows its own ideas. The composer Pascal Proust plays about with the listener’s normal expectations in an amusing way, such as presenting a slow swing groove in the piano that is overlaid with a barcarolle-like theme in in the winds, or the colourful coming-together of straight rock and tango… A varied and effective concert piece for four ambitious musicians!

SEK 315.00
1

Capriccio for Horns

Capriccio for Horns

Capriccio is a term for a musical work that doesn’t strictly adhere to formal ‘classical’ conventions but rather follows its own ideas. The composer Pascal Proust plays about with the listener’s normal expectations in an amusing way, such as presenting a slow swing groove in the piano that is overlaid with a barcarolle-like theme in in the winds, or the colourful coming-together of straight rock and tango… A varied and effective concert piece for four ambitious musicians!Capriccio is a term for a musical work that doesn’t strictly adhere to formal ‘classical’ conventions but rather follows its own ideas. The composer Pascal Proust plays about with the listener’s normal expectations in an amusing way, such as presenting a slow swing groove in the piano that is overlaid with a barcarolle-like theme in in the winds, or the colourful coming-together of straight rock and tango… A varied and effective concert piece for four ambitious musicians!

SEK 305.00
1

Capriccio for Trumpets

Capriccio for Trumpets

Capriccio is a term for a musical work that doesn’t strictly adhere to formal ‘classical’ conventions but rather follows its own ideas. The composer Pascal Proust plays about with the listener’s normal expectations in an amusing way, such as presenting a slow swing groove in the piano that is overlaid with a barcarolle-like theme in in the winds, or the colourful coming-together of straight rock and tango… A varied and effective concert piece for four ambitious musicians!Capriccio is a term for a musical work that doesn’t strictly adhere to formal ‘classical’ conventions but rather follows its own ideas. The composer Pascal Proust plays about with the listener’s normal expectations in an amusing way, such as presenting a slow swing groove in the piano that is overlaid with a barcarolle-like theme in in the winds, or the colourful coming-together of straight rock and tango… A varied and effective concert piece for four ambitious musicians!

SEK 305.00
1