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Child Prodigy Composers

Child Prodigy Composers

This miscellany offers a selection of childhood compositions for piano by Mozart, Beethoven, Mendelssohn, Chopin, Liszt, Tchaikovsky, R. Strauss and Bartók (written when they were under fourteen). With child composers we generally search in vain for traces of their later characteristic, individual style. They still speak the musical language that they have become familiar with up to that age and therefore, as with the portraits to be found on the title-page it is difficult to determine who is represented in some of them, similarly in the case of most of the pieces the odds are against our guessing who was the composer. It appears that it was dance music in particular that caught theimagination of these brilliantly gifted children, thus the majority of the pieces included in the volume are some kind of dance: minuet, ländler, polonaise, waltz or polka.

SEK 186.00
1

Child Prodigy Composers 2

Child Prodigy Composers 2

This is a sequel to the highly successful publication entitled Child Prodigy Composers (EMB Z.14773). In this second volume the majority of the pieces are works recommended for pupils in the upper music school classes, and indeed some can be used successfully in secondary level teaching as well. Here too, most of the compositions were written before the age of 14 - it is amazing what a highly developed piano technique some of these young composers already possessed at the age of 13 or 14! In addition to Muzio Clementi's A flat major sonata, the Allemandes by Carl Maria von Weber, Schubert's surprisingly mature C minor fantasia, the prodigiously talented Clara Schumann's twopolanaises, Mussorgsky's brilliant polka, a sensitive waltz by Scriabin and Borodin's showy (but not difficult) four-hand polka, this volume also contains works by a Hungarian composer: the hitherto unpublished mazurkas by Ern Dohnányi, written at the age of 11 and 12

SEK 216.00
1

Klarinettenschule I

Klarinettenschule I

György Balassa and Kálmán Berkes Clarinet Tutor has stood the test of time over decades, and its first volume takes three aspects into account: diversity, continuous technical development, and characteristics that are unique to Hungarian music. The publication for novice players is rooted in its use of Hungarian folk songs, but it also contains some classical compositions, along with works by 20th century Hungarian composers. The two composers have also included pieces written for two clarinets to help prepare students for later practice with polyphonic music.

SEK 226.00
1

Der Steinhauer - The Stonecutter : Thirteen little piano pieces for beginners after a Japanese tale

Der Steinhauer - The Stonecutter : Thirteen little piano pieces for beginners after a Japanese tale

Individual scenes from an old Japanese story have been set to music by the composer in the form of thirteen easy little piano pieces. The volume contains not only the pieces but also the story (in the original Japanese, and also in Hungarian, English and German), thus the series can also be performed almost as a stage production: one child, as the narrator, reads the story, while at the appropriate points in the story other children play each corresponding piece. This work is being published in the year of the Hungarian-Japanese Cooperation.

SEK 226.00
1

Valse Triste

Valse Triste

Ferenc Vecsey (1893-1935) was one of the greatest virtuoso violinists of the early twentieth century. He was soon noticed as a child prodigy, and after his early violin lessons from his father, he became a pupil of Hubay. His first known public appearance was at the age of 6 in Tátraszéplak (Tatranská Polianka), and a few years later in Berlin he made his debut abroad. There he heard the elderly maestro József Joachim, who was astonished at the talented boy's playing. So started the young Vecsey's performing career: he gave a dozen or so concerts in Germany, then followed a series of concert tours all over the world (in 1906 in Spain, Bartók was his accompanist). From1907, his permanent place of residence between concerts was Berlin, where he began to study harmony and counterpoint. Soon he began composing himself, mainly writing virtuoso pieces for his own concerts, of which the Valse triste became the most famous. Other musicians were also happy to include this short character piece in their programmes.Vecsey later settled in Italy. He died unexpectedly at the young age of 42.

SEK 147.00
1