Easthorpe Martin: Come To The Fair (2-Part)

Easthorpe Martin's Come To The Fair for two-part choir with piano accompaniment.

Johannes Eccard: When To The Temple Mary Went (SATB)

'When To The Temple Mary Went' scored for mixed voice choir SATB, with piano accompaniment.

Easthorpe Martin: Come To The Fair (In A)

Easthorpe Martin's Come To The Fair, with lyrics by Helen Taylor, for Voice and Piano accompaniment, in the key of A.

Stanley Dickson: Thanks Be To God

Thanks be to God is traditional in style and lends itself well to this four-part arrangement with stately chordal accompaniment. Few people know that ‘Stanley Dickson’ did not write this internationally renowned song of thanks. There was no ‘Stanley Dickson.’ It was a pseudonym, one of several used by Australian composer May Brahe to allow publishers to print more of her prodigious output. The only Australian woman composer of international renown in the first part of the 20th century, May Brahe also penned Bless This House and nearly 500 others.

Easthope Martin: Come To The Fair (Unison)

With text by Helen Taylor, this setting of Come To The Fair is for Unison voices, and is ideal for any school choral group. A song of great gusto and celebration that will enliven any choral programme.

Easthope Martin: Come To The Fair (SSA)

Arranged by Henry Geehl with text by Helen Taylor, this setting of Come To The Fair is for a trio or chorus of female voices and is ideal for any school choral group. A song of great gusto and celebration that will enliven any choral programme.

Stanley Dickson: Thanks Be To God

Thanks Be To God arranged for Female Trio by Clarence Lucas. Words by P.J.O'Reilly.

Easthope Martin: Come To The Fair

Come To The Fair, a quartet arrangement for SATB and Piano. Lyrics by Helen Taylor.

Dexter, H Steal Away To Jesus 2 Pt

Steal Away To Jesus , arranged for 2 part Choir by Harry Dexter .

Franz Schubert: The Trout (Piano Solo)

In this easy to intermediate arrangement, a student pianist will become familiar with Schubert’s themes and changing tonalities to a certain extent, and begin to open a window onto this delightful work.Schubert’s Piano Quintet in A Major, written in 1819 and published after his death, has unique sonorities due to its instrumentation: Piano, Violin, Viola, Cello and Double Bass, rather than the usual String quartet with Piano. It received its nickname from its theme, borrowed from a song that Schubert had written entitled The Trout.

The Easiest Tune Book Of Songs To Play And Sing

These songs to play and sing have been arranged as simply as possible for young pianists. The left hand is entirely in the five finger position. There are no key signatures used. Compiled and arranged by Eleanor Franklin Pike.

Franz Schubert: Air From Rosamunde

This setting of a text by Delia Stuart has been written for two voices with a full Piano accompaniment. A pastoral and joyful 2-part song ideal for the classroom or to bring cheer to any choral performance.

Dell'acquq Villanelle (With The Swallow) Vce/Pf (In Bb) With Cadenzas

Eva Dell'acqua: Villanelle (With The Swallow) Vce/Pf (In Eb) With Cadenzas

Eva Dell’ Acqua, the composer of Villanelle was also the composer of opera and stage piece as well as many works for Orchestra, chamber Orchestra and Voice and Piano. Her late Romantic style perfectly suits the pastorally themed villanelle by Frédéric vander Elst.For the singer, the long cadenza sections offer excellent scope for display of Vocal virtuosity.

The Easiest Tune Book Of Flowers

These tunes with words to fit them, have been arranged as simply as possible for the young pianist. The left hand is entirely in the five-finger position. Compiled and arranged by Eleanor Franklin Pike.

Thomas Morley: Now Is The Month Of Maying (2-Part)

This version of Thomas Morley's Now Is The Month Of Maying has been beautifully arranged for two part Treble Voices with Piano Accompaniment by Alec Rowley. This spirited and merry piece is most enjoyable to perform.

Johann Strauss II/Josef Strauss: Pizzicato Polka (Piano Duet)

This arrangement for Piano Duet depends upon the most delicate of staccato to reproduce the pizzicato effect, so it is both a delightful piece and superb practice for the intermediate pianist.Johann Strauss wrote the Pizzicato Polka, scored for String Orchestra with glockenspiel, with his brother Josef for a trip to St Petersburg. On the evening the novelty piece was introduced, such was the crowd’s enthusiasm that it was performed nine times. Similar scenes followed wherever the work was performed and it became one of the pair’s most popular works.

Eva Dell'Acqua: Villanelle 'With The Swallow'

For Voice and Piano.

Felix Mendelssohn: O For The Wings Of A Dove (2-Part Choir)

Mendelssohn wrote the Christian anthem Hear My Prayer in Germany in 1844 and premiered it the next year in London. William Bartholomew wrote the English lyrics as well as collaborating with the composer on his oratorio Elijah.Wings of a Dove, the second part of Hear My Prayer, is frequently performed as a separate work and was made famous in the UK through a 1927 recording. The work was originally written for SATB Chorus and Organ or Orchestra, and is here rendered for two Voices with Piano, transposed from G to F to meet the requirements of amateur singers.

I Want To Go Home

Hay Song With Rhyme And Reason Satb

A Rowley: Humoresque From Six Impromptus

Humoresque makes use of syncopation and staccato to create a light-hearted mood, with a slightly slower middle section for contrast before a return to the initial theme and a rocketing finish.Twentieth century British composer Alec Rowley was also an Organist, pianist and dedicated teacher. Many of his compositions are miniatures and works appropriate for amateur musicians, though he also gained renown through his large-scale works performed at the Promenade Concerts and elsewhere.

S Foster: Jeanie With The Light Brown Hair

Arranged for Two part Singing by Harry Dexter

S Dickson: Thanks Be To God

Weber, Invitation To The Waltz Piano